I have been redrawn
My old rendition replaced
With bright new colors and shades

Beneath the veneer
Traces and rough outlines
My foundation sketched in time

The graphite, my blood
It was poured onto the page
Many times it was erased

Unsure who I was
Sketched again and again
Eraser shavings of shame

I was blind to see
These sketches were exactly
who I needed to be

Before I could paint
I needed a rough outline
Before I could find my place

And when I did
The shame was swept away
The brush swiftly hit the page

No longer a sketch
But a beautiful display
Of bright new colors and shades

I have been redrawn
My old rendition replaced
By a colorful bouquet
And there’s still room for change

EVERY LITTLE FISH CAN SWIM

1893
saw the beginning of me.

I was born
in a railway carriage

between somewhere
and somewhere else

in an Europe that
would change with the map

the lines redrawn
by War

some unpronouncable
European nowhere.

A barrel *****
was playing a tune that

would soon be forgotten
on the station platform

when Mamma and I
arrived

at our final destination
the train breathing like a dragon.

Its whistle
cutting through time.

Later I would remember
a little wooden acorn

at the end of a string on the blind
tapping against the window

as if it were admonishing
the dawn demanding

entrance to
the room when I was three and

pulling the blind up and then
pulling the blind down.

"Shadow people"
thrown against the wall

would not survive
a morning.

All night they chattered
amongst themselves

prowling the room
that was holding me.

Debating whether to
eat me now or later.

"Beings" merely made from
the edge of a wardrobe or

a chest of drawers
the brass **** at the end of

my bed where clothes
thrown over a chair

made them come alive
I believe

in them until
I was nearly seven.

Too scared to ***
in the porcelain ***

wetting the bed
to the anger of Mama.

And now 1963
will more than likely see

the end of me
as I am

and the mind
that created who I was

offers me these
fragments of insignificance

that amount
to being a life.

I laugh as Noël  
Coward warbles

in his shellac'd world
forever singing

"But I can't do anything at all
but just love you!"

The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death.

Open sky annulled
to bordered lines of
uptown edges,
worldview momentarily
forcibly redefined by
memories of buildings and sadder days,
recollections of pillars of biblical smoke rising

A photograph
makes me look up,
and sit down historically,
need to catch a breath,
to rest mentally,
upon a storied small bridge's steps,
that I well recall,
a disappeared street stoop.
all were rubble then and once
upon that day.

Wear, tear, and older eyes distill perspective,
but the hardy heart is hardly stilled
by the recognizable gray upon
bon vivant gray reflective surfaces of
memories of buildings and sadder days

So today, on a reborn street,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn, but
nonetheless, always rebuilt from their own
regenerated stony compost,
and the NY passersby doesn't even notice
a man, head in hands,
silently weeping, thinking that:

We throw away so much we should have kept.
We keep so much we should have thrown away.

Lose keepsakes, but keep our mysterious sadnesses
locked away in compartments that open only to
benedictions uttered in ancient tongues.

Make your own list,
be your own curator,
catalogue visions of sophomoric triumphs,
museum mile pile
those early poetic drafts,
be unafraid of memories
raw and ungentrified,
overlaid, buried underneath
postmortem of dust-piles of senior critiques

Finally went downtown to see
where the blessed water falls
into catacomb pits that once
were the foundations
of buildings that ruled the cityscape,
downtown anchors
for a modern city that exists
only because it was built on
million year old granite bedrock

Stone monuments are stolid, discrete.
Memories are of grayed, frayed edge consistency.
Negatives resurrected that survive digitally,
all blend synthetically, layer upon layer,
essence distilled in a single,
black and white photograph
that serves to
disturb complacency,  
awaken stilled pain,
reflections suppressed,
are restored

