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Shofi Ahmed Jul 2018
On the edge, the living earth
dared to mimic Queen Fathima's worth,
The Queen of Heaven's grace and poise,
Her footsteps, a blessed path of choice.
This way bedewed with divine light,
A numinous destination of sight,
Graced by thousands of prophets of God,
the hallowed, mirror-polished sod -
The ultimate path that all should tread,
Closing endless pi's transcended thread,
Leading to perfection's true embrace,
The loving cosmos' eternal glue, circling grace.

In the name of Allah the Most Gracious,
the Most High, the One and only One, she descended,
On the Night of Ascension, her path transcended.
From the Night of Measures, she came,
Her frame, heaven's dark matter, a mystery untamed.
A divine dot in terra incognita,
A fondly-folded bud where time doth bloom.
If one can see up to where it rose,
Paradise sways towards this uncharted way
The only guide, oft is a glimpse of Queen Fathima's eye!

The only asymmetrical golden ratio,
Steps forth amidst the symmetrical prophet flock.
The earth makes way for her in awe,
In sequence she moves with the golden lock.
Cloaked in mystery, she reveals
Her unique, divine relation to the divine.
Makes measured moves at the forefront,
Shining the light ever drawing closure to God.

She is so pretty and classy, the paragon of art,
The sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
She is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great flock of women mirrors the earth,
Following each atom on that angled girth,
Aligned perfectly under the waxing full moon's worth.
Lo, they approach the behemoth's might,
Atoms beneath their skin explode in their finest sway,
And beneath Fathima's feet, vibrations take flight.

'Nature' is a feminine she—a gradual revelation indeed,
of the ultimate paragon—Paradise, never to cease.
Here’n hereafter, eyes on the masterstroke:
Queen Fathima at the peak!

The ocean billows up, floating with the clouds,
like choreographed dewdrops, low on the rose—
ready to shower that blessed spot with honey-drops.

Even the Moon on the horizon follows suit—
ah, the lunar punter rows, sipping the dew like fruit.
Sleeping beauty awakes in the moonlit night,
silver dancing in her eyes, stars burning bright.

The Moon sails down from its celestial height;
The seven seas hum in the cosmos' dark,
Exuberant fireflies pulsing with a starlit spark—
An ultimate sublunary craft,
Gently steering on heaven's path.
Tiny tricksters rock the moonlit boat,
Swaying soft toward that sweet drop afloat.

Poetry in motion, the sea on the ground—
beauty reflected in the Moon’s soft crown.
Storylines leap and dance all around,
painting the winds in colours unbound.
Over the grove, the rhythm rolls on,
raining from heaven on that sweet spot—
singing the sweetest of all title songs.

Never was there a woman—a prophet of God—
but for the primitive woman, the leading lady,
the sharpest cut, above the rest—
she leads the pack, outshines the test.
Sayeedatun Nessa, Queen Fathima.
No secrets Heaven holds—only an open mirror.

The secret is: Fathima touched the bottom of the Earth first,
raising the foundation—building man’s first house to last.
In her elements—pure, motherly, universal,
and uniquely one—lived an otherworldly love.
Womankind scores that only by entering paradise.

“There is no night, only déjà vu moonlight.
The pious homemakers, these veiled tuberoses,
were hidden gems to the sublunary fireflies—
soon to become open moons in heaven’s secret skies.”

The Huris—seventy or more in a mesmerizing array—
draped in splendor, formed of light, timeless in display.
But still, their gaze is drawn in awe, not envy or ploy,
to the one real McCoy:
the small Earth’s women in paradise.

The universe debuts a primitive water dew.
Fathima drops in it her duo of hairs—
lovingly raises a tearful Earth into her velvet lock—
the perfect circle, at the ever-evolving Earth's core,
the only otherworldly matter, there's no more!

All things that ever float on the ocean of creation vanish soon,
but this Earth—the cosmos’ deep mind—is still a bloomer,
lodged on a tangent of the Queen’s otherworldly lock.
It’s her perfectly knotted perfect circle—its science.
She moved the needle at the beauty spot—
enduring art in its subtlest form.
Imparted nature the limitless cutting edge,
so it learns her hardcoded limit—locked in golden ratio knot.
But the breakthrough isn't a far cry with Fathima’s pi;
her infinite sweet escape is tucked away!

