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David Moss Dec 2014
They say that first impressions last

I say

That's assuming way too fast

I'd like to think we're a bit more trusting

That every one we meet isn't busting

Lusting to rip off their pants

And **** the first thing that gives them a seconds glance!

I'd like to think that

But sometimes i can't

Cause just like you

I live the life of a guarded heart

I mean we have to be careful right?

Cause if we smile back that just might

Make someone else think "OH EM GEE.

They totally want to have *** with me."

No, you have some mustard on your lip actually

And i found it kinda funny

You see to me most of our first impressions

Are the false flags of real connections

And if we choose to make those last

Then aren't we just living in the past?


So rather than that, let me be forward.


I want to connect with you, in whatever way we both want it to be.

And that right there to me

Is my definition of equality

I mean

Is it fair to assume that if i'm male

That I'm simply out to get some tail?

That isn't me

And that isn't it

And personally

I think gender roles are *******

So please allow, wholeheartedly

For you to see the real me

Rather than a mirage of assumptions

Society may have you choose to believe

Of what a male is meant to entail....

Truly.
This.
Is.
Me.

I want to share with you the galaxy and it's wonders we can see

We could take our chairs to rooftops and marvel nights beauty

And there may be a moment where your hand fumbles to my knee

And you'd feel me, vulnerable, still, yet shaking anxiously


Because connections what i crave

But it's rationed out these days

Cause just like you,

I too

Cannot bear to be broken, constantly



Truly.
This.
Is.
Me.




I want to sing and play with sounds
Pulling faces jokin' round
Being ridiculous without care
Rolling on a floor somewhere

Or on a bus, or in a bed
Our faces red
Laughing hysterically
It really doesn't matter to me


Because connections what i crave

But it's rationed out these days

Cause just like you,

I too

Cannot bear to be unhappy, constantly


Truly.
This.
Is.
Me.



I want to walk through unknown forests getting lost amongst the trees

Laugh and run and hide and scare each other playfully

And sure right then, we could lie down in the sun

Entwined bodies like soft vines writhing for a deeper connection

Or we could just sit solemly listening to melodies

Of wind whistling through wondrous waves of leaves

None of this bothers me you see. Either makes me happy.

Because connections what i crave and it's rationed out these days

Cause just like you,

I too

Cannot bear to be alone, constantly


But.
Is.
This.
Just.
Me?


So why does all this matter, to connection and equality?

I mean to a huge degree, men do have it easy

That is clearly plain to see

And ladies I know

That we as a society
Have a long way to go

To make sure you are all treated just as equally

Believe you me



But did you know that as a guy

We're mostly brought up to try

To keep our emotions hidden inside?

You can't tell the guys your woe
Unless you want to be called '*****' or '****'


So a lot of times these men

Crying out for connection

Isn't always

What you're thinking it to be

To me, thats the biggest problem men face socially

Stagnant and rampant suppression
Of real connection, emotionally!


And now, connections what we crave
But it's rationed out these days

And just like you,

We too

Cannot bare to be neglected, constantly

So.
This.
Isn't.
Just.
Me.


Cause just like me

I know your scared

You've been hurt and unprepared

To have others use

Abuse and mistreat loyalty

And just like you

I am afraid

I've been wronged

I've been betrayed


And i am just as scared to let go


And be me


Because our connections are depraved

It seems it's rationed out these days


But wait



Hang on a second.


Did you feel that?





I mean, just now we have connected...



So if this notions not rejected

Then maybe there's still a hope

For you and me.


I guess all Im asking is that you find

Compassion in both heart and mind

When a person bares their soul

So openly


Because


This is a connection that we've made

And I hoping that it stays


So maybe someday we can change society
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
    in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
    where wave pretends to drench real sky.'

'Well then, if we agree, it is not odd
that one man's devil is another's god
    or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
    is our life's whole nemesis.

So we could rave on, darling, you and I,
until the stars tick out a lullaby
    about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
    implacably from twelve to one.

We raise our arguments like sitting ducks
to knock them down with logic or with luck
    and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
    who insists his playmates run.

Now you, my intellectual leprechaun,
would have me swallow the entire sun
    like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
    should inflame the sleeping town.

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
    caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
    playing his prodigal charades.

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
    blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
    graves all carol in reply.

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
    brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
    while footlights flare and houselights dim.

Tell now, we taunq where black or white begins
and separate the flutes from violins:
    the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
    joins his enemies' recruits.