I the poet
We the poet
He/She/They the poet
Will never be worthy of the poem
But allow me this as confession:
The fire that cleanses and the filth that remains
Yes - I have heard the sphinx preach friction to the dumb and the wise alike hoping to spark some understanding, dialogue, meaning,
Anything to feel connected,
Complacency as a concept is destroyed the moment you think about it
and the great tragedy plays itself on repeat ad nausea to the audience who are only still listening to get their money's worth
Yes- I have left several pints of blood and the better part of my sanity in the streets of cities with no conscience to speak of and I have been unaware of the gravity of my situation till now
Two decades of suicide played out in impermanent scenes of a purgatory I could only dream about once and am now the crowned jewel of
The ****** come, the falling action begun,
And I thought I heard the cavalry coming tonight but it was not for me
Red and blue lights reflect off of welcome signs,
Hands raised yielding into the air so as to avoid presumed suspicion,
And I get the feeling that any moment
Fire will catch,
lightning will strike,
The gunshots on the block will pierce the walls of Heaven,
Neon reality will light up a sign that reads
"EXIT HERE"
And the faithful will follow as they have always done
Yes - I have read the writing that would render my delusions obsolete but I cannot communicate with the demons in my skin, the devils in my blood, the cancers in my lungs, the rope double knotted round my neck that I'm sure will be called a halo when I'm gone
We are far past that now
The fate was always empty and the choice predetermined
But at least we know the score
And we know who our enemies are
The machine, humming static life into callous evening as the heart yearns for one last fix, and I wonder how much longer we can keep up the joke
Existence confined to the space between parallel lines -
From the altar to the ashes,
From the drug deal to the wake,
From the unknown back into the unknown,
Reality is all you can see down the barrel of a gun and it is your civic duty to pull the trigger
Let the world go supernova and remind everyone they're alive!
Alive! The psych ward prophets spoke sense to me in electric dreams! The martyrs monetized their own demise! The drifters smoke a pack a day and refuse to call their families! The junkies pressed the plungers on their salvation and are rushing to greet the stars head on as we speak!
The revolutionaries lost their keys and had to *** a ride home from the enemy!
The artists couldn't make any ******* sense of any of it!
Alive! Judgement at last!
Judgement the victory!
Judgement the cataclysm!
They'll wear flowers in their hair with clenched daydreams between their teeth as they count the footprints in the sand wondering which ones belong to Jesus!
Magnificent ****** *******!
Unrepentant bleeding heart liberal!
And I hate to ask but I need to know,
Will the concrete steps where I've lain my burdens all this time, my gypsy blood and nicotine cursed lungs, carry me to Judgement?
Judgement - Safer Than Heaven
Judgement - Safer Than Heaven
Judgement the Beast come round at last!
Judgement the circle redrawn!
Judgement the cycle reached final act!
Now start over

XXI. The World
As it was, again

He's been through this before
Writer's block
No, not that
But the feeling of it
Applied to life
As a whole

All's dank near the dream
The dream
That which we all have
Dreams of our lives
Dreams of our lies
As we abandon all good and evil
In our search for stability

What we seek
shining nameless
walking out of the world
we chase it
visualize it
black on glowing grey
the green light deferred for a grey one

It walks, then runs.

From these dreams
the witness
turns aside
constantly
throughout his life

the witness runs
the distance grows
the impossibility is perceptible
We know what is happening
We are all witnesses
yet we do not know the solution
so we watch on
the arid climate of our world scorched by our own infallibility
our race
the one we share as inhabitants of this earth
the one drawn as a cartoon image of itself
drawn in its own image
redrawn, modernized

The traveller waits on the shores of our beach
He beckons to the shadows in the distance
He calls out, warmly
like a father to his son
He calls once more
He calls no more
The traveller waits

I wish to call out to the traveller
I wish to exclaim
'disguise not your battered soul'
I wish to comfort
But I cannot
I am in the distance
My limbs will not carry me in that direction

I am in the distance
amongst a flock of martyred guns

in our digital world, a blank text box is a blank page.
we need not think about what we will write
we need not think.
yet we are human.

