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Surfing mind's Sibylline midnight sea
in my pandemonial Promethean quay,
caught in a creamy host, this countenance floats
-off the teary coast of my briny thoughts.

Once she waded pale down a ghostly vale
     -kept a frozen stare from an elven tale.
Tossed to a tempest then this enchantress,
     -strewn to spray and sanity no fortress.

               "How she stalled the spumy steeds
                                   storming her cherub cheeks!"
               "How she fought kraken fears
                                   from the rifts to the peaks!"

Neptune nabbed to the nooks of nymphal eyes;
silent seagull-cries swim the rain-sodden skies.
A Bragolin gleam on a Mona Lisa meme;
hanging loose on the brim, succumbs to a stream.

Cast to the thalassic tides of this mystery,
        bobbing in memory's Venusian locks.
How this Seraphine gaze knocks in query
        on the Lethean tyranny of clocks!

Locked in a bottle "in an Apollonian deluge,"
     truth on Pandoran shores shares no refuge.
Lost in a look "dabbed with a Babylonian gleam,"
     what she'd screamed to say, now nothing than a dream.

Tossed to a tempest in her Seraphine scream.
Home, now an Avalon, beyond the creamy rim.
Lost on a gaze in an Olympian gleam.
This silent scream with a Sirenic theme.

27/04/2025
Hirondelle
This is on a live, Bragolin version of Mona Lisa I saw and have ever been haunted with: a version with eyes pooled with chagrin yet in a cryptic Seraphine composure. Bragolin eyes flooded with pain. Yet, both serenity and desperate anguish of which I have little idea as to why it was there pooling the eyes, somehow nevertheless, had managed to be in the same two pools.
Ever since my curiosity had the better of me to steal a furtive glance at this person, who I knew wouldn't rather me to have seen them in the plight, I have been cast to a bitter mental tempest, rudderless, at the sporadic hauntings of the moment.

We were part of a social event, and they were summoned to go out. When they came back, they went to their place asbif wading in the blur of their eyes. Ignoring would have been unkind, yet seeing, not even watching, would have heartbreaking. What would you have done? Walking out was not an option. You knew nothing -nothing more than you were the best person to help, but the last one to do so all the same.

My furtive millisecond glance was met with a steady poignant gaze, screaming volumes from across an unknown sea at me. It had been there for a time and I don't know how much it lingered afterwards. It was not meant to be seen but it was necessary all the same.

Not being able to help, my conscience has ever been in a bottle at a troubled sea with the deafening silence of the scream.

Human expressions are so subtle, or as far as we prefer to look at the world with blind imagination, they will always be poetic. The real question is about where we would rather live. Not in a rabbit’s hole, but not without emotions, either.

Some Cultural Notes about the Images I Used:
Giovanni Bragolin is the Italian painter famous for the haunting portraits of crying children he painted.
Venusian locks are inspired by Boticelli's iconic painting of the Greek Aphrodite (one born from sea foam) under a Roman name (Venus)
Apollo is referred to for his poetic prowess
Other mythological images include Sibylline for mystery, Promethean for the pain knowledge brings, Seraphine for angelic, Lethean for slipping into oblivion, Pandoran for chaos and destruction, Babylonian for forbidden nature of things, Olympian for divine qualities and Sirenic for troublesome nature of things.
Davinalion Mar 19
I stepped out — to buy some bread.
The rain, a silver needle, embroidering the diaphanous gauze of the atmosphere.
Thoughts, like feral hounds, prowled and dragged me
astray, to the wrong street.
And there —
the abyss.

No grocery here.
Only the void, yawning wide, insatiable, ravenous,
a Grand Canyon, misplaced in the geometric monotony
of concrete blocks — a scar on the skin of the ordinary.
Who sanctioned this?
Who gouged this chasm into the fabric of the mundane,
this rupture in the tapestry of the everyday?

We inhabit a world where everything
appears to matter —
blueprints, ideals, the ceaseless scramble for triumph,
the Sisyphean climb toward some illusory summit.
But time, that insidious thief, that silent eroder,
dissolves it all into the silt of oblivion.
What endures?
Laughter.

Laughter — not mirth, but a gasp,
a surrender to the absurd, a white flag waved
at the futility of it all.
It is the sound of a man
teetering on the precipice,
howling into the void
and hearing only his own echo reverberate,
a hollow chorus of his own insignificance.

But nothing matters only
when you are solitary,
when the world contracts to the size of your skull.
No wife, no child, no anniversaries to commemorate.
No one to observe, to decipher, to adore.
Laughter then is not liberation —
it is the wail of the forsaken,
the cry of a soul unmoored, adrift in the vast, indifferent sea.

Imagine the edge.
The abyss below, fathomless, voracious,
its maw gaping, hungry for meaning.
You can shriek, sob, summon aid —
but no one answers.
And so you laugh.
Not because it is droll,
but because it is the sole retort left to you,
the last weapon in your arsenal against the void.

If we cannot alter anything —
if the gears of fate grind on, indifferent to our pleas —
why even endeavor?

Insignificance is not a curse.
It is a peculiar emancipation,
a shedding of the weight of expectation.
Your blunders, your trepidations, your aspirations—
they are sandcastles, ephemeral and frail,
washed away by the tide of eternity.
Yet there is splendor in the act of construction,
in the fleeting defiance of entropy.

Even stone crumbles.
Even the most impregnable bastions succumb to time’s relentless siege.
Laughter cannot nourish the famished,
cannot solace the lovelorn.
It is a spark, evanescent,
a brief luminescence in the abyssal dark,
a fleeting exertion to convince yourself
that anguish and torment are illusory,
that the weight of existence is but a shadow on the wall.
And it is, perversely, amusing.
ㅤㅤㅤ Feb 27
Without the will, power is meaningless. Without power, will is ineffective.

The artist's true power is deception. Mystery is her medium, myth is her message.

Without the willpower to do something, is it possible to will oneself to obtain it?

The artist only panders to nostalgia. The profit speaks about current events. The historian lays-out a plan for the future.

Could will be the emerged pattern of chemical and electrical forces, as evolved via the force of entropy?

Could we be driven to seek will? Can we will new drives?
Sara Martinez Feb 23
Heartbreak is emotional entropy,
an inevitable unraveling, where love's warmth fades into the void, leaving only the cold, scattered remnants of what once was whole.

And as time stretches,
the heart begins to wane
it’s capacity to give, to hold,
to burn with the same intensity
growing dimmer and dimmer with each heartbreak.

For like energy lost to heat,
the heart's strength dissipates,
Unable to return to its original state.
Jon Sawyer Jul 2024
The organized systems of the past,
become the random numbers of the future.
2024-07-17 - 3rd Anniversary Poem
Jon Sawyer Apr 2024
Drives
Entropy
7 April 2024 - It just is. Time drives our 3D world forward. We can model back and forth, but we will never escape Time.
Renn Pat Nov 2022
The gray dark morning
Of an autumn blossom
Drab yet alive, forcing life
The world wants to slow
And my heart wants to sleep
Entropy moves, however enticing death may seem
Backed to a corner, we have no choice
But to awake
Mark Wanless Jun 2022
it is impossible to explain
   forever and one second are the same
without your time just make believe
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