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you think i'm empty.
a broken code.
a *****, a waste
of human skin.
you say,
i'm too pretty
to be like this.

this isn't a choice.

i feel too much
for there to be space
for what you call
lust.

you don't need an apology.
no one does.
my brain is not a crime scene
for you to investigate,
neither is my heart.
you may think me cold
but you've never seen
the bonfire,
always kindling,
for the ones i keep close.
this one is about asexuality.
AUSTIN Aug 18
was there ever a moment where
you were taught
lust was love,
when you were skipping rocks
and playing pretend
what voice whispered
it’s your body
they want,
not you
-im coming to realize how as a gay man I felt that I would only receive partnership through sexualizing myself and others in my mind. Early bullying and rejection made be develop a heavy sense of lust, and feeling that I will only be loved when im under someone feeling my skin.
Mark C Aug 17
my boyfriend blocks me for four days
because I won’t give him the chair he wants.
I’m left scrolling through IKEA listings,
pretending the algorithm knows my waiting.

outside, neighbors drag out plastic stools
for another birthday party. balloons
tied to the wrong wrist, a dog howling
like it knows who gets the last seat.

on day three, I start naming the chairs
in my apartment: recliner as prophet,
barstool as witness. I kneel before
the ottoman, bargaining like a priest.

when he unblocks me, it feels
less like forgiveness, more like return policy:
no receipt, box dented, parts missing.
we drag it inside together, silent, already exhausted.

what I wanted to say was:
I would’ve sat on the floor
if it meant staying.
Raven Star Aug 10
I wasn't made for something casual,
I need the undying love,
Of my beloved.
I need it to be never ending,
For it to cconstantly consume me.
I need it to eat me out,
To drown me in.
And **** out my soul
From within.
I got my first girlfriend, dedicated to her, should i send this to her?
Малышка со вкусом монархии
Разбиралась в азах иерархии,
Возрождала меня птицей Феникс,
И эректо ХаИм лайк Пенис.
Тут гляссе и фрейлины-опачки,
Короную твою хуепопочку —
Ты стань раком и выгни бля талию,
Я в окно загоняю Италию.

Yaroslav Kulikovsky. Berlin, 2019 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
A royal kink fantasy wrapped in queer theatrics. This poem celebrates a femme queen with absolute control and a willing, playful partner. It’s over-the-top, ****, and sovereign — where every gesture is performance and every ******, a coronation.
Фила Текила мастер тату
Соло строчила свою ерунду:
Эники-беники, сэки-парсэки,
Разные гадости и гомосэки.
И языкатая, и сексмашинка,
И Пеппилотта, и суперпружинка —
Длинный чулок натянул и погнал:
Травести кончил, финал.

Yaroslav Kulikovsky. Berlin, 2023 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
Every queer person has their goddess. Their own Madonna, Pippi, Fila Tequila — the one through whom they become themselves. This poem isn’t about grotesque — it’s about freedom. To be messy, loud, witty, ******. And yes, sometimes the finale is just a rave under a spotlight. Travesty is a myth. A mirror. A ritual. Don’t judge. Clap.
На Монтенаполеоне недавно
Покупал себе я гандоны,
И встретил одну очень славную —
Принцессу Куни в пионах.
Сударыня, Вам в Кандолизиум,
Давай в лепестки, не стесняйся,
Изысканно гни изваяния,
Язык тренируй, распускайся.

Yaroslav Kulikovsky. Paris, 2023 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem is a lesbian floral march through the space of luxury, body, and language. The Princess of Cunni in peonies isn’t just a figure — she’s an archetype of sensual authority that asks no permission. In the poetic Candolysium, the body doesn’t submit — it unfolds. Lesbian love here is not “alternative,” it’s a ritual of beauty, humor, and force. That’s what freedom sounds like: in petals, in curves, in words that melt on the tongue.
Пук-пук и Клац-клац покупали футболки —
Один купил с гайкой, другой с болтом.
И, облачившись в экипировки,
Взвинтились до неба — такой вот дурдом!
Один был валЕтом пиздато-придворным,
Другой пиздоватым, но тоже вальтом —
И вот, закрутившись потуже в кладовке,
Шмальнули дуэтом — и в гастроном.

Yaroslav Kulikovsky. Vienna, 2023 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem is a grotesque anthem of queer love — absurd, ******, and mechanical. Puk-Puk and Klats-Klats aren’t just characters, they’re metaphors for strange but genuine connection. This text is about being yourself — even if you’re a bolt-fitted valet who takes off in a supply closet. Love isn’t a code. It’s a detonation.
Кардиган и Коверкот
Гладили малыху в рот.
Лапсердак сидел, вопил,
Смаковал кайфовый чил.
Гройсе Гликовая Шикс
Пожирала жадно Твикс,
Согревала и строчила
Леопардовая Сила.

Yaroslav Kulikovsky. Paris, 2021 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem is a neon fable where each figure speaks in their own dialect of flesh and ritual. Everything’s weird, glitched, and personal. Cardigan, Covercot, Glikova Shiksa — they’re not characters, they’re urban archetypes. To be yourself means not explaining — just vibrating as you are. That’s individuality: not being what’s expected, but being what can’t be avoided.
josef Aug 2
i load into the world, ready to
do as the title of the game says: mine and craft,
he joins. dread mixed with love ensues

time goes by, we level up,
wood to stone, stone to iron
making a plan for our little abode

with cows, sheep, and 2 cats,
just as i begin to fantasise,
he leaves the game

the chatbox rings out
Achievement get: DIAMONDS!
and it was all in vain
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