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1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
Missy May 2015
For a creation was devised of the purest and simplest elements in life
When the calming and smooth sensation of water caressed your bones, it carved canals of strength along the way
Your skin crawled and crept past your defined chin to bind with its lover
and when the tendon reached the muscle, it fused in an unbreakable relationship
Baby, the sight of your eyes shatters the crystallization of the finest glass
And your voice pierces the night fog leaving a path for only you
The kindness of your heart poured into the rivers to feed oxygen to all of those who depended on it
Your body contains the same carbon that creates sparkling diamonds
The majority of the oxygen is the same element creating tornadoes, or when fused to hydrogen to make a hurricane
Do you see how powerful you are made?
Your soft lips are the same lips that can produce sound in an empty canyon
Your bones are the base of your embrace when you sweep me off my feet
That mind is the exact replica that discovered how to survive the times that were a bigger struggle than planned
Despite all of these acts, how simple or extravagant
You are the perfect arrangement of atoms that hold my hand when I am scared to carry on alone
And the same arrangement of atoms that pull me close and kiss my lips
One might say these actions, however small, have a stronger effect than any hurricane, or tornado, or diamond
For you are a creation devised of the purest and simplest elements in life
And you are completely mine
Laura Robin  Nov 2012
The Door
Laura Robin Nov 2012
this door exists,
stately and staunchly it stands,
disheartening and terrifying it remains.
the door is unlocked, yet cannot be opened,
for in it, a path in time...
one decision that can affect everything
[such as my choice to wear the necklace you adore,
which lead to you noticing me for the very first time,
or my idea to play you the song that you fell in love with,
which i can no longer listen to]
...for in this door, one path
is intimidatingly located.

every bone in my body,
every last muscle, tendon, ligament
each artery, each vein, each capillary
every single nerve,
even each microscopic cell,
implores me not to open this tempting door...

[it is almost as if my hand refuses to grasp the handle,
to unleash the unknown upon me,
the colossal chain of events that would ensue]

the immensity of the unfamiliar,
the unexplored,
tends to perturb me.
change is unnerving
and is almost as chilling
as an abandoned graveyard at midnight.

but i bring my mind back to the door,
yes! this preposterous door that i have contrived for myself.
why is the **** so easily turned?
why does it not put up somewhat of a fight,
at least jolt me suddenly,
as to frighten my curious heart?
it is a constant battle between my body
my mind
and my heart
as to which doors to open
and which ones to leave ever so steadfastly closed.
but never once has there been such a struggle
for them to reach an understanding.

somehow my heart,
[even though a fraction of me,
a fist, dripping in blood]
is prevailing for the moment.
my heart reaches for the handle,
attempts to unclose the door...
yet, with the best of its ability,
withstanding my strong-willed
and obstinate heart,
my powerful body and commanding mind
overcome this hostile takeover,
and the door remains shut.

it is my body,
my skillful mouth,
my soft, rose lips,
my elegant tongue,
and my vocal chords...
all of these pieces must
contrive the words,
conceive the change,
which will unveil the path that will forever alter us...

slowly, opening the door.

being as in love with you as i am,
i will not let you slip away from my arms right now.
but when we are not together
[i wish you’d have been there,
i needed you there
]
i stare at this humbling door.

if i wait too long, i’ll forever lose you;
for it is you who will make this choice for me,
opening your own door, fearless and dauntless.
Akemi  Apr 2017
Kill Yourself
Akemi Apr 2017
Barbiturate is one of the few drugs capable of killing you painlessly, so of course the state has banned it. Instead we get paracetamol, a ****** over-the-counter painkiller that leaves you in pain for up to five days while your liver and kidneys shut down. Suicide prevention is a ******* joke. Secular appropriations of Christian values that assume life is worthwhile, whether you desire it or not. It’s long been known that rates of suicide rose dramatically with the birth of modernity—techno-scientific paradise for the middle-class which stresses efficiency over existence. New forms of automation, the human body disciplined into repetitious acts, the partitioning of workspaces so that no single worker could operate the whole—so that any worker could be fired and replaced with the minimum amount of training necessary for capital to continue circulating. The body is individualised, scrutinised, and punished by rich kids playing panopticon, so that any mass agitation is coerced into silence through the threat of destitution.

