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Matt Jun 23
It starts—soft,
a thread of sound unspooling in the dark,
a quiet pull at the edge of being.

Close your eyes.

A note bends, weightless,
stretching toward something unseen,
like light slipping through fingertips,
like breath you didn’t know you were holding.

And suddenly, you are drifting—
unbodied,
untethered,
rising through the hush between chords.

Strings shimmer like stardust beneath your skin.
A voice—half air, half ache—
opens like a doorway inside your chest.
The bass hums deep in your bones,
a second heartbeat, steady, certain.

Everything you are dissolves into melody,
into harmony,
into motion.

For a moment—just one—
the world forgets to weigh you down.

And you let go.
Music is the best escape in my life; it helps me when I'm depressed, and anxious, and worried for what is to come.
Let me paint you a picture.

Red glasses filled with empty words.
Mirrors that don’t catch your reflection.
Blue and white lilies covering the floor—a floor I once knew.
It is the same floor I spend half of my days crying on.

There’s music.
Music filling the voids of an empty space where my heart was supposed to be.
It resonates through every cavity, through every bone, but my dead soul cannot hear it.
The blood is no longer running through my veins,
And my lips—once filled with love and affection—are as dark as the moment.
How easy is it to die of a broken heart?
Is it really broken? Or am I going crazy while I watch it fall and shatter around my lily-covered floor?

I crawl to pick up the pieces,
And I cut myself on every little bit,
But there’s nothing coming out of my fingers—just the sorrow of a few tears.

Empty.
Empty body, empty eyes, empty mind, empty soul of mine.
Should I remake my heart? Should I get the glue and put it all together again?
Or should I just keep cutting myself with the pieces?

Maybe I should let it be as it is.
There’s beauty in a broken heart.
I wrote this up in the bus on my way to work after hearing “Comptine d’un autre été, l’après-midi”
Nigdaw Jun 22
this music pleases me
it has the riffs
heavy bass and thundering drums
a singer whose voice
sounds like gravel and ice

but it doesn't excite me
there is plenty but not enough
there is emotion but stunted
there is noise but too controlled
I want them to hear them play
like no one is listening
Black Metal and Death Metal come close!
Mélissa Jun 21
I'm not much of a dancer

Rythm is something that beats in me
But rests inside

Can't get it to run from the valve through the vains
And reach my fingers

Escape and work me free

Although I hear it like a clock's hand's echo
Commanding my will

I'll never dance

But the current will flow and burn my fuse
Overload the circuit

Because too much has been asked of me
And I had no release

And no matter how electrifying the song may be

I resist
(acoustic guitar intro)
(verse)
I remember the look in your eyes
I remember the sound of your sighs
I remember all of those good good times

(chorus)
but that was before you lied
before you made me cry
before you broke my heart.
Please tell me why!
Please tell me why!

(verse2)
I remember the good times we had
and I remember before our love turned bad
but I can't remember why.
because.

(chorus)
that was before you lied,
before you made me cry
before you broke my heart.
Please tell me why!
Please tell me why!

(instrumental bridge) (guitar solo)

Please tell me why
Please tell me why,
Tell me why you lied
why our love died.

I remember the look in your eyes,
I remember the sound of your sighs
the good times we had,
before our love turned bad,
but I can't remember why.

Why you Lied,
Why did you lie?

(outro)
Why did you lie?
Please tell me,
Please tell me
Why?
Why?

Why.
Please tell me why you lied
New song available on my you tube channel
I actually made 2 versions of this 1 with a male vocal that's definitely a country song.
And another with a Female vocal that's a little more Pop. I hope you'll give them both a listen and comment as too which one was better.

Www.youtube.com/@tsummerspoetry
Kalliope Jun 18
I turn the music up louder
Like it will drown out my thoughts
They just adapt to the beat.
1500
Pauvel Jétha Jun 17
We were walking, the painter and I,
Across the plain and towards the hill.
The moon had waxed into her glory
Causing the zephyrs to sigh.

We rested awhile at the foot of the rise
Nestled in a comfortable silence.
The night moved on languid feet
Passion hidden under a serene guise.

We took the path on the dark leeward
My golden quill our only light.
The painter promised a spectacle
And anticipation fueled my climb

Cherry Blossoms swirled in the wind,
As we stood on silver bathed ground.
A man stood at the edge of the hill,
His hands on the railing, waiting.

Under the tree he stood.
The flowers hiding the wrinkles
Of his suit and his skin.
His gaze fixed upon the moon.

My friend and I sat against a boulder
And waited with him.
The wind whispered with the flowers
And the Sakura tree sang to the night.

The song was impossible,
Yet hear it we did.
Violins and keys, flutes and harps -
A haunting tune of longing.

And as the song rose,
A woman stood beside the man;
A bride clad in a moonlight gown,
Her veil of starshine trailing behind.

The man took her hand,
And the woman drew closer.
And groom and bride,
They danced among the flowers.

Wrinkles were smoothened
Trembling hands strengthened
Faltering feet trode sure
And wilting heart bloomed anew.

Happiness perfused the air.
Cruelly brief the phenomenon would be -
So the man knew, and chose to forget.
He held on to the past and danced.

We sat there, intruders and fools,
Too ashamed to look on,
Too enthralled to look away,
Until sleep hid them from our eyes.

The melody rains with the petals,
Tears dance with the smiles.
The waltz of the weary hearts
Lasts as long as the moon.
Inspired by the song 'Dearest' by Ayumi Hamasaki
I’ve been told I’m too self-absorbed
But I can’t seem to absorb anyone else
We attempted your incorporation into my being
But I can’t seem to absorb anyone else

I’ve been walking down this road with you
For a while and we’ve been talking ‘bout what we could go do
I don’t want to be pretentious  
Or an arrogant tool
I just want to take you home
And make myself useful

I won’t be subdued
Unless that makes me cool with you
You’re my favorite person to talk to
But you saved my contact as some dude

I’ve been told I’m too self-absorbed
But I can’t seem to absorb anyone else
As elated as I am to say I’ve made your acquaintance
No, I can’t seem to absorb anyone else

You’ve got me running around
With your name in my mouth
And the taste of your *****
On my tongue

I wouldn’t call it romantic
Hell it’s barely even tantric
(You know) I only call you, “baby”
‘Cause you’re too young for me

I won’t be subdued
Unless that makes me cool with you
You’re my favorite person to talk to
But you saved my contact as some dude
ASLRC Jun 14
On my nightstand, there is a beautiful music box Ballerina
She is stunning, passionate and young, her name is Catherina

Catherina used to dance in circles without ceasing
to the same note, her only purpose was people-pleasing

Whenever someone would open the box and wind it up on repeat
she continued dancing, on demand, ignoring the pain in her feet

Nobody cared how she felt, as long as she kept turning
like a clock, that never stops, she felt her passion burning

The older she turned, the more pain she had to go through
she couldn’t escape ‘cs she was tied to a strong *****

the music started to sound uncanny
she wished she didn’t have to see

So she made her tears red, voluntarily
to escape into her own imaginary
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