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ash 17m
there's pieces of me.
well, i'd like for them to be.
like with a big butcher's knife,
i'd carve myself out like a cake
and hand it over in plates
to all the comers
in the party of my life.

i think i'd have a sour frosting,
a bad bread—perhaps even a bad smell.
i don't think i'd be of good taste,
of any good matter,
for that same sake.

a couple long, repeated bad nights of sleep,
ugliness etched in my skin
like sprinkles on the dark frosting.

what flavor would i be, even?
with all this blood and muscle,
i'd dissect my brain in half,
perhaps find the anti-matter.

i hope by the time i'm carving my heart,
it gets to be in the mouths
of all those who tore it apart.

my bones can be handed over
to whoever tried to reside by them,
in there—
when they couldn’t find places,
or simply chose to stick to the rear.

i could be bitter,
i’d admit.
it leaves me to wonder:
perhaps if i were a dish served cold,
would their hands pause?
washed in guilt
as they chew away at me—
would they realize
i taste exactly as they made me?

the irony of the hands that cooked,
the hands that tasted,
the hands that brought me up
and down
to my very ruin.

if i were to leave myself on the table,
sliced and silent—
would they pray before digging in?

maybe i’m not made of cake.
maybe i’m spoiled rot,
sugarcoated with whipping cream,
one that turned black—
the kind of dark your eyes
never really adjust to.

the mask over decay.
i’m still palatable, i believe.

they never asked
what it cost to be served.
but then, it was my choice—
in the end, at least.

they needed the softest parts.
i offered them,
sweetest pain and all.
to get some, you have to lose some.
lose yourself—
find me.

never the full truth,
just fragments i promise
will indeed satiate your gut.

i wonder if they’d spit me out
if i finally stopped the seasoning.
would they ever let a second glance
go my way—
on me, on the plate?

what’s the etiquette for eating?
accept what is served.
and what for eating someone alive?
do you pretend to care—
pray, ****, or just cut it up?

they stitched poetry into my skin.
had me sewing my wounds—
the antiseptic: my own blood.
only to tear me apart
just to get a read.
a glance
at their own work.

and then they wondered
why i never held it together.

my ribs have poison—
the kind i breathed in,
never out.
second to oxygen,
to the air they stole.
air meant for me,
and me whole.

enter if you must—
through my eyes,
down the pipe to my lungs,
and perhaps my heart.
there’s no angels.
no glow.
no butterflies.

i peeled my skin
as if i were stripping bark from old wood—
but who could’ve accepted
the still-rough edges?
no matter how much smoothing i tried to do.

they drank from my brain
like it was grape wine.
told me i was divine,
worthy of memory,
of residence.

and every single time i found myself
in a heart—
it locked me up,
bared me apart.

i carved my way out
with a rusted hand,
my body on the line—
and to prove i had one,
what all did i not do?
was it ever enough?

if i were a mausoleum—
would they leave flowers,
or taste the stench hidden
behind the sweet of my grave?

my veins: strings,
messy and burning
with the desire
to ache and spill out
everything they carry.

my teeth: chewing on bits of my own chest,
hollowed out,
worms crawling within.

this self—
a cage.
a cage of muscle and bone.
enlightened, maybe.
reached the world beyond,
if that’s what they call it.

madness personified.
grotesque, but tender.

all these bruises and wounds—
a decay so glittery
i perform it.

one horrifying nightmare,
mentality gruesome,
pain bespectacled.

they romanticized
every time i bled—
on the steps,
on the hands
that never cared
for the pretty red.

cynical,
pathetic little monsters.
each one shapeshifting
into others.

selective consumption,
their art form.
watch my performative sweetness,
and fake the fake
out of them all.
bon appétit!
i lost half the idea to this in my sleep even though i was awake.
Falling leaves in autumn,
Washing all the sins away.
Crushed under the feet’s rhythm,
Mixing with the soil and clay.

Washing all the sins away,
Headed to fresh new start.
Mixing with the soil and clay,
Fixing the broken heart.

Headed to fresh new start,
Blooming flowers in spring.
Fixing the broken heart,
Like melodies from violin’s string.

Blooming flowers in spring—
Gave me a fresh new start.
Like melodies from violin’s string,
Solace that flowers bring to my heart.
A Pantoum presenting a complete loop from decay to rebirth and renewal and the solace we find upon renewal.
Creating majesty with the maggots.
Creatures crawling in the filth
will always have a feast.
Grabbing the greatest and the least
decay persists.
Get comfortable with chaos.
Create
I feel Hollow.
Barren.
Empty.