Slitting your wrists barely succeeds and more likely than not leaves you with tendon and muscle damage. Catalytic converters in cars now convert carbon monoxide into harmless CO2 and H2O. Drowning is one of the most painful ways to die. You cannot escape. The state places helpline numbers around suicide spots to treat life after the fact, rather than at the source of suffering. Vocal band-aids, ****** ******* aphorisms that seek to revert you back into a happy state-serving commodity. Things will get better. Life is worth living. Think positive. Alienation is omnipresent. Neoliberal discourse requires you to be subservient to the greater system of capital and the easiest way towards this is the instilment of comfort, of pleasant nullity, the circumscription of emotional capacity and reflectivity. Suicidal thoughts are abnormal, because life is worth living. Eat your packaged food item and watch Netflix.

For a drop into water to be fatal, it has to be 250 feet. Try to aim for your head to maximise brain injury. The most prominent suicide spot around here has a drop of 100 feet. They cordoned it off anyway. Your life doesn’t belong to you. The first time I tried to suicide my mother asked ‘why would you do that?’ as if it was the dumbest thing in the world. The second time, the doctor looked at me in an exasperated manner and prescribed me lots of drugs. Geettt bettterrrr. Nobody cares about you, they simply want you to return to normal. Normality as in serving your parents, serving your friends, serving the state, and serving the market. Normality as in not questioning social norms and institutions. Normality as in get a stable job (i.e. compete against other workers in an exploitative, undemocratic system that values and inculcates self-serving desires), get married (preferably to someone of the opposite *** who is middle-class and imbibes European culture), get pregnant/get someone pregnant (but only once or twice, because anyone who has more children than that is backwards), invest in housing (those students and lower-class families need to learn how the world works; really, it’s a benefit to take their money), watch sports (to instil national pride in your children; no son, we didn’t colonise the Pacific Islands, keep watching the man with the wooden stick hit *****), eat out every week (preferably exotic restaurants), go see the world (preferably exotic locations, so you can be served by exotic people, take in exotic sights, then leave without considering where any of your money has gone to, whether any of it has reached the slums, whether the beach you lay on is accessible to the people living there, or whether it has been privatised by the tourist firm so that only rich tourists like yourself can lie on it), join a club (those capitalists were innocent, it was the indigenous folk that were making a ruckus over the new golf course; it’s not like we’ve been colonising their land and culture for the past three centuries), donate to charity (but never any charity desiring systemic change; that’s crazy), consume, always consume (keeps the economy going; why question the desire for infinite growth in a world with limited land, resources and markets?), replace your phone every year (those poor workers in Asia need our help), repeat to the point of nausea.

The most successful method to suicide is a shotgun to the head; high calibre, slug rounds. Of course, with all these methods, the chance of failing may leave you disfigured, paralysed, mentally disabled or physically crippled (spinal damage, broken limbs, failed organs), with no guarantee that your family, or even your state, will allow for euthanasia. After all, the popular discourse paints suicide as selfish—an irony, considering liberalism places the self first and society second. It is viewed as sinful regardless of context—deontologically detached from anomie, alienation, material deprivation, social pressures, psychological affectations, any cause or structure. Life is worth living. This ignores that the subject is situated in existence. The subject moves through existence to live. Life, then, is the totality of the subject’s interactions. It cannot be universalised into a single state or judgement that merges all subjectivities into a catch-all worthiness. Worth is dependent of the subject.

I don’t know why I’m writing this. Maybe I just want everyone to **** themselves, because the world is ****** and the majority of people are ******* it worse. Most people think being nice makes them good. They turn blind to the systems of oppression they partake in. A while ago my mother was asking if I’d heard about the mass suicides happening at Foxconn, the largest electronics manufacturer in the world. This year she showed me her new iPhone. I don’t ******* understand. I don’t understand how people can be outraged at humanity abuses, yet do ******* nothing to help or change their ways. Yes, market solutions are ******* ****, but these commodities are still coming from somewhere, and while capitalism is in place, our money is still flowing back. I don’t understand how people can be concerned about ecological issues, then pour dishwashing liquid down the sink every night, dissolving the gills, eyes, and organs of fish in rivers and oceans. I don’t understand a ******* thing. I feel physically sick most days. I can barely function outside of university, because engaging with real people, in real systems, just reminds me of how careless, worthless, and disgusting they are. When I first turned vegan, my dad simply said plants are living too. Well no ******* **** dad, why didn’t you ask me my reason for turning vegan, rather than simply repeating the dumb **** everyone else says? If you were stuck on a desert island. Well I’m ******* not. I’m stuck on this **** world filled with nice people who don’t give a **** about anything. I’m stuck every week walking the same roads, to the same university, where I become more and more distanced from reality through abstract philosophical theories that no one else cares about. I’m stuck walking through the supermarket every week, to purchase overpriced commodities produced by transnational corporations I don’t support, but nonetheless have to buy to survive. What alternatives I buy are mocked because it's so funny being ethical in our day and age. Because it’s so much more normal eating pies, and drinking beer, and treating women like objects, and affirming nationalistic sentiments of white supremacy, and making fun of ethnic minorities while they’re incarcerated, and beaten, and killed. All lives matter, the liberal conservatives cry out, while doing ******* nothing to help any cause. I don’t understand this world, and I have no desire to be in it if this is all there is.
N Paul Jun 2015
Introduction
There they stood; keeping silent company.
Yet of His face, wept searing electricity.

