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I told the stars to shut up.
They weren’t witnesses. They were worse.
They kept spelling your name,
blinking slow, like pity,
glinting gallant-
like that ever saved anyone.

I walked past the summer we called ours
like I wasn’t still stalking it.
Like I didn’t prowl on purpose,
like I didn’t rehearse your alibi,
like I didn’t pray
(for prey.)

I was fine with the trees, the oil stains,
the way the sun pretended nothing happened.
I could go days without hearing an ice cream truck,
or seeing a sun-burnt stranger
and thinking: maybe the universe
rerouted you into someone
I could almost survive.

You once said I was dangerous.
And by once I mean
I wrote it down
and heard it forever.
It’s in my lymph nodes,
in the poems you pretend not to read.
It’s in the version of me
you kept almost loving
but never quite chose.

You called us perilous.
Or maybe I did.
It’s hard to tell, since
I’ve been writing you
with your mouth shut
for months.

I keep checking the margins
for your voice.
All I got were
the noises people make
when they’re trying not to drown,
but pretending to wave.

Why is your name still more siren
than sentence?
Still more blood than bruise?
I made your absence
a body I slept beside,
because I kept waking up
guilty.

I never served,
but I wrote the ending.
Put my hand on a Bible,
bit my tongue so hard
the truth still tastes like you.
Wore borrowed pearls,
and swore to God
I never loved you more
than the day you didn’t show up.

I would’ve done time for you.
I would’ve confessed to a crime
that didn’t exist
just to hold your hand once
on the courthouse steps.

You said I was dangerous.
You were right.
But not in the way you thought.
I told the whole truth-
just not out loud.

You didn’t get convicted.
But I still can’t go back
to that summer
without thinking the tan lines
were warning signs,
without getting subpoenaed
by the sky.

Some nights,
your name still tries to get in
like a burglar.
I play dead,
tell the stars to shut up.
But they unlock the window anyway.
They spell you out in light
like they want me to remember
how it felt
to be the crime scene.
his is what happens when the girl you almost loved becomes the crime scene.
Grief, silence, myth, and borrowed pearls.
I was born mid-eye-roll,
c-sectioned from a punchline.
First words were don’t start with me,
second were fine, stay.

My spine’s in italics.
I bend for no one
but poetry
and panic.

I talk in skip-steps.
I cry in parentheses.
I kiss like a loophole.
He said you’re hard to read,
so I wrote myself louder.

Time doesn’t pass here,
it tantrums.
I clock in and out of myself hourly.

My skin’s on backward.
My hunger has subtitles.
My ghost writes sonnets in the steam on the mirror
and signs them:
Almost.

I invented a verb that means
to leave someone before they prove they would’ve.
I use it daily.
It conjugates into silence.
It rhymes with obviously.

The doctors say it’s chronic.
Pre-traumatic glow disorder.
I blush before the pain hits.
I glitter out of spite.

Don’t ask if I’m okay.
Ask which version of me is answering.
Ask if I remembered to name my wounds
before dressing them up like confetti.
I invented a disorder to explain how it feels to always be bracing for impact while smiling through it. To explain how some of us glitter on purpose—because maybe if you sparkle hard enough, people won’t notice you’re cracked. This one’s personal, sharp, and more real than I wanted it to be. Hope it stings the right way.
Katie May 2024
i'm eighty pounds down and my skin is loose.  shales of empty casing hanging from my pelvis, upper arms.  

what will i do with it now?  

it is still excess, still too much, still my same old problem.  

hangs, folorn, from my frame, not sure how to be.



that summer i shop in stores that have never been mine to walk in to.  

it is entering a portal to a world i've only ever circumnavigated,

skimming round flesh-toned mannequins posed for the beach, the city.

wondering if pretty prints and flattering cuts can exist beyond a size 8.


bikinis on the rail threaten the illusion that i am slim and toned.  

their gaping homages to the idea that showing a little,
just a little
flesh, is the sexiest way a woman can exist, bring about a conundrum.

they will see.

they will see that i am still not it.
Katie May 2024
i gave my confession down at the beach.  tide out and salted heart.
i sold it to a man in neon boardshorts
with a surfboard clamped under his armpit.
chalk pillars and a congregation of seagulls
fighting.  conversational scraps.
an isthmus that leads in to the water
before it backs down.
we go.

i spilled it all, my guts, my broken guts.
vomited them up on the pebble cast.

there is something about the gait of the sun as
is it turning away from our sky-
soft and low-
that brings it out of me.
Katie May 2024
anne sexton wrote love letters to my soul
long before i was conceived.
i think she knew the ways, all the ways, in which i'd suffer, before i did.
because it's a tale as old as time; you profit off my soft heart
and i consider death, always, as the solution.

my mother suffered in the same way,

                    as did hers, as did hers,

and hers, and the anger has nowhere to go but in to our marrow
to exist long aftet we don't.

we birth it in new girls, beautiful new girls who are worth more than the currency
of how they can serve others.

i wanted to be different, i really did, anne.
the nuance of your long nights and painful days was not lost on me.
painted a temple in the language of supressed women
for me to see-
split at the ventricle to become the mother, the daughter, the *** goddess, the poor browbeaten housewife.

and all i do is crane my neck and admire it all, eave to eave.
Katie May 2024
there is a gold lighter on the kitchen counter.
it doesn't mean anything
but it still burns with the heat of the last time it
was alive.
i pocket it.  i will try it later, when i am alone,
and watch it's smoke curl in to the crevices of the endless sky.


outside there is a dais and my family are spread across it like a luxurious french tapestry.  
it is fraying, though.
or maybe it always was.



i am colder than i was here, last year.
every spring we gather to remind each oher
that we should see each oher more, shouldn't we?
i am planted in this polite, vacuous soil of words.
a bulb submerged, fat and waiting in the earth.
i am waiting to grow.  to turn my face up, and away.
last year there were more of us, i'm sure;
but i can't recall the names
faces
of those that aren't here.

we are measuring our decline like an hourglass-
with each new year we are one less, one less.
bess goldstein Jan 2020
I miss my freedom within your absence,
when I stretched between the memories.
Now I'm stuck between the moments,
my eyes tired from believing
your arms were safe for me to sleep in.
oof

— The End —