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Manda Clement Jun 2014
My forgiveness *** is a jar
That lives inside my heart
Filled with all the forgiveness I have
It looks like fairy dust, glittery and golden
When someone needs some of my forgiveness I take a little from the jar and give it to them
Sometimes a little, sometimes a lot,
Sometimes more than I feel they deserve

The jar is refilled by the forgiveness others give to me
For I too need forgiveness sometimes

Right now my jar is running low
I have given away far more than I should have done
And to people who I think should receive none at all
The cutting insults he made
The selfishness she showed
Were two this week alone which emptied over half my jar
But that's what we do, isn't it...Forgive?

I am now wondering what other peoples jars look like
What shape, what size, how empty, how full
And what colour is their forgiveness? Red, silver? Gold like mine?
Do some peoples jars never open?
Sealed forever, never giving, unable or unwilling to receive?
Do some people really not care about the importance of forgiveness?

I care
I take care of my jar
I hope that when it is almost empty it will fill back up with
The forgiveness others do not want
I like to think forgiveness isn't wasted
Finds a home, a jar somewhere.
I think about things like this all the time. Am I alone? haha. Enjoy! x
Evening Ways Jul 2014
To crack a voice
If the tongue throws away
Much needed words
As quiet fell the voice
None spoke
When right the time came
My blame was placed away from me
All shame placed curses on the words
And further now we drift
Away from simple clarity
Darkest now I see
Aborted hope soon spoken to the grave
Then quiet falls the shame
Martin Narrod Jun 2014
this society of ours is so gargantuan,
policed by the daylight we hold at night for ransom,
Like a Jesus or a black Aphrodites,
I'll be your daddy if you let me call you my mommy,
give me your milk, the nectar that forms at your eyelids
We can go out in public on a weeknight Ireland,
I won't drink, but I'll wrestle every penny you
throw into each fountain, unless each wish
you make puts us together in California. At 55º it's as
cold as it seems your heart is, you whisper the omissions
of lies over mute. Every silver trinket on this charmers'
bracelet abused. Be the freeway and I'll be the car, drive around my circles, and we can drive the map of the Hollywood Stars. This circus- paddy-wagon, sewer stardom, I've always been the over-roasted beans from your local Starbucks. I grew up to grow up, I got up to throw up, I sought you to show up, and give you this leigh garland. Egyptian or pitiful, critical mister 'are not.' My words were worthless and wounded by such ardor of this perfervid martyr. Enveloped by threading the eye of this tempestuous hourglass, just another sign of being extremely intolerable to the minutia, the worried, and nervous curse of being so human and the fear of being, quite heart broke.
Kyle Kulseth Jun 2014
Past
     closed up pizza joints
Past laundromats, through the dying noise
the nights tick on like clockwork
watch the calendar as my steps unwind

I'll wait for my thoughts to ferment
pick my words, hope I don't slur them.
Flip back past the page of these days
     get a read how I got to this age

From the summit where I'm stuck and posted
          reread the books where I come the closest
From the shelf spill my guts to ghosts here,
and relive old nights in Bozeman

          When I found a place
where the nights grew longer--
grew confident that I wasn't always wrong
and just drank the moon
          under dawntide tables
rolled the dice with the greatest friends
we said,                           "We're not old yet."

          Through
     crumbling bones at night
past skeletons of the city's size
the nights fall out like sand grains
curse the hourglass as my fate unwinds.

I'll wait for my brain to discharge
its contents on hospital charts.
Glued the book shut, stuck in the time
I gained my crutches and misplaced my mind.

From the bed that I'm ******* glued to
to cluttered basements I can't wade through
The foundation just won't hold up
against the cracks formed in Missoula.

          Ran off the rails
where I stumbled and stammered
grew comfortable beneath pint glass hammers
I still drink the moon
          under dawntide tables
grown apart from the greatest friends
who said,                      "You're not dead yet."
Amitav Radiance May 2014
As silence sets in your heart
You are aware of the feelings
And the mind becomes agile
The calming effect of silence
Will help to rearrange beliefs
Silence is the subconscious
Speaks louder than words
It is built on a solid foundation
Firm against sinister forces
Silence is a bundle of energy
It withstands barrage of baloney
Unwavering support of silence
Cocoons the soul in happiness
Silence is retaliation
Of the soul which is strong
Only the strong can wield silence
To make an emphatic statement
Silence is not absence of action
Words are a spent force
When it holds no meaning
Some, hiding behind its guile
Douse the ominous intentions
With silence as your defense
Silence is deafening to a noisy world









© Amitav (Radiance)
Cake, the meat of culinary delights;
Icing, the sauce.