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
    there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
    an insight like the flight of birds:

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
    some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
    cycling phoenix never stops.

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
    and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
    away our rationed days and weeks.

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
    in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
    the simple sum of heart plus heart.
Aisha Ella Nov 2017
His "I love you" came swiftly.
Like the monsoon pouring down on a leaky roof
Those three words broke through my defences.
At first they were an ambrosia;
They sustained my life and our relationship.
At least for a short time.

Then "I love you" became an excuse;
For absences, and purpose-filled accidents.
And I ignored the warning signs, the flashing lights.
I pretended like "I love you" was enough...

...But it wasn't.
His "I love you"s were like band-aids on bullet wounds;
Like using play dough to fix cracks in concrete walls.
But I rationed our good memories,
I held on as tight as I could to our love
And watched as it slipped through my fingers.

His "I love you"s became poison,
That seeped deep into my bones,
And turned blue skies grey,
And turned light into darkness,
And slowly killed whatever semblance of love
I fooled myself into thinking we had left.
Wack Tastic  Nov 2012
DEADBEAT
Wack Tastic Nov 2012
Muted, muffled, dull thud on concrete,
Staggered, drunken, half conscious nobody,
Starved, seeking, worried about payments,
**** in hand, knocking on the wrong doors,
Fire and brimstone stoked in the belly,
Mad, strange, appetizing burlesque eyes,
Obnoxious smacking and licking of parched lips,
Rolling on half rationed legs,
Quiet, sullen, mournful footsteps,
Presently placed awkwardly one in front of the other,
Memory serves correctly, destitute, reprise,
Thunderclaps and crashing roars,
Almost forgotten, with great relief,
Soon, very soon, to be lost forever,
Candlelight, sobbing vigils, no power,
Nail, Nail, Nail,
Praise in the box, graffiti walled,
Like a bathroom stall, just as ******,
Docile dissolving vessels,
Brought to the commonplace dropoff,
Settled down and greatly relieved.
ryn  Nov 2014
Absinthe Minded
ryn Nov 2014
these thoughts...
they are my own,
walled within the deepest recesses
of my
cerebral labyrinth.

sprouting out of vine covered walls,
are multicoloured blooms
brandishing thorned stems
and
thirsty stigmas,
dripping with
absinthe.

mind full of poison in
permissible amounts...
i am caught in a
web of restless stupor,
anguish...
and regression...

these thoughts...
rationed out sparingly,
for they're not for unready ears
blooms of thought meticulously
triaged before
necessary expulsion.

hairline cracks between
insanity
and peace...
i tread precariously
the fine,
meandering line.

still clutching my flowers
in a tight obstinate grasp...
not letting go
for these tainted blossoms
are
undoubtedly
mine.
bobby burns May 2013
when made a designated drinker
for a designated driver.

when stomaching stale pabst
and rationed sweet cider.

when frat boys fulfill
stereotypical homophobia.

when twenty grade A reds
can't last me longer than a dream.

when old man nightclub and triple kills
usurp the crown of moderation.

when you fall asleep
with so much in your blood to spill
like beans,
or milk not worthy of tears,

and i keep a loom in my heart
where i weave a string of everyone
[with myself]
and every fray in warp or weft
is mimicked by the splinters
shuttled to my hand.
Josh Koepp Oct 2012
It’s dusk
Lustful grapevines curl around my ankles
And I’m thankful it’s wine season, the pickers should be around shortly to save me
And bathe me in last year’s crop to scare the grape vines into submission
It’s a decision they have to make
Do they care about a perfect stranger enough to waste
Roads of trucks of crates of bottles of red velvet
Or white sunshine
Or do they allow this ensnarement and turn a blind eye whilst I sink
While thinking; pondering the fertility of the soil under my feet
I’ll wait for the pickers, just to see how they view me
And in the meantime the vines are spinning yarns around me
Crawling up my skin, holding me tight while telling me bed time stories
Once upon a time there was a vineyard struck by a drought
Caused by unrelenting calm, and clear blue skies with no clouds
And they resisted, rationed their water between them,
And it seemed then that everything was fine
The crop was harvested and won best wine, but failed to mention how many vines
Died in the making of their own blood
Morbid and dry, a pinot noir fashioned out of pain and scars
And tears in flesh, not human flesh, but the flesh of the landscape
I didn't smile
But it did make me sleepy
I couldn't fight their grasp
Addicted to their emotions
I let them take me down into their fertile ocean
And when the pickers came to discern the source of the screaming
A new grape vine had sprouted and was teething
Paul Sands Apr 2015
the collar on my jacket is frayed
but I have clothes on my back