To the lovers of life*
Here they stand, keeping silent company.
No utterance dealt; yet clear in both their minds
A single, brilliant truth:

He longs for her with a savage delight.
And it cries from every fibre, exalting!
It is in the bearing of his eye;
Rifling through her tender flesh
In search of what he knows, from voices ages old, is there:
That her heart will beat for no other as it beats for him right now;
That in this moment, their Souls are bared
To each other’s glares- naked, and blemished, and cowering-
Yet his eyes remain fixed and sure:

And for this, she loves him.

For they have seen each other for the First of Times,
Truly! And as with many the Ancient Laws unfurled,
They stand aware, in lack of ever being taught,
Aware with every atom, every straining tendon tight
That their time's so very short.

And so they drink… wordless
To each other, to their youth, and to their bodies
Shining like never before in the noonday air
Garbed in cloth that snaps and furls around their waists.

They imbibe with electric eyes,
Eyes that are new born to this world of light
And come out screaming, living, and sensitive
For lack of ever being touched.
They revel in their new-found joy;
Pouring from Her figure,
Of Her sleek, supple waist and the arch of her back,
Bristling with delight,
Of His strong hands and easy smile,
That spoke of laughter scattered
Across countless campfires of summers past.

Their light does burn intense as any fire,
And when their brimming anticipation
Overspills its crimson chalice
The silence shall SHATTER.
To find peace again in each other's arms.
Fumbling in sweet darkness-

Of heavy lids, of earthy flesh,
With lips embraced...

In ravenous finality.
Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple

Tongues of dull, fat Cerebus
Who wheezes at the gate. Incapable
Of licking clean

The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell

Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora's scarves, I'm in a fright

One scarf will catch and anchor in the wheel.
Such yellow sullen smokes
Make their own element. They will not rise,

But trundle round the globe
Choking the aged and the meek,
The weak

Hothouse baby in its crib,
The ghastly orchid
Hanging its hanging garden in the air,

Devilish leopard!
Radiation turned it white
And killed it in an hour.

Greasing the bodies of adulterers
Like Hiroshima ash and eating in.
The sin. The sin.

Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher's kiss.

Three days. Three nights.
Lemon water, chicken
Water, water make me retch.

I am too pure for you or anyone.
Your body
Hurts me as the world hurts God. I am a lantern ----

My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive.

Does not my heat astound you. And my light.
All by myself I am a huge camellia
Glowing and coming and going, flush on flush.

I think I am going up,
I think I may rise ----
The beads of hot metal fly, and I, love, I

Am a pure acetylene
******
Attended by roses,

By kisses, by cherubim,
By whatever these pink things mean.
Not you, nor him.

