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Cecil Miller Feb 2016
Look at me with wide open eyes.
Know that I am not as I appear.
I never did mind the darkness,
Even though it frightens me so.

Sometimes, I fool even myself
Into thinking that I search for answers.           
                                             ­      
The truth is something more
Than I ever will display.

SATOR
AREPO
TENET
OPERA
ROTAS

And I awaken.

I speak for him,
I speak though him.

It does not matter the reason.

Never, never will I leave.

There was a crystal chalice
From which I used to drink.
There was a set of pricipals
On which I used to think.

And once the door is opened
The words begin to flow.
I am his brother, partner, lover.

I am the summate of his fears.

I am the solvant of his tears.

Sometimes all you have is yourself.

Sometimes all he has is me.

I make the decisions,
And take the actions
That are too difficult for him.

There are times I haved saved his life,
But I should never be mistaken for what I am not.

My venom is toxic.
The following previously untitled bit is just a little homage to my dark half...hope you like it.
(writen feb 12fth, 2012)
Cecil Miller Feb 2016
There was a woman with an ecclesiastic body.
I found out I was just one member of its congregation.
She was a soothsayer when the lights were down,
When she proved she was a succubus -
But what the ****, I've never been a saint.
She put the screws to me.

She used to belong to another man.
Now she's putting me through my paces.
If I had paid attention to the signs,
I could have seen my fate before it happened.

There was this dude I knew who was hard pressed.
I thought I might could offer him a place to crash for awhile,
So he could get his **** together.
Apparently demons have an appetite for gutter ****.

They took a ride in my ride,
And didn't forget my checkbook.
They didn't neglect to clean my house
Of nearly everything inside.
It was just a reminder,
Cause it really ain't no surprise.

That there's a burning lake
And gnashing on flesh,
Yeah, it's nothing but any empty, cold black well.
It's a Godless place,
You're on your own.
There ain't no honor among thieves.
Remember this,
There are no friends in Hell.

There are accusations to bring me down,
It's like I'm already dead.
They throw down their gauntlets,
They make every pledge.
I don't trust a word they say.
They're liers and deceivers.
All they want is whatever they can get.

They prey on fools and their believers.
They'll prophesy, then pass you by
Unless you've got an edge,
The dusty demons, dryer than a dessert segde.

They took a ride in my ride,
And didn't forget my checkbook.
They didn't neglect to clean my house
Of nearly everything inside.
It's just a reminder, but it really ain't no surprise.

That there's a burning lake
And gnashing on flesh,
Yeah, it's nothing but any empty, cold black well.
It's a Godless place,
You're on your own.
There ain't no honor among thieves.
Remember this,
There are no friends in Hell.

She never failed to cause me woe.
But, I'm not an innocent soul.
I guess what goes around,
Comes back around.
When it's harvest time, they'll know,
They done ****** with the wrong one.
Everybody reaps what they sow.

They took a ride in my ride,
And didn't forget my checkbook.
They didn't neglect to clean my house
Of nearly everything inside.
It's just a reminder, but it really ain't no surprise.

That there's a burning lake
And gnashing on flesh,
Yeah, it's nothing but any empty, cold black well.
It's a Godless place,
You're on your own.
There ain't no honor among thieves.
Remember this,
There are no friends in Hell

There is no such thing as kindness here.
I'll save troubles for another day,
They only multiply.

The more I see, the more I know
That strumpets belong with urchins.
They never will know,
Until they are each other's paroxysm,
But even then, they won't care.

No good deed is without a price to pay.

They took a ride in my ride,
And didn't forget my checkbook.
They didn't neglect to clean my house
Of nearly everything inside.
It's just a reminder, but it really ain't no surprise.