(just)

the packaging is white with green print
but I have food in my belly

(of sorts)

the soles talk and leak when I walk
but I have boots on my feet

(for now)

so I’m OK

(I suppose)

***** deep into the Smart Price ™ life
this man, his daughters, his son and his wife
where all their food comes at discounted price
expired meat and rationed heat
sweepings and fat wrapped in plastic

the walk was wholly unexpected, but it was easy
leaving the town where the forward leaning walkers
were the slowest thinking talkers steeped in sugary urgency,
and all the way we **** giltterballs and Skittles
Steve Page  Nov 2018
Second-hand
Steve Page Nov 2018
I love the warm smell more than baked bread.
I love the old stories flooding back through my head.
I love the middle-age chatter, with child like mutters,
finding old favorites in old familiar covers.

I love the personalised fountain-penned message,
carefully scribed and meticulously dated.
I don't care about the number of dog eared pages,
or the tell-tale signs of well worn aging.

Tea stains and small tears - they don't bother me,
each tell a new tale beyond what I can see.
I love the weight of the years sitting in my hand,
I love the tether to past lives multi-second-hand.

With memories of libraries with warm worn carpets,
wall to wall adventures and sun faded artists,
battered yellow seats, shooshed conversations,
quietly spoken protests at the books being rationed.

I stayed past closing, riding trains of free thought
with Tin Tin, Asterix and old Mrs Pepperpot.
I'm still drawn to the pages and the feeling inside
second-hand stories where memories reside.
My dad taught me to love reading. My kids learnt it for me.
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David Moss Dec 2014
In the beginning, There was God.

And then God made love. And God saw that it was good.

And then God turned to John Lennon and asked ‘Are you sure this is all we really need, John?’

And John nodded and spoke. ‘It is indeed.’



…… Said no priest ever.


But it is a funny thought isn’t it?

When do you think love was love first created?
Of when and how can probably be debated
I think though


One thing is for sure
Love in it’s essence before this mind of ours,
Was probably a lot more simple and pure

It probably came without pretty words and without a ring
Without a priest or church to accept it or anything

It would have been an unfettered union of connection
Coupled with fact
Of basic matter flowing and the action of simply being
And to enact
What things intuitively know
What things really just feel
Underneath the idealist baloney of love, what is truly real.

A lengthy definition, I know




But please hear me out. Please.

I just want to show
That perhaps love was meant to be the force in the background

That keeps all matter entwined together and tightly bound
And whether to you that notion rings true
I feel, that Underneath all these thoughts and feelings
Some form of pure love just flows through all of me and all of you

Do you feel that too?

I think love is the energy holding everything in the universe together.

Call it dark matter, the god particle, WHATEVER

The tiny tethers scientists just cannot seem to hold down and find
Unions of energy connecting on fundamental levels
Vibrationa-Wait…..I’m sorry.


STOP IT.


Just stop…. looking at me like that!

Stop lusting over what you hear and see
I am trying to tell you that love isn’t just about the feelings between you and me.


Geez.

Ahem…..

Now where were we?

Ah right

My basic fundamental laws of connectivity.


I am speaking of the whole universal components that ever was and will be

Each single moment


That makes up every inch of reality.


Love to me…. is everything you see. Everything is love.

Never mind Physicist, the Beatles had it right.

Love is all we really need!




But….. I wish that was the end of the story



Humanities definition isn’t that at all.
Today’s love to me is the slow and desperate fall
From something new to something old
The epitome emotion of a bold humanity
Bound in self desire
An empire of gluttonous self pleasure
Pure hedonistic leisure
Without thoughts that maybe
Just maybe
We’re doing this love thing all wrong
Maybe all along
Like I’ve been saying


Love was first and foremost simply implied
To be more than just something shared between man and wife
And solely humankind

Like, I REALLY love trees.

Seriously. It’s what I want to be eventually.


Anyway. Back to the story of love shall we?

You see, I have this theory that when society and language came along
Loves pure and universal


Well….. love song.


Got messed up and rambled
It got scrambled through a perspective of harsh survival, brutal rival and competition
A billion little expeditions of selfish love renditions.
Love became some hierarchy of

me

me

and me.


