There are two kinds of people
Sharks and
sheep

Sharks are winners
They never look back
Because they have no necks

Necks are for sheep

Kamau Brathwaite wrote
That "the hurricane doesn't roar in pentameters"
And I really believed it could be true
That Caribbean hurricanes had their own cadences, their own dances :
Ida was reggae, Allen was merengue Brigitte was gwoka
David was cha cha cha and Edith was kadans rampa and Dorian calypso
All dactyls hatched instead of iambic pentameters
Out of each island Zeus 's head
Until i met the still eye of Hurricane Muse.

Muse was her nickname
Her real name was Shar
Named after shark and share and shear
and sharon,
Named after a calypso rose
Fearless except for lizards, a rose of  tiny thorns
With a taste of a stormy black coffee
Born to a dragon of Jade and a   white *** tigress
In the midst of the 1961
hurricane season.
Shar has the S of Sébastien Sally Sam Shary Sean and Sara
The H of Humberto Hanna Henri Hermine Harold and Hélène
The A of Andrea Arthur Ana Alex Arlene and Alberto
And the R of  Rebecca René Rose Richard Rina and Rafael
And she dances not only calypso
And quadrille and zouk
But a mix as well of Salsa Hustle Affranchi and Reggae
In iambic pentameters
While she gently paints fearless green lizards
Having her five iambs of coffee
First thing in the unstressed and stressed morning
Before she even opens the syllables of her still Muse eye.

Throw me to the sharks
and let me see how the beast
inside of you thinks

6:09 PM
9/7/19

Your skin of teeth never scared me.
Your taste for blood begged me to come closer,
till the tip of your nose touched mine.

Now we are both hypnotized

At the depth of night,
I stood,
You were there,
Circling,
Circling me like a shark does to their prey.

I’m straining my arms and I’m pulling my shoulders,
from pushing each line and carrying our shared boulders.
And my hands are burned and skin’s scraped,
knuckles cracked and broken fingertips,
a few careless words escaped
and I wished to push them back behind my lips.

I’ve got the motor warm and running,
and the waves have settled as they should,
I write down just how I find you stunning,
I would voice it if I only could.

You ask if I’m confident and I tell you I don’t know,
can I make an impossible jump,
oh holy Holly, I don’t think so.
I’m no Henry, no Fonz, no Winkler,
I’m not a stunt performer on T.V,
I barely run through the sprinkler,
I sure as hell will find death in the sea.

The rope’s as tight as a fresh noose,
and my ski’s barely fit my bottom soles,
my hands are clenched just too loose,
I would prefer to be sleeping on coals.
The crowd’s cheers become a lashing,
blood dissolved into the water and salt,
an angry tail’s now thrashing,
my situation is entirely my own fault.

I’m jumping the shark,
without a trial run.
Leaving an infamous mark,
just before it’s all done.
I’m jumping the shark,
it’s the end to my character arc.
I’m jumping the shark,
desperation has never stood so stark.

I’ve glimpsed shadowed empty sets
and walked among great ruins,
I’m tired of swimming in regrets,
pretty please, can I hide in your flesh wounds?
I’ve been taking theatre classes
to act like I’m not terribly bothered,
but every beach goer casually passes,
my body that’s been brutally slaughtered.

I want to feel the water the way that I once did,
with carefree wonder like when I was a kid.
But I always hated the sand, and the way that it encased my toes,
but they’re calling me to set to stand, to see how this final shot goes.

The hoop is placed ontop of a mild wave,
I wish that they engulfed it first in flame,
they praise me for being so brave
but it’s I, not the shark, that is tame.
They’re calling out the term “action”
and I look for my highlighted script,
I only read a small fraction
before I thought it best to rip.

I’m jumping the shark,
without a trial run.
Leaving an infamous mark,
just before it’s all done.
I’m jumping the shark,
it’s the end to my character arc.
I’m jumping the shark,
cut camera and roll credits in the dark.