Cake, the main entree, the special of the night;
Icing, the decorative garnish.

Without Cake, Icing has no purpose
A clump, a blob, of meaningless goop.

1 spoonful of Icing alone and you're done.
Spread out amongst the firm surface of Cake though,
Icing becomes much more interesting, and much more fun.

I am the Cake.
You are the Icing.
Without me, the base, the entree, the meat
You, the sauce, the garnish and blob, don't matter

You can be the Icing to your own Cake or to another
But without me, you'll do nothing but rot teeth and smother

So, to enjoy you, Icing, to the absolute fullest
I must, first, combine the ingredients, stir and bake
Because it is vital, if one is to appreciate your sweet taste,
To properly prepare my foundation, the meat, your Cake.

- BPW
Martin Narrod May 2014
So I scuttled up, until I found a voice like Japan, I read him his rights, turned out the lights, and laid right back on the sand. They said, "Sir, he was much of a father to me, but we were labeled his kin, right in our family tree." "Oh wow", I said, with a gentle, smooth voice, he went missing last August, but now he wants back you boys?" "Oh yes, he sure is a feral man. We think that's why he dried up and flew to Japan." Right then, the two of them went silent just like two second story men, so I inquired, "What happened then?" "From Monday thru Sunday he took to prayer from the bible, and on every other weeknight he watched Japan's Top Model. He threw gallant parties to a harem of wives, he read each of their palms, and looked in their eyes; some time later, when everyone was about to leave, he'd turn on Happy End and start a wild ****." By this time I was tired, the sun began to set, I grew tired of my beach patch and yearned for my bed. Although soporific, I tried to be polite, I said, "Let's finish this conversation some other time." "Of course!", they said, "We're off to bed. We'll see that you'll do the same." Then they stood up quick, and reached down and picked up my chains. The beach we laid on was black top, asphalt and tar, the bed I craved was behind a row of private bars. The two of them, them both, were children of mine, because my memory is shot, this might've been their millionth time. i got locked up in a county that's dry as a beach, like Elizabethtown, Kentucky, where I was raised till 13. No one, not even the warden, knows really why I'm here, even some man from Cell Block Five, asked me last Sunday, why was I here. My beach perhaps, it's love at last, concrete, gravel, and stone- a 6' x 10' room with bars and a porcelain throne. It's mine I cry, each night I die, with glee, with smile, with rite. But it makes the other guys run at me, and try to start random fights. I don't remember the boat I took, but I remember the tour, going to Japan at Epcot Center since I'd never gone before.
Martin Narrod May 2014
We know you, and your little dark colors too. A picture book in your purse penned in mustaches on the full faces of your fare. We call you from bed, 8 o' clock in the morning, dog-light you slow wander the Peruvian darkness making jellyfish tentacles with your hands while you feel your way through Salem. We're colder than night and we wake thrice the bits of your day gig. You collapse in a green field of dandelion where thrushes drown you in Brown. We gorge ourselves on mango slivers, pineapple yolks, a half of grapefruit. We know you are close to your end.

On the tops of the cities you call to your lycan friends, the half-sick and muted bray allures them to you, from Bratislava and Mimon, the thoroughfare through the suq. We wait. The foregone untold, the beep beep jug jug swoop sound of the nightingale, in all her dun glory, we wait. Then, as if descending through the moor-lounging silver smoke, the cool stickiness to your fingertips; the fog.

We are there when the blue-less and smoky screen surrounds you, when you shank the auburn Scot hair of the sly fox that stalks, say, a cigarette from your lips. When you take the corners swiftly, gadding the streets. The prize king of vulpicide. You rub its matte fur against your bristly gray beard. And while you lay in your lumps of twelve carat flesh you bleat and you nag. One day you will never come home.
*Johnny 3:16 is an unattainable film featuring Vincent Gallo. The trailer for the film is available here
preservationman Apr 2014
A solid **** being the turn
The mind in using what you learned
The base of one’s destiny
The negativity among the enemies
The door that stands before you
You have no idea of what’s behind being a clue
The history of people walking in
Their untold stories of decisions to begin
The mysteries behind a mist
It just turns into a theory of a twist
Yet again people have walked in
But also they never came out
Conscious to see, but no shout
Intrigue to know what the door was all about
One’s step at the door to open
One’s journey to explore and a door that separates
It’s the wonders that indicates
One must learn to appreciate
Vision of the human body, the mechanics close-up of the mind, and one’s inner soul of redemption.

— The End —