Fathima keeps nature in the loop—
a stroke of Allah SWT’s divine AI,
its neurons in deep learning, pre-designed with sacred data,
outpouring through the Output Layer: predictions, futures—
each returning to the past,
to a moment before moments,
when there was only one:
a purposeful, intelligent design.

Boom! Absolutely pure—the Big Bang follows.

Lo! The elementary, pristine water interacts
with Fathima's otherworldly deep black lock.
Now, innate dark energy ignites the bud in bloom.
Nature cracks the first light—grabs the paintbrush.

The rose smiles on Earth, the sun on sky—
building ever more,
treasuring the lucky lock in Earth’s core.

Chorus of the First Dawn
(sung by the nightingales and birds of the first universe)

Before time ticked, before stars sang—
there was water, still and unseen.
Not chaos, but calm. Not void, but waiting.
The origin was not random.
It was her.

Fathima—Allah SWT’s masterstroke,
the paragon form of nature itself.
She did not follow creation.
She caused it.

With a drop of her otherworldly chiaroscuro,
dark energy stirred,
and the universe—
burst into being.

The Queen’s first impression hooks on—
the motionless Earth, in dew, makes the first move.
A polished golden spiral blooms, expanding ever more.
The last thing the sun can’t do: look away.
After the Big Bang—big fireworks—still: Ratqan, a black mole,
thicker than the black moon, gravitates the cosmos!

Walking in the dark ahead of the sun and moonlight,
one step up that shadowed path the Queen cemented on,
perfectly—circle pi-locks—the Earth takes a Ma pause.
Until, God willing, Fathima’s locks finally bottom in,
the long haul of time squeezing out paradise upside—for good.
The heavenly Queen shines the light at the secret end of God.

The planetary ebb and flow move toward heaven—
planet Earth, the only steppingstone.
No matter how many times they try,
there will always be an unturned stone—
until the one, the original woman,
Queen Fathima, steps on.

Dots connect in her presence.
The nadir and the zenith perfectly intersect—
once and for all, mingling in her perfect circle,
without a single gap in the whole.
A pure Scientia scenario:
As above, so below.

Where the Queen stands,
heaven will open its grand door.
No more reverse engineering the original—
God willing, Fathima will step
on the last turned stone.

From the one, the greatest woman,
paradise begins—
from beneath the mother’s foot.
Scott M Reamer Apr 2013
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You are what your reading lady. Now would you hold this gun?
BLESSED be this place,
More blessed still this tower;
A ******, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages --
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
HaIf dead at the top.
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the
sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers
he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my
ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke
have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had
dragged him down into mankind,
Goldsmith deliberately sipping at the honey-*** of his
mind,
And haughtier-headed Burke that proved the State a
tree,
That this unconquerable labyrinth of the birds, cen-
tury after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a
dream,
That this pragmatical, preposterous pig of a world, its
farrow that so solid seem,
Must vanish on the instant if the mind but change its
theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnani-
mity of its own desire;
Everything that is not God consumed with intellectual
fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.

IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
Robin Carretti Jul 2018
The numerals II Sir I to another
alphabet
ABC* confession
DEF feared_***
My bowl spilled my
heart soup

Have Merci Beau-coup
The S was left alone my survival
Do you love my eyes primal
He points widely- tribal his
marriage finger my editorial
Be kinder strawberry sugar high
Do you want me to bite down
on my wafers
-I for the Ivy League his polo loafers

He's my (Lifesavers)
The bow and arrow I met my
dark sparrow what a rainbow
So intrigued my mystery arrival

Why on earth do you want me down?

