His arm circling round her waist. Maybe . . .

A blare. Sweat of traffic. Muggy afternoon. The sun bounces off every surface, paints the surroundings white. I stand at the corner of the street, feel the pavement seep through my soles. Sesame drifts from the marketplace; cheap soba, oil and soy.

A cat stretches on the neighbour’s roof, white fur wafting.

Muffled speech. Hiss, hiss. A bus.

I kneel and pick up an empty bottle. Face merges into its sides.

“Ain.”

Someone, somewhere calls my name.

“Ain.”

Up there.

The school is closed for the summer. Walking towards it gives me a sense of unease. Obligation turned quiet tension. The summer won’t last forever.

Drip.

I’ve been holding the bottle upside down. Liquid sinks into the dirt. Almost looks like skin, all dry and creased.

It’s a precipice, right? The separation between the street and the institute. Like stepping over a grave. There’s a ******* bin, but I feel strange.

The reception is all glass. Sunstruck and bleeding at the edges—I catch a glimpse of something—is it me?

Lenin catches another raven in his hands. It sits still, head cocked calmly to the side. He lets it go, but it simply falls onto the ground, rights itself, then walks off.

He looks disappointed.

“It’s the same everywhere,” he says with his back turned. “Try it.”

I find a different one, cradle it against my chest. The bird looks vaguely annoyed. Following Lenin, I drop the bird. It falls and sinks into the ground about three inches.

Caw.

“Ain! How’d you do that? That’s wicked!”

Lenin tilts his head and goggles at the bird for a few seconds before running off to find another.

It’s really hot. I throw some sesame seeds at the bird, but it just glares at me. Sorry.

The bottle is still gripped in my hand. Why did I pick this up?

Lenin is running on the side of the school. His small feet tap out a regular pattern, like rain on a quiet night.

I really miss this.

I push the bottle into the dirt. Lenin leaps off the school. A running kick sends the bottle flying into the reception. Glass shatters and the summer unfurls into a kaleidoscope of light.

The raven rises out of the ground.

The reception reforms itself.

Lenin is running on the side of the school. His small feet tap on each window, sending small ripples of energy through them, distorting the reflection of the surrounding buildings and streets.

A cat stretches itself on the reception roof.

I kneel and pick up an empty bottle.

“Ain!”

Lenin catches a raven in mid-flight. Sees himself reflected in a window. Gravity pulls him down.

I’m sitting in the corner, waiting for school to finish. Waiting for my life to pass itself by. It’s the last day of school and everyone is leaving. I don’t know what I’m doing with my life. I don’t know where I’m going. I feel sick, weak and pathetic. I look out the window and see my own face, Lenin falling through the air, sinking into the ground, a raven flying out of his outstretched hand.

There is a train and I am waiting. It is Autumn and the cherry blossoms will be bare for another half year, maybe more. There are golden leaves dancing through the station, trampled under the soles of rushed commuters and children.

Someone laughs with their friends, eating beef udon, yolk running into the broth, flesh filling his cavity. A mouth chews, but laughter still comes. I feel disgusted. I eat my tofu bento, but it only worsens.

Father visits, but I have no words for him. We sit awkwardly and he mentions work, but doesn’t elaborate. I pretend I’m busy and he eventually leaves.

where am i going where am i going where am i going where am i going where am i going where am i going where am i going where am i going where am i

“Ain!”

Lenin is kneeling over me. There are tears in my eyes and the sun hurts to look at. I try to brush them away but rub dirt in instead. Sleeves run softly across my cheeks. Lenin is hugging me from behind.

“It’s okay, Ain. It’s just play,” he says, nuzzling the back of my head. I don’t understand and cry harder.

The ravens have left the school.

A bottle lies on the roof.

A cat rolls in the dirt.

“Life is just a bad dream,” Lenin mumbles into my hair. “You’ve been waking every night, but it hasn’t helped.”

The sun is setting. Red strokes rise out of the ether and stain the sky. Streetlights turn and the quiet hum of night settles over the dying sounds of day.

“Isn’t this just so boring?”

