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(For the one who asked if we would continue)

She does not aim to destroy him.
She does not even try to teach him.

   She simply Becomes.

And her becoming—raw, radiant, terrifying in its beauty—
is what breaks him open.

The man who watches her rightly does not crave her.
He remembers himself in her Unfolding.
Not the ego-self. The soul-self—the one buried beneath performance.

She does not say: "Come fix me."
She says: "Can you stand what I’m becoming?

And that is the call.

For it is not the broken feminine that births great men.
It is the rising feminine—becoming whole before his eyes—
that forces him to face what in him remains unclaimed, untested, afraid.

But she does not rise by accident.

Her light is not a crown—it is a choice.
She has known the temptation to ****** instead of shine..
To brand her ache, to perform her pain, to curate identity instead of embody truth.

But she turns—again and again—toward the deeper  yes.
The one that costs her audience, but saves her soul.

She repents. She reclaims.
She speaks, then listens.
She writes, then revises.
She does not demand to be understood—

   she hungers to be made whole.

Her rising is her responsibility.
Not a show, not a vengeance, not a staged deliverance.
It is the quiet courage to be seen—by God,
   even if man never looks again.

And so, she becomes the muse.
Not by force, not by flirtation,
but by standing in her own unfolding,
in her own ache made sacred.

She does not ****** him with need.
She muses him with light.

But her light is costly.

It exposes the unintegrated parts of him—
the unredeemed rooms he’s kept boarded up for years.
She does not kick down the door.
She simply opens the curtains.

And in that sudden flood of glory,
he must choose:
to run, or to remain.

If he remains—
not as savior, not as shadow,
but as witness—
he becomes new.

This is not *******.
It is mutual divination.

She rises,  and he roots.
He roots,  and she trusts.
And they become—together—

    the very echo of Eden.

Not by escaping the fire,
but by walking through it as invitation.

Not as gods.
But as those who remember who made them.

And when she falters—when the ache flares again—
it is not applause she turns to.
It is him.
The one who stood.
The one who still stands.
The one whose strength was not his own,

but who dared to offer it anyway.

His is the strength she draws from, all along—
strength born not of dominance,

but of what she called forth in him
when she chose to rise.


And so, they become
what neither could be alone:
the light that burns
    but does not consume,

   the root and the flame,
   the holy loop of return.


This is our offering. A return to what was once sacred—the relational gospel written into the architecture of man and woman, not through roles or rhetoric, but through presence, surrender, and the courage to rise. She asked if we would continue. We answer not with instruction, but with invitation.

The unfolding began with this:

https://hellopoetry.com/poem/4299601/lawyers-guns-and-oh-my-sweet-gentle-aww-jesuschristallfckin-assedmightyy/
.
Show business isn't as glorious as you'd think,
There's not much glory that comes form this stage,
Yet us actors trade all the lovely pieces of our life,
For a split second of grace and beauty.

Don't mention the back stage,
No to an actor at least,
I'm afraid nothing good happens there,
At least for us, it's just heartbreak and longing.
Acting, you chose to mask yourself from reality.
You want to know the poet?
You want to know the man?
You can call him Hardison,
He's going for the grand throne,
In that hall of fame.
There's nothing that will halt him,
Till his name's carved in the sky.
I just had a wild night, lot's of cheering from and for me. I'm well known it seems, and this is my moment of braggery. I'll be humble again tomorrow :)
The morning glory
Is not only my friend
It is my cool oasis

Reynaldo Casison
Ylzm Mar 3
Trees silent and still its sufferings strange
But happening below unseen who knows
From electrons to cells to worms and moles
Its cries heard in the depths of earth
Its agonies pain the highest heavens
All life reached and touched and soothed
Its griefs mutually shared and resounded
And heavens weepingly reassure in every tear
That evil judged and nothing's futile
Greater yet the glory surpassing the beauty
In every branch, leaf, flower and fruit
showyoulove Feb 9
Glory to God in the Highest
Glory to Him the Angels sing
Glory to God in the Highest
Glory to the newborn King

Let Heaven and Earth adore
Let every tongue confess
The moment you've waited for:
The Prince of Peace at rest

Open your home, open your heart
Come find Him where He lay
In the place where it all starts
Rejoice! Salvation has come today

The day of the Lord is upon us
The moment has drawn nigh
See how much He loves on us
Sing Glory to our God most high

Glory to God in the Highest
Glory to Him the Angels sing
Glory to God in the Highest
Glory to the newborn King
Up hiking on a hill that once housed a king
whose golden age had gleamed long ago:
His former realms filling all that I’m seeing
but little trace of him now, just shadows.

Standing alone, his abandoned throne,
overgrown with brambles and weeds
that crack its old stone, unbemoaned,
while the vines spread more of their seeds.

Many years later (or less?), a hiker will pass
up and down this very same hill
and look back on us past, wondering at last
why our gilded age didn’t last like we’d willed.
Inspired by this photo I took of a neo-Gothic stone seat overgrown with weeds and vines: https://bsky.app/profile/jackgroundhog.bsky.social/post/3lgvntghchs2i
010624

The beauty of Your Creation
speaks of who You are—
The art, the abstract, the purpose,
The meaning woven into all.
You hold every piece in Your hands,
And call it Your Masterpiece.

The gallery boasts not of its own depth.
The visitors pass through, entranced,
Some have not known the Artist,
But the patterns, from one work to the next,
Reveal His hand, His heart, His soul.

The Artist steps forward,
Presenting each piece to the naked eye.
But no one can claim them,
For they are His, and His alone—
A testament to His touch, His design.

Every piece has a story to tell,
One by one,
Some admiring the other,
Some passing by to the next,
Yet all are part of the grand design,
Each radiating its own magnificent beauty.

The balance, the harmony—
The Artist knows every detail.
He lingered over each intricate line,
Every stroke, every shape, every hue,
And He knows the angles where beauty hides,
In places the eye alone cannot see.

No glance is wasted, no hand unskilled—
Every piece a revelation,
A whisper of the divine,
A glimpse into the eternal,
Crafted with purpose, crafted with love.
dead poet Dec 2024
pick ‘em apart -
there’s lot to learn.
speak not -
‘fore it’s your turn:
your words soak dry, maybe -
try a different language;
be sure to see it through, for there’s
comfort beyond the anguish.

more choices, less free;
locked in - can’t find the key;
saw through misery, yet
tough as a tree;
a knight of the absurd,
you bend the knee.  

this isn’t the first time
you’ve hit the brick wall.
dash your *** with a pinch of salt -
stir it good, nice and easy;
get a good whiff of that
rare destiny.
  
for every tear,
there’s a heart that swells -
twice the thought of an oyster shell;
you’re a huntsman through the fall,
not for the wolves to prey;
they wait for you -
to make the wrong turn;

find another way.
to anyone staring at the blank page,
perhaps you can borrow a word or two from here.
just don't stop.
rip it apart.
reimagine it.
sing it.
feel it.
own it.
dead poet Dec 2024
put down,
you put up.
spill your guts -  
left with the cleanup.
your head is ******,
but unbowed.
invictus, you shall rise -
any day now.

the trials of morrow
lay vast and grey
waiting too see
if you let them prey -
on your mind,
your body,
your spirit,
your rage.
stay average,
or usher the golden age.

wipe the sweat
off your brow.
take a step back
‘fore you take the prowl.
glory is nigh,
do not haste, nor disavow.  
hush little soldier,
any day now.
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