To focus staying upright but kinda
Tight-Net gown

I am not a falling we have eyes
The face to face prize to be eyed
The Carribean
That Native American
Johnny Depp
When I make my first movie wish

The pirate birdseye rash
Al Dente ziti  Eggplant Parmigiana
The headless horse Dante always neighs
kills me on
Valentine day hearts lucky horseshoe

Eyes have frozen bird's eye
They thought I was
the sweet pea
He knocked me off
My Twitter tweets
  
I am the writer don't flood
My words everything is shaking
This is the Godly earth

So confused we feel-tightly squeezed
The earthquake head over heels down to our knees

She is sipping her tears down
In her chamomile tea thumbs up
The world is evaporating
like the dead sea
Bring everything alive I am
counting to 1*2*3*4*5

Down to my last words
I'm staying alive my life is more than
A Saturday Night Fever
But feeling down to my sunrise
Your heart deeply graved
I will betcha life has
more downs downward

Even when you wake -up upward

No way out of expensive
price tags we need to save
The give or take to remake
We need to finish not at
the end of the line

Where we were left off
Whats yours is mine

Sometimes you think
you are down
But life has you
well planted

To say I do
With his mind enchanted
Let me go up---++

The spirit is a complicated thing
I got wits to carry on anything

I need more guts
Now Bill said I do
Oh! No love me to please
me as I do

My Bill is always waiting
at the upside down table
Like the will-hunting
For God sake who is on first
Going up with the bucket list
Feeling down to adore me
You're going down Oh! Christ
Don't push my buttons
the elevator
I saw your Realtor
going to
The Skyline Hilton

I-O-U trillion hearts that were
down and wasted

Falling eyelashes no surprise
That stock exchange stars fault

Money lip up and honey
eyes down
Do you want this in singing
or shall we both go down
drowning

I'm going to wash that
man right out
? And sent him on
the way he's gone
The brainwashing Scientology
misery loves religious company
Like Humpty dump me
His "snoop dog so sad eating
like Pig whistle steak
Peeping Tom sales week
Anthony Perkins down to seek

The sprinkler shower
Hitchcock scene French Tickler
At Tiffany's Audrey
breakfast jewels Ruby
Hanky Panky pancakes

Like the Amazon in Prime
With fruit slashed smile
Love to love you baby at
Perkins eggs are dreamy
The shoot of ringlets hair screaming
Niagara fall and action roll fall down

You're a shade too hurtful
The red-brown chair or orange perk me
up the crown the Gala gown me

Life is so unkind why
do people smile
Going in and out the door
The rush the high like you could
mop her curls up but your hand down

Feeling inside the apple of the core

The teapot all fenced in pretending
The downspout- you're up-sprout
He's the roundabout -handle
A stranger is routing someone
is always cursing
You're going down

The game sports ball out
And your always looking
down at me when you
talk me out

Like a ring fight
falling black eye
Where is our coffee down
to nothing, she got a pink eye

Her words spilled over
upside down
pineapple printed dress

Having a breakdown
Do you want me down
I am the New York City girl
A clap of party hands
Uptown

A figure of speech when you get
lonely go downtown
To my number
address 13
what a lowdown
In the Wizard of Oz,
the  cowardly lion
crashed the window
My only lip Solo so low

My computer froze my red
rose wilted
I couldn't bring my smile
back to suit you

They were jumping for joy
Do you really want to
love a tomboy
Almond eyes of candy
Grease me down
Sandy
My pretty pink illegally
Blonde pill
Google on down with Bill

Joining the falling down crowd
But no one had a clue my face was
falling down all-stars feeling blue
When we're down and about or feeling all over the place the roundabout we cannot get over something that we go more down and down but be pulling our weight going up but who will fill our heart when you just about had enough
Ugo Apr 2012
Dedicated to stillborn fetuses, 99 cent Malt Liquor and Existentialism
1.
Nymphomaniac tree huggers
And overweight bisexual vegetarians
Swallowing phentermine poison to stay fit.

2.
Funky fresh *******  
throwing pigs at St. Augustine’s pear tree
and frolicking abortions over Moloch’s philoprogenitiveness,

3.
While sipping barbecue sauce dipped in Lipton tea,
dancing around adhesive bonfires
reciting memories of holocaust, the Kristallnacht nights
and beautiful words suffered by ancestors lost.

4.
Inhale chicken noodle soup, with a side of Lithium,
And prance to Literacy class to combat envisionment
With free association conceptual constructions,

5.
Computerized like Prometheus’ fire burning through SmartBoards
In classrooms where the poison of heterosexual history
Is fed to boys in skirts cursed by Adam’s apple,

6.
Baptized by social norms and locked away in hopeless closets
According to the Tautology of Leviticus…
until they cut their breath by the vein of soteriology;

7.
Misunderstanding of God’s words
Covets the innocent to early graves
In biblical paratactic irony…like God betting Satan for a Job.