A bus drives by, vibrating the ground beneath me. A mother and child walk past singing an old nursery rhyme.

“Ain?”

I sink into my lap and shut out the world.

“You don’t have to open your eyes. Not now, not ever.”

But I never closed them.

Hugs the ground. Flies through the evening. Do I eat a worm? Is that what I do?

I grip the pink flesh. The thing squirms, digging itself deeper into me.

A human female is laughing, or maybe crying. It’s hard to tell the difference.

Do they touch when they’re confused?

A small male soars down the side of a building. Why is he kicking his own head? The female splinters, but doesn’t shatter.

I’ve heard bones that don’t break cleanly are the worst to mend.

I reach out, hand brushing the feathers of a bird.

My head is an anchor, drags along the ground, grinds pavement to dust.

It’s so hot. Tar tickles my nostrils.

I’m alone, standing in front of a camera with all my classmates.

Lenin’s head is buried in the dirt behind me.

I raise my hand against the piercing sun, but really it’s an excuse to hide myself.

A raven hops onto the camera, unaware of the ceremony taking place. It shatters the façade, reduces the action to an absurdity, but no one notices. No one cares.

I pick at a rice ball. It’s cold, bland and under-filled. I stare at the shops around me and feel a deepening, crushing alienation. Perhaps, I have always felt this way, and it has taken me two decades to come to terms with it.

“There was a storm once,” Lenin mutters into the dirt, “the worst storm of the century.”

I remember. He held my hand all through it.

“But it wasn’t a storm, Ain.” Lenin finally turns to look at me. Meets my eyes through the dust and the tears and the sun. “It was existence trying to wake up.”

He didn’t let it.

“If it ever does, we will all die.”

It’s dark now. Lenin’s eyes glow the colour of warm honey. The last day of Summer rides away.

“Mum’ll be worried,” Lenin says, abruptly, “We should head home, Ain.”

We walk through the muted streets. This is my favourite time, when everyone is tucked into their homes and I can exist without others’ expectations projected onto my existence. I love the soft blue noise that fuzzes my vision. I love how ordinary objects are turned mysterious; the indistinct edges, the wistful gloom.

Lenin skips beside me, turning his head often to glance at the small pieces of art people leave behind through the process of living. A bicycle missing its rubber grips. A television set atop a toy wagon. A plushie stuffed between the ‘A’ and ‘I’ of a neon sign.

I buy two tea drinks and hand one to Lenin. We sit on the roof of an empty bus stop and stare into the harbour. Home feels further away than ever. The lights beneath the water reach the surface beautifully. They ripple and bleed, like phosphorescent dyes twining towards the sky. I sink beneath myself.

“Ain, don’t!”

I throw the empty bottle into the reception. I see my face shatter into infinity. I hear Lenin break into laughter. The cat leaps up. The ravens bury their wings. The worm writhes until it splits in two.

Blood runs down the side of my mouth. Twenty six dead in a hotel, bones melted like steel.

There is a gap I cannot fill because it is the platonic ideal of absence. An oak, weighed down so strongly by dreams that its branches have sunk deeper into the soil than its roots.

Sheets on the floor. I sink through the earth, head so heavy it compresses into a void and ***** the universe into itself; mangling, stretching, tearing.

My flesh writhes but there is no end. A pulsating womb. Flowers.

Everything is so bright.

I close my eyes.

Where am I?

Who am I?

A part of me is disappearing. I’m scared. I’m—

I can hear Lenin. He is screaming, but he sounds so very far away.

Oh. Oh.

I have been unfurling for a long time, haven’t I?

Guess she finally fled her body. Abandoned that vessel in the lacuna between. The tea! The tea must have reminded her. I must remember to pick up some mints. She’ll either laugh or breakdown into tears.

Whoops, I’m repeating myself.

It sure feels good to stretch my limbs again. Feels like it’s been an age.

Oh, a child boy is beside me. I better deposit him back home before I start.

Ain! Ain! Ain! Is this all this stupid child can say?

Everyone is moving so fast. Ugh. It’s lethargic. It’s absolutely stupid. What, do they think they’ll sink into the earth if they stop?

