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renseksderf Aug 25
“a clockwork orangerie”

gears click  
in humid glass  

copper vines coil  
around brass struts  

oranges glint  
like captive suns  
hinged to silver branches  

steam drifts—  
a hiss-purr among pistons  
petals unfurl  
to the pulse of time  

shadowed aisles  
radial rods pumping  
light into crystalline blooms  

one dimpled fruit  
slips free  
into a glass basin  
and rings  
into silence.






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renseksderf Aug 18
ghosted in comment box  
    where goodbyes decay, unread  
                I draft silence now—  
  syntax can't cradle absence  
nor data warm the soul
hellopoet Aug 15
"A Clash of Crowns"


David bled into battle with teeth on edge,
a lion howling hymns from broken stone.
Wine-slick from victory, still on the ledge—
he danced half-naked, fever in his bone.

He loved without measure, ruled with a flare,
his wrath was quick, his mercy slow to end.
The harp cut deep in temple air,
his God a storm, his sin a friend.

Solomon, silver-veiled in scented halls,
spoke slow as rivers carve a path through rock.
He listened. Weighed. Where passion falls,
he built with mind, not blood nor shock.

No shout escaped his ivory mouth,
his kingdom stitched by threads of calm.
While David stormed from north to south,
Solomon ruled with wisdom's balm.

David, wild with want, tore love apart—
Uriah’s blood still cries beneath the gate.
His psalms bore thunder from a bruisèd heart,
a soul at war with prophetic fate.

Solomon dreamed in columns, golden rimmed,
a poet too, though less of flame than light.
His wisdom bled the edges—soft, untrimmed—
he knew when not to fight.

David died with dust upon his brow,
a king who burned too bright to last.
His son looked on and wondered how
a crown sat fast could be so vast.













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renseksderf Aug 8
"The Impossible Turn"



To hold what harms, to face without flinching,
                                      to shape warmth from wire.
To drop the name, to meet the eyes, to let edges soften.
To burn the mould, to kneel in ash, to rise listening.
Not conquest. Not perfection. Only forward motion.





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© Now, Frederick Kesner

— The End —