Evergreen and ivory
Turquoise tears bleed ebony
Fuchsia trees bear violet cherries
Blood oranges,
Mushroom clouds and ashberries.
These are the thoughts that grace my mind
As I turn to leave
Garden gnomes and rose scraped knees
Faster now
Faster than before
Kiss me golden,
Less, then more
And tell me who I am.
Coteries and clandestine deals
Soft-sweet midnight chamomile
And indigo aspirations
Somber February celebrations
Anniversaries white and red
Blue and green and white and red
And can you keep a secret?
Black-tea memories always slap me sleepless
And I have never known quite exactly how I feel.
Clementines suspended in yellow lamplight
Cross it out to scarlet rewrite.
Beige mountains and Alaskan hills
Crescent moon and sawdust mills
Silver smiles on a benign boat
Blessed if I'm an allusion to a footnote.

Before you get lost in the unfinished maps of her veins
the ones like yours, but not stitched up too many times to count on the ticks of a clock,
make sure that she trusts you enough to tell the truth.
Make sure that she loves you enough to know how you lie.
Remember that every single time you open your mouth, she's wishing
you're saying I love you.
Remember that on Fridays she doesn't want to cook.
And she sure doesn't want you to cook anything that was slaughtered.
Remember that she prefers cheap whiskey over champagne.
And when you're opening your ribcage to show her how fast your heart beats
when she grabs your wrists, make sure the butterflies are set free.
Make sure they find the window.
Make sure they find a home.
Remember that every living creature is just that, living.
Remember that they have a heartbeat.
And when you stop breathing when you see her with her hair down,
when you're thinking about starting a religion about girls with flowers for eyes,
tell her she's beautiful.
Tell her she's so full of the future.
Get her a telescope so you can show her the moon when it's bigger than both your thumbs.
Take her skiing while it's Summer in Australia even though you curse the snow as if it
were born out of wedlock.
Let her know she's not the first but she's definitely the only, and you're so scared of dying.
You never know what you have until it's locked firmly in your grasp as if to not let it run away.
You might lose a lot of blood but you'll never lose your way home.
I don't want to hear the dial tone.
I want to hear your voice, I want to hear you scream.  Tell me to leave.
Tell me that I am the only road that leads you to a purpose.
That in a world of blindness I am so technicolour.
Even though I can't promise you that, I can give you my words, thrusted from my lungs
like wildfire.
Searching for the way out.
Talk to me about religion, please please convince me that there is something out there other than
rotting in the ground for all of eternity.
Bible scripture doesn't whisper of your lips like my pillows do.
I never really thought about pillow talk until they started speaking me to sleep.
I find myself found by the curvature of your spine, of the shadows that take up residence on your shoulders like they have lived there all along.
I want to kiss away every bit of pain that has ever stopped you from smiling at strangers
and let you know that I'm coming home and I will always find your hands.
Let your ribs shake when your heart has had enough.
Let them shake.
Let the rain come through your window while you're sitting there in your makeshift darkroom.
You are the only thing I know about consistency.
And before I get lost in the unfinished maps of your veins,
I will be making sure they lead to me.

pinecones are
childhood summers spent tripping over the syllables of dense forests
folded somewhere between real world Europe and my very real imagination,
nestled against each other on bookshelves made of pinewood -
a childhood game of hide and go seek pressed in photo albums
where a version of me lived;
a version of me who delighted my mother and father,
a version who to me remains a stranger -
smiling gap toothed, shoes in snow boots,
sticky fingers pressing pine cones against her nose -

the present, a fragrance;
the future, a rolling pine forest.

pinecones are what the years between 17 and 19 felt like
in perennial wanderlust,
soul spliced into shards trying to make sense of
everything I felt and everything I thought;
everything I needed and everything I still want.
pine cones perfume the edges of a dream
dipped in the streams and stories of far-off lands,
pine cones are the crutches of a crippled mind
still building a new home for itself
in the basements of other people’s hearts.

pinecones are
platforms which I danced from,
leaping limber, slaying fear, the win always near;
pine cones are a reminder that while
a man can break his shoulder trying to tear one from the tree,
the true mark of bravery lies in how well you can break free.

pine cones are
the skeletons upon which hang the colourless drapes of my future
before stepping into galactic puddles that splash colour
all over every unmade plan,
memories’ strands shining technicolour through translucent skin -
the touch of your fingers no longer feel like sins.

pine cones are young green and supple,
seeds of love lust and chance encounters
that blaze into fiery shades of yellows and oranges,
every colour turning a tinge darker, a daily time marker;
pine cones are what remain, dark and unyielding
after a lifecycle of fires starting
and dying
within the embers of consciousness.

You can call the kettle black
Have a yellow streak
And be tickled pink
Turn up out of the blue
Or feel it.
You can become green with envy
And red with rage.
And dream in technicolour.
They can change but they never disappear, because
without colour.

What would be left?