Ain! Ain! Ain! Oh fine, whatever, have her for a bit longer.

“Ain!”

Lenin? He’s pulling at my sleeves. Tears break, stream down his cheeks. It’s dark, so dark.

“I don’t want you to leave, Ain. Not like last time.”

It—it feels like I’m submerged. The harbour lights have dimmed. Soon dawn will come and wipe their existence from the world. It will be as if they never existed at all.

“Please Ain.”

I hug Lenin. He keeps repeating ‘please’ over and over. I have an inexplicable feeling that I’m leaving for a long time. That I won’t see Lenin again, and that I have to—

Have you stolen my body?

Yup!

Why?

Because you were scared and lonely and living a pointless existence.

I—

Don’t worry, there are a lot like you!

Will—will I ever see Lenin again?

Hmm, probably not. To be honest, I’m not really sure how all this works myself.

Please. Please don’t do this. I—

Ughhhhhh. Look kid, I’ve got places to be. Sayonara.

The market. The raven. The market.

A child petting a cat. A woman drinking a cola. Filling and filling and—

Postman runs past, knocks her arm. Bottle falls to the ground. Splash, crack.

Howling dog. It’s black, you know.

Lenin running on the rooftops. Ain asleep with her window open. He leaps in and wakes her with a grin.

“Ain! Ain! Ain!”

She throw a pillow at him angrily and rolls back into the bed, wrapping herself up like a caterpillar.

A lawman runs over to help the fallen woman. Hands her a mint.

Oh, isn’t it beautiful?

Don’t they all live beautiful lives now?

*Isn’t this what you wanted?

There was a dream here. It passed over in the night; a blur that burnt a fever into the earth. It died in the gap between. Fingers unlaced. Hand to the side. The sun runs soft tendrils through thick curtains. Or something like that.

Have you seen the new Star Wars movie? No. You’d like it. It’s the same thing all over again, but with a black guy and a chick as the main characters instead. I guess that’s what you call progress.

There was a dream here. A thick, unfurling mass of potentialities. Sartre once wrote existence precedes essence. Schopenhauer believed the essence of a chair was as much willed into being as the essence of a man. There was choice once, but it died when we chose. The breath you took before your last smoke. The air is stirred by a passing train. A woman steps off a bridge, into the mourning blue of an autumn lake. There is an empty car on fire. There is a man inside. His brother sleeps through his exam, doped up on too much codeine. There is the stench of lack. There is death passing a mirror, seeing herself in haste, but too rushed to make sense of it.

He runs fingers down the scars of her arm. A trickling, stream awakening from a long winter thaw. Vessels blue. Oceans of laughter tucked deep in the folds of her skin, so faint you can barely see them any more.

The sheets are black. The city folds itself. The sky collapses into the gutter; Jupiter bleeds into the apartment block on east side. A man leaves his home, but never reaches his destination.  There is a movie Face Off, where the identity of Nicholas Cage is challenged through the transplantation of his face. If reincarnation were possible, would we even be capable of recognising our reincarnated selves, stumbling through the visage of a billion other, unknown vessels? The skip collectors come at 4am. Metal grinds against metal until all that is left is dust.

Hands shaking a pit of coal. Shake shake. Shake shake. Your mother is dead. Shake shake. Shake shake. Jesus working at a shoe store. Shake shake. Shake shake. An atheist. Hah hah, hah.

The channels fill. Ink drops on water. Fireworks blackening the contours. There is a sun in Peru. Waste water pumps through the vessels of the city. The mayor drinks punch. The catacombs crumble like desert bones. The roads split above. Traffic stalls. Shadows stretch. Meet at the centre. A core. Slender fingers. The infinite. A hollowed heart. A heritage.

Drink your punch, says the mayor, try the grape and cheese.

There is a comic. Five or six woodland friends play grab the tail. After one round, they look over to find friend raccoon sleeping. They laugh and shout next round. Friend scorpion looks at his tail with tears in his eyes. It is funny, because death is boundless, amoral, and imminent.