Not him, nor him
(My selves dissolving, old ***** petticoats) ----
To Paradise.
Lucky Queue Nov 2012
In the dark of night, in the middle of a storm
A dish falls, shatters
A shriek tears the relative silence
Pale pink blood blossoms in the water
While rich red blood wells up in the hand
Tears falling like a blinding waterfall
Stabs and throbs of aching stinging searing pain
Blood and pain and tears fill the mind
A flash of white tissue beneath the torrents of red
Panting sobs and hyperventilation
Panicking as victim is rushed to the ER
Mother tries to comfort daughter with story of healed,
Previously lacerated toes
Two words blurted between gasps of pain: NOT HELPING
Arrive to an empty lobby, excepting a nurse and receptionist
Focus on nothing, only the hand
The possible tendon torn, the skin shredded, the blood spilt
Dishtowel now soaking red irony fluid instead of clear soapy
The story repeated 6, 7, 8 times
A nurse asks if I smoke or drink
A radiologist asks if there is any chance for pregnancy
And for a moment I am shocked out of my pain into pondering
The corruption of the modern generations,
Such that I am asked these questions
Any friend of mine would quickly tell that
No, I'm not that kind of teenager... but how many are?
Then I am whisked from the x-ray room
Off for stitches, they say my tendon is cut
That I need stitches
The fingers no longer gush, but that triviality is soon remedied
A doctor probes the wound for shards
Nurse flushes it clean with chlorohexadine
Both renew the flow
Doctor returns, stitches both fingers and chats away
Grand tally of five stitches, a splint, blankets of guaze,
And a roll of medical tape
Prescriptions for pain meds and antibiotics, both given
A scoffing glance, but instructions are followed
Forbidden from any activity with the right hand by my mother
I struggle even to write, simple chores soon a nuisance
First time the splint and stitches are gone,
Doctor number two declares my hand usable
First time the little finger bends, the half healed skin splits
So all for a plate, a hand was rendered more useless
Finally getting around to dealing with my hand injury... also very frustrated by how long it's taking to heal, so this became a bit of a rant...
Connor Reid Apr 2014
A duality of elan vital, two people
Spectres of emotion
Intertwined by a fuselage of bruised skin & tendon
Tissues become orbital, gushing towards grafts
Helixes of snot, **** and lymph
Boy & girl
As they embrace the animating principle and eachother, they fuse
A one piece tapestry adorned seamless with no hem, beginning or end
Always was, always is
Patiently turning to liquid as their being unzips
Lying figures of runny makeup and genetic *****
Quintessence, a texture of synaptic potential
Corpus Callosum
An entirety of self, lost in imbued disintegration
Theory of mind, looped & bound
I will water the thought
Roots envisaged in dystopian amygdala
Piercing data packets with a frost-like intensity
Forgetting our obsolescence moments ago
A neuron dipped in nylon
Theta waves and the non-euclidean crux of dissociation
Ghosts in the machine, your macro god
The sympathies of fractional distillation
Digitised/assimilated unto the nanosphere
Cold hands and brass backs galvanised in oscillated tears
Commodified, sold out and bought
Stretching, from purple, white and black
slowly losing its colour, amorphous in shape
brushed across a smudge, ambiguously chromatic
Monetised flesh god
An eternity bathed in starlight
Cutting an incision in the sky to allow entropy
Divided dimensions of energy
Fleeting and intangible
No longer a delirium of seperation
All semantics become light
As a rusted vehicle passes overhead
And all the worlds questions fade out of existence
Flutters of red tape and foregone growth of practice
Sinew flayed, integrated towards information
Our minds shared
In circuits and resistors
Photons and electrons
We radiate
Del Maximo  Nov 2012
TRINITY
Del Maximo Nov 2012
(3 persons in one Universe)

I.
retinas read with rods and cones
as eyes watch
but who sees?
fingertips discern with nerve endings
but whose ears feel fear of library lips?
noses detect an old factory
but who tastes the aroma of rice
cooking in the kitchen?
membranes entreat tympanic vibrations
but who hears the mischief of schoolyards,
playgrounds and wind chimes?
who smells the movement of white water
in blue skies?
who envies a feather’s flight
and a fire fly’s light?
who listens for the whip-poor-will’s cry
and the songs of ocean waves and seashells?
who longs for the softness of your flesh
and the sweet touch of your voice?
more than muscle and tendon,
tissue, bone and blood
every cell in my body reactive
in thoughtful, mindful ways
but who interprets it all?
who am I?
who is me?
who, who, who-whooo?


II.
in my mind I am the god
of existentialism
creator of my microcosm
winding my path my way
but the world is dichotomy
an intertwined double helix
circumstances and choices
road blocks and detours
trial and error
failure and success
life is navigation
community is whom I meet along the road
responsibility is self and selflessness
as a good Samaritan thinketh
I wish I had wisdom’s words
and action’s healing hands
but this god lacks omnipotence
although strength and peace reside in me
human limitations foment fear
paralyzed intentions defer goals
like everyone else
my calendar works out day to day
at times my frustrations mount in muted rage
echoing like distant rolling thunder
sometimes I’m a gentle rain
nourishing the earth
other times I... am...LIGHTNING


III.
some look to the earth for their roots
searching rhizomes for past generations
finding themselves made in the image
of wise bearded irises
I look to the stars twinkling my call name
I hear them in night’s silence
and marvel at the lessons they teach
the patience of their traveling light
the wisdom in keeping their place
in the scheme of constellations
and knowing when to turn with the seasons
their acceptance of northstar as center’s attention
secure in the sparkle of their individuality
hearsay says we are made of the same mettle
we are the substance of stars
I imagine myself in their history
a child of the universe
traversing the zodiac before I was me
but now in this life reaching up to night’s sky
the heavens remind me
although I’m but a speck in its vastness
a blink in time’s eye
I have a shine and brilliance
that is mine alone
© 2012
Please understand that this was not meant to be an exercise in "other voices".  Instead, this poem is meant to be a discussion on the 3 part nature of man (in this case, me).

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