That there's a burning lake
And gnashing on flesh,
Yeah, it's nothing but any empty, cold black well.
It's a Godless place,
You're on your own.
There ain't no honor among thieves.
Remember this,
There are no friends in Hell.
Last night my song writing partner(I do the Lyrics, he works up the music)  gave me the proverb "There Are No Friends in Hell" and asked me to write a treatment for another hard rock tune. He loves to rip on guitar. We talked many concepts. I reference some of the elements as a starting point, and built the lyrics from inside out.
I figured people don't get to hell by being good people. So the guy in my song is not an innocent victom. He kind of stole a woman from another guy, and in turn, she and another guy ends up ******* him over big time.
As soon as I could get home, nearly midnight, I wrote this piece. I retain ownership of the lyrics. I posted it to hellopoetry as soon as I finished it, around 1:36 the next morning. It is purposely jagged and rough because I wanted to leave a wide option for vocal styling, wailing, growling, moaning or screaming. We will make it fit whatever music he has in mind.
Initially, I wanted our collaborations to be more jazzy and r&b; routed, but our styles are kind of rubbing off on each other. Since all rock music comes from the same place, they fold well into each other.
*one final note - this song has to be very edgy if it is going to work. When you build a song around a cliche, it could easily become campy, or could be a "send up" comedic piece instead of being gritty. Sometimes I like the tounge-in-cheak outlandish approach and work toward an over-the-top affect. This is not the case with this song. It is a little thematic, but I think the real cleaverness is that hidden within the occasional expletives, the deeper subtlety of ****** innuindo can be found if you want to look for it. It is not really hidden.
Cecil Miller Feb 2016
Talk about the way I loved you
Once upon a time!
I will always be kind to you,
But keep your valentine.

What good would come of an empty notion?
I won't sop in your love potion.

Keep your hearts of candy handy,
You might need a snack.
Wrap it up in cellophane,
Send your entreaty back.

We had our time, you had your shot.
Let's just be friends, or maybe not.

I can't think of reason one
That I should take the chance
On trusting that you'd ever change,
No, I am not entranced.

Learn the meaning of good-bye.
Walk away on down the line.

Don't look back, don't dwell upon it.
Give it no second thought.
To be clear,  I'm not mad with you,
But feelings can't be bought.

At the close, there's this to find -
I don't want to be your valentine.
I wrote the componants to this poem in early January. About halfway through, I realized the rhyming pattern of the verses had changed from alternating to four lines of couplets I worked on the arrangement to break the couplets into beidges between the larger verses, and reworked the content for continuity. I was going to keep sitting on it till the 14th of february, but I think it's ready to send out. This one really was just a fun write. It is not super serious.
Later on, I might play around with it and turn it into a song.
Cecil Miller Jan 2016
Into the goblet of life did I poor myself, convivially jaunting; jumping for the juniper as if jolted into life for the first time by the cosmic current that sublimely filtered reality from the dream that had become my truth.

I, beheld to the newly found perceptions, careening through the trees, trampling upon crisp leaves, on my way to scenic experiences, was ever looking forward to the hopeful thrill and living in anticipation of the next climactic excitement.

I would be unable to be complemented by the moment, in which I did not truly live.

The adventure became a tragedy,
As is always with the changing of innocence into untoward regret.

Tears were novelties that were bartered for kindness, traded for the rhyme, but never the shine.

Illumination is priceless.
Good luck figuring this one out. Even I don't quite understand it all. It is like that, kind of abstract, when the flood gates are open and out spill the words.
Cecil Miller Jan 2016
She was here.
She told me how she'd always love me.
It was clear
I was the man in her life.
Why didn't she stay?

I opened up my heart to sorrow,
Not knowing there was no tomorrow.

She was gone
Before I knew.
It hit me hard,
Knocked out my lights,
Quicker than a heartbeat,
Faster than the speed of a lie.

She was here.
I knew she'd have my back always.
It was clear
I would always have her back.
Then, she went away.

She left no way for me to follow.
It happened fast - bitter pill to swallow.

She was gone
Before I knew.
It hit me hard,
Knocked out my lights,
Quicker than a heartbeat,
Faster than the speed of a lie.

It would be better,
If I could only say she had been untrue,
But at the time, I don't even think she knew,
That standing beside me was the one thing she could never do.

All at once my heart was hallow,
Echos of love, my heart is fallow.

She was gone
Before I knew.
It hit me hard,
Knocked out my lights,
Quicker than a heartbeat,
Faster than the speed of a lie.
Written between last night, and this night, 1-29-2016, this is my homage to 80's guitar rock.
Cecil Miller Jan 2016
You can feel the pain of life
cutting deep inside of you,
When you are out there swimming
On the edge of who you are.

You can see a mystic glow
That captures your attention,
Just before you find yourself
Abandoned in the dark.