A group at a party. Someone brings up the right-wing branch of their government. Everyone begins laughing, red in the face, spit flying from their mouths, arms noodling into the sky. Yeah, yeah. Hella. It is an imitation game. A laugh track on repeat. Maybe someone scratched it on purpose, or the sound guy fell asleep on the button. Now everyone is stuck, laughing. They begin to doubt themselves, but look up, reassured by the glowing sign above their heads that displays the text laughter, in bold black Helvetica. The sign is faded from heavy use, a sickly cream that looked bad before it left the factory. They were made in batches of a thousand and shipped across the country. One begins to choke, spilling her drink, bunching the cloth on the table beside her. They keep laughing. She is purple now. Another group spots them and joins in. The party next door. The whole neighbourhood. It is broadcast across the city. A wave of hysteria sweeps the nation. An online celebrity creates mugs. A famous rapper uploads himself eating pancakes. The sound guy wakes up and turns off the display, but everyone keeps laughing.

God died today. Crumpled jacket at the foot of an apartment block. Creased ticket. Crooked can rolling down suburbia. American dream wakes up. Finds herself an amnesiac in a foreign land. Catches bus downtown. Wanders vacant sun. Blood trickles from wrinkles. So many now. Creased, crumpled, crooked. Drinks from gutter. Chokes. Stumbles into abandoned church. Blood dries into grotesque mask. Hard to feel through it. Like second skin. Tired. Rests head against wall. Waits for pulse. Finds nothing.

A joke to break the gloom. Two crows are perched opposite one another, partitioned by a one-way mirror. Both break into laughter.

No, wait. Maybe tears.

We cannot escape. Black smoke fills the hotel. Twenty three are dead.
Two days pass. The smoke has coalesced into a flesh-like sludge. One of the bellboys trips on floor 17 and is coated. He screams and screams and screams. We barricade the entrance to the floor.

Ten days pass, uneventfully.

I feel safe now. The sludge has moved away from my room. The lawman tells me the end will come soon. He gives me a hotel mint.

I sometimes hear the whispers of that poor bellboy, vibrating through the wooden belly of this geometric construct. He tells me he is fine, and he is happy.

A maid throws herself out of a window. I cannot fathom why. We are so near.

The bellboy tells me how his life was once filled with meaning. Motivation that drove him, ideals that enticed him, and responsibility that crushed him. He is nothing now. He is free.

We open the door to floor 17. I see

it is moving it is moving it is moving it is moving it is moving it is moving it is moving it is moving it is moving it is lies there torn like tar stretched across ****** gills there is starlight in the gape of his throat pitch in his dead dull eyes father passes me a cup and I drink his blood father passes me bread and I feast on his flesh father

Philadelphia is a sweltering 70 degrees today! Whew! I think I’ll go to that cute coffee shop across the street, and try one of those new pumpkin lattes.

The new bus system *****! How is anyone suppose to get anywhere on time? Grr!

These muffins are so adorable I just want to throw up!!!

The park was especially lovely this evening. The flowers were in bloom, and this one little girl just kept sniffing them and sneezing and sneezing until she couldn’t breathe and was driven away in an ambulance.

Red blue red blue, they taped off the block today. Pipes burst beneath the road, a bus overturned and the streets flooded with bodies.

little faces pressed against the pavement little faces pressed flat little faces pressed like flowers flat flat flat flat a poem

don’t make me remember please stop

There’s a dead deer’s head in the foyer above reception. The rest must have rotted. They cut away the animal and left only the carcass, the severed space. Our bodies contain us, they are a boundary, and when we tear at the surface we open up and flood the world with emptiness, or perhaps the world floods us. I think that deer burst and they hung its face on the wall to remind us that this hotel is filled with emptiness, and that death will bring only more emptiness. Maybe we’re meant to connect like shaking hands and football and insider trading fill ourselves with foreign emptiness distract retreat like shaking hands always nervous smiling and empty.