8.
Rub fried chicken oil on Bartholomaeus Anglicus’ skin
and soil his white pride with ***** flavor,
for revenge  On the Properties of Things

9.
and howl out in glory of victory
over totes of  lickerish piper methysticum blunts
that beg the conundrum,
'What is the origin of this world?'
'Ether,' he replied.
But it is not ether!
Nor Datta. Dayadhvam. Damyata.
It is Dada. Dada. Dada!
  10.
For this is a record of the life stories of the greatest minds and geniuses of your generation,
written in boys and girls
who mimicked Basquiat’s genius and tagged bathroom walls with abstract philosophies like “Love is a prime number” and “ the weight of Duncan McDougall’s soul can only be found on the 15th of October”
who drank vampirish gulps of Vicodin while consoling themselves with aphorisms such as: “don’t rue the misses, you don’t need a Mrs. when you’re elevated by chemical kisses”
11.
Who stood naked in mirrors, weeping, for they were a mystery to themselves, but a great talent and soon to be legend to some.
Who lit cannabis in loneliness and waltzed naked with their ghosts, fantasizing about ****** tomatoes and Corpus Christi Mexican Jazz.
Who composed psychedelic anthems from dreams that were lost in ghettoes where virginities were lost for loaves of bread, for the hunger of bread.
12.
Who wrote suicide notes on a toilet seat, contemplating the texture of Marshall Mathers’ favorite underwear and whether the color green was an invention of **** Germany.
Who used to love their lovers in darkness and colored the streets of Manhattan with rainbows on June 24, 2011 to mark the date lady liberty finally bought a new pair of glasses.
13.
Who lost musical talents to a Wine-house and ended up in a whine-house where lobotomy was subsequently prescribed by the milligram.
Who indulged in pharmaceutical vices and when asked why replied simply, every recursively enumerable set is Diophantine.
Who diagnosed themselves with “start ****-itis” and self medicated by eating Fifinellas at the stroke of each midnight.
Who rubbed paraprosdokians on their skin and occupied Wall Street in search of a new euphemism for being American.
Who poured Alkalizer on a dead moose and kicked it while feasting on the divine question, “why does Rice play Texas?”
14.
who got bored with conventional relationships and bought the Origin of the World on street corners from vixens nicknamed “Jezebel” and climaxed atop of them screaming  “I’m in Babylon, the great Mother of ******!”
Who attempted suicides upon suicides upon suicides, in Oakland, until they were shipped away to private catholic universities in Rhode Island, where the history of Colossus was being taught.
15.
who serenaded love interests with four letter curse words at open bars where Kubla Khan was read and Tartars kings were licked all over like holy communion *****.
Who drove home with the spirits of wine and crashed on telephone poles where their obituaries were written in their prime, leaving their mothers weeping and calling congress to reconsider Prohibition.
16.
Who mixed Redbull with Propofol and drank the juxtaposition galore only to be woken up the next morning dead in their sleep.
Who tattooed rat poison packages with goodwill messages such as “****** divided by Water =6th day of creation” or “Seroquel + Brett Favre = St. Patrick”,
who went speedballing with Basquiat during autoscopy and woke up wondering the cost of Nautilus in Albuquerque.
17.
who took 33 hallelujah 1800 tequila jello shots and daydreamed about laying on Mithras’ grave, yelling, beetlejuice, beetlejuice…beetlejuice.
who found the truths of the Bible invalid by the miscalculation of Pi in 1 Kings 7, verse 3, and mailed death on anthrax letters to Reagan in protest.
18.
who sat empty bellied at breakfast tables wondering the temperature of satellites at Lagrangian points,  only to soon catch fire in their tongues and speak Labyrinth soliloquies that ended in
19.
Zion,
Where Google knows every answer.
In Zion
Where the youth, tomorrow’s future, quote a ***** named Hova better than they can quote Jehovah.
In Zion
Where *******’s art was used as weapon during the Cold war.
20.
In Zion
Where sartorial geniuses where no pants,
In Zion
Where David Kato Kisule is the secret hero of these words, for he was taken at a time
In Zion
Where we were supposed to be our ancestor’s sci-fi.

