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In the hollow of the tree,
a silence curls upon itself,
knees drawn tight,
as if waiting for a dream to hatch.

The bark parts like ribs,
and within—
a figure of stone breathes
petals and shadow,
a sentinel stitched from dust.

Ellyllon drift through the cracks,
their laughter
a thin silver thread,
their wings—
a memory of moths dissolving in flame.

Even the roots lean inward,
drinking secrets,
learning how grief
can turn to fruit.

This is no shrine,
but a seam in the world
where time folds back on itself,
and the forgotten child
still listens
for a language
that once taught silence
how to bloom.
Баронесса без изъяна
Лопала банкиров рьяно —
То ботфорте, то пиано,
Мастер Плётки и Баяна.
В золоте шмалят рассветы,
Языки горят в каретах.
Знаешь, Дьявол носит Прада?
Ну, встречайте: их бин Яна.

Yaroslav Kulikovsky. Kiev, 2021 (c).
Part of the cycle: Poems on City Flesh and Power.

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This poem is a hymn to bold, unapologetic femininity. The Baroness is no object of desire — she’s a figure of power and taste. She reclaims male roles, redistributes control and capital. Ironic, glamorous, dangerous — she writes her own rules.

— The End —