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Nat Lipstadt Feb 13
10:14am 1-28-25

the word above is a most singular
in our lingual language

of the ailments many,
varied, variegated and
necessarily interconnected
so they all merge and blend
like a frothy cappuccino ,
a melding of ill
rather than a blending
of distilled ailments

the state of being remedied,
is hard to be measured
for it moves  
tes like a target,
minute to minute,
hour to hour,
drop to drop of time

what is remedied
year to year,
crossing centurial diversionary linear
artifice

those Marked as fully repaired,
handled, resolved with a crossing out
lineage honorific, can never be dismissed
or erased for sure,
for fully surety is intermediary

for the heart can break at any minute,
in any place, external, internal, and a
daily baby aspirin can’t prevent, only
lessen the unanticipated frequency

we are decaying units, and patches
upon patches hold us together until
the adhesives of remedies remind us
of their very own half~lives

why a band-aid is only
a band-aid and remedies are only
remedial
Nat Lipstadt Feb 1
Fri, J 10 l, 2025    12:20 NYC
walking for flowers
                ~~~~
the steely irony is not bittersweet,
nor is it
white horseradish Passover stinging,
yes, the slow perfunctory defunctory,
measurable in cc’s and centimeters,
drip drop drippings frittered away by
the brains self-destruction of
cycling and recycling,
yes, and dying,
that occurs
all **** day long,
daily between the sunrise and sunset

Yet, here, right here, poetry words
somehow
fall freely,
no hesitation,
from brain to page,
no coitus-interrupt-us,
as if I was composing,
am decomposing,
mine own psalm

no need for proofs,
it was lying in wait for
sweet release,
a trigger pulled
to assemble &
stand and deliver the freely
given, albeit stolen goods

but in the ordinary course of human living,
I, fumble, stumble,
anger from my gut rumbles
up in actual screams of frustration
as the individual word sought is sight unseen
in a forest of hedgerows purposed
to interrupt free flowing
verbal animation, invading excitations

cannot remember
ten digits of mine own
cellphone number,
but the address of
my residence from early childhood
trips off the tongue, lightly and fantastically
and uselessly

the name of what’s their names
is a rock star
be a solid stone, large pebble,
s t u c k in my gourd,
or the little strength needed
in your fingertips ,
to grasp the individual coffee beans
you just dropped,
scattered over two rooms,

strength that arrived snd went,
and the cells of your body parts,
ask you
what’s going on, going wrong?

making lists is inoperative,
for the whereabouts
of said list is curiously
gone to the devils on my back,
cut out to
the dead cells that were once a warty grey,
now a withering deadening and
deafening, deadening, defeated
black hole
(******* in data for destruction)

seven generations of accumulations
erode,
chip chirped & chipped away now so oft,
onto those ***** city sidewalks
they fall and to dust,
to down ground, by steps of
passer-overs who care not a
whit,
what's that word that
rhymes to
writ?

it is imprisoned on
Devil’s Island with
what’s-his-name

took out the fixings to
make an antipasto salad,
placed all upon the counter ,
but couldn’t
locate the fig goat cheese, and
no it was not on my nigh-table,  
nor hid in the fridge,

grrr, that fridge that I fully emptied,
twice,
for twas sitting on the counter,
snickering
the very first item removed,
and also
to be
the first forgot

high to low, and reverse course,
having not left the abode!?!,
where is my watch,
so the hunt for the Red October smart watch awaiting
my lovely wrist,
is not to be found,
for it was well
hidden from searching eyes,
alr  eady on my wrist,
hiding upside down,
beneath my shirt cuff,
announcing publicly it’s
smarter than its
cuffed up
owner

admire a painting upon a wall,
but say nada to the world,
for the word mural
has evaporated, an
evaporated not no more
subjective Objective

I, intentionally
cut, rip off the pockets from every coat,
leaving in each but 
 one,
so I can be comforted
when wallet searching,
that endless patting repetitive
of pockets visible and hidden,
has now but a singular solution
thus,
may yield resultant missing object
sought and more quickly
found,
maybe

a thousand poem bits o’ honey
fully finished, or just a phrase,
needing a body, heart and head,
lie in a dank and dark
dungeoned file,
Former Memories

but the where when
and the critical tickle,
the why,
formation is still needed
for them to be despatched
to their fate,
unless it’s
“just because”
a better reasoning,
other than my
own guilty
diminishing capacity
is no longer in service

p.s let me save poor yocum
complaining this miss/ive
is too long,
SO there!
I’ve done it for him,
even though it is highly unlikely,
for that!
is the one thing
his memory
has proven
infallible...
Nat Lipstadt Jan 26
a potion maker,  
seeking the formulae
of the combination
of the
known and the none,
the wizard’s ideation
of the secret spark of
creation, the starter fire
of human destiny & desire

who needs gold,
when,
the power of birth,
the mystery of girth
the fluids of oils,
plus 57 varieties
of human blood,
in a precise tabulation
the sap of human cell
constructs, heated
gentle on a low flame,
do not forget, or regret
if the salt & pepper
of discernment is
overlooked, the sighs,
the quiet of boredom,
the leveling moments
when creation is initiated


