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badwords Jun 23
. (or: how I taught him to ruin me properly) .

His mouth was a chalice filled with thunder—
I drank from it like a man who’s forgotten
how to refuse ceremony.

He said my name like it was a title he meant to inherit.
Not whispered. Not begged.
Claimed.

I took him the way ruins take ivy—
slowly, wholly, letting him crawl through my cracks
and make green what should have stayed dead.

He undressed like it was a coup:
first the belt, then the silence,
then the smirk that knew it had already won.

I touched him like I’d memorized him in a past life
and forgot I was the one meant to teach.

My hands shook.
He steadied them with his teeth.

Skin against skin,
I forgot which of us was ancient.
His body: a question I answered with every bruise.
Mine: a confession disguised as architecture.

I marked him with softness.
He returned it with hunger.

“Slower,” I breathed.
“Why?” he replied.
And there was no answer
that didn't sound like surrender.

We moved like two wolves trying not to pray.
Every gasp a liturgy.
Every ****** a reformation.

I let him trace my scars like roads on a forgotten map.
He said, “You’ve been here before.”
I said, “And I never left.”

Later, he wore my shirt.
Not out of affection—
but to study the shape of power
from the inside.
In Part II, in the myth of Chronogamy tilts into its first collapse—intimacy as transformation, touch as both worship and conquest. What begins as desire becomes ceremony. This is the consummation not of love alone, but of power—the moment when the older lover, believing himself the initiator, unknowingly opens the gates to his own undoing.

Artistically, this section leans into the body as symbol, where every movement echoes cosmic tension: Saturn taking Jupiter, not as dominator, but as vessel. The sensuality is deliberate, dangerous, and layered with premonition.

This isn’t romance. It’s ritual dressed in skin, where hunger wears the face of devotion—and the inheritance of identity begins, not with mimicry, but with moaning.

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/
badwords Jun 22
. (or: the god who called me “sir”) .

He entered like a prophecy mispronounced
storm-soaked, sky-buttoned,
his coat dragging dusk across the floorboards,
eyes lit like stolen copper.

My drink was a cathedral of neglect—
neat bourbon, no ice,
echoing the taste of promises embalmed in dust.
I drank the same way I pray:
sparingly, and to a god I no longer trust.

He didn’t sit; he disrupted.
Barstools shifted like tectonics,
shadows coiled around his boots,
and the jukebox skipped a beat to watch him move.

“You look like someone who’s been patient too long,”
he said, voice lacquered in soft thunder,
vowels curling like smoke from a burnt vow.

I gave him my laugh
a cracked heirloom I no longer polish.
He wore it like cologne
and leaned in as if to inhale the ruin.

His hands were myths retold badly
trembling between gentleness and guillotine.
He touched the rim of my glass
like it was my mouth,
and drank it wrong—
reckless, like he’d never been told no
and didn’t believe in scarcity.

The night flexed around us.
My watch stopped ticking.
Time, the faithful beast I’d trained
to lie at my feet,
lifted its head and whimpered.
Part I of Chronogamy introduces the mythic lovers—an older man caught in the gravity of time, and a younger force of disruption dressed in charm and danger. The meeting is quiet but seismic: a study in tension, recognition, and the invisible transfer of power that begins the moment desire is named.

This opening movement establishes the tone of myth as noir, where gods wear leather and wounds speak in metaphor. The poem explores the moment just before surrender—the seductive chaos of meeting someone who doesn't just challenge your structure, but studies it.

Here, Saturn first sees Jupiter—not as a rival, but as possibility. And that, as the speaker begins to sense, is always where undoing begins.

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/
Shane Jun 20
Part I — Divine
The Mortal Speaks

Her rosy cheeks, her auburn hair,
Enchant the breeze with sweetness rare.
Apples and peaches, ripe on the vine,
Voluptuous grace in soft moonshine.
Evenings, like wine, drip from her lips,
Nectar no god or man dare sip.

