there is silence sandwiched between silence
thanks to the sudden cessation of their croaking
as if a plague took them, but it didn't

nor were they sleeping, nor were you,
at 0300 hours--you were between guard towers,
with an M60, and a hunger for sound

though you were picky about your song;
you longed for their familiar cadence, for
their green belched reassurance

that they would lay more eggs in the mire
and tails would grow, the swimmers would
become singers of familiar verse

but you could not wait for a resurrection
you did not know would occur--your duty would end
at dawn, and by then you could be dead deaf

from their silence

in a stadium,
in the nosebleed seats,
a lemon rind moon was all the light we had
when the city lost power

the crowd murmured, impatient
for the carnage to continue, players knelt
on the turf; their coach-gods commanded,
Let their be light!

I rose to leave, when I heard them
a canine symphony from jackals who escaped
the ranchers' sights, the dumb traps,
taunting us, the light seekers

who knew not how to comport
ourselves without electric diversion, without
staged battles, while they roamed the dark,
snouts angled towards a charcoal sky

sharing song and scent, sentient though not
like we, but content to be yip yapping in the autumn night
while we lamented the lack of light, and yearned yet
for different blood

I'm there,
an old portrait hanging on the wall
in need of a good dusting--past worthy
of restoration

passers-by will now and then pause
(more then than now), and wonder what my
two grey eyes saw, what my folded hands held,
what words came from my pursed lips

then came you, all dozen years of you:
maybe you liked old oils; maybe you were bored;
but you stopped, you ate a plump pear
while gazing

you squinted to see the signature
of the one who created me, though somehow
you knew there was but one creator
who gifted all brushes

you read the brass plaque
which summed up my life--three names and
eight digits, the last four a score before you were born
then you closed your young eyes

because you knew mine were closed
despite the painting's vain attempt to keep them open  
and you imagined you were asleep, waiting for a new sun,
or for another curious soul to stroll by

one who would take the time to look
and, like you, wonder, who I was, and why I was draped on this wall,
in this quiet hall, where you stood, pear in hand, finding color,
light, in my untold story

he wept, T.S. Eliot
for he lost a poem he penned
by hand--a piece that called itself
The Waste Land

in which he declared
April was the cruelest month
but he recalled little more, while scavenging
his memory for wily words

though I did not weep with him
I placed a light palm on his shoulder
to tell him I understood, for we all
lamented the loss of verse

phrases that came to us in dreams
lines that licked clean the inside of our skulls
words that repeated themselves, coming and going,
coming and going with each breath

my actress, who
sweated blood on Broadway each night
off Broadway too

said, on a long stroll
through Central Park. she was successful
because she did not like herself

on the stage, she proclaimed,
she was never herself, and she fell in love
with every character she portrayed  

every script was a better bio
than her own, and the playwrights knew
her better than she knew herself

and when our walk
was curtailed by a downpour, she dragged me
into a crowded cafe

where she knew half the patrons
and the wait staff, and they all knew the different
personas she had owned, on the dry stage

rain now forced her to choose  
which selves to keep, and which to lose
while she sipped scalding tea

with me, on a grey wet afternoon,
only hours before she would again be under  
the spell of the hot lights,

and read verses from the pens of prophets,
poets--those who purloined her soul for the price
of admission, to a place without self loathing

on a Texas hot day,
a thrifty bird of prey, was enjoying
a red repast

his plate, endless asphalt, his meal
entrails of a cur, whose flat fate was sealed
by black Firestone rubber

the manged mutt left to be lunch
for a ravenous buzzard, with beak bent,
pecking at his fine feast, until

my mindless Michelins
gobbled him up, faster than his greased wings
could flap for flight

to a theater near you
or your flat screen: live murders, usually
mass, sometimes children

sorry, no 3D,
for you see, that might be
too graphic, for some

no actors required
for the wild world's the stage
phone cams abound

stick around, for
a double feature, without
leaving your seat

for before the blood dries,
we'll mute the cries, and show you
the next slick slaughter