and then
my heart can be
known to some,
even careful read
between the lines ~
the lines on my eyes,
the cross hatch upon
a forehead, the crinkles
where time and laughter
intersected and injected
the whites spaces between
these words


enough enigma…

never!
955am
jan 23, ‘25
Nat Lipstadt Jan 25
genetic & embedded in both
the left and right brains and
heart muscles, pores and parts
that participate in the body’s
daily ritual colloquium regarding
the necessary amount of magic
needed, upkeep required,
to please the Lord, 
whose designers were
co~missioned,
tasked-to make a self healing
being, with a reasonable shelf
life but with built-in imperfections
and to struggle and to
honor  that idea that we born blind
and our goal is
learning to see,
envision
our better

version

the
correct redirection of
constant course corrections
using the
secret compass chord
playing on the harp of our
heart strings

<•>

903am
1/23/25
on a day of addition and sub traction
Nat Lipstadt Jan 15
~For Lila and the others~

there exists
a subset of us,
those who
for whatever reason
do not write,
but “just” repost
other’s work

Above see the word
Just
emboldened
for this selfless task
is justice inherent

For this act of bringing others
to our over constrained attention is an
action of justice,
or more profoundly
doing away with
injustice  of
our human limitations

We could spend days entire
pursuing the works of others,
but life and the extraordinary demands
of writing anew, when the spirit is upon us,
are oft unable to spot, isolate, and
highlight
capture
the best of the rest,
and bless those
who reorient our eyes
away from our own bounded rivulets,
to the tried and truly,  away from
habitual familial familiar good stuff,
but bring us revelations of gems,
caught within the mass maskings of missives that grows hourly, exponentially to
out attention,
to reorient
our attention,
to their filtered selections

Let us say in unison then
a blessing of gratitude
to The Reposters:
*Blessed are You, Adonai our God, Ruler of the Universe, who has granted us life, sustained us, to give thanks to those who enable others, to reach us this season
Nat Lipstadt Jan 19
my questioning,
directed at myself
and the answer simp,
not necessarily simpatico,
cause the answer is either
today, or never,
could be
both or n-either

yeah,
of that age,
when I awake
first two words are
*******, again?

and
if I hurry,
one piecework,
one mo’ poem,
hurried,
may yet be
vented,
scurried,
aired out
or for
quick disposal
sad dispatch

one mo’
disgorged poem
within and withouted,
either side
of midnight

been gorging
on letters ever since
They fed me
sugared letters
& lemons
for breakfast

and the last twenty
sending them you
in a disembodied
softly softly
voice
no matter how
far your imaginary
ears are from me
Sunday AM 9:52 2/19/25
🥲
Nat Lipstadt Jan 18
an existential question so deep,
it can be answered only by
enumerating a million tiny
words:

in the quiet crackling of a spine & unsticking page noise of an opening of a brand new book, a first of firsts, a thrill for free in any bookstore that is yours now, uniquely and forever

in the upward stroking of a smooth
cheek, by your smallest finger, upon
a newborn’s face, your youngest child’s
newborn, and a rare moment of unadulterated love tinged by
immortality

the smile you retrieve when scratching
that old beloved pet’s face, in the exact
spot only you two know and a long time ago
discovered


patrolling the Promenade, espying an
elderly couple so bundled against the
city’s Arctic cold freeze, that movement nearly impossible, nonetheless holding gloved hands in a manner and a moment describable only as inseparable

letting someone jump in front of you,
at the supermarket or the bank, when
they have only one item to purchase, and you, a dozen or so, but the most important item you really really urgent need you have is to prove to yourself that it is possible to buy more time
for a human

crossing with an elegant eldery woman
across the wilds of First Ave., who insists
she needs no help (ha!), but doing it anyway
by complimenting her candy striped cane,
and being rewarded with a “stop that, or
I’ll be forced to take you
home!”

searching endlessly for  red kidney beans in olive oil in a health store that has no less than 19 varieties of everything, and an immigrant teenager employee tskes you across a cityscape of aisles, turns, niches and alcoves  to the exact spot and item, and you
smile and weep because the beam of their smile at your pleasure lights up two souls
simultaneously

next, herbed flavored tofu?

making a bank teller laugh (a near impossibility) when depositing a very large
check, and when asked if there is anything
else you need, informing that you would like to withdraw half immediately but only if they have a sufficient quantity of extra large size single dollar bills!

a group of privileged upper east side college seniors eating out at a wonderful Italian neighborhood restaurant, talking loudly about their recent travels abroad, and how crazy it is that one cannot get a cappuccino in Italy(!) except at breakfast
(oh, the in-justice)

here I stop, because not a lot, of my reasons
to be brought forth are concluded, but only because  you have started
to feel an urgent need to p-
repare/start your own list, immediately if not sooner to ascertain precisely your own anwer to:
Where
are you
being?