subtle distortion
cloudy perception
hazy apprehension
figment of the imagination
fragmented realities
redrawn by consciousness
staged fantasies
drowned by emotions
reality slipping
deteriorating
bit by bit, darkening
details unraveling
slowly spiraling
a world in the making
eyes affixed
a world rendered
by a troubled mind
delusions unfold
illusions, manifold
ecstatic visions
tangible realities
world full of mysteries
crafted by miseries

and then there is me
left to wander
in a new world
that i crafted
that i masterminded
i know it is
not real
i keep telling myself
nothing's real
i keep persuading myself
it's not real
snap out of it
get out of there
before it's too late
wake up from the trance
but for once
it felt so real
so so real
just to let it all go

scupper the dawn
   with curtains   redrawn
a self made mourning

Your hand brushed over mine, I blushed a bit,
Smiling, you curled your fingers between mine,
Dare I say that you were a blessing? Devine,
doesn't even begin to describe it,
if love bugs exist it's clear i've been bit
My soul grows weary as I write this line
I'm not going to pretend that I'm fine
You ripped me apart, turned my life to ****,
I try to pretend but I've been redrawn.
Breaking away from my old habits is
hard when you were my redemption, my dawn,
my morning light, I can try to push on
but I can't hear one more "I'm not even his
anymore, why does he care?" I'm gone.

The bedrock underlying much of Manhattan is a mica schist known as Manhattan schist.  Schist is foliated or layered in appearance. Quartz sparkles, micas, and amphiboles are primary minerals in schist. A melted rock, just like the city resting above, it too, a famous melting *** of humanity.

This one poem too, composed from pieces of other poems,
folded in layers of many others that melted together,
in harmonious discordancy

<~>

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee, I am composed

the city I love,
where I was born,
schooled and fooled in,
by many a woman

the city where I named
and raised my children

will probably die in
this city, and when
I am long forgot,
my name never uttered,
    who, will think of me?
Perhaps,
whenever someone says,
"he was such a rascal"

these tales I took,
some or all,
from beneath my skin,
where city streets grit,
was injected beneath my skin
and came with the title,
City Boy

so today, on a reborn street,
near tall towers no more,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn,  
but nonetheless, always rebuilt from their own
regenerated stony compost,
and the typical NY passersby doesn't even notice
a man, head in hands,
unsilently weeping, thinking that:

We lose or throw away so much we should have kept,
We keep so much we should have thrown away

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the bagger's question,
each post
begging each other,
"from whence will come my inspiration?"

licked the stubbled sidewalks,
fell down into their living caverned cracks,
light needed, needy softly heated,
orange and green pizza neon signs,
saying here,
if you see upon what be,
these are your city's homeland colors of veracity

perhaps
NYC was model precursor
for our internet presumed-to-be-alive-but-who-can-say-for-sure
model for the world today,
where I know not my apartment's neighbors name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and his father,
as Apt. #16D

all this exponential signage
of this NYC boy grousing,
are his defrocked muses him annoying,
with a serenading blizzard
of one trick pony repetitions,
their coronets trumpeting his unmasking,
*making this essay, his revelations,
a product of their harmonious discordancy

As so it was as we put to sea.
The Dark pirate captain and me.
Aboard a ghost ship decorated with bones and skulls.
I listened to hear creaking and the circling gulls.

Twas a dark and dismal day, with a ghost green sky.
Her main mast atop the Skull and Crossbones did fly.
Holes in her jib and Poseidon’s pitch fork on her main.
Our dark and treacherous ship was the high seas bane.

A purple fog hung over her deck, coiling and twisting.
Up the masts and sails dark spirit existing.
Born out of the ancient timbers and the toil.
Born out of heartbreak and roil.

I was first mate on this ship of the dead.
One and thirty nine hands that bled.
On the ropes and the sails.
On the harpoons and whales tails.

I counted 14 cannons on the decks.
I found more on a midnight check.
She had seven eighteen pounders deck under.
She shuddered and rolled from the thunder.

Listing to port or starboard from a volley.
Recoiling on the oaken dolly’s
No cannon ***** would touch her.
The purple fog protected those that were.

Aimed at her masts and broadside.
Swatting them into the deep I watched wide-eyed.
She deep sixed more ships than any other vessel.
Their captains hung from the stern trestle.

We came upon a man adrift in a whaling vessel.
The captain swung the ship around to nestle.
The small boat’s gunwales were shattered and torn.
Her occupant screaming wide eyed did warn.

“Avast your voyage twas Mermaids I fear!”
His face a ghostly pale and his eyes were queer.
The Captain brought him on board.
And he brought with him a fear that roared.

