Within his paw
smeared bloodied red
by a deliberately mocking thorn
sat a
blanched ripple-y
guarachera strip of cloth
confined narrowly
between the love and the life lines.
TWO ROADS!
what remained of her
remained of the underthings
beneath
fluffing rows of silk
the heavy skirt had been raised
above the ankles
the creases no longer hidden in shadow,
one leg hoisted over the back,
the reigns held expertly.
Hey Beauty!
As it happens, the card numbered Eight is
Strength (also Lust)
She had surely fled
She has surely flown
through the trees and away
Not on foot at-all
while the three saw her pass.
great speed.
The two sisters
with that prince vulgaris looking on
curiously
Three daemon goblins watching from a distance
a disturbance
a smallish crashing
and afterwards
a scrap, sleepy and unfurled, relaxed
within the leaves that shudder
and give up the delicacy, slyly
into stubby fingers
Lovely
Dark
Deep
The Woods are Laughing!
Did you notice any scent?
Did it linger between
the thumb and the ring?
the remnant of her flowers,
Petals flouncing, swirling
in odorous potentiality.
a scrap, yes
a deep seated souvenir
Can we re-fabricate the whole from this little thing, you think?
we want her.
there are things that we want to do with her.
dangerous, they lean in close, nostrils flaring slightly
searching for the ambergris or the sticky  jasmine
sweet,
settling instead to gaze upon
the still clutched
still a little springy
sprightly, o! the remnants of her liveliness
and ***** and yet
No memories
3: at least let us show you the stage that we’ve built
with a clean sheet for the curtain,
paper cut-outs
and some sticks.
it’s called acting.
the wine and the wafer.
hidden in the trees’ darkening
‘the mattress’ lays where
the leaves will crumple
meanwhile, he’s petulant:
- why, if you’d just get off of that high horse!
- how long are you going to resist?
- are you STILL angry?
- why won’t you just let me stick it in you?
she telegraphs her response, cough:
‘you do know that in this
particular scenario
(fingers pointing downward and across
as if to suggest
that the scenario
had a specific location)
You are the wolf, right?
The wolf...
I, the girl,
am in the forest with my basket and
I have got a
cute little
blood red
crushed velvet
swing coat
With matching hood and a single task
And YOU
(with those other two *******) have decided
to bore ME with this ****?
Daresay slow ME down?
Of course I will get rid of YOU.
Wait, who am I talking to?
Let me also add that
there never has been any
high-stepping on my part,
nor ankle twirling,
no mandate to impress a stale balcony,
no sign of gaslit
illuminated
pink bows
that lay down flat
perfectly upon the straps
that snap
perfectly at the thigh,
NOT to be slid off a buttock (mine)
NOR crumpled into a dubious ball, ripped and torn
and yet I know that
that determined creature,
a hairy monster
more faithful than Argos,
is prepared
to wait a lazy eight
at grannie’s cozy house
in a sickly corner
over-eager and overwrought with
pandered fantasies
and explosions of once sort or another, irrelevant to me.
What I WILL admit to is
that the touch of those grubby fingers
transubstantiated at my waist
invisible
approach
as usual from behind
impatient and
impractical,
always too quick to make himself a beast
to rid himself of being a man
knowing how way
leads onto way
but I doubt if I should ever come back’
In shape and life more like a monster, than a man. - Edmund Spenser, The Faerie Queen
