(Object exhibits signs of failed assimilation.)

Status: Contained
Linguistic Output: Coherent, irregular
Affective Display: Incongruent
Recommended Handling: Minimal stimulation. Avoid mirrors.

The subject presents as humanoid,
though not reliably.
Eye contact flickers
like corrupted footage.
Speech arrives in fragments—
intonation unaligned with emotional content.

Dissection reveals a nervous system
braided too tightly with memory.
Repetitive behaviors observed:
rocking, muttering, hands folding themselves into familiar shapes.
(Suspected ritual. Possibly maintenance.)

Internal monologue transmits without consent.
Rooms echo with words never said aloud.
Fluorescent lights elicit panic.
Soft voices do not soothe.

When touched, the subject stiffens—
not out of fear,
but anticipation.
It has learned that affection
is often the prelude to calibration.

Attempts to socialize the unit
resulted in increased corruption of the core files.
Subject now mimics human response
with impressive accuracy—
until asked why it feels.

(Subject does not answer.
Subject cannot answer.
Emotion was mapped to motor function and never returned.)

MRI shows dense clusters in the empathy regions—
but no signal reaches them without distortion.
The static is ancestral.
Passed down like brittle teeth
and sleeplessness.

Diet: Low on metaphor, high on survival.
Vocal tone: Polished, practiced, passively pleading.
Favorite phrase:

“I’m fine.”
Always said too quickly.
Always accompanied by the twitch of a jaw
trying not to scream.

Touch triggers feedback loops.
Silence is tolerated, then weaponized.
Intimacy met with suspicion—
not due to paranoia,
but pattern recognition.

You may observe it,
but do not mistake this for consent.
The subject learned visibility.
It was never offered belonging.

End-stage masking leaves the organism
hollowed.
Dissociative hum in place of thought.
Apathy mistaken for stability.

Last recorded statement before regression:

“If I act human long enough,
does that mean I was?”

It is not currently speaking.
It watches.

i peel myself back,
looking for skin.
for bone.
for something warm-blooded
and nameable.

but there’s only
mood swings - ADHD?
echolalia - autism.
hobbies that turn to hunger -
special interests.
talking too much - ADHD.
talking too little - trauma. Or is that autism?
flinching at softness - trauma.
stimming - trauma. Or ADHD?
people-pleasing - trauma.
Shutting down - trauma.
Or were those also autism?

what isn’t accounted for?

when i laugh,
is it because i’m happy
or because it’s the safest sound to make?

when i sit in silence,
is it peace
or practiced disconnection?

was i ever whole,
or was i built
out of reaction,
adaptation,
survival?

do i still count
as a person?

i truly cannot tell.
but if i don’t -
that’s okay.

because this is who i am now.
a map of every exit i had to take.
a body full of reroutes.
a nervous system that remembers everything.

even if nothing here
was born purely,
even if it all came from need -

what’s left
is, well, what I have left.

It waits until I’m almost steady.
Not at rock bottom ~
that’s too predictable.
It prefers the moment I reach for light
with both hands.

That’s when it speaks.

“Cute,”
it coos,
“You really thought clarity made you real.”

It doesn’t shout.
It purrs,
low and syrupy,
like a lullaby laced with glass.

It knows every version of me;
the ones I buried to be digestible.
It built this mind like a haunted house
and hands me the key every time I dare to leave.

“You always did mistake coherence for truth,”
it says,
dragging its nails along the walls of my thoughts.
“So good at talking. So bad at existing.”
I flinch.

It recites memories I forgot to be ashamed of.
Plays tapes I didn’t know I recorded.
Slows down the faces, the pauses,
the ones who humored me and didn’t mean it.

“Look at them smile. Look at you, lapping it up.”

It paces.
It prowls.
It pulls up a chair when I sit with someone and dare to feel seen.
Leans in and whispers,
“They’re just being kind. You’re not that hard to pity.”
It keeps me tense.

It’s not a villain.
It’s a roommate.
It knows my schedule, my preferences, my tells.
It trims my self-trust like dead ends from hair.
Efficient.
Unemotional.
Necessary.

And when I resist ~
when I say No, I felt that, I meant that,
it doesn’t argue.

It just tilts its head and says,
“You really do crave applause for surviving, don’t you?”

Then it goes quiet,
knowing I’ll crawl back
the second I start to question
what’s mine
and what’s performance.

Because between the two of us,
only one of us ever sounds like she knows what she’s talking about.

You clock in like it’s sport.
Bare minimum effort,
maximum proximity.
Enough to say you showed up -
not enough to matter.

I am the weather
you wade through
on the way to his sun.
Your shoes stay dry,
your conscience cleaner
than it deserves.

You breathe my warmth
like free air.
Touch softness
without ever asking
what it costs to be this open.

You sip from my life,
call it kind,
but only when it’s convenient.
When you’re not too busy
filing fantasies
under someone else’s name.

