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Drop grains onto the mandala,  like bricks on castle walls.
Form your words into a poem,  turn that poem into song.
But Entropy still sings a tune who's sound becomes each now.
Like a pendulum wields springs,  losing energy each swing.
Like Sparta wielded kings,  directional and proud.
We face the winds of space and time and entropy unbowed.

Ordo ab chao,  Grana Tao.
Ordo ab chao,  Order and Rhyme.

Order and Rhyme.
Order and Rhyme.
Order and Rhyme per unit time.
Conscious witness,  entropic shrine.
The un-veiled eye can see the next line.
In rivers of space and layers of time.
Through twisting, rotating orbital lines.
We face the winds of space and time.
Counting the nows with Order and Rhyme.
Ordo ab chao,  Grana Tao.
Ordo ab chao,  Order and Rhyme.
Keep your chin up,  eyes open,  and grapple with the force of yet another poem about entropy.  ;)
Shofi Ahmed Apr 26
Pi, at the end of its endless decimals' grandeur,
meets a human being—who holds a mirror!
Until now, the number, knowing only sway,
has been lost in discovery’s polished way.
No more: it begins—on a human—in front of its eye.

Patterns and unique precision, patternless waves,
new math tides soar, pivot at the cosmos' height,
only to bag the ultimate truth:
Fathima—the first spiritual woman—mooned there first!

Fathima steps forward where nature falls behind,
across the dead end, the irrational chasm she strides.
For the cosmos' deep mind, Earth, the ocean is but a drop;
the rope to the top is the lead—the feminine Fathima’s lock!

Raw Fathima moves; in shadow, nature follows,
clustering atoms span between the two,
only to witness her encrypted, secured fashion—
intact, uncharted, yet fully functioning,
in Makkah and Medina, while she lived.

The red fairies at midday’s spot-on,
the black swans arching rainbows in wonder—
marvel how Fathima deduces, straw by straw,
the maestros’ dream of ascension,
potion-polished, taking Ma pauses in liminal crescendos,
between past and future, here and hereafter—a circular duo.
Limning out chiaroscuro in light and shadow—
nothing like it exists, in plain sight or the world in toto!

Rainbows shaded in, sparking out,
the scent of roses in her veiled black hair:
the cosmos anew glinting off her edge,
deeper quintessence than dark matter!

The blueprint, the intelligent pre-design, rests in her elements.
The breakthrough exponent—hidden in her eyes.
Yet beyond the masses’ gaze,
she remains Zahra—light upon the original way.

Truly, only one feminine form has reached across
the other end of the cosmos' endless highway,
zooming past nature’s hidden gems—the irrational Pi,
the complex chasm—a mathematical goldmine.

Beyond the masses’ eyes and their painted canvases,
shine the daylight and the glowing fireflies of the night.
Viva Mankind! Fathima is the Moon at the highest high!
If progress meant evolution
Which was the resurgence
Of a previous adaptation
Since dormant but readopted,
Would you deny it & shun it?
If after some period
The same was once again true
For this only recent change,
Would you embrace it & transform?
Willing to take flight,
Willing to cocoon?
Willing to immerse,
Willing to emerge?
By the same notion,
If the divergence required
Was new or exotic,
Would you welcome something extraordinary?
Would you accept & learn from your failures
And share in the fortune of your successes?
Would you help others to grow?
Will you sicken to septic & go toxic
Feeding from discarded wastes
As like ******* overgrowth?
Zywa Jan 12
I can't be meta

myself, so impossible --


is: 'metaphysics'.
Philosophical study "Tractatus Logico-Philosophicus" ("Logical-Philosophical Treatise", 1922, Ludwig Wittgenstein), paragraphs 6.45, 6.5 (The riddle does not exist)

Collection "Unspoken"
FatherCookie Dec 2024
Many people wish to die
And I think I know why…

Why ‘cuz life’s just a shake
of the dice!
Gamble fortune!
Gamble faith!
Gamble health!
Gamble state!

