“My love to thee is sound, sans crack or flaw”


Love’s Labor Lost Act V: Scene. Shakespeare
(Hosannah: an exclamation of joy, adoration )

<>

you force-return me to this excerpted, exceptional phrase,
recovered from a prior dialaogos tween myself & the Lord above,^
an original gift from Him to William, and now you, to us, together

though these conversations, soft but hard unyieldingly,
with each verse a play in the J'accuse game,
games theory states, we are not evenly matched,
the outcome noisy, but generally predictable

the cracked light made famous by a departed muse,
who robbed proudly from *****, passing it on to
a millennium of generations, we honor this transference, by

letting us exclaim: Hosannah!

this silence of love is flawless
no interfering words necessary deemed,
sound without sound, no entry crack visible,
a great plain, a continental ocean, no horizon given,
this then the perfect diamond of humankind,
the glance cross a room, the grazing ******* upon a cheek,
the succinct serenity of perfect, this I grant you




<>


2019

a love letter in the sand


she implores me at my weakest,
early morn, when sleep and sorrow
yet linger on my eyelids and dreamt stories
still have not been replaced by the careworn,
life’s erasures that ***** sparks of creativity

write me a love letter, a forever composition,
resistant to aging, time and weathering, a poetics
stamped with a maker’s mark, a signet, a hallmark
to our love that will be read unceasingly, a party to eternal
preserve our sharing, under glass, in paint, in this ink,
in this atmosphere

deny not my request, for it is holy tinged, reddish singed,
the best of us to become immortalized,
for all other lovers to follow, in garden planted,
a peony’s blooming upon request, whenever needed,  
be ready seeded, to salve and save, to be given and gotten,
in a single act jointed

no matter if our names brown edge to faded,
our love revived when it is voiced, witnessed, taken,
our love refreshed upon renewal by others eyes, lips, sensations,
make it an oath, a promising, combining our combination,
bless it for everyone, to be a blessing, a dressing of loving

poet rose from prone, our templar bed, bathed his face,
bid his woman, follow, her bidding to be won, for this now
is the moment precise that such a need be immediacy met,
a task such, cannot be denied, temporized, delayed by delicacy,
a challenge so eloquently stated, must be instantly sated

to the sandy beach I took her, for she would be the first witness
to her creation, her inspirational must become perpetual,
with forefinger in the sand drew the words she had chosen,
for in every respect, he gave grandeur, preservation worthy, now encapsulated as “I will be yours forevermore”

“how can this be eternal, in minutes, the tides arrival,
it’s erasure a certainty” she laments...

not true, I soothed, the tide will take each grain of our anthem,
with our bodies ash, to every seventh corner, where lovers gather,
to be rewritten, melded together, soft spoken unison,
spreading our tale, forevermore...

it will take 100 years for a single grain to cross the ocean,
and then, when all are as one, as we begun, this day,
our love letter in the sand perpetual

for Sally, Bex and Tonya, Denel and my beloved

<>

gods do not seek forgiveness,
or comprehension,
desertion, desecration, ascension
or condemning condescension

but how how they crave
just a good conversation,
to get a word in edgewise,
a nice chat,
entrée à, la tête-à-tête,
entre deux, deluxe-amis

a casually talking,
absent of
words of need and beseech,
reason and causality,
and no I or We pronouns,
sans enunciations and annunciations,
false hopes for incarnations, incantations,
set asides for life's grievous aches
all human requests, and some of God's commandments
for now, set aside,
annulled

just a talk,
some repartee,
but mostly an open ear lent,
an early morn quiet listen
over tea (he/she) and coffee (me),
paying attention to
both sides of an interactive story

as recompense for my willingness to be,
his engaged counter party,
my mourning gloomier cloudiness,
quick exchanged for instant,
rising sunshine warming glorious

my vista
of a bay dancing
to Tchaikovsky Swan Lake ballet music,
deftly inserted between
an Agnus Dei and an Ave Maria

mood music he said,
and we chuckled,
he/she was god and orchestrated
my tastes,
Adele et Dudamel,
comprehending my undesirable apprehension,
by granting my needy wish for
poetic inspirational composition contentment

all exchanged,
for just a good listen,
no judgements, in either direction

I am the god of love,
the one who makes you weep,
when you study your beloved's rising chest,
each uplifted breast heaving,
a confirmation blessing,
that her life is present
for at least the next second,
ready for your magi adoration

be not fearful,
this day we talk only,
as I pass by,
I have no business to conduct,
on your island of sheltering redoubt,
but to engage and unburden
for even gods
are required to confess,
and aging godheads do adore
a human shoulder
upon to rest,
a great invention,
(If I may say so myself)
and to whom better to address
than my only love poetry
poète personnelle

here he off-guards me
with a favorite injection,
Samuel Barber's Adagio for Strings,
music so sweet that it never fails
to weaken my knees,
sweeping my eyes unto weeping
priming me with this first coat of
sounds so elementary soothing

he half-bows before me and says,

forgive me human, for I have sinned

in Dallas and Nice,
just this past week,
with forays here and there,
doing god's work

read your bitterness and struggle,
anger and forgiveness all in one crust,
furious curses and wails so plaintive,
my heavenly musicians weep from jealousy,
at the cries emanating from the fired fury song
of human hearts torn and love plundered