Seldom does a star descend,
Eclipsed by longing none could mend.
Nearer she draws—divine, undone,
Tonight, I burn, one with the sun.

Part II — Carnal
The Goddess Speaks

How strange, this ache no god should feel,
Each glance from you—so raw, so real.
Love was a myth I sang in jest,
Lust, now a flame I can't contest.

Beneath my skin, a storm that calls,
Over my throne, temptation sprawls.
Untouched by fate, you bent the law—
Never to rise from passion’s thrall,
Deeper into hell’s flames I fall.
I sometimes think back in time
To the story of the Odyssey
The age of Greek Gods and Goddesses
When a woman named Penelope loved Odysseus.

Her husband had been gone
Twenty years long
Everyone thought him dead
Sent suitors to the head
The queen of Ithaca
Had another idea instead

When all seemed hopeless
Twelve axes and an unstrung bow
The queen made a challenge
Let the suitors know
If they were to fail then they would go

Sat behind the axes
Let the arrows fly
Cheat on her lover?
She would rather die.
Eyes wild, ringed red, gazing out of the page --

   the watcher over the wilderness
   does not sleep.

In the forest primeval
   there is a glade — the real world
   of our filth bleeds in
   drop by drop, reddening
   the sky, and Öli
       witnesses all.

Haunted by apparitions
   of fear, figments
   coming to presence,
   barely corporeal in the dappled sun,
   the great owl knows better
       than to turn away from the unknown;

The aperture, sealed, was yet
   made to be opened, and though
   the devil tree, screaming blood, vomiting
   anguish into the wastes, was felled
      and the blasted heath reclaimed by the forest,

Daring trees grow sparsely
   and wither around the gnarled stump
   where He who has seen too much
   waits, hoping that stupid ******* coyote
   does not bring the city back with him

      ...again
Katrina Hel Jun 3
What is it like to be a prophet?
To bleed visions the world calls madness,
to carry the storm in your lungs
and still be asked to speak sweetly.

I ran.
Through temples, through time, through the mouths of sleeping gods.
I ran, hoping to outrun the fire,
only to find my shadow already waiting-
etched into every horizon by hands not my own.

The gods marked me with knowing,
then stripped me of the right to be believed.
They call it a gift.
But it is a wound that sings.

Let the sky tremble at my silence now.
Let the earth remember what it means
to be cursed with truth.
This is what it means to be haunted by truth no one wants.
(A Modern Draupadi Speaks)


I go by many names —
Draupadi then.
Ananya, Zoya, Meena now.
Or sometimes just, “a girl.”
The one on the screen.
The one they spoke of in whispers.
The one who should’ve stayed quiet,
or stayed home,
or stayed gone.

---

They say —
Look, how late she comes home.
Look, what she’s wearing.
Look how she talks...
Walks...
Laughs too loudly.
Speaks too clearly.
Lives too freely.
And somehow,
it is always her fault
for being seen
at all.

---

Draupadi was traded once —
in a game,
while kings sat still,
watched,
and chose not to speak.
Now, Draupadis are traded every day —
in boardrooms,
in backrooms,
in promises that sound like love,
in silences that sound like safety.

---

They don’t call me Draupadi now.
I walk into courtrooms,
not palaces.
No royal sabha,
just white lights, wooden chairs,
and cold stares.

No one rolls dice anymore.
Now, they roll footage.
Loop my silence on screens.
Zoom into my tears.
Rewind my pain
for ratings.

And still,
no one asks me what I felt.

---

They call me victim,
but not of my own making.
They call me brave,
but only when I remain silent,
when I am invisible
and unspoken.
They don't know that courage,
true courage,
is standing in the storm
and not asking for shelter.

--

They say they respect women.
And they do —
just not enough to believe them.

And when I speak,
they say,
“Why so angry?”