21.
In Zion,
Where the youth bear the scarlet letter X for they are a problem to tradition and hold no definition for the future, for they have discovered
In Zion
That the origin of this world is in their living eyes, and not in the dictionary of their ancestors who lived
In Zion
when the epitome of the literature of life ended in Revelation of Amen and Shantih shantih shantih;
this is a record of the greatest minds and geniuses there ever was, written
in Zion
where the meaninglessness and nothingness of Dada reigns, and the trinity of life now lives in the Subject, subjective and subjectivity.
http://www.amazon.com/OLAF-Nothing-Above-Fiction-ebook/dp/B009XZ9OVY/ref=sr_1_1?ie=UTF8&qid;=1353822133&sr;=8-1&keywords;=olaf+last+king+of+nothing
Harly Coward Oct 2014
Bundled up in my big blue blanket,
Holding my heavenly hot cocoa,
Simmering as I'm sipping,
Nibbling on my noodles,

I gaze out the window,
Rain, rain, rain,
Grey clouds canvassing the sky,
Water falling creating rivers in the street,

The only thing I vow to accomplish today at all
Is finish season seven of Supernatural.
IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a
M Seifert M  Mar 2013
I ____ You
M Seifert M Mar 2013
I want you
I want someone to want me
but
you don't want me

please want me

don't!
I'm broken
you don't want a leaky faucet
that
self repairs
with duct tape and silly putty

I'll recite you the backs of cereal boxes
and
throw away the locks on the doors of our common places
I'll keep a smile on mine if your face feels too tired from the weight of what your mind is speaking out your eyes

Everything.
Every string
that hangs off of well worn sweaters
snags on finger nails and pealing calluses.

I'll draw the curtains
if
and ONLY
IF
you first admit that you
are
BEAUTIFUL.
and i know it.

Your doubt should drown.
We'll drink it down.
Sipping wine only to set the scene
because
WE
already ditched our inhibitions
and
we decided that what was best for each other was to feeds each other's needs with the other's body.

This letter.
This note.
To you.
The long lost women of my dreams
the shape shifting goddess
who floats freely through the open windows of my memories.
Will this be enough to summon spirits to lift me to your level without being beaten to life by a trigger happy judge's gavel?

I built my prison to your specifications.
The measurements may be off
but
the bed...
The bed is warm
and cozy.
And
it fills my heart to see your cheeks turn that rosy
rosy red
that same
rosy red
that fills my heart
and
flows through yours.
Kept inside
but
peaking out in moments of vulnerability.
Shed your false
heavy
layers of security
toss them in the water and...

Flush skin of lips and finger tips
other places where my mind can only wander
wondering where in the world we will
meet again.

It's half past ten or some other hour,
I don't know and you don't mind
because
we're alive!
and our heart beats will set the pace
keeping time in place.

THE STORM IS LOUD
MY VOICE
is softer
now...

Okay--

Alright--

*
I'll give you your space{













But
YOU
BETTER FLY.
And NO MATTER HOW HIGH
NOW IS YOUR CHANCE TO SHOW
to TRULY KNOW the color of your wings.

And
I'll continue singing
because
someone else may be listening.
And
although these tears won't quench my thirst
I'm learning more about myself through my time searching
through my ***** laundry:
Bags of rags
and forgotten junior high and high school notebooks.

Failed jokes took to heart
the stinging silence of laughter kept inside.

Broken funny bones
NUMBED by repetition [repetition]
DUMBED down
COMFORTABLE BEING SUBMISSIVE

Well, I'm not sorry
NOT SORRY
to tell you
this mouse
whose mouth you shut is now stirring

Stirring the ***
Kept at temperature
All the right spices and slices and dices to enlighten you as to what the taste of life is.
.............................................................­.................................................
Please sit, here is your chair.
I love what you've done with your hair!
let me know if you would like seconds
but
that depends on if you brought your appetite.
I know I'M Hungary [hungry]
but
I won't slurp my soup if it offends you.

We'll take it slow
because
I know that
I still don't know you that well yet.
And I think we both could cool it down on the unnecessary judgement.
I'd really like to know you well, so I won't try to sell you anything that you're not buying.
And call me out if you think I'm lying, but I promise to be as honest as you want.

