“Another night in London; I’m alone again.
He’s out there somewhere thinking of me
Or maybe someone else.
Come stand next to me,
Pour yourself some virtual tea.
I’m sitting in the garden waiting,
Waiting for you to convict yourself
Sitting here, loving him and hating you,
You who thought only of yourself.
I loathe you, but I must please you,
Must outwit you to save him
How does it feel, now you’ve enslaved him?

“I take you both back to our sitting room to sort
It out. Say it’s a domestic but we know that’s rot.
We sit across from each other, he’s silent;
I am not. I analyse your past, the lives you took
And you stare at me with a killer’s face,
Your hooded eyes and rubber mouth,
With its fake smile relishing death.

“You know I know the real you,
But he must too.
Can he forgive you?
He must do it or
One of us will once again
Be shot through by you!
Which of us will it be?

“But this is just a calculated pause,
In a long con; do you realize
How close you came to ending up in a box?
You aren’t the only killer in town.
You have angered others beside me;
If my brother could howl, he would have;
He just sneers and has you followed and
Every move you make is being trapped.
Your dowdy clothes fool don’t me now,
Since I remember your assassin’s gear,
So clearly, just before you shot me.
And I know you weren’t just being nice,
No pistol could be that precise.
But now the question comes:
I give you the choice I never had:
Do you want to live or die?
Your husband won’t want you dead but I…”

She stares him, black defiant eyes,
He marks the seconds with fibrillating heart
He has never known her, from the start,
Do killers possess some hidden cloak
Like his lover’s naked mask?
Her theory of self-portrait disguises
Leads him to a sudden change of plan
“Why didn’t you come to me for help?”
He had forgot how well he lies.
And he sees that she knows it in her eyes.
There is only one solution for both.

Lawrence Hall, HSG
[email protected]

              The Terrifying Creepy Chilling Iconic ******’s Lair

Some call it the ******’s lair, some the ******’s nest
Some call it a creepy lair
Some surely call it chilling and iconic
Because to InterGossip posters everything
Is chilling, iconic, jaw-dropping, and a bombshell

It’s just a sad, sagging old chain-link fence
With some sad old man’s wannabe G.I. ****
Army wannabe soldier-toys hanging from it
The Kalashjackov was real enough
The poor fool’s mind, not so much

They call him the King of Horror
He’s a walking Armageddon
A nightmare given flesh
Made to rot and decay
Just like everything else
I call him by the barcode
Written right on his brain
Nihilson

CHORUS 1:
With an empty stomach and heart
There is no hope from the start
That’s how he was designed
To cut our world down to size

From the penthouse fat cats
To the downtown thugs
No man or child is safe
From his marrow touch
And his eyes of hate
They see no happiness
No truth or dare
Just bugs and cocktails
Waiting to be spilled
Till every drop is gone
He won’t rest in peace
Until life is dead


CHORUS 2:
With an empty stomach and heart
There is no love from the start
That’s how he was designed
(God help our wretched souls)
To tear the world down to size
He’s cut the world down to size

Is he the King of Horror?
Can he crawl out of the grave
And into our dreams?
Is there no stopping him?
Will our minds be wiped clean
So we can suffer no longer?
Will we not even remember
How Nihilson came to be?
What does it matter?
We are who we will be
From one monster to another
It’s all a bad dream
That’s all we can dream
To be heard and never seen
That’s who we will be
If we don’t wake up and see

There's a shape in the shadows
There's a chill in the air
But he won't let you get rattled
You won't know that he's there
There's no way to do battle, when you're caught unaware
One blink and he'll be gone and you'll be dead in your chair

Or was he even there
Can you even prepare
For a reckoning, a second into catching the glare
Of a barrel when the bullet's already in the air
Or the chemicals already have your vision impaired

As you try to place the face of that sommelier
When you're about to win the race but find the breaks aren't there
On a knife's edge, placed between the fumes and the flare
The last breath...with a glove in your hair

He's an artist with a knife
He will catch you by surprise
There's no faster a demise
Were you happy with your life
Cause you didn't have the time left for it to flash before your eyes

The sound of a coin on the ground
And not a shred of evidence will ever be found
Your death will be swift, without any sound
Ain't it tragic how a man can accidentally drown?

I.
Her blade was quenched in limestone brine
Its sable haft laced with golden thread.
Atop the palace walls, she treads lightly
In her robe woven thin as cicada's wing

II.
When I saw his children past the silken screen
again-- from atop the cedar crossbeam--perhaps
I should lightly retreat but I lingered still:
until he saw silver ribbons that tied my hair
He (I had thought) unlike those lives I severed  
can live to tomorrow (but our gaze had locked!)

III.
A swing, a flash, an unfelt wound-- she moves
with Gansui's fury, and Chunjun's spirit
And softly these shattered visages laid to
a dreamless rest upon her gracious touch.

Susie Saviour is a Bond girl
From Weymouth-Turf-On-Sea
A swish, a sway; a fist, a fray
And home in time for tea.

She scuba dives for pleasure
Downdashious to her core,
But only when the flags are out
And never far from shore.

A beauty queen, a lisome lass,
A femme fatale, a flirt;
Serves martinis with a swizzle stick
This sweet assassin in a skirt.