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Quantum Poet Apr 27
πšƒπš’πš–πšŽ πšŒπš˜πš–πšŽπšœ πšŠπš—πš  πš˜πš‹πšœπšŒπšžπš›πšŽπšœ πš–πš’ πš•πš’πšπš‘πš,
πš†πš’πšπš‘ 𝚊 πš–πš’πšœπš‹πšŽπšπš˜πšπšπšŽπš— πšπšŽπšœπšŒπšŽπš—πš.
πš€πšžπšŠπš—πšπšžπš– πšπš›πšžπšπš‘πšœ πš‹πšŠπš›πšŽ πš’πš—πš πšŠπš›πš πšœπš’πšπš‘πšπšœ;
πšƒπš‘πšŽ πšœπšŒπš’πšŽπš—πšŒπšŽ 𝚘𝚏 πš–πš’ πšœπš˜πšžπš•β€™πšœ πš•πšŠπš–πšŽπš—πš.

π™΄πš—πšŽπš›πšπšŽπšπš’πšŒ πš™πšŠπš›πšπš’πšŒπš•πšŽπšœ πš πš’πšπš‘ πš•πšŠπšπšŽπš—πš πšπš˜πš›πšŒπšŽ,
π™Έπš— πš™πš›πš˜πš‹πšŠπš‹πš’πš•πš’πšœπšπš’πšŒ, πšœπš’πš•πšŽπš—πš πšπš•πš˜πš .
π™Ήπšžπšœπš 𝚊𝚜 πšπš‘πšŽ πš–πš’πš—πš πš πš˜πšžπš•πš πšπš’πš—πš πš’πšπšœ πšŒπš˜πšžπš›πšœπšŽ,
πšƒπš‘πšŽ πšπš’πšŽπš•πš 𝚘𝚏 𝚠𝚊𝚟𝚎𝚜 πš‘πšŠπš•πšπšŽπš πšπš•πš˜πš .

πš„πš—πšŒπšŽπš›πšπšŠπš’πš—πšπš’ πš’πš— πšπš‘πšŽ πš‘πšŽπšŠπš›πš 𝚘𝚏 𝚏𝚊𝚝𝚎,
π™³πšŽπšπšŽπš›πš–πš’πš—πšŽπš πšŽπšŸπšŽπš›πš’ πš–πšŽπšŠπšœπšžπš›πšŽπš πšœπš’πšπš—.
πšƒπš‘πšŽ πšœπšžπš™πšŽπš›πš™πš˜πšœπšŽπš 𝚜𝚝𝚊𝚝𝚎𝚜 πšŠπš πšŠπš’πšπšŽπš,
π™Έπš— πš™πš˜πš’πšœπšŽπš πš™πš˜πšπšŽπš—πšπš’πšŠπš•, πšπš’πšŸπš’πš—πšŽ.

𝙰 πšπš›πšŠπšžπš–πšŠ πšœπšπš›πšžπšŒπš” πš πš’πšπš‘ 𝚊 πšœπšžπšπšπšŽπš— πšœπš™πšŠπš›πš”.
𝙰 πšœπš‘πš˜πšŒπš” πšπš‘πšŠπš πšœπš‘πšŠπšπšπšŽπš›πšŽπš πšπš‘πšŽ πš‹πš˜πšžπš—πšπšœ.
πšƒπš‘πšŽ 𝚠𝚊𝚟𝚎 πšπšžπš—πšŒπšπš’πš˜πš—πšœ πšœπš™πš•πš’πš πš’πš— πšπš‘πšŽ πšπšŠπš›πš”,
πš†πš’πšπš‘ 𝚊  πšπš›πšŠπšŒπšπšžπš›πšŽπš πš‘πš˜πš•πš•πš˜πš πšŽπš πšœπš˜πšžπš—πš.

πšƒπš‘πšŽ πš˜πš‹πšœπšŽπš›πšŸπšŽπš›'𝚜 𝚐𝚊𝚣𝚎, πš˜πš—πšŒπšŽ πš›πšŽπš–πš˜πšŸπšŽπš,
π™±πš•πšŽπš—πšπšŽπš πšπš‘πšŽ 𝚜𝚝𝚊𝚝𝚎𝚜 πš’πš—πšπš˜ πš˜πš—πšŽ.
𝙰 πš—πšŠπšπšžπš›πšŠπš• πš˜πš›πšπšŽπš› 𝚠𝚊𝚜 πšπš’πšœπšŠπš™πš™πš›πš˜πšŸπšŽπš,
π™°πšœ πšπš‘πšŽ πššπšžπšŠπš—πšπšžπš– πšπš‘πšŽπš— πšŒπšŠπš–πšŽ πšžπš—πšπš˜πš—πšŽ.