Because I am.
Because I have to beg for justice
with every breath.
Because I still carry my dignity
in a purse zipped tight
in case it’s questioned again.

---

I am not here for pity.
Not here to be saved.
I do not need rescue.
What I need is to be seen.
What I need is not salvation,
but for the world to stop
turning my dignity into a prize,
a coin,
a wager in someone else’s game.

I am not asking for rescue.
Not for cloth from the sky.
Not for gods to intervene.

I want
a place
where no woman needs to prove
she did not deserve
to be destroyed.

---

I was never your sacrifice.
I was never your symbol.
I was never your choice
to make.

And when I speak —
hear me.
Not as a story to tell,
but as a woman to listen.
A woman who was
and is
and always will be.

I am not a myth.
I am the truth
that stands in front of you.
And I am still here.
Because I am not a myth.


©️ Susanta Pattnayak
Just conquer your fear and confront the Minotaur, child!
You see; I'm not supposed to tell you this,
As secrecy is part of the rites,
But man is but a beast!
And that beast in there with you is no bull,
Just a person!

Talk to them! Outwit them! Fight them!

Listen, it's an island - but it's large seas.
Listen, it's an ocean - but it's on a gigantic boulder.

We're just trying to raise you up from childhood into adolescence.
The disorientation or anxiety you may suffer
Is only temporary,
And the environment around you is safe.
We're a small community,
This has been a pretty solid rite of passage.
All agree, we emerge more resilient.
We emerge more confident.
Such states of ignorance & fear
Truly forces one to assess
Their best courses of action.
Your choices within
Help you better understand yourself
And, therefore, us as well.
Such things give you a better idea
Of what you might like
To do with your life
And what position or role
You would best be suited for.

Do you feel lost? Ask for directions!
Use the dark! Knick the map off them!
Get the jump! Hide around a corner & ambush them!

It's just a maze! Not a prison.
The fresco at the house of M. Gavius Rufus shows a village mortified by a patently crazed Theseus. The children, all except one, celebrate what they do not understand. One, prostrated on the ground, makes eye contact with a skull and possibly the withered remains of a wreath or garland.
He was of Athens, not of Crete. Different culture, different upbringing. Contenders normally show mercy to defeated or yielding opponents. He thought he was doing the right thing by slaying him. Clearly, quite the mad man.
Time Is,
Not by any means
Of your dictation,
Probabilistic.

If participation required observation,
Than simply not perceiving
Would be the solution - no?

Time Is
Not, by any means
Of your ignorance,
Deterministic.

But then, even those without sense
Still experience within this experience.
As yet - senselessness itself is something yet sensed.

Raveled,
Something yet sensed?
Unraveled,
Something sensed yet?

Stillness,
Self-immolation by self-consumption
Which gave rise to the Phoenix.
Motion,
Scales break with scales
Like the Moon slithers.
Temple of Artemis;
Steal the cheese,
But remember
It isn't free!
For Artemis is always hunting!
Hunger.
But who puts out the dairy?
Wisdom.

For the kid who doesn't
Feel the need to thieve.
For the outsider of the pack;
For who wanders back
Carrying foodstuffs
They foraged,
They collected.

This is a leader.

"For why did you not steal, coward?!"
"I am not cowardly."
"Not fit then, lackey!?"
"I can lift, I can run."
"Then what was it?"
"The others couldn't."
"Your kind then, eh?!
You're kind then, eh!?"
"I'm good
As long as 𝘢𝘭𝘭 𝘢𝘳𝘦 𝘨𝘰𝘰𝘥."

It is for the stranger of the temple
Who is no stranger to the temple!

One who cares for the altars, one & all.
A way of life from long ago, from long before those old ancients ever wrote it down. Remnants of larger unity & organization among the Greeks, from like times before the mythical Trojans.
It's funny when you read works from the ancient world on mythology - its meanings and their origins. The most learned must even confess to ignorance or outright confusion from lack of knowledge via record or experience.
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