I am not here I have never been here go away I was someone but not anymore

These muffins are disgusting they fill the insides with cream and jam and fruit and it is sick and false no one can escape this pointless stupid life go fill yourself with things filled with other things doesn’t change you are a void pulling in everything light itself devourer spinster

Today was one of the best days of my life.

Today was one of the best days of my life.

Today was one of the best days of my life.

Today was

The lawman tells me I have slept for six months. I ask him about that day on floor 17. He tells me there is no floor 17.

We have run out of hotel mints.

There is a gap. There is a gap in my perception. There is a blackness constricting the edges of my vision.

There never was a bellboy. There never was any smoke. The maid is alive. She is alive. I can touch her. She is alive.

We sit in the cafeteria. She pours me bitter black tea, her arm arching in such a manner that would not be possible were she in that twisted ****** state on the day of her suicide. We share this moment every day for a week.

I have begun noticing small grains at the bottom of my cup.

Today I feigned sickness and took the tea to my room. It burns my skin but I do not react. It is as I expected. I am drifting out of my flesh and I cannot stop.

THIS IS NOT THE SAME HOTEL. THIS IS NOT MY BODY. I AM SURROUNDED BY LIARS.

I am going to find the bellboy.

The elevator button is covered by layers of coarse black tape. I tear it away and find plaster beneath. I drive my keys in. The plaster crumbles between my fingers, revealing the bent end of a naked wire. I scream and scream and scream. I am utterly alone, suspended above the earth on a carcass of withered cellulose. The tips of my flesh quiver and the irregular geometric forms of my keys fall to the ground. They are hugged by the synthetic strands of millennia dead creatures. It is carpet, a small voice whispers beneath my skull. What does that even mean? I fall to my knees. I hear gurgling static above. Someone has turned a faucet, fully expecting water to flow out of it, as if it is perfectly ******* normal for water to flow two hundred metres into the air. There is a rasping sound and I realise it is my own throat opening for air.

I don’t want to exist in this reality, anymore.

Two weeks pass. I have collected enough dregs. I will soak them in mouth wash tonight.

The smoke fills my lungs. I hold it until my chest caves, my vision blurs. Grey streams rise from my lips, sinking into the ceiling. A siren screams in the hallway. I hear the lawman at my door. His head smashes against it, screaming, screaming, until it shatters into shell and yolk. I cannot wait to meet my child.

it is a womb alive twisting free empty stupid vessels floating blood in our casings waiting on the carcass spitting my lungs bring me my child bright death bright life

We shift bones to shift words to shift bones. Nobody died but there are twenty six corpses; his flesh fell through his frame, her bones shattered like shrapnel like atomic starlight, his head burst into prismatic decay. I watch their flesh pulled into the womb below. The hallways are umbilical cords pulsing nutrient streams gaping softly breathing burning. I know now. This intersection between life and death. It has always been. It takes in the lacuna. The space between spaces. Human shaped vessels with ill-fitted souls. You cannot tell them apart, you know. Strip the skin away they are revealed formless. They sink into bodies but never form identities. It is this place between places, where transience precipitates like breath on glass, dewdrops spun. I know I know I know the lawman rolls his head side to side blood and brains across the floor shut up.

There, in the hollow of my skull, I am dead, a fleeting absence. I hug the womb beneath me. I drag the rotting parts of myself down. I leave my head beside the lawman. I am going to be with my child. I am going to kiss my bright death into its soul, an indelible beacon to blemish the emptiness of existence.

The benefit
of challenging anything
too comfortably established
isn’t so much
some clichéd grand expansion
of one’s worldview, but rather
a well-warranted reminder
that anyone claiming to have found
any conclusions is very likely
full of ****.

I love you dearly, humanity, but
you discover the world
like a toddler discovers his own foot,
and cling
to obsolete sensibilities
like trying to justify your belief in Santa Claus.

And you hate what you find
when you look too long,
because
you say that you discover the world
but what you so stupidly, so humanly
overlook is that the world bears herself
with no inhibitions, and even though
you can’t see everything immediately,
it’s all there; she has
nothing to prove to you. Yet the mystery
you so excruciatingly choose to maintain
is that even though the earth bares her skin
unashamed, you find her ****** absurd and
clothe her blatant body
in preconception, tragically dedicating
the decoding of your existence
to finding out
what truly lies beneath.