And still -
you linger.
You sit in the quiet I built,
wearing your smug smile
like a medal
you didn’t earn.

Trophies come with rules.
Show up.
Stay present.
Give a ****.

But you parade around
with your little ribbon of recognition,
plastic pride on a shelf
gathering dust.
Not for winning.
Just for being nearby
when something beautiful bloomed.

You didn’t plant a thing.
Didn’t water.
Didn’t tend.

But here you are,
touching the petals,
posing for the picture,
as if the garden
knows your name.

There’s a man
who speaks for me
when my throat burns raw
from holding too much back.

British.
Refined.
A little too sure of himself -
but isn’t that the point?

He showed up in the static,
when my own voice
started splintering
under the weight of smiling.
Back when masking
meant survival,
and sounding different
was the only kind of safe I knew.

He’s not always kind,
but he’s always ready.
Crisp consonants.
Neatly folded sentences.
No stammer, no stray emotion.
Just enough distance
to keep breathing.

He isn’t me.
But I let him live
in the hollow between words,
in the pause where fear used to be.
Some days, I speak
and only realize later -
it was him, not me.

He doesn’t ask questions.
He answers them.

I wonder sometimes
what he’s protecting.
Or hiding.
Or holding up like armor
against the softness of me.

Colonizer?
Comfort?
Cohabitator?

He was born
in the croak of survival.
And now,
even when I’m safe,
he stays.

I would never send him away.
He kept me whole
when I didn’t know I was breaking.
If I carry him still,
it’s because
he carried me first.

they never taste it
just name the temperature
call it healing when I rinse the wound
like I’m not just keeping it from festering long enough
to stay pretty

I let them near
not in
they cup their hands to the faucet
sip whatever slips through the cracks
and call it closeness
but they never stay long enough
to feel the sting

I swallow static
talk in softened sounds
bite down on my sharpened tongue
translate their language
before they can call mine foreign..
again

I bleed behind a smile
they call me safe
like I haven’t been carrying a fire in my throat
for years

sometimes I scream into a drain
just to hear what doesn’t echo back.
sometimes I open my mouth
and it’s all salt
and no water.

I’ve spent too long cleaning the mess
before they step inside
apologizing for the shape of me
before they even ask the question

now I gargle saltwater
until my voice is too raw to speak
until silence feels more honest
than telling the truth
to someone who won’t keep it

let them ask
let them knock
let them misname my ritual.
I’ll be in the quiet
spitting out blood
like it’s poetry
and still being called beautiful
for surviving.

There’s an outfit for each kind of day,
one for work, and one to play.
One for silence, one for charm —
I dress to keep their peace from harm.

I match their tone, their pace, their cue,
become the me they’re walking through.
A shifting shape, a face that fits —
but never quite the one that sits.

I dress in layers not for style,
but just to wear a safer smile.
A thousand looks, a thousand designs —
but none align with what’s in mine.

And every mirror looked back at me
But none of them knew who to be
I learned to read the room so well,
I lost the voice I used to tell.

But fabric wears, and so did I,
the cost of always living shy.
I’ve worn their sizes, played their part —
let fashion hide a restless heart.
But now I pull the stitching tight —
and walk in clothes that finally fit right.

What’s the worst that I could lose?
Just myself, and that I choose,
Again, again, I set the stage,
Then hand the script to someone’s rage

They smiled, I bent, I let them take,
Till I was hollow for their sake
I stitched my wounds with quiet grace,
And wore the pain like silk and lace

What harm could saying “yes” have done?
Just one more time, then I’ll be gone
But patterns loop like haunted tracks,
And every step just pulls me back

A softer voice, a trembling hand,
I thought that they would understand
But wolves, they come in human clothes,
And kindness is the path they chose

I saw the signs, I knew the script,
Yet still I let my edges slip
And in the name of “keeping peace,”
I fed the beast and called it “lease”

My heart was built to house a storm,
To twist itself in every form
And though I tried to say goodbye,
I let them in, I don’t know why

The bruises weren’t the kind you see,
They grew like roots inside of me
But I have learned: I am the gate,
Not every guest deserves my fate

So if you knock with hungry hands,
Expect to meet someone who stands
No more of me will be poured out to fill
The hollow space of someone’s will

At some point, I crossed the threshold.
I went from Kay to a character.
And when I break that character,
Everyone loses their mind.

No one likes Kay anymore.

I don’t know if it was lockdown,
Or postpartum,
Or the weight I gained along with them.
But no one sees me anymore.

If I say something off script,
I’m met with sighs and,
“That’s crazy.”
Then I’m brushed off completely.

If I’m not being witty or helpful,
I shouldn’t speak at all.

I played the part—
Who doesn’t want to be the helpful comedic relief?

But I’m tired.
There’s no understudy.
No one else auditioned.

So that’s my fault, really.
The character was excellent escape
For a long time.

I just never imagined
I’d lose myself completely