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Nat Lipstadt Dec 2022
the ink of succinct…

is this a poem?
is it a sufficiency?
it self, itself is in
possess of two f’s,
two i’s and two c’s,
thus, is it necessary?

necessity, a quality qualification?

the moment, this moment
is both over and forever,
a sufficient and a necessary
condition for art, for your art,
think - is your condition,
necessary and sufficient?


then you are an artist and a poem…
Fri Dec  30 2022
Nat Lipstadt Dec 2022
tired of the voices in my head

blunt spoke, they never shut up, believing their longevity
provides a grandfathered status, denying them dispatch

they do not acknowledge my notice of eviction but the
rumbling is quieter this morning, the mournful bittersweet
residue of their whining, wrecking, nearly  murderous noises

their recital of my major crimes, weak selfishness that was the mirrored reflection of my weakness and jealousy, the hallmarks
of the failure to be brave at the moments that mattered, indeed, my own murders Eye-confessed-committed but yet unpublished, remain

flawlessly bawled out loud, with repeat threats to remand me to
a higher judgment if I escape responsibility in this world, which
is laughable as they have played accuser, prosecutor, jury
and judge, so oft that the processional process, my living justice, trembling, slow destruction is preliminary a full color, living hell

but this sabbath morning of a blue sky after forty days/nights
of a cold rain that relentless fell, sparing none, gives me a pretense, a veneer of an almost-bravery to dial till a click clean heard of a
thunderous silencio, “no más” no more and a sudden abrupt of
is this not preferable,
this silenced soliloquy of modest relief

and weep guilty~grateful for a reprieve, a small pardon that
undeserved for the heinous things I have permitted, nay, allowed, will never earn parole, early release, and the finality of no more delay, is a inevitably undeniable, and a poem
of excuses not successes, and an acknowledgment that
I’ll never seat at the head of a table
revered by my progeny

welcoming the arbitrary invitation delineation of a new year,
a fresh start


Sat Dec17 2022
New York City
Nat Lipstadt Dec 2022
Few people know how to take a walk. The qualities are endurance, plain clothes, old shoes, an eye for nature, good humor, vast curiosity, good silence,
and nothing too much.

—Ralph Waldo Emerson

<>

A late-in-life walker, the words above resonate in my mind,
with a check, check, check, check and a voluble ding, reading

and nothing too much”

many a poem mine labored, birthed arrhythmically walking,
eyes see verses, verses fill the mouth, mind desperate as
the feet unceasingly trod round new corners, new visions,
Emerson’s words remind my well worn weary path daily renewed, a vocabulary child re-newborn, and how to keep all this forever,
until tomorrow, and nothing is everything all too much carried over

and nothing too much”

speaks to an openness in every orifice, be prepared scout-boy,
to adapt to nothing too much as hours earlier now recalled are ancient history, mind staggers at the minuscule differences tween yesterday and this exact moment in this exact place that has been reimagined, deserving of recording, notating, and my desperation struggle to
semi-successfully delineate, report, on all these
mini-magnificent miracles countenanced, overwhelms…

the brain furnaces/furnishes a thousand thoughts, a million worries,
slew of infinity-sized emotions like love of children, so it’s confusing to window-peeking  strangers watching for the walking man with tears pockmarking his cheeks, unaware that his each stride is a story, a unique grace forward and too, backwards, history mine, reviewed, graded, and the comfortable shoes, the old sagging clothes well worn and beloved, fit like gloves, whispering in the good silence,
a lamb sacrifice to the

good silence,
“human, your foibles and deeds, admixture of
blood inherited, a morality crafted by ancestors,
so the next step is
alway$

and nothing too much”* and everything…

Sat Dec10 2023
Shell Beach, Central Park, in my mind, and nothing is perfect
Nat Lipstadt Nov 2022
Re words:

rejoint my conscious self,
reiterate, as it is late, I am old,

reread
my prior poems, rewrite them, indeed,
rebuild them, redo them in their entirety,
so you can resell them and be rediscovered!

retake them, rekindle & rearrange in new combinations,
rewarmed, you are re-rewarded in their reassembly,
again reabsorb the moment from wells beneath your skin tissue,
recall the prescient exactitude of what you were then feeling,
readjusted for today’s new filters, recalculate the cost,
replace the cast with renewed images, refreshed faces,
new alpha dogs.

if you can resell them, they will rebuy them, no one the wiser,
thus, regain the old glory, redemption, no need to repent,
just rejoice and sleep another hundred years.


revenged.

Aug 17 2022 11:01 PM
Nat Lipstadt Nov 2022
How many poems does one individual contain?

Ahh you say!

Why unlimited are our of-coursing emotional exhalations,
our sighted and insighted sparks
like forest fires they come ad infinitum!

THEN the mind’s eye blinks, then word blindness follows
in phased arrays of
gaps that cannot always be easy pencil filled, permanent inked,
as locked and closeted,
and put away in a glass jar of formaldehyde.