That hollowness erodes my body,
leaving a trail of decay.
Cracks crawl through my brittle bones,
shattering my skull,
fragmenting my thoughts.

A carmine-colored river floods into my caving lungs,
before dragging itself up my throat.
The metallic taste slowly overwhelms my mouth,
and seeps through my gapped teeth.
My glass smile falls and shatters.

Terror grips what was once my voice,
holding sound captive-
my call for help erased by despair.
Only strangled sobs exist.
I'm left choking on my own life force.

Each sob collects upon my face;
a veil of tears cover my broken visage.
Shrouding me from prying eyes that encompass judgemental gazes.

Without even seeing,
their stares spear my soul and blacken my heart.
The forgotten, grayed ash
smothers out all that remains.

My rotted husk: a void, a dismal skeleton.
A vast emptiness that nothing can fill.

Broken.
Decayed.
Hollow.

It's what I am.
I'm reposting because I just won 7th place in a state contest with this poem. Any thoughts on it? Or advice to improve?
neth jones Jun 6
bakes the day                                        
corpse human   naked to nature
brewing humid importance
sleaving off psychological impotence
busy  
with library returns
from 2022  ? line four added / additional verse ditched
Emery Feine May 27
i was born and on fire. my skin, open flesh words that bled onto anyone in a close vicinity. my face, a cloud of black dust. i knew that i had love in my heart to share with the world, but no one could see past the mold on my skin that would spread to them if they got too close. i was born into two things: a fruit that appeared ripe on the outside but leaked out a decayed, rotten mess, and the hands that opened said fruit with blood that held on. i watch the destruction i've made, that i didn't mean to make, but i believed that it was justified. i wait for someone to understand these words, not to pity me, but to find a part of themselves in me. i have found nobody. i fear that as of now, i am a walking, moldy model of decaying flesh and raw meat. i did not want to be this way. i did not want to be the black sheep. i did not want to be bad. i am a sculpture of wet clay that they could mold with their pure hands, and despite all that creativity in their alive and well minds, they have carved the word "rotten" in my flesh.

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7 a to h
Cheyenne Apr 25
I feel Hollow.
Barren.
Empty.

That hollowness erodes my body,
leaving a trail of decay.
Cracks crawl through my brittle bones,
shattering my skull,
fragmenting my thoughts.

A carmine-colored river floods into my caving lungs,
before dragging itself up my throat.
The metallic taste slowly overwhelms my mouth,
and seeps through my gapped teeth.
My glass smile falls and shatters.

Terror grips what was once my voice,
holding sound captive-
my call for help erased by despair.
Only strangled sobs exist.
I'm left choking on my own life force.

Each sob collects upon my face;
a veil of tears cover my broken visage.
Shrouding me from prying eyes that encompass judgemental gazes.

Without even seeing,
their stares spear my soul and blacken my heart.
The forgotten, grayed ash
smothers out all that remains.

My rotted husk: a void, a dismal skeleton.
A vast emptiness that nothing can fill.

Broken.
Decayed.
Hollow.

It's what I am.
What a noble thing it is,
to leave a blossoming flower to bloom—
maybe plucking a leaf or two
to give growing petals precious room.

As you stroll past the blooms each day,
you encourage their budding hues.
Their fragrance greets you,
hugging you in their delicate perfume.

Soon a familiar chill meets you;
and a familiar grief settles within you.
As the blossoms wilt,
your steps grow slower,
hoping to cling to just a moment of color.

Soon to be surrounded
by Death and Decay,
even if only for a while—
Pondering an earthly truth,
as true as the birds sing:
Nobody gets to keep
a beautiful thing.
Cadmus May 26
The worst isn’t death.
Death is honest.
It arrives, it ends.
Clean.

The worst is staying.
Breathing.
Functioning.
While everything that made you you
quietly rots beneath the skin.

When you watch your passions
starve to death
and can’t even bother
to grieve them.

When the people you loved
become background noise,
and you answer with nods
because words cost too much.

When nothing is worth arguing for,
and silence feels
like mercy.

This isn’t a fall.
It’s slow erasure
each day
another fingerprint gone
from the glass.

Until one morning,
you look in the mirror
and meet
a very polite stranger.
This poem explores emotional erosion - not dramatic collapse, but the quiet, daily loss of passion, purpose, and self. It reflects the darker side of psychological burnout, where apathy masquerades as peace, and survival becomes indistinguishable from surrender.
Zywa May 18
Steps shimmer beneath

the bushes, a carved staircase --


Once used by tourists.
Novel "Schimmenrijk" ("Realm of shades", 1999, Rosita Steenbeek), chapter 5

Collection "Over"
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