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The Unsaid Sep 15
you,
you get me.
like a cold whisper wrapped in chrome,
a sharp promise in a stranger’s home.
you don’t knock.
you don’t wait.
you slip in,
like silence disguised as fate.

you found me,
where ache sang loud,
where sleep ran dry,
where love and connection died,
and nothin' was allowed
but pain—
and the desire
to make it stop.

so I picked you up.
slammed hope down with the plunger,
felt the fire hum
as it rolled like thunder
through my veins—
and everything went
quiet.

and in that quiet,
he was there..
in the burn, the gasp for air,
his ghost pulled up a chair—
like we were finally real.
not just words.
not in time.
just this..
this ritual.
this ruin.

maybe it’s grief.
maybe it’s love.
maybe I miss him enough
to hurt myself to get close
just one last time.

you,
you see the real me.
no mask, no dilution,
raw, like nerve exposed.
you don’t judge.
you don’t speak.
you sink in deep.
you let me bleed.
you gave me peace.
you gave me space
to dream of some place
soft and slow—
between the devil and death's
kind relief—
anywhere but here.

you left tracks like poetry.
the monster stirred
but i didn't worry,
didn't breathe a word,
you brought me back,
for seconds at a time.
in that blur, in that high,
feel the pull from within the tide,
i sign the song of the the needle’s rhyme.

that’s the madness—
the comfort in staying sad.
found home in loneliness.
you aren’t the high.
you’re the hand that held it.
the lie
that knew I’d always sell it
to myself.
time and time again.

o needle,
you elegant reaper,
you plastic preacher,
you quiet sleeper,
you stitched a father
to his son
in blood—
not bond—
and called it love.

but I will reach again,
with my hands undone.
one more breath,
one more run,
still, every time I wonder,
if the needle’s already won.
addiction was my coping mechanism. it certainly wasn't the right solution, but it was a solution, nonetheless. slowly killing me with poison, while saving me from heart ache. this isn't a love poem about addiction, its the realization that grief and love are opposite ends of the same emotion.
CE Uptain Sep 15
No one can hear me
I use soft lead
It’s not what I wrote
But what you have read

Get past the lines, into the spaces
Truth and love, my pen always chases
How about this, what if I were to say
All of the things that make me feel this way

Any verse, now they’re all the same
What is up with that, what’s in a name
No one left but my pen and I
Ink smears when I start to cry

9/12/25
Another poet's lament.
loneliness settles in my bones
burrowing deep into cracks and crevices
slicing deep
as I stare into the abyss
my heart weeps from the pain
the ringing in my ears drives me crazy
let me feel whole for once
not shattered like a mirror in a fight
let me be free from the shackles
the shackles on lonesomeness
I'm a prisoner in my own mind
RT Naintial Sep 14
My eyes bulge out to escape
this tremendous crying,
My heart strains its muscles
to break the rib cage,
neither cared nor ever will,
it eludes from this turmoil,
day by day i watch my skin
sullied,
and those non-existent muscles
ailing as they drag throughout the day,
my bones are of dust,
now i feel as my body would appreciate a ever-lasting hug from
mother earth,
as her fingers glid through my ruins and feed nutrition
i would like to dissolve in this moment,
wholly all the flowers which grew upon me
will tell stories of me,
of a girl too young to breathe
so she kneeled.
CE Uptain Sep 14
I can see the moment
My heart first saw you
It only took a second
To know that it was true

From that very moment
Love would join two hearts
Only in that moment
Life would join to parts

One part is yours and one is mine
The shortest distance between, a straight line
Straight to your heart, that’s all I can see
Loving in you, what I’m feeling in me

9/12/25
Love happens quick.
RT Naintial Sep 14
i cry,
i cry,
i cry for a life time over the million times i died when i used to try.
I mourn,
I mourn,
i mourn for the innocence that hovered and the promises they sworn.
I lift myself up
and
ask why?
Why would there be an answer except lies.
They don't realize the harm done
and how my soul got undone.
This all was mundane
yet you had fun.
will the nitpicking of my flesh ever stop?
will the conquest for my blood ever stop?
Another few questions to ask
yet no answers to give
none ever will
Thomas W Case Sep 14
The silly minutes
rage by like a
falling cuckoo clock.
Dilapidated dreams are
bent and burnt like
autumn leaves.