You can taste the bitterness
Of loosing to the the universe,
Meditating on the sad things
That have made you who you are.

You can hear the hollow breath
That comes from deep within
Your chest as it it heaving,
When you don't know where you are.

You can smell the pheromones
And want to enter paradise
Of the intoxicating lifeforce;
Libidinous and stark.
This one kind of addresses what it can be like to have self-esteem issues, or uncertainty, and the experience of being ruled by it. However, this is not a poem about morality. I wrote it in the wee hours of the day I posted it.
Cecil Miller Jan 2016
The pollywog swims
To the edge of the basin;
Soon it shall have legs.

A bass leaps from pond,
But is not amphibian,
It lives in water.

The worm feeds on green
Foliage sprouting  from soil,
Unaware of flight.

A drop of dew clings
On the underside of a
Leaf splayed like a hand.

A burgundy beam
Of sun burns the soldier ants;
The queen does not grieve.

Feet disturb some twigs;
The crackling sound rapports
All throughout the woods.

Silence gives a heed
To the bird which gathers
Brown straw for its nest.

The lilting song of
A loon rises through the murk;
A sliver of moon glows.
This is a haiku. I hope you enjoy it. Take from it what you will.
Cecil Miller Jan 2016
I've borne the heavy load.
I've worked all the day.
Got two children at the house to feed.
Husband's gone away.

I've a bunion on my toe,
But I've got a corn pad.
With a smile upon my face,
Swear, it don't hurt so bad.

Don't the moonlight look so grand,
Shining in the sky!
Walking home from second shift,
Clean cars are wizzing by.

There's a light mist in the air
That gives me some relief.
In the crock *** waits at home
Hash and good corned beef.

My fingers gnarl and seize,
The handle's hard to grip.
I hope the boss don't send me home.
The kids have a field trip.

When the kids get on the bus
To travel out of town,
I might take a few days off
To lay my tired head down.

Don't the moonlight look so grand,
Shining in the sky.
Walking home from second shift,
Clean cars are wizzing by.

There's a light mist in the air
That gives me some relief.
In the crock *** waits at home
Hash and good corned beef.

I am faithful to the work.
I don't call in sick.
I'm hardworking as a man.
The foreman calls me "chick."

I never complain about my back.
Lord, He knows, I need this job.
I can take the stripes they give.
Don't give my raise to Bob.

Don't the moonlight look so grand,
Shining in the sky.
Walking home from second shift,
Clean cars are wizzing by.

There's a light mist in the air
That gives me some relief.
In the crock *** waits at home
Hash and good corned beef.
This is one of my folk songs.
I wrote it this afternoon in about 15 minutes on the notepad of my phone.
I went to copy and paste and deleted it and had to quickly type it in again while it was still fresh in my mind.
I wrote it from the perspective of a single mother as an empathetic homage. I hope I did justice to single mothers everywhere.
12:24am p.s. The title was hash of good corned beef but I remembered we southern folk used to call it corned beef AND hash sometimes, instead of corned beef hash. Anyway, just now I modified the title to include the conjunction AND, replacing the former OF.
Cecil Miller Dec 2015
My heart was true,
So true, but now it's blue.
You left
Without a saying word.
It beats
All I ever heard.
You treated
Me like a clown.
Now, your gone.
So, you're gone for good.
Don't even think
About comin' back around.
No.
No. No, oh!
Don't even think
About comin' back around.

My fate was cruel,
So cruel, cause I loved you.
You lied,
When you said you'd stay.
I cried,
When you went away.
Must-a took me
For a fool.
But, you're wrong.
Yes, you're gone for good.
Don't even think
About comin' back around.
No.
No. No-oh!
Don't even think
About comin' back around.

If your thinking bout coming my way,
You'd better think again
Cause once love has strayed,
There's no way to rebuilt the past
From your wreck of lies.
I see the truth, at last.

Oh, you took me
For some kind of fool,
But, you're wrong.
Yes, you're gone for good.
Don't even think
About comin' back around.
No.
No, No-oh!
Don't even think
About comin' back around.
I wrote this one two nights ago. Mid tempo, mostly in open A and D chords.
Cecil Miller Dec 2015
It was All Hollow's Eve.  

From all around people were coming to the south eastern seaboard to pay homage to the full moon, and beseech the moon to bless them in the upcoming harvest season.