π™½πšŽπšžπš›πšŠπš• πš™πšŠπšπš‘πšœ, πš˜πš—πšŒπšŽ πšŒπš•πšŽπšŠπš› πšŠπš—πš πš‹πš›πš’πšπš‘πš,
π™±πšŽπšπšŠπš— 𝚝𝚘 πšπš πš’πšœπš 𝚊𝚝 πšπš‘πšŽ πš‹πšŽπšŠπš–πšœ.
πšƒπš‘πšŽ πš™πš›πš˜πš–πš’πšœπšŽπš 𝚍𝚊𝚒 𝚐𝚊𝚟𝚎 𝚠𝚊𝚒 𝚝𝚘 πš—πš’πšπš‘πš,
πšƒπš‘πšŽ πšœπšŽπš•πš, πš˜πš‹πšœπšŒπšžπš›πšŽπš to πšπšŽπšŸπšŽπš› πšπš›πšŽπšŠπš–πšœ.

πš‚πšžπš‹πšŠπšπš˜πš–πš’πšŒ πš›πš’πš™πš™πš•πšŽπšœ, πš˜πš—πšŒπšŽ πš’πš— πšœπš’πš—πšŒ,
π™½πš˜πš  πšœπšŒπšŠπšπšπšŽπš›πšŽπš 𝚝𝚘𝚘 πšπšŠπš› πš’πš—πšπš˜ πšπš’πš–πšŽ.
π™Όπš’ πšπš•πšŽπšŽπšπš’πš—πš πš‘πš˜πš™πšŽ πš‹πšŽπšπšŠπš— 𝚝𝚘 πšœπš‘πš›πš’πš—πš”,
π™°πšœ πš–πš’ πš’πš—πš—πšŽπš› πšŠπš›πšπš πš˜πš›πš” πš•πš˜πšœπš πš’πšπšœ πš•πš’πš—πšŽπšœ.

πš†πš’πšπš‘πš’πš— πš–πš’ πš–πš’πš—πšπšœ πš•πš’πš–πš’πš—πšŠπš• πšœπš™πšŠπšŒπšŽ,
πš†πšŠπšœ πšŠπš—πš˜πšπš‘πšŽπš›'𝚜 πšœπš‘πšŠπšπš˜πš  𝚌𝚊𝚜𝚝.
πš†πš‘πšŠπš 𝚠𝚊𝚜 πšœπšŽπšŒπšžπš›πšŽ, πš‘πšŠπš πš‹πšŽπšŽπš— πšπš’πšœπš™πš•πšŠπšŒπšŽπš,
πš†πš’πšπš‘ 𝚊 πšπš›πšŽπšŠπš– 𝚘𝚏 𝚊 πšπš’πš–πšŽ, πšžπš—πš™πšŠπšœπšœπšŽπš.

πšƒπš‘πšŽ πš–πš’πš—πš, 𝚊 πšœπšπš›πšžπšŒπšπšžπš›πšŽ πš˜πš—πšŒπšŽ πš›πšŽπšπš’πš—πšŽπš,
π™±πš›πš˜πš”πšŽ πšπš˜πš πš— πšžπš—πšπšŽπš› πšπš›πšŠπšžπš–πšŠβ€™πšœ πš πšŽπš’πšπš‘πš.
π™Έπšπšœ πš™πšŠπš›πšπš’πšŒπš•πšŽπšœ 𝚞𝚜𝚎𝚍 𝚝𝚘 πš‹e πšŠπš•πš’πšπš—πšŽπš,
π™½πš˜πš  πšπš›πš’πšπš, πš•πš˜πšœπš πš’n πšπš›πšŠπšŒπšπšžπš›πšŽπš 𝚜𝚝𝚊𝚝𝚎.

π™²πš˜πš—πšπšžπšœπš’πš˜πš— πš•πš’πšŸπšŽπšœ πš πš‘πšŽπš›πšŽ πšπš›πšžπšπš‘ πš‘πšŠπš πšπš πšŽπš•πš•πšŽπš.
π™Όπš’πš—πšžπšπšŽπšœ πš‘πšŠπšžπš—πš πš–y πš–πšžπšπšŽπš πšπš›πš’πšŽπš.
πšƒπš‘πšŽ πš•πšŠπš πšœ 𝚘𝚏 πš—πšŠπšπšžπš›πšŽ, πš—πš˜πš  πš˜πšŸπšŽπš› πšπš‘πš›πš˜πš πš—,
π™»πšŽπšŠπšŸπš’πš—πš πšœπš‘πšŠπš›πšπšœ 𝚘𝚏 πš–πš’ πš™πšŠπšœπš πš‹πšŽπš•πš’πšŽπšπšœ.