But it's a two way street
and I know you're probably tired from running down it so long
in which case I would gladly rub your feet
or your shoulders if you'd like to be a bit more discrete.

However, it still may be too soon for that
in which case I'll take a couple steps back.

Do you like music?
How bout dancing?
It doesn't have to be romantic
I just enjoy the feeling when I'm moving to the rhythm in time with other bodies.

Does you mind maybe feel clearer now that your body's moving free
or
are you holding back because you falsely feel that you lack the ability to let the music move

Your soul's of you feet.

Let go
and hold on to me.
I won't let you fall unless you're ready
but I'll catch you
please don't worry.

We are free
here.

Let's just be
here.

Forget fear
and see where that takes us
in a year.

Or more
Or less
Or until you decide
that your dress
is not
the most comfortable thing
you
could be wearing...

I'm just glad we can share the same air
and not care that our hair's getting messy.

But...
This...
is the best I've felt.

In a loooong while...

Spinning out of control
Lying
With you here next to me.
Shofi Ahmed Jan 2020
(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
Reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

The matter at even or at odd the vibration within is fluid
somewhere is parched there the arch matter must make a splash.
Far away on a dark beach, the sea of the matters goes all in all
the most glowed up physical firefly rises deep from the bottom
pouring billowy potions the moon roams at the the front!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!
A presence
presenting
a continuous torment
torturing
incessantly
until, even with cessation
only a tenuous self
is present
leaving only the resin

The maniacal
manifestation
is an infestation
festering around in my head
Its existence,
a creation
created at inception,
hacking my brain
Forever a trap
creating a
maniac

Acrimonious
to all mankind
Not acting
like a man
Not one word
that's kind
Committing crimes
and getting oneself
committed
A deviation
creating a deviant
Shifted values
due to a devalued
self

An esoteric
essence
seemingly sentenced
on this journey
by judge and jury,
not by one's peers
because the many
not able
to peer
into this individuality
The duplicity
of duality
that is my reality

Challenging myself
to a dual
One in which
I both
win and lose
But in the end
not breaking even
or coming out ahead
Always ending
further back
instead

Its back breaking
and always aching
Pain from which
not capable of
faking
Effort I’m taking
Of myself making
Time for a new king
For kinsmanship
is aloof
And this man’s ship
has sailed away
Sipping a port
at a shipping port
And yet
slipping away

Deeper still
In the depth
of still water
Sinking
into the abyss
Lost and gone
But not missed
Is this the end
of our fable?
Or will our “hero”
enable himself
and in the end
be able
Deciding who to be?
Cain or Abel?
For the hurricane
is hurrying along
Its aim always the same
Constant pain
A payment he feels
for the displaced
placement
which just in case
is placed
same place
he went

Ink in the face
A disgrace
When suddenly
encased in his brain
are racing thoughts
of a plan
he’s ace’n

A label of insanity
given by those
who claim sanity
when the reality
is their thoughts are free
and optimize
a sanitized
and homogenized
batter
And in the end
it doesn’t matter

Offering suggestions
in which they
feel threatened
Pathways congested
and protested
Testing them
Even worse,
bested
A problem beset
upon them
Time to steady
the flock
Roll n’ Rock
Inoculations we’re getting
Start the injections

“It’s been an honor”
Mounting my Lipizzaner
A disarmer
A charmer
The armor
‘mi amor’
Leaving me
wanting more
But as they keep score
the task is daunting
A life that’s haunting
with such splendid decor
-
Yet, can’t take any more
Their taunting
is leaving me sore
So to the atmosphere
I open that door
and flying up above
I soar

Forever more
Feel pain no more...
Written: August 17, 2018

All rights reserved.
Katie Biesiada Apr 2014
I am an introvert.
Or so they say.
But I don’t know why they say half the things they do anyway…
What is an introvert?
Someone who enjoys the quiet
Page turns of a good book?
Someone who enjoys the
Euphoria of sipping tea?
Someone who prefers yoga
Basked in the candle-light glow
Over a mind full of mary jane?
Why yes, then,
I am an introvert…
…drowning in my own solitude
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