As was customary, the people brought their bongos to attract the attention of the moon. The drummers settled across the length of the beach in many little groups and began drumming their rituals. They drummed for many reasons.

To this ceremony came a young boy.
He was a quiet boy from a tribe of very meager means. He did not have with him a bongo, ornate and with a bold resounding rhythmic thump. All he had to bring to the ceremony was a single tiny bell and a sounding rod with which to strike it. The bell, when struck, would render a soft, high pitched ring.

The boy knew it was a drum circle and not a bell circle, but he wanted to be a part of the evenings events.

The sun was beginning to set and the drummers had begun.

The boy with the bell joined a group of drummers who drummed to ask the moon that the breeze would be cool and gentle, instead of savage and destructive. The boy was feeling the rhythm, and when he felt he was found the place, struck the bell with the sounding rod.

The drummers stopped drumming. One of the drummers, an older boy around the outside of the circle shooed the young boy with the bell away from the group.

The young boy felt sorry. He hoped he had not been to much of a disturbance to the circle. He walked down the beach a little way. The faintest sparkling of a few stars could begin to be noticed in the sky. The sun had nearly set.

Another circle of drummers drummed so that the moon would intercede with the vast ocean and ask that the tide be gentle instead of large and destructive to the crops in the field.

The small boy liked the rhythm made by the various hands rapping on the tight skins and the sides of the bongos. He could hear in his mind how his bell might fit in with this rhythm. He was patient. He waited. When he felt it was just the right place, the boy struck his bell with the sounding rod.

The drumming ceased. Many drummers scowled at the young boy with the bell from a far off village. One of the drummers waved for the boy to go away from this circle. He pouted a little and left.

The boy did not mean to cause a disturbance. He had only wanted to join the ceremony.

The sun had long since set. The moon and stars illuminated the sky like a silvery blanket. The boy felt the love that was on the beach deep in his chest. He began to smile.

The boy was drawn in by the rhythms of another circle of drummers who were drumming to ask the moon that the crops be plentiful with fruit, the goats to yield plenty of milk, and the chickens many eggs.

The boy thought he might try one last time to find a place for his soft, highly pitched bell tone. He was hopeful because a few of the drummers were rapping and shaking beaded pottery. Surely this circle would be open enough to allow the boy with the bell to join in and help beseech the moon.

He waited and listened. When he felt that he had found the right place in this rhythm, the young boy struck the bell with the sounding rod.

Once again, the drummers stopped. A man wearing a frown pointed sternly with an outstretched muscled arm and sent the boy further down the beach where there were no more circles of drummers.

His head hung low, and with nobody around to see, the young boy with the bell who had been sent away from all the drumming circles on the beach let heavy and hot tears roll down his face and drip from his round cheeks.

"Do not cry, Young One, " the boy heard a soft voice say.

The boy took a breath and the raised his head. Standing before him was a woman in silver robes fettered with strands of fiber shimmered like stardust. A soft mist surrounded her.

"The tone of your bell was most pleasing to me because it was possessed of a sincere gentleness and simplicity that was unique among a multitude of sounds that all bore a similarity to each other. By the time they reach the heavens, they are all the same.

Because your bell was different, it got my attention.

Because you rang your bell with the first circle of drummers, the wind will be gentle. Because you rang your bell with the second circle of drummers, the ocean will be calm. Because you rang your bell at the third circle of drummers, the crops and livestock will produce a plentitude."

The young boy could barely believe what the beautiful woman had said. She seemed to be cloudy through his lingering tears. The boy brought his palms to his face to wipe them from his eyes. When he looked back up to see her clearly, she was gone.

The round full moon was brightly shining in the midnight sky.
This is an original short story. I got the idea on my first night I moved to Miami on South Beach in 1999. There was a young adult latin male who kept going to the different circles and sounding a bell, trying to find his place in the various rhythms ,but getting scowled at by some people, so that part is mostly true. The rest is from my imagination. The bell and the sounding rod are metaphores for the boy's love and hope. It is prose, rather than verse. I wanted to capture a feel kind of like The Velveteen Rabbit, my favorite children's story. I hope you enjoy it. Many of the elements are mystical and poetic. I retain the ownership and all legal rights to this story. Written on 12-15-2015
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