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Sibil Benny Jun 30
Smoke slithered skyward, a silent silver hymn,
Like snakes of sorrow where the light grew dim.
My body, bruised, crept low through war’s refrain,
Yet my heart rang loud in the hush of pain.

The grass, like velvet, welcomed weary skin,
As pines above swayed slow in sacred spin.
The heavens stretched — a canvas washed in gold,
A breathless scene too wondrous to be told.

The Sun emerged, a monarch on his throne,
Scattering sapphires where the wind had blown.
Each blade of grass wore jewels like a bride,
With dewdrops dancing, star-like, side by side.

“Steal them!” stirred the mischief in my chest —
But peace, not plunder, filled my soul with rest.
The fields lay still, like hearts in silent prayer,
The world — a whisper held in morning air.

A single drop, like love, fell on my face,
A gentle kiss, the sky's forgiving grace.
The breeze began to hum a nameless tune,
The clouds gave way, and rain became a boon.

Each dewdrop held the story of the land,
A mirror forged by time and nature’s hand.
They gleamed like thoughts too deep for voice or ink,
Then vanished softly at the eyelid’s blink.

I closed my eyes — not sleep, but soul’s retreat,
Wrapped in the warmth of dawn’s unfolding beat.
Even as darkness tried to claim the day,
The dew kept shining — soft, and sure, and gray.

And I, though broken, found my burden gone —
Bathed in the beauty of the dewy dawn.
This poem is a quiet testament to resilience found in the softest places — a battlefield of sorrow softened by the healing touch of dawn. In its verses, smoke and bruises yield to grass and dew, reminding us that even amid ruin, nature hums her hymns of renewal. May these lines meet you like a drop of morning rain — fleeting yet enough to cleanse a wound unseen.
I've hidden it for such a length,
All the pain and suffering,
I believed my hidden strength,
Would be all this enduring,

Guess I was wrong about it all,
Now my bottle starts to crack,
My heartbeat now feels so small,
As if I'll get a heart attack,

That pain is what I may've known,
It may just be what I did hide,
Never may all this be shown,
I'm just not ready for that ride,

They said you're so mature,
So emotionally intelligent,
Guess It's in your nature,
A kid ever so diligent,

Intelligent? I know my feelings well,
I know them better than you think,
But there's a reason I will tell,
Who would I tell? I've got no link,

About my feelings I have told,
Only to one other,
Perhaps I'll just let it here unfold,
Not even my own mother,

I know so well only because,
I've only told things to myself,
None to give a round of applause,
I listened for my better health,

I really needed to be heard,
So I just made myself that guy,
A person who would say a word,
No need to give another try,

Despite it all I keep on going,
Despite it all I still have hope,
Despite it all I keep on growing,
Despite it all I climb this *****.
Ever felt to be on the verge of breaking?
Malia Jun 28
Eleven-years-old should be bold and boyful
Joyful, jelly beans and snow on Christmas
Robert Frost’s birches, swinging on branches
Latching to hopes that have yet to become.

Seventeen should be dreaming, dress-up as grown-up
Growing and grinning and racing the time—
Sprint to the finish, and then look behind
Hours to minutes and seconds to breaths.

But his face had roundness that gave way to edges,
Glittering, forged from the weight of the press
How much can you take away from the boy?
You take and you take until there’s nothing left.

He howled at night, at the stars and the sky
He’d have pulled down the moon, if only he could
And he should, he ought to have clawed down the heavens
For the hole gaping wide, for a god who deserts.

And still, though he trembled, sweat slicking his skin
When he saw you watching, he gave you a grin.
It was tender, titanium, tenacious and thin
And tremulous, breaking apart in the wind.

His fingers pressed into the dirt and the dice
Then he gazed at you, O Fate, like a vise
His heart made of gold but his eyes made of ice
And he told you, O Fate:
“𝑵𝒆𝒗𝒆𝒓 𝒂𝒈𝒂𝒊𝒏.”
With a naked eye,
I share these naked thoughts—
so bear with me a moment.
You found me in a vulnerable stance—
bare, but still standing on business.
Banking on every dream that still
has a resting chance.

Even when life feels mundane in too
many ways—I keep pushing, fighting
the material gaze of critics, and the
cryptic ways some people define love
and measure trust.

But between all people, there is life—
and in life there’s the chance to live out
a dream, to become who we are without
shame, to love who loves us back, yet still,
hold out a hand, as an extension of love
to those who need it the most.

And maybe, just maybe—that’s the kind
of dream worth believing in.
Kalliope Jun 26
I want to build a sandcastle
Sturdy and tall-
With towers and turrets
And cool shells on the walls.

A tower of books
As high as magic will grow it,
A balcony glowing
When the moonlight shows it.

I want a coral garden
Sprawling wide at the edge,
With tide pools like secrets
And starfish living along each ledge

There’d be laughter in the halls,
And windows facing the sea-
A peaceful place to live where I can exist as me

Seahorses in each stable-
Pampered and content,
Turtles everywhere happy to hear me vent

And when the tide comes and sweeps it all away
I'll have no tears to shed, I can build another the next day
Someday someone may join me in my endless castles of sand,
But I'm content being lonely so long as my imagination still stands
In my eyes—wide shut—
I rearrange the scattered pieces, trying
to build a better version of myself from
what once felt like a creature. I frame
my thoughts to get a clearer picture,
decorating the past in shades that turn
away from mistakes, and painting the
rest with the soft light of my achievements.