𝙸'πš– 𝚊 πš‚πšŽπš—πšπš’πšŽπš—πš πšŸπšŠπš™πš˜πš›; 𝚊 πšπš‘πš˜πšœπš πš’πš— πšπš•πšžπš‘,
π™½πš˜ πš•πš˜πš—πšπšŽπš› πšŠπš—πšŒπš‘πš˜πš›πšŽπš 𝚝𝚘 πš–πš’ πšŒπš˜πš›πšŽ;
πšƒπš‘πšŽ πšœπš™πšŽπšŒπšπš›πšŠπš• πš–πšŠπšπšπšŽπš› lays 𝚝𝚘 πš›πšžπšœπš,
π™»πš’πš”πšŽ πšπš‘πšŽ πš›πšŽπš–πš—πšŠπš—πšπšœ 𝚘𝚏 πš–πšŽ πšπš›πš˜πš– πš‹πšŽπšπš˜πš›πšŽ.

π™²πšžπš›πšœπšŽπš 𝚝𝚘 πšπš‘πšŽ πšŸπš˜πš’πš, 𝚝𝚘 πš›πšŽπš–πšŠπš’πš—,
π™Έπš— πšπš›πšŽπšŠπš–πšœ πšπš‘πšŠπš πš πš’πš•πš• πš—πšŽπšŸπšŽπš› 𝚌𝚎𝚊𝚜𝚎.
πšƒπš‘πšŽ πšœπšπšžπš‹πš‹πš˜πš›πš— πš™πšžπš•πšœπšŽ πš’πš— πš–πš’ πšŸπšŽπš’πš—πšœ,
π™±πš›πš’πš—πšs my πšπš˜πš›πšœπšŠπš”πšŽπš— πš‘πšŽπšŠπš›πšπš‹πšŽπšŠπšπšœ.

πš†πš‘πš’ πš‘πšŠπšœ πšπš’πš–πšŽ πš˜πš‹πšœπšŒπšžπš›πšŽπš πš–πš’ πš•πš’πšπš‘πš,
πš†πš’πšπš‘ πšπš‘πš’πšœ πš–πš’πšœπš‹πšŽπšπš˜πšπšπšŽπš— πšπšŽπšœπšŒπšŽπš—πš?
πš€πšžπšŠπš—πšπšžπš– πšπš›πšžπšπš‘πšœ πšπšŠπš›πš”πšŽπš— πšœπš’πšπš‘πš,
The πšœπšŒπš’πšŽπš—πšŒπšŽ 𝚘𝚏 πš–πš’ πšœπš˜πšžπš•β€™πšœ πš•πšŠπš–πšŽπš—πš.

♦ Đerek Ξ›braxas ♦
"πšƒπš‘πšŽ πš€πšžπšŠπš—πšπšžπš– π™±πš˜πšžπš—πš π™Ώπš˜πšŽπš"
Quantum Poet Apr 27
whispers in the winds breathing,
Never is it screaming.
The wisp of wind Is Calling us,
Yet hides its own true meaning.

Bound to the silence of forever,
Flowing without fail.
A sacred truth buried in what?
Truth is, it cannot tell.

Mountains stand as structures so strong,
These relics deemed eternal.
Layers form masses. Time gently passes.
That stand as nature’s journal.

The bitterest truth is etched in stone,
Carved deeply into they’re being,
Yet bound to a fate, that nothing awaits.
They’re cursed with never leaving.

Like the ocean’s forceful,
Mighty sway, that never truly moves.
Seeming to be as boundless as me,
Yet made to traverse in set grooves.

The waves that crash, display a mask,
For it only expands to recoil,
An infinite realm of life within,
To never feel the soil.

The sun will rise, then set, then rise.
The fate that has no fate at all.
It treads a path consistent to last,
But will not and can never fall.

It soars as if it stands for freedom,
A slave to this deception,
For in its path, it’s truly shackled
To this haunting misconception.

The grand clock's perpetual winding,
That never is fully wound.
Delaying or pausing, just not an option.
And no filter quiets the sound.

The hands of time that hold the scroll,
Unable to write the plot,
Emotion within its aching sound,
Expressing a purpose wrought.

The metaphysical body walks,
It thinks, it feels, it reacts.
Emotions wide open, truths unspoken.
My mind expands but to retract.

My conscious subdued by truths untrue.
This lie that's so deeply instilled.
We exist to consume from cradle to tomb,
In this cage that we've named "free will".
Quantum Poet Apr 27
Above the black, I'm trapped beneath the white.
Time slips away, past my distracted sight.
My mind, clusters all of my pain and my fright,
They tangle as one with life's cold endless night.

