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Hermes Varini Oct 2020
Och! Airn an' Thwndir!
An' Urquhart's Wae Verra Hel!
Great Warlike Glamis' Firey,
An' Hwmyd Loch Doon's Orrah!
Downe! Downe! tae thad howch owre miserable!
Ye a' swithe hame, hame! wae ma Airn ***!
An' weile 'yont yondir Suthron!
Waefu', waefu' heyre Ah! War-Ironclad heyne Ȝell,
Wae burr-thistle’s Gowlin’ Storne Micht!
Frae ma verra, verra! Ah ageyne!
Tae the Cauld Enraged Wynde
Unco! intae Æternall Battle Scorchin'
Towardis Moorlan Chain Mail-***** o' mine!
O'er an' o'er IT! increasingly thro' Force returnin',
Wae ma verra Blacklyn Tartan o' War heyne,
An' Silvery Brooch, wi'in yondir Lone Sceadewe!
Unco! wae the Rubye Stane deep-shimmerin'
Naixt tae Carham's Gory Landis, an' the Targe-Hell,
Thro’ nowe Tune Martial, stick-an-stowe Ȝell!
Airn-Curse Core-Firey, Hye-Flamin' IT!
Heyne unco rychte Airn-Moorlan o'er ye a'!
Ah, bye nowe the FEUDAL OWAR-MANN!
'Yont thad Auld Whunstane Tower-Shrine
Togider wae Lang Titanium-Claymore, Airn-Dazzlin'
An' ne'er, ne'er, IT! stick-an-stowe tae wane!
Wi'in theis Bluish Fyre syne! Verra War-Swaird Rairan IT,
Intae Thae Hringiren Æternall, Thwndir-Devastatin' o' mine!

QVOAD FEODALE MEA CVM RVBRA SPATHA
ET RELVCENTE HOC SCVTO AC FVLMINE NIVEO
SCOTORVM INTRA HANC TEMPESTATEM MAGNAM
QVÆ FLOS IGNEVS EST TONITRVO NOMINE ALTO
NEMO GELIDO HOC LOCO IMPVNE ME LACESSIT.
The scene refers to medieval North Scotland, in what is today Aberdeenshire, during a storm, before the dreary ruins of a forgotten tower. The narrator is wrapped in a Black (Blacklyn) Tartan. The Battle of Carham (ca. 1017) is mentioned. "Targe-Hell" is a kenning for "battle", the "Targe" being a small round Scottish shield. Three verses form, indirectly, the word "Auld Lang Syne". "Swaird" is Scottish (archaic) for "sword". "Wae" is "with" (also "wall") whereas "OWAR-MANN" is, of course, "Overman", my own. "Ȝell" is "yell" (13th century). My own Return of Power event appears.
Elena Mustafa Sep 2020
Demented
Was this evil
Witch
When she snatched girls from the
Streets
To havevthem sacrificed and
Possessed
By the jinn
When will she end her
Evil spree
Of taking innocence
And committing them
To Satan
It goes down all around
Feel the ground and hear the sound
Spirit tried be bound
Wisdom in the earth I’m found
Truth in the heart not the crown
See the way the spiral is wound
Spread the life preserve the love
Shine so bright pierce the sky above
Steady observation instead of picking a side
Dedicated to the peace is where the mind resides
Eliminate the hesitation to feel the frustration
Let the essence be substantial and a fruitful consummation
Explicit to the definition of a living contradiction
Bias interpretation and no one ever listens
Ego and emotion seek the notion to control
Set the path in the middle and nothing can touch your soul
**Spirit**
Kristina Aug 2020
Normal
is a construct
used by the middle class
to structure
things they don't understand
in order
for them
to justify
hiding in their
perfect world bubbles.

Normal
is a construct
that makes them
feel safe.

I'm not normal.
You're not normal.

