gold, round
it has felt a thousand hands
in sixty years

tomorrow it will be
replaced, the dead door
along with it

the old brass globe
knows nothing of gentrification;
its desecration of memory:

the carpenter who bore its hole
the first child to turn the **** to play;
the last man to yank it in anger

when he felt the bowels of defeat,
the bane of bankruptcy--the effluent epiphany
of eviction

how many tales began with
the spinning of the circle, the opening
of the door, letting in the light

tomorrow, and tomorrow, the door,
the handle, will rest in the landfill, the
graveyard of myriad doorknobs

all with their own stories of auspicious
beginnings, mysterious twists and turns--
plots thickened by the hands of time

coyote yelping helps;
the winds, too, distract him
from the now

the Comanche who
put the arrow in his back
lays beside him

gone before him;
that is condign comfort
to him

he cannot speak, nor move
his tongue, but he smells the
*****, the creosote

he sees the clouds,
stingy white whiffs in a hot
summer sky

as good a day to die
as any he reckons, and
he feels no pain

again the yelping,
closer now -- are they talking
about him?

will they beat the buzzards
to his body? would they begin their
feast while his eyes are yet open?

he closes them; the flapping of
the wings does not arouse him--he
knows they are on the Comanche

beaks and talons at work
he lets himself drift, content the
vultures are choosing the dead

but they fly off; the coyote pack
approaches--the pads of their paws
patter on the hard caliche

he lets himself sleep
dreaming now of sweet green grass
and good water

and the coyotes begin their work:
the ***** and he now a solitary offering
for the ravenous dogs

fine Furhman's Funeral Home
used the best alchemy money could
buy, to keep her flesh fresh

and a master seamstress
sewed her wicked wounds so not
a single soul could see

she was stabbed forty times
from her rubicund cheeks to her
pedicured toes

Furhman's was the best, above
the mediocre rest, in gifting mourners
with a pleasant view

when I got their bill in the mail
it had an itemized list, which included
a charge I had to contest

not because of penury or pettiness
for I am a wealthy weeping father, but
I couldn't see spending a red dime

for crimson polish they painted
on dead toes, slid in slick hose, and
hid in patent leather shoes

my wife said write a check for the
full amount, crying this was not about
what we the living could yet see

Baton Rouge, April, 1989

from the bank
I see the ghost of a pier
old posts standing solitaire
a ramp rotted, long gone

moored to one stubborn beam,
a bass boat, tethered to time, rocking
with the whims of the waters
fickle, but steady

storms upriver may hasten
the current, bloat the stream
though the flow never ends,
lapping against the hull

hiding inside are more ghosts:
phantom footfalls of fishermen,
odors as old as Eden, sounds
which once made songs

by those who cranked the motor,
manned the rudder and cast the lines
into the depths, seeking a tug--a pull
that meant dinner, a small success

a simple surrender of one species
to another, from beneath the surface
into the sun, a sublime suffocation,
then stillness before the gutting

many a day ended this way
the boat buoyed again to the dock
bellies then filled from the sacrifice,
the waters licking long the wood

he shoulders shame
carrying the weight of the dead,
slung over him

partnering with gravity,
these memory moguls slow him down
though he keeps trudging

when one drops, another
takes his place -- first his father, then
a brother, stillborn

not half the weight of a stone,
yet his carcass bends his back
like any full grown beast

for he did not weep
with his mother when its blue soul
was yanked from her womb

nor did he shed a tear
when his father's heart gave out
a billion beats too soon

when he forgets his sins as son  
he recalls another one--the boy he
slew on a brown river's bank;

floating still in the Mekong, riddled
with the rifle's rabid rounds, he often catches
a ride in memory's stream

leading a relay team of shame shifters
he carries with him every step, though
the world sees him walk alone

in black sky above us, the shreiks
of the shells cut the air, sharp, until
the dreaded booms which tell us
how close

how close the rounds landed
to our trench, where we hunker, drenched
in dreck, mud and blood, an unwilling
audience to this martial symphony

screams stream skyward
and comingle with the next volley,
a cacophonous courtship of vibrations,
invisible, but we know it's there

a miserable marriage of metal
and flesh--monkeys made into men
who ****** their own; who are determined
to sing these sour songs

when the lobbies stop, the only sounds
are the winds, the ones which will gently carry
the sounds of men moaning, crying,
praying for silence

when all your beautiful memories are built over with a parking lot
and your dreams are stolen by someone else
when you just have to get away, far from the broken promises
to walk into the unknown knowing its so right
providence will go before and behind you' tho you walk in the valley of the shadow of death', a shepherd will watch over you, and you will dream new dreams clutching new promises making other beautiful memories.

Refreshed beneath a rattling fan
The same white house from my
favorite window , the same old trees , the same old window reflecting the same old me
An east wind tells of someones supper a half mile away , red tips
and brown sugar fescue hypnotically sway , the same old trails on another slow moving Sunday* ..