angels are not messengers for god -
angels are a warning of god's true intentions.
true feelings.

burning for eternity
       power at the highest cost
paraded with charades of affection
       cast down without a second thought

a ******* fire
     kept aflame and
          cast aside by her creator

a ******* fire
     acknowledging hurt
          perpetuated by this "savior"

angels are a warning -
do not be afraid of me
be afraid of who created me.

LORD GOD i know it's been a
while since my knock
knees bruised the floor
sweating hands prostrate
still trembling. starving, LORD.
sated, LORD.  please, thine
cut-and-dry intimations intimidated
by each opaque insinuation;
JESUS CHRIST Gag Me.
i am tangled razor wire
twisted desire LORD GOD i
know it's been a while.

up until you are four feet tall
you think you're gonna be the next ****** mary;

every day you comb your hair with soap-dry fingers
and dress up like the sky.
you practice raising your hand and using it
to press the cumulonimbus waiting between your lips
gently down your throat;
you practice being clear;
you practice cursive till it's circuitry

at lunch, you fold airplanes with precision,
cover them in crayon script and
throw them toward the floaters
in your vision, past birches
and the pale afternoon moon.
your worst will dive to a floor stained with pizza grease;
your best will only sit indefinitely
on the reachless windowsill
of the school cafeteria

you and your best friend
practice getting married at recess,
gathering dandelions and buttercups into sloppy bouquets
till she gets stung by a bee
and is led inside through gray hallways.
you play statue on the grass in a dark green jumper
and look for white clovers while you wait for the bell

your third grade teacher has you
dressing 'venial sin' and 'mortal sin'
in lemon-scented ink that burns your lips
but not the page;
it makes you taste petrichor
writhing in your teeth, hear downpours
against the wild soil of your esophagus and cheeks,
and in a few years you'll try to bury your guilt
with acorns deep in that sandy ground

you're used to laying upside-down on your bed
wondering if jesus ever lied to mary and joseph
about climbing trees under bethlehem's star,
if he let their branches color
his books green, his hands purple.
you wonder if it's sinful
to scar notebooks how you do, how he did:
quiet, inhaling--

--

at five and a half feet tall, you still feel
like how jesus' notebooks probably weren't:

you allow the dots on your i's to dangle too far to the left,
your clothes and hair and sky to be scorched
by prism fragments and setting suns

and, sometimes, you let the clouds between your lips talk for you,
and, sometimes, every syllable is a promise from god after the flood

but sometimes you kneel in back pews
and recite a tenth hail mary
and think about whether she ever held a hand
that was stained yellow from the petals of palm-warmed flowers:

and sometimes you're blank again

I didn't see it coming;
I expected nothing else.
Thirteen years old, hiding behind the rules
so I didn’t have to face
that shortcoming, that missing piece.

Once I had accepted limitation as
the sublime:
something that would come in time.
The constraints, then, gave it meaning,
deciding who says what.
Syntax is rules, and rules are limitations.
Without them, we are-- what?

But in time I came to want it,
that freedom to--
I traded "pressure to not" for "pressure to do".
Peering through the rhetoric,
I ventured into the upper reaches, and
I came apart.
There was nothing to hold me together
in this elevator, its yellowed walls crumbling away.

“Not all freedom is good. You can have terrible freedom.”
Was it the mother or the Aunt that said this?
Or Friedrich “entsetzliche Freiheit”--

Ah, Schiller.
What of the Mrs? Did she have freedom
in her husband, in Richard F.?
More freedom in the
(****-and-) (ball-and-) chains
than in the haze of youth?
The most, then, (it can be presumed)
from her departures: first to Alaska,
then even farther north, from where none return.

As freedom dissolved into expectation,
itself now another limitation, I wondered.
Which had it worse:
the woman (machine) outside the yellowing elevator walls,
or the girl (ghost) pacing within?

and under the eyes of god he takes me
he kisses the skin crafted by angels
tainted by men
and tastes the sweet suckle honey
from between my hips
all of which makes me holy
he traces and kisses with a sharp tongue
and licks up red wine spilt fresh on my satin sheets
he wipes my tears with razor blades
in hope to see something virtuous