I reach for stars that used to guide, used to teach.
As I Begged for my cleansing while soaking in bleach.
I trusted in the magic of the moon, now I see.
It's nothing more than a rock, that I know I can't reach.

My Quantum perceptions, once clear as the day,
Elude from my vision, like dreams, they drift away.
Every feeling is just harsh. Each thought runs astray,
My body outlives the suffering my spirit's slow decay.

Hung swaying, for all to see, can't live a disguise.
My Agony is screaming, but at a deaf, silent sky.
Through fractured, foggy lenses, I see only hidden lies.
The cosmos entrapped behind the cage of my eyes.

Emotions do not live past the span of human life.
The universe continues, far past our demise,
To a divine destination. Our progress will be forgotten.
Emotions deemed redundant. Our egos will lay rotten.

All else has true purpose, even without eyes to see it.
Or emotions to feel it. Or belief to give it reason.  
No matter who believes it. Time lives, never freezes.
An endless puzzle shrouded by he, who designed the pieces.

I struggle just to get clean cause my demons are not leaving.
I have fought for a belief, to find there's nothing in believing.
Something stealing all the meaning and replacing it with feelings.
Terrored dreams keeping me screaming, pleading with the ceiling.
Wandering - through the deserts storm
For the breath - is mischievous - craving
"I comply" - prayer's false - sinks in flesh
Blissful kiss - lullabies' pace - is uneven
Β Β Β Β Edging of dunes
Β Β Β Β Under wind - martyr sings
Β Β Β Β Primal scent - salty lips
Β Β Β Β Shudder thrills - tracing hands
Β Β Β Β Hips endow - shaking
Β Β Β Β Β Β Β Β Drugged - with a truth
Β Β Β Β Β Β Β Β In an oath - for the witness
Β Β Β Β Β Β Β Β Sand is warm - reason thralled
Β Β Β Β Β Β Β Β "Do forgive me"
I see what I do,

I walk toward it too,

I fly where I stitch the new.

In this eternal dream,
I wake.

Wake up.

Sounds become feels,

The chapter spins and reels,

I watch the scenery shift and peel,

Taking the weight of what it deals.

Wake up.

I begin to see,

A cage that begs to break free,

A silent plea caught endlessly
A dance with death,
a fleeing decree.

Wake up.

Is this real?

Nothing begins to feel.

The past bleeds into the future’s seal,

Bound to a fate I can’t repeal.

Wake up.

A S̡͖̉͝oΜ΅ΝŠΜ€ΝΜžΝ“Μ‘Μ–uΜΆΝ›Μ½Μ›Ν‚Μ‹Μ›ΜˆΜΊΜ»nΜΈΜ“ΜŽΜ†ΜΜΜœΜ–Μ₯dΜΆΜ“Ν‘ΝΜΎΜƒΜˆΜ‹ΜΏΜΜ‘Μ­Μ°Μ₯ΜΝ•Μ—Ν…ΜŸ?

A bed of comfort found.

A pulse that hums beneath the ground.

Or is it not so round?

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camps Apr 15
so you’ve found yourself lost again

the years are behind you
a sense of place or the thrill
fifth empire the reach
everlasting slowly fading
hooray for the glitter and the glamour

and what has been carved out
of flesh and concrete
to stake a claim in name or vision
the search for meaning
and now you’re caught

distraction
it’s the rows and rows and rows and rows
you stand with pride
without belonging
or has it always been there waiting

go ahead
it's your turn
me + nyc
R Spade Apr 13
The crack in the sidewalk is my only comfort.
We've become friends overtime,
I tell her about the bottles and beer cans,
so lost I forget about the aches and pains.

She knows it's bad when I'm quiet.
I sit with the dark and listen to my sobs echo,
the rain can't drown out my thoughts.
The crack in the sidewalk is my only comfort.

Sometimes I go weeks without seeing her,
my identity drifts softly away with the tide.
Confused, I am too weak to find ground,
maybe it's best I cannot be saved.

The water leads me to my friend,
I shiver yet I cannot feel the cold.
She tells me that she's here for me,
the crack in the sidewalk is my only comfort.
Intimacy falls
flat on her face against hard
concrete. Window-pain

of the soul opened.
She leapt out-- into mid-air--
Smashing-- abstracted.

Is she alive? No
one caught her. Vulnerable
to asphalt - turned down.
3 consecutive, senyrΕ«s form
AI Art Inspired by Poem: https://sora.com/g/gen_01jqt55gfdekgatr3f1t0rkgd2
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