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17th Mar 2017
I feel wrapped-up in this nonsense you call love and I don't get how can you tell me you love me with those eyes and then hurt me with your smile I feel wrapped-up in this nonsense you call love and I don't see how you can love anyone and how you can kiss me and slice my heart like a piece of cake I can't see I can't understand I can't do anything other than think of how can you live with yourself after everything you've done after everything we've been through after everything after everything after every little thing I'm drinking and drinking and dancing and singing just to stop thinking of the things you're doing and I kiss you and it hurts me and I can't take it anymore the pain is just too much I feel wrapped-up in this nonsense you call love and I don't understand the way you are and I'm not available to try
0:36

I'm sorry.
softcomponent Feb 2017
take off like the bird you are;
beyond the horizon,
looking toward Port Angeles,
lights
in the cold,
lights
in the night--
the sound of chat and crackling fire
wafting across Dallas Beach
as we use the
lights
on our phones to navigate nature's cragged stairwells,
up and down and up and down;
the relief,
the respite,
came from the snowblind-white patches of
light,
that we would then soon decline and hop to softer sand below.
There's a relief in going uphill when
physics
means you must come down;
tho I think of these remembrances,
spasmodic, fragmented memories of 3 and a half years together
I realize you and I had faced a bigger battle
---one that terrified us both--
as to whether we should
part ways
as if it were perhaps
long
overdue--

but there's no relief in an incline like that.
We'd have been walking uphill both ways.    

and now we  are
in the dark
with nothing but the
lights
of our phones

walking uphill
*like we had a choice.
Mica Kluge Feb 2017
There is a special kind
of heartache in wanting
something so desperately
and being forced to know
that you can never have it.
Mica Kluge Jan 2017
I take all my thoughts of you
And throw them in a pine box.
Have to sit on the lid though,
Because they all pile up,
And the lid won't shut.
My feet can't touch the floor.
The box gives a rasping cough
And little memories tumble out,
Scraps of technicolor confetti
In my hair and on the floor.

Toy soldiers resume their guard
Over that pine box with a beating heart.
Draped in a veil of translucent lace,
Hold me together or pull me apart.


Music making my eardrums bleed,
It's all just catharsis in the end.
Confetti on the floor,
Base in my pulse,
Take my heart and do the work
For a little while.
I'll sit here with ink bleeding from my fingertips
Until every single thought of you is gone.
Kyle White Jan 2017
Ice and salt crunch 'neath my boots as I walk along an unmaintained sidewalk. In the distance, blue lights flash and snow removal vehicles make an otherwise quiet night, loud. I'm doing a little removal of my own. Surplus thoughts, excess; though, they go without sound into oblivions ever-expanding jaws, voiding me of resentment and regret. Leaving acres of empty field to fill

I circle the block, double back. I take in the cool night air and filter it through tired lungs, one deep calculated breath at a time. Tightening my grip, fingernails to palm. I let go, release. Upon inspection, there is no blood. There is no guilt in the belly of my mind. The darkness is inviting. The snow not nearly as blinding without the Suns reflection. The Moon, though modest in nature, and in comparison to that of it's sister, paints itself on the water top. Globes of light illuminate the path along the canal. The blue lights still flashing remotely in the distance. I can see clearer now.
Such an odd thing it is to
craft such a lonely piece
of poetry and publish it
on a website where others
might read into emotion
that seems to bleed from
those words
put down
by yours
truly. Be they fearful
or joyous or of sorrow
or intrigue, the echoes
of feeling
are detached
from the voice
that did dare cast
them, begging
for interpretation
yet no longer a part
of him, his moment of
subjective experience is
all yours
for the taking,
Encapsulating
what he saw,
Inanimate
signs drawn
on thy digital wall.
The reader does read
into your words
but the question I am
asking is what thoughts
do you suppose
belong, to who or whom?
Which pathos do the words
you read belong to? Surely
it is yours, mine has been

detached when I transcribed
those words. Do you see
what I'm getting at?
When you feel you might wonder
where it all comes from.

I ask in my poetry that
I might be healed, that
it might heal me but tell
me, who or what am I asking
this of? Words make up poetry
but they do not endow semantic
properties of themselves, sign
does not equate to significance
for the process of semiosis does
require a subject to deem,
To bestow meaning, to gleam.
It is my intention that this
self-expression should be as
therapy is but I see not the
means or rather its mechanism
we call catharsis but claim no
more, nothing but a few sounds

and some long gone echoes
that remind us of things
I knew we'd never forget
but I never thought it'd
be this difficult
to remember what-
ever beauty was.

Would you mention those foreign times
in the quiet of night
or some other type of cool nocturnal silence?


I am asking you
what the relief
feels like after
actual catharsis
and how the
world appears
changed after-
wyrd. What fate?

What is it that a
poet casts in the
act of poesis, is
it their will made
manifest
or perhaps some Other
thing expelled, bound
together and outcast,
Another will, perhaps,
Whose, how, why and
what becomes of that? Is the word truly inanimate?
JDK Dec 2016
Drunky McGee,*
that's my nickname for her,
though lately I wonder
if it doesn't also describe me.
Is it possible for a poem to be sad and funny at the same time? Idk, I've deleted most of these.
(That's not entirely true. I make a copy and save it as private before I delete the original. (But why am I telling you any of this?))
gwen Nov 2016
call me twisted,
but i’ve always admired a certain degree of controversy.
complexity is a dangerous beauty, like a hurricane -
admired from afar,
deadly up close.

my biggest fear was always photocopiers.
monotonous carbon copies, binge feeding
on Christmas music
and cold commercialized coffee.
simplicity was schematic,
intricacy was ******.

with a quivering hand and downcast eyes,
i clothed myself in these layers.
gift-wrapped, with a ‘danger’ sign as a gift card,
i became an enigma to myself.
diamond rings came with dark clouds,
locks and keys gave way to gun shots and bullet wounds.

fairytales were never meant for the 3-d world.
none of us are “fated” for a happy ending.
riding off into the sunset only comes with
hard work and hard lessons.

yes, i may still be an overthinker.
i may still have more thoughts than i have time
to put them in.
mundane things are still transfigured into
tainted, disfigured imitations
of insecurity, agonising and mental mutilation.

but it does not have to be this way.

pick up a pair of 2-d glasses.
you don’t have to see the world in technicolor.
sometimes monochrome lenses
do tinge the world
in shades of nostalgia, clarity, and hope.

peel off those layers.
you may cry, but cry of catharsis.
it may sting, but salt always does.
wear simplicity as your sail,
rose-tinted with trust and a silent knowing.
you may realise that what you were always looking for
was always right beside you.
M L Soo Nov 2016
Is it so wrong, that for tonight only-
you are the single most appropriate vessel to carry my sorrow...
and I yours.  
In this dance,
this sweet dance of momentary love, that last
only a lifetime, I am completely lost in you.
For once, my tears have found a home to flow to.  
Amid your clenched ***** they flow,
silent and content, as yours trickle from their lonely eyes
into my being,
I- will forever- be with you...
and then the sun rises and we remember
who we are.
http://americanfootball.bandcamp.com/track/the-one-with-the-wurlitzer
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