I see, I feel, I hear, I read and react;
a notion,
a title born,
perhaps even a line or two follow-on scratched and etched,
even refetched
but followed then
by the deafening quietude of a stillbirth breeched
 fetus,
the emptiness of a blanketing blank,
a glance too short,
a foam extrusion whitening the spark into nothingness,
the death of a poem in a forest…

and you can’t care!

more such wordless poems have I buried than the
talkative children I’ve birthed,
old age delimits me now, my eyes failing, my hearing lessening,
the senses eroding, and worse, the frustration morphs
NOT INTO caring,
for the days of wine and roses, the mid-of-night urgency of
try, try poetic ****** is now a sinful spilled residue
on the wooden floor,
crumpled sheets of spermatozoa failure to perform…

the wastebasket
is a into a silo of mockery, a self-administered glass shot
of saltwater, bitter herbs, lamentations, an impassable gateway nominally know as 502, a wide, emptied moat of “haha on you!”

thus an answer forms,
there is no endless, growing,
inhumanly impossible trumpeting crescendo voice that doesn’t falter, eventually!
a petering out, a tangled, gordon knot of a shoe-laced Nat voice that cannot be untied by creaking fingers that scream ¡no más!

Even though
you believe, you yet possess the tools, though well worn smooth,
the belt lies heavy on the hips and its removal a welcoming
enlightening!

let me abide in peace, trigger me not, and the
answer is and always had been, this one, or the next one,
or the one prior is perhaps the finale, you will never know,
and if you do,
you will never permit yourself to utter aloud,

terminé et terminé!

in sæcula sæculorum imperf!

forever and forever unfinished finish!

!last one out, turn off the light!
10-30-2022
Nat Lipstadt Sep 2022
Sep 15 10:45am
Silver Beach, Peconic  Bay, Shelter Island

it is the day of the twixt and tween,
64°, stolid breeze on a bright sunshiny day,
but no question, we are well ensconced in
**** season, overlooking the shadowy, dry, speckled
blotchy, thirsty grass, and an empty bay, sails put aside

it’s a normal/semi-normal moment,
simultaneously secular and heaven blessed,
the stimuli of the quietude is the outlier,
it’s quantitude is overwhelming, it’s amplitude,
a wave of farewell humbled hushed rumblings of wind and
the drip of dropping leaves that fails to puncture
the total absence of noises, human et. al.

shirt off, chest wet & warmed, a light jacket,
my wrapper from the firm chill,
an undeniable temperate moment,
for this is an interlude day,
a goodbye and hello
shucked/unshucked poem,
the only semi-frisky item on the menu

even the animal kingdom respectful,
recognizing the sorrowful solitude
of this single intruder, so no cawing, honking,
even rabbits quietly chewing, their senses understand
this is a  remorseful write on a beauteous 1/365,
an adieu + au revoir script to
this island

but then the sign!

between Silver Beach and Noyac,
three heads a-bobbing,
white throats and white underbellies upright,
too far away to be heard,
but I swear I hear the purposeful porpoises saying:

“Adieu! Adieu!
until we see you and yours
once more,
for many more,
till then,
we await our mutual sheltering together,
in our shared waters”

<>

our summer palace,
where the sum of each newborn morn,
begins a life extending day, offsetting the aging of cells,
and softee smiles of children are botox injections,
directed to the soul’s lining,
an antigen antidote
to the toll time’s antibodies extract,
time units recorded and kept hid in the
the surround sound
of a special silence,
the sounds of rays twinkling
upon the waves,
reminders to everyone
that we are merely
betwixt and between
a plentiful heaven today
and a
plentiful heaven tomorrow
Nat Lipstadt Sep 2022
7:00am
Shelter Island,
Sat Sep10

on the south west edge of the isle,
the slowrise sunrise just behind the trees,
so early day yet, no full frontal of a sun
bathing to wake up woman, babes asleeping, but the
animals know exactly this hours early
perfection.

indeed, the crazy squirrels are random
hither and dithering in spurts of energy,
only stopping to observe a viewing of the humans
nest~resting through the glass doors with their
inquisitive, self-possessed, bedside reckless manner,
perfected.

the suns pealing gleaming gleanings picks
out any shiny reflective surface that enhances
its low-rise greeting, with a chorale of living objects
singing “Hallelujah orb, what’s in store for us today,”
river~bay, wake-less, its becalming, marbling surface, again,
perfected.

me?

I’m mugged by the perfection intersection of
my eyes-scape, first coffee, the holy quietude, only
the regular soft breaths beside, lend a counterpoint
to these thoughts and the litany of chores the iCal happily, annoyingly,  prematurely but with certainty lists, resistance (Walk!)
perfectly ok.

ok not to move an inch, watching this daily movie rerun,
that energizes hope, a contemporary localized contented without the
humdrum of blaring headlines, talking heads, and the
infiltration of the guilty unfulfilled responsibilities demanding a due,
then heavens signal me, Donovan, earbud singing Colors, confirmed
perfectly ok!


