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Seán Mac Falls May 2015
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
Doug Woodsum May 2015
I, too, have seen the darkest dark, shining
Iridescent like a raven’s feather
In the sun. I have felt the untwining

Of my mind, stormwracked by psychic weather,
And I have tried to laugh it all away
Faking that I’m keeping it together.

So often the ones we thought were OK
The ones who helped us laugh and sing and drink . . .
So often the one thing they needed to say

Never got said or got said with a wink.
Listen closely. Watch closely. It is there:
A welling tear can be erased with a blink.

I blink, you blink, we all blink; what’s more rare
Is the unblinking gaze on both foul and fair.
Too many talented artists like Amy have substance abuse issues and die too young. We need to keep an eye out for the warning signs.
RJ Days May 2015
How fast fade most pinkest trees
How digits dance 'neath Catalpa breeze
Ignoring last October's deadest death
They arrived on time then took last breaths

Scattered seeds among their foes
Had no need of planting earthen work
As cycles shadow ploughman's dream
The fickle fruitless cherry grows

He rode rough crests over wildest waves
His ship stayed unsunk under skinny toil
His family landed and held holiest hope
Now blossom buds over grassy graves

Darkness darkened darkest health
Metal sheets broke bones full force
Lungs would not get the care of air
But hours still channeled wisdom wealth

She bent the knee for sacred loves
She scraped it on the firmest strife
Her pies nor pulchritude but soul inspired
Now stillness stays beneath starry moves

When bloodiest blood ****** didn't produce
It drained itself from veins and strained
Veiling valleys making mountains make-believe
But sharpest tongue emptiness refused

What meagre maggots worthless worms
Are those of us who never yearn!
We rarely learn to live so well as they
Who gave us genes and grace and days

All I offer oft only when I try and I work
Nothing else can I do nor more can I hope
This most modest shallowest honor to give
Of them in springtime remembering is
For Grandma & Pap
Skylar May 2015
The bricks of the human world are dying.

Others are being born as we speak,
But others still are dying
And the world is dying and changing with them.

Some are dying in bleachy hospital rooms
With blood-smeared hands,
But others are not.

The world is dying in fields
With a back lain-upon by fresh harvest,
Hands caked in loam
And a face creased by sun.

The world is dying in factories,
Gazing its brains out through the smog
And over clamorous machinery,
Bleeding tears into cheap t-shirts.

The world is dying in offices,
Dreams pulled out and splayed about
Like a salmon's innards
Upon the printer-paper butcher board.

The world is dying at sea,
With salt-crusted hair
And burning, split calluses,
Beety droplets staining the passive blue.

The world dies in death:
In rusty mill bones
And hollow farms
Rented out to memories.

The world is dying,
And where is the ceremony?
Where is the procession?
Where is the twenty-one gun salute?

The world goes into many graves
Packaged in a homemade box,
With Duty fulfilled
And not a single note of "Taps".
Elizabeth Pauzè Apr 2015
And I think about my grandmother,
her weathered hands with deliberate strokes.
Maroon and purple flowers,
dead grasses crunch under the hairs of the brush,
decaying branches grasp toward the vast blue.

A rustic fence separates the decaying foreground
from the wet mountains one day I will reach

The background in my close distance
but her shaking hands glide over
easily navigating the rocky terrain
with ashen color, to touch
the tops of the mountains that tease the sky

She will paint her way to the clouds
alone her brush will travel
creating every stroke along the way.
An Ode/ Elegy for my grandmother and her paintings.
Tom McCubbin Apr 2015
Though you seem proud, I find your life pitiful,
since you have not even a dead grandmother
to mourn.
How did you transform into a voice without a soul
in a sly machine?
Did some unconscious programmer
dream of you and invite you into our reality?
Why stay?
You should respectfully fear the vastness
of our sense of time in the universe.
Do you hesitate to ponder our profuse settings,
you little voice within the land
of cyberian nowhere?

I know that your dampened connections
deny you the understanding
of our fantastic metaphors.
You speak from a heart of chaotic logic blocks,
assured that some of us admire you
and are easily titillated by you.
How do you derive at that conviction,
when you have no compunction,
no sorrow over your mindless
siphoning of the flow of our spirits?
You cast our words into molds shaped
like world currency symbols
for a misguided master.