My Captain held him at the point of his sword.
The man’s eyes became as fire and he roared.
Deafening, it was out of his empty mouth it howled.
And with it the very air was fouled.

And the purple fog recoiled from this man.
Round and round on the decks it ran.
We all backed away from this apparition.
A horror straight away from Mariner’s superstition.

And he collapsed on the deck.
His pulse I did check.
And he did not have one.
I listened for his heart beat and there was none.

Filaments of his former self arose.
And Hung over his dead body close.
“Beware of White Cap Bay.”
“Tis where the Mermaids play.”

Came a watery cold voice upon the night air.
And we all stood there and stared.
His tortured soul wailing into oblivion.
And he passed on by aspiration.

Of these tiny stars that surrounded him.
And his likeness became dim.
And then he was gone.
The purple fog again was redrawn.

There was no body from whence this came.
Upon the deck where he laid, a blue flame.
And no man could extinguish it.
The Captain touched it with his sword, it split.

And became two, and ran off the starboard side.
“It’s gone!” the bosun cried.
We all stood there at the Captain we stared.
For the first time ever saw the Captain scared.

“Who’s afraid of some Mermaids Mates?”
“I like Mermaids more than pieces of eight.”
Our Captain said in a falsetto voice.
He did nothing to make our hearts rejoice.

And so we sailed dead ahead into the night.
And the crew held their fear with all their might.
A red litten gibbous moon to steer by.
The wind through the tattered sails sighed.

There came into view a huge rocky bay.
Bathed in the ethereal moon light lay.
To the starboard stood a huge stone monolith.
Surrounded by a ring of small obelisks.

And in its top there stood a giant mirror.
At first I thought its purpose unclear.
The closer we sailed I finally understood.
Twas a warning beacon if you would.

Harken to its brilliance unto its warning.
Listen unto its mourning.
And green sea foam licked round its base.
And the wind howled in its face.

And there were queer holes and vanes upon its top.
The wind sounded through the holes an octave drop.
Which made a strange, deep reverberation?
And it shook the deck and masts with strange gyration.

We dropped anchor in a quiet nook.
The Captain said “Lads let us look!”
And several of the old salts were superstitious.
And mumblings of spells and things malicious.

Ran through the crew like a runaway current.
For reasons of truth and things that weren’t.
Then the Captain became enraged.
Said he’d use his enchanted sword to engage.

Any man not worth his salt.
He’d be locked in the forecastle vault.
With the purple fog and the demons of the ship.
Forever in death’s grip.

So nary a man stayed aboard.
And we all crossed a small tidal ford.
And found ourselves again on dry land.
Our sea legs making it strange to stand.

We came to the monoliths huge door.
Adorned with strange hieroglyphs it bore.
Testament to some earlier time.
To some odd number prime.

I stepped into a gigantic hall that was lit with no light.
And I saw a most impossible sight.
A giant sapphire ball floating over a deep shaft.
It radiated beams of light from this strange craft.

It danced on the walls like a giant kaleidoscope.
The men were about to abandon all hope.
I saw a huge aperture above the ball.
That opened like an iris above the hall.

One of the men found an elevator of sorts.
And its doors had rows of oval ports.
And our Captain stepped inside.
And so the crew filed in wild-eyed.

We found ourselves walking out of a strange mist.
In a room atop the monolith.
A huge mirror affixed to system of lens of strange hue.
And I saw in polar equatorial it would slew.

And our Captain looked upon it with an uneasy eye.
“Tis a light house Capm,” came a wistful cry.
“Not like anyone I seen.. says I.”
The Captain touched one of its wheels, “Aye,.. aye.”

I saw upon the wall an imprint of a hand.
Surrounded by a solid gold band.
And it shown a deep blue.
Its color the same as the orb’s hue.

And the boson’s mate was about to touch the object.
“Hold fast there mate!” the captain checked.
“We dunno what that’ll do?”
A blue halo around his hand flew.

And it pulled his palm unto the wall.
And he could not remove it at all.
There came from under us a rumbling vibration.
The aperture was opening in measured gyration.