5:48am
NYC
Shabbat, January 18, 2025
18 Tevet, 5785
most of these happenings occurred all on one day
last week;; one, 7 years ago…only ine was imagined but is planned

https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/


https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/
Nat Lipstadt Jan 10
~Jan. 9, 2025~NYC
<•>
The words of Walt Whitman (1)



~~~~
The origin of all poems!

Oh what a sweeping promise
does Whitman, proffer,
you to entice, to succor.
ease out from within yourself,
that which is therein ready,,
to organize
what be the
fermenting stack of seeded cells of
fomenting
stacked
multiple
simultaneous
observations,
poetry lurking, thine owned senses,
a catalyst cataloging constantly
and you happily despair  to
capture, retain, s u s t a i n,
the pieces of a whole that
knowing only you possess,
that only you can
perfect as the combo
expression of
your
pre~owned assembly
as a solitary protagonist, witness,
and audience!

Understand the origins of the poem,
because it is
original to you,
comprehension of this principle,
means that you will never be
starved for inspiration,
record the ordinary and the peculiar,
the off drink that when mixed,

shaken and stirred
that only you
can pour and better yet ,
s h a r e!
(1) Walt Whitman’s “Song of Myself”
“ Stop this day and night with me and you shall possess the origin of all poems,
You shall possess the good of the earth and sun, (there are millions of suns left,)
You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.”
Nat Lipstadt Jan 22
Disclaimer:
an unintended very long poem
from a very long walk,
hoping it might come
to rest within your
heart
but feel free to go your own,
another direction

<•>

“Another writer told me a few weeks ago of his New England Yankee mother,
who believed there are no problems
that aren’t made at least slightly better
by a long walk, and
none that are made worse.“
<•>

a moderate walker am I,
on the Promenade,
hard by the wide & narrow strait,
a tidal estuary, that divides our urban island
from its suburban Longer cousin,

this my path, most oft traversed,
a time spent usually creating,
reciprocating verses from a
copulating mind

every walking expedition is
an-in-transit composition,
an enchantment by a song
anointed, appointed and a
derivation
of a song about
going home

the last of my family
to be buried, l,
to be interred,
finally grounded,
in a park of cedar trees,
next to my immediates,
for can’t think of any other place
that might, would willingly,
not resist mightily, taking me in

it will thy will that they bury me
there if they can get permission
from the heavenly authorities,
but told the betting odds
are 3 to 1
against,
the Lords of song not so happily
with the quantity and the quality
of my unseeded spilled,
of my un-indeeded actions,
they were not entirely
rainbow colored,
some very berry blackened,
urgently misdelivered
with no justifiable delicacy
warranting memorizing or
further discussion

most likely will continue
to remain a pedestrian,
though unlikely I’ll have to
look both waysides before
crossing over

I’ll carry copies of  my scriptures,
psalms and even my one and only
flawless poem in hand,
wrote here so long ago,
s small proof that my theorems
were not
always entirely wrong,
but my replica action figurines,
were posed and struck,
were sufficient evidences
that my overall demeanor
of demeaned marks,
were negative numbered,
irony, they were unlettered
and ungraded,
mostly average, only worthy
of a place in the sadeyed lowlands

So walk I shall,
hoping they give me decent
walking & wailing shoes,
a warm suit,
a fedora or a watch cap,
cause it is more than chilly
down by the uninhabited riversides

this thinning vision is not
tinged with
any tingling regret,
nor sorrow,
what I did, what I wrote,
every word mine alone,
the way I lived,
walking solitaire is
something grown quite accustomed,
and a pretty fair pre~text of a
judgement coming
down

on the morrow,
will walk with no
measurements needed,
not speed, nor distance,
not counting crows or any other
unenumerated birds of a feather,
those on a wire or a river railing
spying observers watching,
who will go unnumbered,
as will all my
steps of no value

so this poem’s title absolute right,
no needs for solving
for absolutions,
was never ever sorry for
taking a walk,
and there are no more vocabulary
modifiers,
unneeded words left, like,

but nonetheless

only
just don’t know how
this river poem got
so long
Nat Lipstadt Jan 8
12:53am,  January 3,2025
New York City
<>
A Traveler notates these words to my attention, but only because I make myself
a convenient target, for truthfully,
it is addressed to one and all,
to the royalty of:


We,

who speake out loud, to all those who ***** these damp woods full of wet words, that spring up overnight, ripe for the plucking, there for the taking, an exacting where & when they did not even exist
the twenty four prior


These purloined overnight creatures are

white and  black

lettered truffles, like the pages on which we inscribe, the letters raw, exquisitely tasty, shaved, measured in grams, but only when shared with others, in the privacy of our open minds, after being spooned from within us with exquisite care upon the pages that decorate our lives, sprinkled
with great care and cunning


but when consumed, our five senses rage with aromatic pleasured pain, for these letters, so tiny, so powerful, grow only when
combinatory, individual bitty granules,
but when leavened, they enhance, provoke!,
they sauce, the


flavors  of the ordinary

of our experiences,
creating the extraordinary
when interacting upon
our five robust senses


for without the spaces of delineation,
our jumbled words are but the
random jingle jangle of the sounds
of night winds, rustling a tune
pleasant but incomprehensible


Here I take your leave,
with the liberty taken
for speaking in all our names
to a Traveler
who so succinctly captures our work,
the glue of our interactive Us,
Our,

Collective of Individuality
finished @ 1:53am
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