Time drifts like dust—
blown apart in fragments. And I wonder
if anyone has ever truly been put together
perfectly. Even the greatest successors were
once victims, parts of themselves quietly missing.

To be complete is to keep finding yourself
again—to return, again and again, to the
reason you began. I stay committed to the
foundation of a dream, building it day by
day from these few, fragile pieces.
I’m in a drought for time— yet flooded with ideas.
as the sun rises with the dust, and by dusk, all hope
feels spent, or quietly scattered.

I know destiny calls— even without a map, signal
or a location marked. "Yeah, I don’t know what
I’m doing," I often confess, in quotation marks—
still walking toward the shape of who I’m meant
to become.

Pushing through bruises and bitter slights—real joy
flickers, but most smiles still feel perfectly rehearsed.
To stay above the arrows, but never ahead of myself—
sharp enough, still, to pierce through the soft fabric
of my many, many daily doubts. And I’m learning:
sometimes the cage has no door— but only the illusion
of one, built from fear.

There’s always a world just outside of it— waiting.
We’re all just finding ourselves day by day.
And life? It’s one day after another— until, finally,
you recognize the person you've been becoming
all along.
star Jun 22
carry on 5.7.25 (3:39 pm)
sure, maybe everything is going wrong
it’s always been ****** up
i was just too busy to notice

but we’ve always got to carry on
carry on,
carry on, hold your baggage close
hold a suitcase full of memories
wear a backpack full of grief
they might hurt your shoulders for now
but these kinds of things make you stronger

carry on,
carry the ones you love with you
carry on, always carry on

maybe you’ve lied
and maybe you’ll lie again
but we can forget and carry on

maybe you’ve betrayed me
and maybe you will again
but i can forgive
and carry on

carry on
because what else can we do?

[playing: imperfect for you by ariana grande]
i don't know if i've posted this before or not
The 101 slopes like a spine bent too long.
Camarillo yawns wide in the morning hush,
valley stretching slow, hills bare-shouldered,
fields glistening, half-asleep, half-prayer.

Lemon trees blink slow, bruised gold in the mist.
Figtrees call a name behind a rusted gate.
Sagebrush whispers gossip through chainlink,
its breath full of stories that outlive the tellers.

To the east, the nursery stirs,
plastic sheeting *****,
row tags flutter in the wind.
A thermos, abandoned, rests by a wheelbarrow.
Mud boots, discarded,
stand like sentinels
against the wood plank wall.
No footsteps follow.
I never asked where they went.

Matilija poppies raise their paper-white heads,
and the raspberries, furred with morning dew,
shiver, just slightly,
as if remembering friends
they were no longer allowed to say.

A coffee roaster hummed somewhere distant,
low and steady, warming the wind.
That scent I never could shake,
burnt and sweet.
I could almost belong here again,
but it’s not mine without them.

I worked inside this valley with my back.
With my knees.
With the same hands,
now soft on the wheel,
muscle memory steering roads
as if nothing ever left,
as if the ghosts still ride along.

I pass a strawberry field, stitched in silence,
no voices rising in laughter today,
no corrido escaping from a shirt pocket radio,
no teasing between the furrows,
no calloused hands tossing tools,
only the soft ticking of irrigation
and the hush of work
that now waits for no one.
This silence has been swept, labeled,
nothing out of place but sadness.

I was here with them,
but only as a pair of eyes,
that never opened wide enough.

The strip mall stands like a broken promise,
painted stucco, faded western wear,
alongside roadside markets
missing the opening crew.
Still, the hills lean in to listen,
velvet green with memory,
quiet as folded hands.

Even now, under this sun,
the dust knows who knelt here.
Who sang into the rows,
who fled before sundown,
their names erased from the ledger
but carved into the earth.

And in soil’s hush,
their names still root and rise.
In the aftermath of the immigration raids, the migrant workers I knew in Southern California, especially in Ventura County, began vanishing overnight. Faces I shared shifts with, broke bread with, waved to across the nursery lots and strawberry rows, disappeared without a word. Their absence is not abstract, it’s in the empty chairs at the diner, the shuttered produce stalls, the silence where songs and stories used to rise. These are the hands we rely on, the hands that shape the harvest, and now they hang suspended in uncertainty. The fields remember them, even when the tourists do not.
Ballerina creases – a ballad of broken pieces,
Break me down in parts, where pain still leases.
My past lives on in inches, bruised by time,
Dancing round the reasons, moving out of line.

Features of me—like a painting left incomplete,
Still breathing, still dreaming, still finding my feet.
Out in the field, trying not to fall behind,
One step ahead of a runaway mind.

Stable thoughts, but the engine’s wild—
Horsepower pulling my inner child.
A wagon of dreams, heavy with code,
I’m stalling, I’m shifting—about to load.

Don’t sell your soul or cheapen your goal,
Even the prettiest dreams can be sold.
We don’t own it all, yet still owe it all—
Through rain and snow, we rise, we fall.

Chasing myself through a frozen road,
Where passion burns, and a runny nose shows.
They can’t see breath—or the vision you hold,
But seeing it yourself is what helps you go bold.
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