du bist auf einem himmelhohen Weg,
und ich kann nicht folgen.
Die Vögel singen,
und du bist auf dem Heimweg.
ich sehe die Vögel,
die deine Seele empfehlen.
ich vermisse dich,
aber du schläfst im Frieden.

Mein Leben ohne dich ist so viel besser

Aber mein Lieber, ich habe deine
Liebesbriefe noch einmal gelesen

what have you done?
inhibitions and doubts
smell like spoilt auflauf
and the day after summer.
your words are advertisements
for another conversation,
but I am not ready.

German:
was hast du gemacht?
die hemmungen und zweifel
riechen wie verderbenes auflauf
und am tag nach der sommer.
deinen wörter sind werbung
für ein andere unterhaltung,
aber ich bin nicht bereit.

wings of birds were stolen by the gods, centuries ago
an earth's day lasts for 86, 400.002 seconds
children are roaming in the mind of these lines
they are counting, playfully and without feelings

days come and go, they float through our lives
i wrote about the stages of dreams and dreamt of an *******
the ruins of old poems are silver, blue and red
remains of a day's thoughts, decoded and clear, similarly

it is not wise to count seconds while you are breathing
it is not wise to count on people while they are leaving
it is strange to use "wise" in order to refer to cleverness
people of color may feel excluded by our languages

in german, "white" is called "weiß" and that sounds like "wise"
explain to me the origins of such a word, i demand it
before the river will have swallowed me; i demand an answer
poems come, poems go, leave a trace, stain – and a change

fools are flodding the streets in order to have a five o'clock tea
proudly, they are talking about their old heroes, bearded conquerors
these guys nevah really wanted to dig strangaz, dey killed 'em.
they killed unknown people, they stabbed my dreams

they murdered ancestors because they were used to murdering
they invented words without speaking but grinning
power is an invisible instrument that consists of hierarchies
power is what we see and oversee, power is the origin of wars

wars are the origin of despair; and that is nothing new
wars, though, may be invisible and silent, just in the mind
what is a war, does a war need bombs, guns and soldiers?
wars occur everywhere, daily, within 86, 400.002 seconds

the length of a day is measured in numbers; they are just inventions
numbers are man-made, animals orient on the sun and the moon
humans celebrate planets and write poems about them
we all will surive as long as we keep writing and tolerate each other

To the boy Elis
by Georg Trakl
loose translation/interpretation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem. Keywords/Tags: Georg Trakl, translation, German, Elis, blackbird, black forest, birds, brow, blood, grapes, monk, body, dew, stars

To the boy Elis
by Georg Trakl
loose translation/interpretation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem. Keywords/Tags: Georg Trakl, translation, German, Elis, blackbird, black forest, birds, brow, blood, grapes, monk, body, dew, stars

Die Maske des Bösen (“The Mask of Evil”)
by Bertolt Brecht
loose translation/interpretation by Michael R. Burch

A Japanese woodcarving hangs on my wall—
the mask of an ancient demon, limned with golden lacquer.
Not unsympathetically, I observe
the forehead’s bulging veins,
the strain
such malevolence requires.

Original German text:

Die Maske des Bösen

An meiner Wand hängt ein japanisches Holzwerk
Maske eines bösen Dämons, bemalt mit Goldlack.
Mitfühlend sehe ich
Die geschwollenen Stirnadern, andeutend
Wie anstrengend es ist, böse zu sein.

Bertolt Brecht [1898-1956] was a major German poet, playwright, novelist, humorist, essayist, theater director and songwriter. Brecht fled Germany in 1933, when ****** assumed power. A number of Brecht's poems were written from the perspective of a man who sees his country becoming increasingly fascist, xenophobic and militaristic. Keywords/Tags: Bertolt Brecht, German, translation, Holocaust, poem, Japanese, carving, mask, demon, evil, malevolence, sympathy, compassion, understanding, feeling, forehead, veins, swollen, bulging, effort, strain, exhausting, concentration, suggest, suggesting, suggestive, demonstrating, revealing, showing, wall, gold, golden, lacquer, paint, woodwork, totem, malice, hatred, enmity, spite, spitefulness, animosity, anger, maliciousness, malignancy, venom, spleen, viciousness

Bertolt Brecht Epigrams and Quotations

These are my modern English translations of epigrams and quotations by Bertolt Brecht.

Everyone chases the way happiness feels,
unaware how it nips at their heels.
— loose translation/interpretation by Michael R. Burch

The world of learning takes a crazy turn
when teachers are taught to discern!
— loose translation/interpretation by Michael R. Burch

Unhappy, the land that lacks heroes.
— loose translation/interpretation by Michael R. Burch

Hungry man, reach for the book:
it's a hook,
a harpoon.
— loose translation/interpretation by Michael R. Burch

Because things are the way they are,
things can never stay as they were.
— loose translation/interpretation by Michael R. Burch

War is like love; true ...
it finds a way through.
— loose translation/interpretation by Michael R. Burch

What happens to the hole
when the cheese is no longer whole?
— loose translation/interpretation by Michael R. Burch

It is easier to rob by setting up a bank
than by threatening the poor clerk.
— loose translation/interpretation by Michael R. Burch

Do not fear death so much, or strife,
but rather fear the inadequate life.
— loose translation/interpretation by Michael R. Burch

Keywords/Tags: Bertolt Brecht, translation, translations, German,  modern English, epigram, epigrams, quote, quotes, quotations

You Were My Death
by Paul Celan
loose translation/interpretation by Michael R. Burch

You were my death;
I could hold you
when everything abandoned me—
even breath.

Paul Celan (1920-1970) was a Romanian Jew who wrote poems in German. He survived the Holocaust, despite the loss of his mother and father, to become one of the major German-language poets of the post–World War II era. His parents' deaths and the horrors of the Holocaust have been called the "defining forces" in Celan's poetry.

Keywords/Tags: Paul Celan, Holocaust poems, Holocaust poetry, Shoah, German, translation, death, breath, abandoned, abandonment, hold, holding, Germany, racism, antisemitism, injustice, brutality, genocide, ethnic cleansing, World War II, world conflicts

O, Little Root of a Dream
by Paul Celan
loose translation/interpretation by Michael R. Burch

O, little root of a dream
you enmire me here;
I’m undermined by blood―
made invisible,
death's possession.

Touch the curve of my face,
that there may yet be an earthly language of ardor,
that someone else’s eyes
may somehow still see me,
though I’m blind,

here where you
deny me voice.

Paul Celan (1920-1970) was a Romanian Jew who wrote poems in German. He survived the Holocaust, despite the loss of his mother and father, to become one of the major German-language poets of the post–World War II era. His parents' deaths and the horrors of the Holocaust have been called the "defining forces" in Celan's poetry.

Keywords/Tags: Paul Celan, Holocaust poems, Holocaust poetry, Shoah, German, translation, root, dream, blood, death, face, eyes, blind, sight, seeing, vision, voice, voiceless, silent, silenced, ardor, love, passion, desire, Germany, abandoned, racism, antisemitism, injustice, brutality, genocide, ethnic cleansing, World War II, world conflicts