**** the cliches.
Time hurts, like a
gaping wound.
Hold it close, and
value every precious
second.
https://www.youtube.com/watch?v=aMbrfKP2H38
Here is a link to my YouTube channel where I read from my latest books, Sleep Always Calls, Seedy Town Blues, and It's Just a Hop, Skip, and a Jump to the Madhouse. They are all available on Amazon. The latest video is of a reading I did at the Clear Lake Public Library.
Fiona Sep 13
Every day the voice grows louder, a low tide moving over the edges of my life until there is almost nothing left but the hush it leaves behind. It does not shout; it never needs to. It leans close in the quiet hours — when the city exhales, when the kettle has gone cold on the stove — and speaks with the steady softness of someone who knows every fracture inside me. Its words are not cruel. They are velvet-soft invitations, the kind that makes you forget the jaggedness, of the world for a moment and imagine only the ease of surrender.

There is a warmth to it, and that is the strangest part. I find myself startled by how gentle it feels, like a hand at the small of my back guiding me towards something that will end the ache without explanation. Around other people I have known harshness that didn’t pretend it was anything else. With them there were arguments and doors slammed and the brittle noise of disappointment. This is different; this is a quiet that hums a lullaby and calls me by a name I used to like. In another life — or in another dream — it is not Death at all but a lover waiting in a doorway with a coat in their hand, patient, familiar, and impossibly kind.

I want to lean into it as you would into a familiar shoulder. I imagine running my palms along its calmness and finding there the kind of rest I have tried to find in strangers’ eyes. There’s a softness in the idea of being held so completely that the need to fight for air fades, and when the thought comes it does not arrive with accusations but with an understanding so thorough it almost feels like mercy. In my mind it becomes a room with low light and no questions; it becomes the end of the long, useless performance of holding myself together for people who never learned how to hold me back.

And still, even as the comfort seeps into my bones, there is a tremor, a recognition of the impossibility of it all. To let myself lean fully is to cross a line I have been warned about, to step into a hush that is both a promise and a disappearance. Yet I imagine the embrace anyway: the quiet ripple of its presence threading through my chest, a tide that lifts me free from all the jagged edges I carry and all the expectations I have stitched onto my skin. It is not violent, not demanding, not impatient — it is a patience that knows I will come, eventually, in my own time.

I think of all the nights I have spent alone, staring at walls that could not listen, and I understand that this is the voice that has been waiting. Its gentleness is a kind of violence against my loneliness, dismantling it piece by piece until the walls fall away, and I am left with nothing but the hush — nothing but the undeniable clarity that somewhere, in the softest corner of the world, I am seen, I am known, I am held. And for a moment, that is enough.

The more I listen, the more I remember — not faces or names, not places exactly, but sensations, brief moments I thought I had forgotten. The smell of rain on asphalt, the warmth of a stranger’s hand in a city that never stops moving, the echo of music I can no longer place. Each memory trembles when Death speaks, and in its voice I feel the fragile thread that connects them all: the ache of being alive, the wonder of having survived it. It is both cruel and merciful, the way it uncovers the tenderest parts of me and holds them without comment.

Sometimes I imagine speaking back. I imagine asking Death if it has known what it is like to carry a body through years that never learned gentleness, to hold a heart so bruised it forgets it can beat at all. I imagine its reply, soft and knowing: that it has known, that it has always known, and that it is here now, waiting, patient, unwavering. I picture the quiet room stretching around us like a cathedral of a hush, each breath a candle flame, each heartbeat a soft echo of something I almost dared to hope for.

There is a strange courage in this imagining, a boldness in feeling the pull without needing to act. I do not have to move; I do not have to surrender. I only have to let the voice settle around me like smoke, let it fill the corners of my mind that have been empty for too long, and notice what happens when the world finally stops insisting that I am not enough. And in noticing, I feel something like grace: the sharp edges of existence dull, the questions fall silent, and the ache softens into a kind of recognition. I exist. I am here. I am known.

And sometimes, just sometimes, I reach toward it — not fully, not yet — and the hush leans closer, and I am home.
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