My narrow cave is zero colour
a thousand winds that blow over
only blow away kohls yet to see an eye.

The sunrise beams out in the morning's hush
as do the sun basks in the swift uplifting rush.
Ah, only to miss out again like yesterday,
there was a cave it tried to highlight.

Then lost me in the dark found a Moon
heavily tilted yet over a shady turf.
Every star eying upon it knows that
tomorrow again, this will host the sunrise!

Above me is the wide blue sky
beneath my feet is a patch
of land sprawling far way.

Oh ask me not which direction
am I going this or that way?

East, west the north or the south?
The little bumblebee before
my eyes is flying every way!

In a minute,
I'm a *** smirk.
A shiny fang to show.
This pleasure, bundled
into nerves,
will decompose.

There isn't one chance.
Not one savior.
Evolution,
it still takes
its molasses-sweet-***-time.

I won't pray.
I won't wait.
As I am
& I shall be
the anti-divine.

I'm a literal *******.
I've long since comes to terms,
to terms with it.
I'm a depiction of the pits.
I've long since loved my worst,
my worst and best.

(...)

In a minute,
I'm a lost eye.
A stab wound, deep & old.
This sadness, bound
in my synapses,
wants me to know:

There is no escape.
No dissuasion.
Neurodivergence,
it wrestles
my ill logos for control.

I won't pray.
I won't pray.
As I am
& I shall be
funny chemicals.

I'm a literal *******.
I've long since comes to terms,
to terms with it.
I'm a depiction of the pits.
I've long since loved my worst,
my worst and best.

On the creaking wooden chair in the corner, hanging on the scaffold, in the circular mirror, distorted and twisted and folding. It stands in the shadows. It lurks in the school playground while parents wait for their children, it’s a runaway train, and it’s the ink streaming down the window pane, it’s the clock melting inwards.
its golden fluidity and baby blue subtleties.
It’s the reason why you wake in the middle of the night,
gasping into darkness and grappling with loose ends... it was just a dream.
The reason you turn a corner just to look back behind you, why you double-take in the mirror, question where did I go?
Looking at nothing, staring into the bleak dark, it lurks. Awaits.
It waits in the form of a child holding a red balloon, staring into our blind spots.
Like shadows, when the sun rotates away from behind the playground wall you know, just then, now, in that full circle...
it’s about to run out.
You bend over backwards to relate to the moonlight dancing on the floor of its own reflections. It shows itself on beer bottles from better nights, you cross one leg over the other, position yourself,
folded linen.
Rushing to endless deadlines for nowhere o’clock, last call for the runaway train, struggling with human concepts.
You’re simply a sum of parts: an addition of flesh, limbs, old and broken battered bones, blind spots.
All the places you can’t see, can’t feel, can’t reach.
Loose ends meet themselves in the corner of that same old dusty room,
the folded linen crumples to the floor,

the red balloon bursts.

Every blue patch on the sky keeps an eye,
cherishing clouds dancing, hovering over.
The songs of deep blue ride the heady air,
only to be stunned, all of a sudden,
at the first sight—
sung down on a perfectly placed mural.

The Queen of Sheba tiptoes this way;
King Solomon leans to the ground,
only to find seas of silent blooms
musing, dipping in sun-kissed dews—
on gently tilted roses that will not fall,
not from this picture-perfect, navel-high!

Velvety, the rose rises from the ground;
the forever-green Earth hangs low,
in the dew on the rose that will not fall.

Blossoming, eyeing an acute high,
evermore hopeful to scale upward,
toward the faraway, awaiting heaven's pool.

There, the spotlight does not move—
neither north nor south, nor up nor down—
until Queen Fathima, the Queen of Heaven,
steps on the "as above, so below" *****.

There, the newly resurrected Earth will be primed,
its minted atoms vibrating beyond bounds,
rising, for the first time, atop the navel-high.

Perfectly wrapped, the atom's circle finally turns on—
the stepping stone that holds no pi-decimal hole.
Pure Scientia hangs on the door of Paradise,
awaiting the numerically perfect Queen Fathima to step.

God willing, she will work in beauty:
the most sought-after, perfect works of art—
the lost masterpiece, not in translation,
but hidden within the pi-decimal abyss of Earth's depth.
Lo, the gleaning Sleeping Beauty peeps,
trailing the role model Queen.

Fathima—the first woman to enter Paradise—
walks the walk: perfect, straight, numerically precise.
As if she always knew, back from the Earth,
of the murals ahead, hanging on Paradise’s wall,
mathematically exact!
Mirrors of imagination, new wonders on Heaven’s way,
etched in the murals at the golden section, navel-high.

She zooms past the ever-spinning atom’s perfect span,
cemented at the entrance of Paradise.
Yet leaves no footprint—
for she never did, even on the sublunary Earth.
A new wonder blooms in the classic old eyes:
oh, Pi, still irrational, still pondering,
at the measured, eternal navel-high!

She stole from the sky,
I made her eyes fixed on mine!
One celestial fling.