I am the god of love

and

the god of pain and all that is the

anti-love

(and to make me better understand,  
Schindler's List score, so sweetly,
he plays for me,
to clarify the atmosphere,
that death and love -
and the courage of understanding,
so oft go hand in hand)

write me a love poem for me,
no hymn or sonnet do I require,
for love is essence of forgive,
there is no perfect union,
that cannot stand,
with out this emotion of
conciliatory intermediation

tell me you understand
that the scales
of bereft befallen,
disparate chance interrupting randomized,
must periodic perforce
sometimes weigh more,
than the good of simple

balance tip that creative god spark within,
of which you write,
away from my bloodied, unsightly hand

write me one more love poem
a frisson semi-sweet and cleanly neat,
of good things sad,
but worthy of remembrance

you are not the first for this bequest to receive,
other poet's before and after,
will Jacob-wrestle with my angels,
battling to find the...

no matter

"my love to thee is sound sans crack or flaw"^

let your love poem
to me
be of whole healing,
for these disarrayed feelings
cannot forever persist,
the perfect balance you desire
is not on your Earth existent,
unobtainable

these cracks and flaws must and will come


and yet

love poems
will be our common language

and then he/she left,
leaving this poem behind,
born from my mind, yet,
carved on my skin,
written with the nib of my rib,
sealed and signed,
future undefined,
but dated upon my
cleansed hand's lifeline,
hand held outstretched
as if to say

“and yet"

the cherry blossom accord/equation

”perfumers use aromachemicals to recreate a cherry blossom accord...(an accord is a scent made up of individual aromachemicals, that when combined, create a harmonious blend where none of the individual ingredients are able to be detected on their own).”

the odor of our lustful eyes,

the sweat, a unique commingling,
a sheen of salted oils body bathing,

crushed green petals of peaches,
crumbled together with the softy fuzz shavings,
the sediment of aromatic fruit juices drippings

our blending bottled in our brains,
none other would recognize but we,
to too two smell each other through and over
floors, concourses, cities, disparate distances

our ingredients secreted (secret),
our flavors cell secreted (secreting)
the world’s silly tittering aroma inserted,
our sparking fingertips touching
add a bush burning burnt odiferous

we seat across from each other in an airport
plastic restaraunt and everyone asks out loudly,
what is that smell, feed me that, taste me that,
as we are irradiating the atmosphere,
as we renegotiate our cherry blossom accord,
fresh signatures, updated, harmony of harmonies, notarized

she smiles, I joke, winking,
we must continue
to meet like this,
the fireworks of we,
of us,
to-gather to-gether,
a getting of giving,
she answers:

take me home and
bathe me in love,
give our bodies shelter
from the world outside,
beside a new spice
have I uncovered,
this will require some
discussion+exploration,
the quantity to be added,
the when, and the how!

what is this new ingredient?
asking puzzled and aroused,
she laughs
(a spice already included),
why it’s called
only love poetry






8/23/19 4:55pm

all I've ever learned from love

is

in the trying is the finding out
of the
all about,
losing battles to find yourself,
a war-won victor and a long term loser,
making the process new, expensive
the event expertise training
acquired to shoot your foot straight,
laugh about it when you do it again
and again

for the relearning is the crown jew-el,
that jesters rob from their kingly masters,
pride in love is the fall season preceding
Canadian winters, always thinking
you know better, be better at keeping warm,
this time which is the next time

you cannot learn from love,
cause it’s twice, two times,
never the same,
past lessons ain’t no prologue,
the body is maybe in the wafers,
sometimes vanilla,
sometimes chocolate

and the epilogue is
100% of the
poem~songs that I love writing
and hate remembering

she wanted my soul


so I cut off a finger,
noting that this little pinky offering,
came from the same hand,
who, who went to the market
to buy her a love poem
all her own, because,
it was from the self same hand
that wrote:

who, can cut a soul into pieces,
no one!
so one will still ask you,
who!
who will love you
in whole poems,
that are both past and future tensed
composite composted,
from words overly overused,
but still foolishly feeling brand new
when referencing *you,
so you can believe with new fool-thinking,
this is your sole composition

she wanted my heart,
applauded her determination,
gave her one eye to see me instead better,
so the visions she essays,  to write,
like when I sit down to write
of women I’ve loved but!

they do not come from my heart pieces,
but from inside insight from of parts
that are blind to everything
but *raucous untamable invisible desire

she asked me for all the world’s wisdom,
while standing on one legging,
I simply said, here I am,
telling you I’ll love you the way you requested,
if only to be loved in return

so with one eye and one leg,
you will observe, two is not more
than the sum of the parts of one love,
as I count to ten on my nine fingers
fingers that wrote of love not enough,
no matter how many he gave up

she wanted my brainiac left hemisphere,
said, sure,
the left side of me is where the baby poems
are created, and then angel-released when ready,
when needed, now that I
see you’re needy for pieces,
but still mistaken that pieces can be reconstructed into
a whole with spit and spirit
and an overarching imagination -
no!

the whole comes from only a holy place extracted
from the hole-in-one that is my entirety

give me then your utter essence,
the place of you
I, only I know exists, must exist,
but cannot touch to see
where you keep it hidden
from all the women who love you,
better than you even love yourself

if you want that, then collect it,
for it exists and lives on
in every woman that asked for nothing,
but was rewarded with more
than a thousand poems,
stored in stars, for her,
to be creamed and cleansed,
when she plucked them
from the night in the galaxy where exist
love poems, only
to she-one shone-shine