Yellow is the color of my true love's hair
In the mornin', when we rise
In the mornin', when we rise
That's the time, that's the time
I love the best

Nat Lipstadt Sep 2022
4:30pm Sep 7 2022
Silver Beach & Shell Beach
Shelter Island


the heavens masters have departed their summer palazzo,
drawn the curtains, residual cloud cover of grayed thickened oatmeal,
a parting souvenir-gift, an 18 hour soak, grasses ****** raised glasses,
the few sapiens that still walk, hike, cycle, feel no need to smile/greet

our pheromones don’t operate properly, without a sunshine trigger,
we move doggedly but dragging a massive sadness, we’re marked;
count! an end of summer, a tree ring closed on our physical cell walls,
summer weather switch thrown, a universal human Cain birth mark

all is as before, but just for a moment, a silver color clarity invades,
all encompassing, everything bathed, haloed, a shining, don’t blink!
we are lit, alight, enlightened, changed, no longer tarnished, as if a
celestial silver polish swipes the gloom, the beach sparking white fire

this a sign unmistakable; cycle yet unbroken, flash card reminder for our eyes, brains, transference neurons ignite continuous continual,
our observations are the connecting links, the tissue human that
remains, reminds, each, this heaven & earth story is never ending!
a true story
of course
Nat Lipstadt Jul 2013
Wrote this eons ago, tonight, once more,
spend some human capital, editing...
Something to think about
as we tuck ourselves in.

the young'uns keep on asking me for tips,
secrets, to this art, magical poetry gig,
as if I had any left unrevealed.  

recalled this old'n,
from a vintage poetry year,
as a suggestion,
a stating-starting place,
for young poets:

do not self-chain,
let the words take you
where
they lead, write them up
for the rhyme is waiting,
in the heart chest deep down,
not on the screen.

I read you Goodnight Moon,
Falling asleep beside you.


<•>

People stop rhyming...

When first you overcome your fears,
And dare to put on paper your tears,
Give it up, set yourself free from the shackles,
Of thinking a rhyme is a necessity for a
Rooting tooting writing of a
**** good poem
or a barrel of
crackles

If you feel lost,
Want to share the cost,
Feel not bossed,
By a newbie's need
to believe that if it rhymes
Everyone will like your poem
Just fine

And if you get past this stage,
And advance to the next page,
Do not think that writing down a sentence of
Your mind's first up, innermost thoughts,
Is something that will make you
Less lost, heralded, worthy of a parade,
And be blessed with an A  
In your Teacher's pet grade book

My heart broke.
I feel bad.
I feel sad
Cause my man/woman left me
And I hope
Someone kicks his or her ***

That Ain't No Poem Neither...

And if you can't help but complain repeatedly
How life ***** and you're feeling blue
extremely indiscreetly,
Don't make me try on your scribblings
intimately indiscriminately,
Read a million, even wrote a few myself

You think you can write?

Then employ a word outside your comfort zone,
Go it alone,
Write just four sentences that will make
The hopeful reader stand up and you,
Twice as much, and shout

Hallelujah *******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it.
Let it come easy, then let it rest,.
Then spend days editing every comma,
And when you love it so much,
You are chest busting bursting,
Why have you not pressed Send already?

Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)

G' nite!
Why is that parents plant ideas in your brain as you're falling aslee..............

Just a suggestion....what do I know,
Nat Lipstadt Aug 2022
Something’s changed.


6:00 AM Sun August 16 2022

The temperature today will baby step
up the kitchen ladder, careful, senior slow,
to hover at a pleasant 79 Fahrenheit.

But, I am unfooled.

‘tis the birthing of the
changeling of mid-Augustus,
June’s initiating summer solstice,
an intimate longing now a long
gone forgotten memory, now a
calendar X a valedictorian graduate.

But of late, the sun has lately been
heisted by late afternoon by a batter
thick grayish cloud cover, right here,
hovering upon this godly place on earth.

there is a underlying fragrance, familiar,
an unmistakable chilling odor of cool fall.

an urgency emerges, hurry up you,
pluck the blueberries, harvest the peaches,
because trace hints of crispin fall apples,
falling browning foliage, curling leaves,
pumpkin flavorings and yellow gourds
is unjustly barely there, a definitely discernible.  

Back-to-school ads replace banners proclaiming
bargain prices for summer necessities, vin rosé.

Even the squirrels are enjoying a Sunday rest,
after mornin’ worship, no feverish acorn collection,
a subtle hint, winter supplying must be nearly done.

dare not superstitious say out loud, the **** geese,
have made themselves scarce going on two weeks,
having learned a trick or two from the Ukrainians,
I chuckle to think that we may have regained territory.

But, I am unfooled.

Morning boats of all ilk and demeanor ply-plow the
bay waters, but all seem less hurried, savoring the pretense
of forever long summer days, beyond-belief sunsets, soft white
ice of creamy calming waters, no impasto^ seas wintry rough.

Return-to-bed, coffee mugged, I await the Dumps early call,
the sorting done, metal, plastic,compostable, so easy to bring
order to our daily detritus, thinking if only one could sort the seasons then I would be a forever summer man, here,
on this godly place.


But, I am unfooled.

7:06 AM Tue Aug 16 2020
Shelter Island, N.Y.

————————
^Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
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