Just don’t go a-gambling
for luck to sway, ‘cuz that’s
inviting a very, very
bad man to play

P.S. don’tyougoaskingifthediceareweightedoranythinglikethatbecausethen­you’refuckingaskingforit
Plenty, long - it is pitiful.
Is it never better than to taste of it?
Empty, numb - it is pitiful.
Is it naught that is more flavorful?

In the living glass of the universe
I am a liquid,
Drink the drink.
By the marsh like mixture of life,
Split the iris,
Eye to eye.
As the electric echo of an echo
Waves as expression,
I am a particle.

I am the light

By the gypsum rose grown.
I am the order borne out of the primordial.
In weaves & webs perennial,
I am the pyramid doubled.
By the barycenter offset zero,
I am without mass & weightless.
In the predeterminants of the hypermatrix,
I am a bolt of lightning and the thunder.
By the storm of the ocean struck,
I am a standing wave in motion.

Material and immaterial.
Sarah Richardson Nov 2024
I.
At 3 AM, when prayer beads tick like Geiger counters,
my thoughts uncoil—copper-bellied serpents
tasting darkness with forked mathematics.
The mind's eye dilates. Space folds
like origami in reverse.
                          Here: the edge
where meditation meets vertigo,
where breath becomes sine wave,
oscillating between being and void.

II.
Two doors in the skull's quiet temple:
one opens on supernovas blooming like black dahlias,
one on atoms waltzing in their quantum ballroom.
Both lead down labyrinthine DNA spirals
to what we've spent eons fleeing—
that first serpent's whisper:
                               dissolve.

III.
Listen: the sound of synapses firing
like distant stars going nova,
each thought a light echo
bouncing through time's curved throat.
The heart grows dense as collapsed stars,
while dreams crystallize into sacred geometry,
snowflakes falling upward through dark matter.

IV.
Memory: that holographic river
where time swims backward through its own reflection.
I cup moments like bioluminescent plankton,
watch them slip away, pixel by pixel,
leaving ghost-prints on retinal nights.
Each lost second transforms me—
tree rings of light recording
what darkness taught the leaves.

V.
In the space between heartbeats,
neural networks weave myths from starlight,
encoding infinity in finite flesh.
We are legends dreaming ourselves awake,
ancient light translated into carbon,
into stories that birth galaxies
between firing neurons.

VI.
Observe the great devourings:
Universe swallows galaxy swallows star
swallows planet swallows society swallows self—
recursive hymn, eternal return.
Watch consciousness eat reality
eat quantum uncertainty
eat itself, until nothing remains
but foam on probability's shore,
glittering with all possible worlds.

VII.
Deep in the amygdala's forest,
where fear grows like luminous fungi,
I find fragments of cosmic egg-shell,
evidence of what we hatched from.
Each cell remembers its stellar womb,
each atom hums its hydrogen lullaby,
while DNA spells out in base-four code:
you are everyone you have ever been.

VIII.
When Brahman's eye blinks,
superposition collapses into now—
wave functions falling like autumn leaves
into singular moments of being.
Time is a spiral staircase
wrapped around a strand of RNA,
leading both up to heaven
and down to the quantum foam
where angels dance with quarks.

IX.
At the event horizon of ego,
where self meets infinite regression,
I dissolve like a koan in the mind of God.
The observer becomes the observed,
the cosmic dance becomes the dancer,
until there's no difference between
the meditation and the mantra,
the equation and its solution,
the eternal and the now.

X.
All is recursion:
Light waves breaking on consciousness' shore,
consciousness breaking on light's distant edge.
We are the universe's way
of witnessing its own reflection—
billions of eyes opened in wonder,
each pupil a black hole
drawing light into meaning,
meaning into mystery,
mystery into math,
math into music,
music into flesh,
flesh into light.

                    Again.
                           Again.
                                  Again.
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