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Brent Kincaid Feb 2016
In old New Orleans
Musical lumberjacks
Legitimizing their axes;
Just piano, clarinet,
Bass and the drums.
Bringing jazz back
And then some.

The cat could play
That skinny long black horn,
Hotter clarinet than
Anybody ever born,
He kept hitting notes
So pure and high
We felt each note
In our eyes!

And, if you chance by
Remember this,
They don’t allow dancing.
But when the drummer
Makes works those skins
And makes them talk out
There is plenty of toe-tapping
And nobody ever walks out.

Then, when the guy
Plays that bass fiddle
He adds an underscore
To top bottom and middle.
It’s an underbeat of grace
That will fill the rest space
And the hearts of all
In this overcrowded place.

Vintage jazz roars out
Of an old, old piano
Played by a happy madman
With fingers afire, he knows
He’s got them hooked;
He’s making them wild
As he wails on those keys
He looks out and smiles
And he puts the Satchmo touch
On those old-timey songs

And once in a while
They ask us to sing along.
For the past forty-six years
Those ugly plastered walls
Have never hear so many
Gratefully rendered curtain calls
From an audience of clerks and swells.
On Bourbon Street’s Fritzel’s.
Through hurricanes and beers
Like stepping back a hundred years.
Fats is still playing, Bessie singing
Original jazz music is still swinging.
Isaac Middleton Feb 2016
a wise old sage from Louisiana, smoking cigarettes,
—which i stole one from that same pack later that day
and smoked it and almost threw up
behind the kind old episcopal woman’s house,
who the sage and i were living with in Memphis in july,
because we both were working on a stage somewhere in town
and we needed a place to stay a while, to watch summer rise from spring,

and i needed a place for you to **** me,
     my phantom,
     you, who, countless times, the Louisianan sage warned me about,
and the old episcopal woman hopefully knew nothing about,

   who, chanting truths of freedom and songs of singularity,
      white-haired, rose-gardening,
solitary and
    alone and
       buried alive
    in the walls of her house,
surrounded by her memories,
like the coffee mugs i accidentally stole
    when I left in August,
which, as it turns out, they were heirlooms of her dead mother’s—
    i cracked them all, i believe—

the louisianan sage, who once tasted the sweat of New Orleans’ blues jazz soul,
      now sitting across from me in the episcopal lady’s back porch,
                sipping coffee from one of her mugs
that i eventually took and inevitably cracked,
      this sage told me wide-eyed through cigarette smoke,
              seeing visions in the june blue sky,
‘the truth hurts. but a lie hurts more.’

the smoke rose to the clouds above our heads
like a sacrifice to god, and i rose with it,
and told him about september eighteenth.

and what it felt like to die
and come here.
JP Mantler Aug 2015
I am drunk again
waiting for the cab
The heavy rain washes
my spirit
Let us spare a fish bowl
for the lonely homeless man
The drunkard Saints I shall
miss them all
When I'm drunk again
I'll give them a call*

Farewell French Quarter
I bid you goodnight.
It's raining here as well.
Circa May 2015
JP Mantler Aug 2015
I still feel like a child
But with greater patience
The car honks

I feel like I will die sooner than it feels

The same old flowers, the same old pattern
And the door swings again back and forth from the soothing winds
Circa May 2015
JP Mantler Aug 2015
We're on our cemetery walk
It's hot, sticky and quiet
The Schallenberg trash is full

"Ex umbris et imaginibus ad veritem"

Bus boy and bus girl
Dreaming the jazz theme
The American dream
There's grits on the table
Another sad fable of dreamers with big, crazy dreams

And I flick the cigarette **** on the *****'s SUV
I flee, I hide behind the Southern white veil
I ******* cower


Lady talks with her hands
I cannot ******* understand
The car horns beep again
And the drag queens chase men

It is all just wizard propaganda
It is all a ******* hoax
I want to stab my boss
I want to **** him
Ex umbris et imaginibus ad veritem
Circa May 2015
JP Mantler Aug 2015
The streets scatter with life
A man with an electronic cross preaches in the streets of Bourbon
He's sad and confused, he's doesn't scare the dumb, drunk townfolk
Circa May 2015
JP Mantler Aug 2015
The Miss Daisy sank
She was two hundred feet tall
With no worries at all
There are buskers all around and about

The swamp bar is clean
For my good friend Jimmy
He's here to play
He's come a long way

He is music to my ears
With my pack of 'Boros and my bourbon glass
He straightens the queers

The music floods me with joy
Like a dark cloud of sunshine

I drink to him
I'm the last to stay
I'm dying to play

*Dauphine cries to the sounds of sunken hope and dread
The sound is buried with dying laughter
The drummer is dead
The band plays on
JIM BEAM
Circa May 2015
JP Mantler Aug 2015
The same one stands out on the balcony
Waiting for God to make her move
Dauphine shies the busy-bodied streets
Locks hotel door and cries for no reason
Sailors storm the streets with wooden hands
Grabbing and touching a ***** with termites
Pests lay dead on Toulouse
Katrina laughs at her *****, wet mess
LAKE LAWN PARK CEMETERY
Circa May 2015
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