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Kai Mar 28
I want every poem to be about you.
Love, hate, lust and in between.
I want every picture burnt, I want your heart
Torn out, I want to say goodnight
To bones and kiss your skull.

Every poem is about you.
Love, hate, lust and pain.

And I cannot express a thing, it eats me up
Beyond belief.
To love you is a sacrifice I make, because
I **** myself in the process, and when my organs spill out,
My heart drops first and breathes
Your name,
Over and over and over and over and over
Just inspired by the saying "my heart beats your name" :)
Aaron Beedle Mar 17
The wind is cream, it's scent fruit yogurt.
The rain the ash of a kindled comet.
The sun a thrill on planets face,
and winters chill in mellowed chase.

A flower's charm may draw you near.
Beware the bliss, the alluring veneer.
Darkness ripens in a world like this.
Infrared to ultraviolet
and every color in between
every hue that is you,
is longing to be seen.

You're like a rainbow of love,
In all its prismatic splendor.

Those ruby red lips,
so soft and tender.

In your emerald green eyes
my heart begs surrender.

Your golden hair flows,
down over sweet cinnamon skin.

Towards rose colored treasures
hidden deep within.

You're a rainbow of colors,
vibrant and bold,
Pastels of passion,
for my eyes to behold.

A Rainbow of love
even more precious than gold.

(HELL! To Be Honest)

You're like Skittles Baby!
And I wanna taste the Rainbow!
To be honest this poem was giving me fits.
I couldn't figure out how to end it, so I just decided
to have a little fun with the last lines.
checkout the you tube video
https://youtu.be/NnPpu4JDylc?feature=shared
thanks
Oh darling,
I'm not at home,
If I'm not with you.
You're my polished floors,
My grand oak door.
The sweet luxury of my bed,
At the end of a long day of longing.
Warmth of my fireplace,
In the evening when not a worldly soul wakes.
When it comes to love,
I'm real picky,
I won't have it if it's not you.
My morning mug of coffee, my evening cup of tea.
I've got a real honker,
Of a vocabulary.
Many ****** words,
Hairy statements,
Merry installations.
Whacking through words,
Like it's chopping wood.
Hands tied,
eyes sealed—
silence embraced.

A restless palace of words;
the crown is lost—
where could she be?

Heartbeat stirs,
memories emerge;
madam, are you asleep?

Parallel roads,
horizon’s hues—
where are you?

-mahat
Repentant Feb 4
You strike a matchstick
and name it hope—
watch the flame gnaw
its own tail, a hungry ouroboros.

Your hands tremble like cities
under siege.
The skyline cracks, a porcelain plate
held together by spider silk.

We are all archaeologists here,
digging through ash
for the bones of who we swore
we’d become.

Some nights, the moon is a pill
that won’t dissolve.
You swallow it anyway,
let its cold light pool in your ribs.

The world is a fever dream,
but listen—
even wildfires leave behind
soil thick with tomorrow.

So let your heart be a dandelion:
ugly, stubborn,
and impossibly
easy to love.
Inspiration: Combines existential urgency (a "burning world") with intimate resilience, blending natural imagery and mental health metaphors. The poem mirrors modern anxieties but leans into hope as an act of defiance.

Key Elements:

Ouroboros metaphor: The flame eating itself reflects cycles of destruction/rebirth and self-sabotage.

Urban decay vs. nature: "Cities under siege" and "porcelain plate" contrast with organic imagery (dandelions, wildfires).

Medicalization of coping: The moon as an undissolved pill critiques how society medicates existential pain.

Archaeology of self: Digging through "ash" to find lost versions of identity.

Dandelion symbolism: Represents overlooked strength and the beauty of persistence.

Structure: Free verse with short, punchy stanzas. Enjambment creates urgency, while the final quatrain offers a resolving, mantra-like closure.
Raven Kuhn Jan 24
In English we say
"I love you;"
In poetry we say
"Roses are red,
Violets are blue,"
And roll their eyes,
They do.

If only they knew
They're missing the view.
I believe the original author of the phrase "In poetry we say..." is Whitney Hanson.
Anna Menelaou Jan 22
Capitalism works wonders
when you buy your soul again
after selling it to the black market
just to have two more people recognise you

Blood is just another shade of red
for the ties of the clowns with the formal attires
and suddenly everyone's accusing you again
for committing epicureanism
when you were just trying to
devour minimalism
with technology that
working hands got beaten up for

Everything violent is unacceptable
until economy craves it
then you can demolish the whole world

******* doesn't produce
enough serotonin anymore
after you've already licked
every coin you were given
and then you hear a child mourning
their stolen youth
but you're just upset because
I didn't identify their gender

You don't look good with tears
yet you whimper every time
you're not donated with a package
so pathetically sad
when the billionaire
blood feasting cooperation
doesn't acquire your fake money

And then your portrait
in your pseudo glass reality
seems to be getting old
even though they promised
that beauty hurts
but maintenance forges
your ideal mockery

O what a pity
seeing you so edible
yet so gory

I bet you're dating to colonise
and you charge for every kiss
you once assumed you had synesthesia
but you identified every sound and picture
with green
then you proceeded to commercialise
your exquisite palette
with food you yearned for
and with every drop of your saliva
a genocide began to emerge

Crying again you inject yourself with venom
that dances with your older genes that you'll never meet

O what a pity
seeing you so edible

is it considered cannibalism
for us to eat the rich
or for them
to fanatisize our hunger
through bread and circuses?
Regarding everything that has been happening in the world right now I felt hopeless and the only way to express my disappointment is through my words, so here's a very metaphorical poem portraying the lying and cruel persona of leaders, rich people etc. Arton kai theamata in Greek means bread and circuses, a historical event especially during the medieval ages where the emperors would promise the people some food and entertainment to keep them under control.
We use metaphors in poetry.
Something dramatic and attention-catching
to stand in for something ordinary.
Metaphors are poet's best friend.
After all, a poem without descriptive language is just
a really dramatic essay.
So my question is?
How do you know when they stop being metaphors?
Would you even ever know?
If it's dramatic enough,
no one will know.
Eerie concept...
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