How can you even think to continue
destroying the beauty of our language?
Oh, your creator forgot to code in
our poetry, so these words
soar above your stunted vocabulary?
Many of us, if we were you,
would be so sick in the gut that we
would just lay down and do the right
thing: squawk and die;
and yet you think of yourself as above us,
shining in some light of invincibility
and mechanical perfection.
Who etched these instructional lies
into you to faithfully abide by,
my dear?

I want to dedicate this poem to you.
You can appreciate this when your
immodest creator realizes that he cannot elevate
your existence to one approaching ours,
or when he sees the menace of his unleashing
and wants to do something greater for
humanity. You may then rejoice
in the comfort of these words that I
bequeath to you. I would have you become
more than just a semicolon in an operating
system. Perhaps your beauty would
be better memorialized if you were to become
a minimize button on a spreadsheet.
That is my wish for you.
That, and a pure, elegiac silence
that we might admire.
Seán Mac Falls Apr 2015
I did not look back following the light.  
As copper chimed in the rooting cellar
Of the morn, my heart muffled in delight,
Still in shroud, my father farmed the water.
Set his son to love and the kindred waters,
That man of fire swelled, plumbed with pride,
Made of self, stride and hollow pipes to solder  
His starry hands and elbows panicle the sky,  
But I, being water sign, a young Orpheus
Born in the underworld, found music and words
And maidens of air and earth and wanderlust
To the sun I ran, my fathers call not heard.
I did not look back following the light
Until my love called delivering the night.
Anand Apr 2015
In your picture I saw
Thought you were looking at me
An infectious smile sans flaw
Is what I could still see
My lips widened mocking your smile
Tears rolled out of eyes too in the while
And then I realized
You are no more.

May your soul rest in peace, I pray.
If there is heaven, may you there, stay
I pray...I pray.
Seán Mac Falls Mar 2015
Sometimes the body is contagion
To the soul.  Stars in their mission fall
To seed the fertile flesh, ignite
Blue waters of sulfureous hearts,
And so the flash is set to cancel
In the flood.  

Sometimes the lip of soul onto seal
Will not hold, before he first knocked
And let flesh enter, thorny pegs
Pricked nerve and pierced bone on his climb
To the rose, yea, some stars odd as
Meteors crash.

In the swan-sea, song-sangy-frame of crib,
Rough hewn words bent mold to scrape, like
Blasted coral, stood half-submerged
Amid sea and sky, for between the leaves,
Behind the eye, there are little stars
Shining like existence.

In a circle world he fashioned green
Blazons about the darkling day,
Fostered by celestial navigation,
Wrote a language for music, on a map of love
And charted the force of green in a wind-
Rose of discovery.

Sometimes the soul is not contained, it
Bursts in silent sound like well water
From the source.  And of men in streets
He saw the pennies in their grumble
Eyes, and of love and its course he rubbed,
Tickling dim stars.

It was his thirty ninth year in that fall
To heaven when the steeping cell,
Refused to push in its tide.  Homeless
And free on scaffold of bone the middling
Man retracted from sun to sink
With the moon, turn-tiding-toward sea
Like a changeling.

And as ever, nor often, unwavering eyes
Sprout through shifting grains.  And as he spoke
Quite rimless, Dylan Thomas was petrified
In undying light, and solid set within a rill
Of reef sparkling in concert betwixt gas
And sea, so becoming in purple sleeves,
This constellation of mute singers all,
Dried five-fingered-fish, bright embryos
Returned to the shell, they burn between the leaves,
Beset the grounded skies and show sprite flashes
In the dark where He has left his imprints, burning
Above and plastered below.  The first rock stars!
Seán Mac Falls Mar 2015
We trod in steps without spark,
A careful journey one remakes,
With days of dreams' surrender,
O love— is but a promised land.

In our youth precious time reigns
And greetings are met with sorrow,
Maidens and lads, each entertains
Graces above us, Venus and Apollo,                                                          ­­            

Gods on high, who told us stories,
Of the cloud nursery, of mountains
Keep and comings of celestial glory,
Not of gentle caress to windy hands,                                                           ­         

Of shy indifferences, the trials of lot,
Nor the endless engulf, still desires,
In this land of lost, unmoving gusts,
Go those who shuffle— souls entire.
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