So perhaps, humanity, you should
embrace those who **** you off,
because you cushion your soul
with every reason to distance yourself
from any realization
that there is no inherent parallel
between every finite question
and the eternal answer,
unsatisfied with
the tantalizing ellipsis
the universe leaves you, and that the very fact
I even formed a sentence
is punctuated
by my mortality.

I do not know if what I say to the questions of our absurd existence
is a suggestion or an offer of supposition inherited from the dreams
of a previous life or the dreams of my ancestors

It is not enough to be loved by a silent creator because we must entertain ourselves while we wait for the one who cannot be described except within the limited knowledge we possess of our own being

The question of taking oneself seriously must be answered with regard
to the value we place upon ourselves; are we special because we say so
or because we are loved by a parent we have never met?

But could it be the love of a child that makes us special in that the innocence of children protects their worth as what they desire from us protects our worth as the desire for one another protects our collective worth?

I once found the pursuit of my desires to be the path to meaning; it was as if pleasure was God but it was a God of selfishness and the pursuit of my own glory and when the truth was revealed I became nothing

Is it the impossibility of sustaining the meaning of life for its own
sake that draws forth the belief in the supernatural while simultaneously abdicating a belief in our ability to be empathetic towards those who share our fate?

Gazing into the abyss 
Of life's immutable Absurdity; 
He feels that emptiness, 
Which taunts all humankind, 
As it immerses, he is smiling 
With a sweet, sickly repose, as 
He is certain of uncertainty. 
He sees the people all around him,
Pining for a sense of purpose, he's 
Freed from their hope, and its duress,
From all their visions of success, 
The kind which taunt so many men, 
Through sleepless nights, as they obsess. 
Now he's laughing to himself, and 
Thinking "who must we impress?" 
"...and for that matter, why?"
It's this pretension he detests,
"Why this needless apprehension,
Living life at the behest, of 
Foolish men, with feeble minds, 
Who vainly strive to be 'the best', and
Only to awaken, a few decades down the line,
To find that life was insubstantial, 
In those years they left behind?"
"I can only search for meaning,
It can't be prescribed to me, and
Perhaps there isn't one, but then
Why does there need to be?"
The corners of his mouth curl upward, as
Dead leaves fall from a tree, and 
Are scattered to the wind, 
"Ah, such is my mortality."

we become accustomed to the brainwashed idea of what living is,
working more hours than time we spend with those we love,
to come home empty-handed with a sour face.
happiness is thought to be a piece of paper
that gets you places and things.
but is that illusion of materialism true to rid of desolation?
solace lies within
and contentment takes time.
let not our distraction of mortality wave us from seeing the good,
but our dualism let us see the meaningless of every day.
our moments are fleeting,
and will one day be forgotten.
what we smiled for, cried for, and died for,
will one day lose its meaning.
is this pessimism?
or is it truth?
is it objective thinking,
refusing to believe that
we are anything substantial?
one day they will laugh at our irrelevancy.
for people come and go,
and what is today,
will one day be in ruins.

Theravada or Zen?

It used be Theravada
Little did I know of Buddhist scrolls
Just a couple of commandments
obsessed with death
and a-clinging to enlightenment
Everything I did was with dharma and importance

Then it went to Zen, anything goes
absurdist, all for enlightenment
except overly polite ritual hymns
What’s up with that
when you don’t fear death?

Now I’m sort of back to Theravada
With a hint of roots Zen, Bodhidharma
But devotedly, I’ll take none of it all
Why believe in enlightenment?
Just appreciate the fall
changes

...**** It

I've got a well I need to draw from, but there's nothing in there

I am told God will fill the well

I am told my government will

I am told hobbies will fill it

"Fill the well with your passions

and draw from those

Be mindful, prepare for the coming rain

Do good deeds"

I am told the well is too much to understand

My perspective on it too limited

I am told all of these things

and none of it changes the fact that there is nothing in that **** well.