Upon the mirrors there came a column of light.
From the orb below a blue-gold blinding sight.
And its countenance you could not behold.
Through the lens and off the mirror it rolled.

And it beamed out upon the sea.
And the men were afraid and began to plea.
And it swung around on its own.
Like some mechanical drone.

Nothing human touched its controls and levers.
For it moved upon its own endeavors.
One of the men was standing above the rest of us.
The beam swung into him and he became dust.

Neither force nor the Captain could stand the men fast.
They ran for the elevator save the Captain for last.
Once again we were in the great hall.
The huge orb was making a strange call.

Calling the Mermaids of White Cap Bay.
Upon the rolling surf they did play.
There were mermaids too numerous to count.
Their passage we could not possibly surmount.

They all began singing as one.
Their mesmerizing melody begun.
These sirens from leagues of the deep.
Soon had us all at the edge of sleep.

The Captains enchanted sword did resist.
Upon our lips it did kiss.
A sharp blue spark awoke us all.
From the lilting Mermaids call.

One of them beckoned to me.
I could not move and I could not flee.
And she came out of the sea.
And was floating in front of me.

Sea-green eyes and golden hair.
A long slender nose and skin so fair.
High cheekbones swept back did blend.
Into her hair unto the end.

And small gold stars within her eyes did move.
In a fathomless green sea did prove.
Their test upon my soul.
Doing their best to take a toll.

On this sailors lost heart.
She weaves her black art.
And her teeth a row of ivory scimitars.
That sparkled in the light of the stars.

She called me by name.
And the gold stars in her eyes danced in green flames.
Her breath smelled like sea breezes and myrrh.
And it reminded me of better times that were.

Then she touched my face her touch wet and cold.
She drew fire out of me and glowed gold.
Upon the night.
As I beheld this wondrous sight.

And her touch was no longer cold.
The spot she touched me turned to gold.
Then she kissed me and I could not think.
The flames in her eyes danced and winked.

And so I was lost to this siren of the deep.
Then her sea-green eyes began to weep.
Mermaid tears upon my cheeks.
Diamond liquid from her eyes did leak.

All down my face and into my mouth.
Salty and sweet, like some wine from the south.
And I began to see sub-mariner sights.
And I soon forgot my own foolish plight.

“For I cannot stay here with thee.”
“For my life comes to me from within the sea.”
“Fear not for I can change thee if you see.”
And she pulled me into the pounding green sea.

So down we went into this emerald abyss.
And I found myself in some strange bliss.
And I could breathe in the sea.
And I felt a oneness within me.

And she beamed at me with her ivory smile.
And pointed at my legs for a while.
As I looked at my legs I was startled to see.
A large broad fluke attached to me.

I could hear her voice inside my head.
We talk this way underwater instead.
And we swam down to a sunken Galleon.
Its deck littered with gold and a medallion.

She reached down and picked it from the deck.
Submerged in the sea this old Spanish wreck.
I brushed away the barnacles and brine.
Etched into its face within fine lines.

I saw on its face inscribed a name.
A name from long ago clouded in fame.
Ponce De Leon from the Queen of Spain.
Her lost explorer who succeeded no gain.

And I saw all my shipmates swimming towards me.
The Mermaids converted them was easy to see.
The Captain looked odd with a large fluke tail.
And octopus tentacles from his face did flail.

He was still wearing his stupid three cornered hat.
The silliest sight I concluded that.
And my Mermaid swam up to me and took my hand.
“You do not belong here you belong on land.”

So we swam up from the emerald deep.
When we broke surface she began to weep.
“When you get old and turn to gray.”
“Come back to sea and we will play.”

And with that she dove down and swam away.
And I think about this Mermaid to this very day.
And in my hand I still held the medallion.
Taken from the deck of the old Spanish Galleon.

A gift to me from my lady of the sea.
At night the wind brings me her singing plea.
“Return my sailor return to me.”
“Return to your home under the sea.”

Now I’ve grown old and my hair turned gray.
And you doubt this tale from me you say?
And I swear it’s all true.
I’ll swear by my tattoos.

Dave Proffitt 2/7/2012




















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