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Водоворот безумный в рот,
Я наливал тебе компот,
И двадцать пять коробок лета
Я паковал себе в комод.
Желтело, осень поступала,
А тело согревал портвейн,
Пришла ты в черном и сказала:
«А ну, красавчик, ахуей».

Yaroslav Kulikovsky. Vienne, 2023 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem is like port wine under the skin: warm, chaotic, defiantly alive. It doesn’t pretend to be refined — and that’s exactly its power. Feeling, lust, sentimentality, and rebellion all fit in the same dresser drawer. Being yourself sometimes means not holding back an “ah-****-yeah” when everything really is that good.
Я встречаю Новый год,
Вместе с Сашкой Чернорот
И сестричкой Крем-Брюлей,
Дайка тварь лизнуть блядей.
Чешет ногу маг Орфей,
Бармалею нервно курит,
Тем и тем, и тем налей,
Я сегодня Цезарь Юлий.

Yaroslav Kulikovsky. Paris, 2024 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem doesn’t pretend. It speaks the language of chaos, lust, and absurd celebration — raw, unfiltered, and alive. Emotional honesty here means embracing the wildness of being human: to laugh, to rage, to toast, to ****, to fall — and to own it all without shame.

— The End —