Let's crash their bubble!
Bhill Aug 2020
who belonged to this heart
beating all alone
alone in the middle of a crowd
was it a he or she
how can you tell when striped of all protection
all coverings gone and naked among the masses
we can tell that this heart is alone
invite the heart to join in and welcome its independence
we all need
we all need to belong

Brian Hill - 2020 # 229
Who?
mk Aug 2020
it was never the beginnings which frightened me
nor the ends (they were almost a breath of fresh air)

it was the middle
the chaos and the panic
the uncertainty and the fear

the idea that this could be forever, or no longer, or sometime, or tomorrow

the middle with the lull
the dull, the calm
the quiet, the serene

i am waiting for the other shoe to drop

a pebble in the ocean, you barely hear it
but it falls all the same

the middle with the muddy puddles
the light rain
the thunderstorm
waiting

the beginnings- the light
the end- the dark
the in-between - muggy, opaque,

anything could happen.
Hermes Varini Jul 2020
Skellums! Intae doomed countra
Ironclad ah dwell,
Claymore flashing in yon mirror,
And o'er the dreary muir.
There is a semiotic variant of this poem. It includes the image of a sword placed over a mirror as one with a medieval nasal helmet.
Hermes Varini Jul 2020
In the year 1332, at auld Dupplin Moor,
Wi' a shimmering Dagger of War,
Ah pierced the Looking Glass,
And amid so wild a Fire Mass,
Ironclad and devastating,
Mine awn Wraith cam.
Owre He beheld me!
His Claymore gleaming, unsheathed,
Into a darkness no one could see,
Ghaist, I winna yield to thee!
Across yon shield wa, quo' He,
In tyme of war ah threw myself,
Wi' gilded Targe and unforgiving Fury,
High flames falling athwart my iron wame,
While thoosan times boiling wapin fell
O'er that clan of skellums (Wundor Sceawian!)
Frae the white barbican, before the black well,
While thoosan times rising nae fellow-mortal
Amid thoosan deadly onslaughts
Ironclad frae the Fire;
But now man, to my warlike whisper do listen:
Ere the rust, in robes of Time,
Shall curse thy blade,
Airn fist ye maun ay wear,
To hold the Firestorm,
To avenge yon star shining still,
And auld Duntulm's stane,
Sae ah shall be strolling forth
In battle ahead of thee!
And when before Dirleton's Wa,
Wi' Colour of Hell reddening,
And next to auld South Ruin,
Yell warlike, enraged Wha Daur!
To thy enemies, and to thy consumed flesh
Doomed I say no longer
Within a forerunning Shade of Death;
And now advance! thy lane, and faithfu'
To thy auld Emblem of Steel,
Whar moorlan winds gaed,
Whar Immortality gleamingly dwells.
There is a semiotic version of this poem, which is written in a potent, altogether martial medieval Scottish tone. It contains my own image "Ghost of Iron". The main theme remains the speaking double, or alter ego, as generated from within a very mirror, and as leading the narrator to immortality. In this light, the underlying message can be looked upon as proving antithetical, although no doubt related to Edgar Allan Poe's own tale William Wilson. The title refers to Dirleton Castle, in Scotland.
Hermes Varini Jul 2020
Play mae, auld moorlan wise,
Wi' thy martial Steel Lyre,
The enraged Sound of the Thunder,
While ah shall be, again,
In nae unworthy mare,
Wi' Targe Shield and Dagger,
Rising nae fellow-mortal,
Amid thoosan deadly onslaughts,
Ironclad frae the Fire!
Another brief composition of mine, as glorifying the non-human voice of the thunder.
Hermes Varini Jul 2020
Thou, dishonorable Highlan' skellum,
Thy dreary whunstane shall not see again!
Nor thy unworthy Clan Banner,
Yet my Blade!
Yet my Blade!
Gleaming here, owre,
At auld Stirling Bridge,
Wi' fiery bluid imbued,
Graving still deep mirk stane,
Under yon Steel Glare
Ne'er to wane!
Another poem of mine, still in a medieval Scottish tone, and mentioning the great battle of Stirling Bridge in AD 1297. There is a semiotic variant of this martial-philosophical composition.
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