I imagine throughout humanities struggling ages
Love got captured behind enemy lines
Beyond the kingdoms of greed and lust
Imprisoned battered and busted
Love in these mental wartimes eventually

Became somehow in short desperate supply
It’s once abundant sustenance
Now rationed


Denied and refined


Into a quick hit drug we’re all standing in line to snort


For a moments pleasure

An escapism and a getaway leisure

Smuggled into our metaphysical prison

Of loneliness we make inside

And if that isn’t enough of a depressing thought

To reside upon

Love when imprisoned to it’s final degrees


Gets all the qualities it shouldn’t be
In the POW camps of our history, love changed to something less than ordinary

Jealously, anger, envy and fear

This wasn’t the arsenal Love had before these desperate years

Oh no my friend

I think Loves been hijacked and I think it’s a spy


Though, all conspiracies aside


I think the way we love today


Is a Shell shocked version of what the universe had in mind.

I mean sure the universe can be seen as a hostile place

A big dark scary space of colossal destruction


But it’s also creation

Constant efficient reiteration of all that is

Into what will be

To me that doesn’t sound so bad

If you are accepting that change

Is the only noble constant to be had

From all this being alive, thing

It seems change for humans is hard accepting


But the more I think, it’s what makes living beautiful right?

The duality and inevitability of day and night

Of life and death

The frailty of knowing in my head

These lungs I have one day will exhale my final breath, And a curtain will be drawn and I will be dead.

BUT THE SHOW! MUST! GO! ON!

.....Someone once said.



These thoughts don’t deny me of anything.

In fact they bring me joy

Because I employ the ideal that love is everthing.

The knowledge that my acts of love on life’s stage

Live on in you all, re-made and renewed in some way.

And even on a material level my body will be broken down again

Into the soils of this earth from which I was made

And I will help sustain something somehow

And still be a part of everything gracefully

…… Hopefully a tree.

And when the earth explodes eventually I’ll just be stardust again

Apparently from whence I came

And a pure ideal of reunited love simplistically will just be

Without any thought of me

Now… Isn’t that a wealth of selfless love right there

Above and beyond the compare to the scared notions of heaven and hell?

You thought because I spoke of God before, maybe that’s where my faith dwells?

No my friends, my strength lies in simply sharing simple love.


The one that is an unfettered union of connection
Coupled with fact
Of basic matter flowing and the action of simply being
And to enact
What we intuitively know
What we really just feel
Underneath this idealistic baloney of love,

What is truly real.

A lengthy definition of love, I know


But when all is said, and thought and done
And this place is inhabited by no one

I think It’s all the universe truly had to show.
Roma Carlo Aug 2012
The branches of the trees were almost breaking under the weight of the fruit that sprang from amongst their leaves. All through the garden, men and women of all ages were making preparations to harvest the fruit from the trees they had planted generations ago. Some years, the harvest was poor, and other years the harvest surpassed even the most optimistic of expectations, but the people always had enough to get them through the winter.

As they wheeled their carts underneath the trees and erected ladders to reach the tallest of branches, there was a feeling of satisfaction amongst the people. They had worked hard all year, and for the first year in five they began the harvest knowing they would have more than enough fruit to get them through even the harshest of winter months. The sun shone down on still waters, reflecting the reds and purples and greens of the trees, and all through the garden there was joy.

High on the hill, where trees did not lay their roots and water restlessly hurried by, a face peered out through a dusty window. The sounds of the horses and laughter of the people had roused the man from his slumber. As he looked down he saw the tree tops spreading below him, and with each moment that passed the colour seemed to leak from the branches, and at the same time the carts disappeared under mountains of fruit. His mouth began to water at the realisation that it was the harvest season, and soon his hunger would be satisfied.

Each year, the elders of the village would oversee the harvest. They knew what needed to be done, having been a part of it since they could walk on their own two feet. The children would play amongst the trees and the carts, observing the older boys and girls at work, and looking forward to the day when they might play a larger part of this festive occasion.

It was late in the afternoon. The sun had long since passed its zenith, and slowly the carts made their way to the village. At the foot of the apple tree, a boy tugged at the sleeves of an old man who had slipped into sleep in the afternoon heat. His eyes opened, and he looked at the child tugging at his sleeve. Satisfied that he had the man’s attention, the boy asked “Why does the man who lives on the hill not come and help us with the harvest? I saw him looking from his window, yet he did not emerge from his house. He is the only man for miles around who does not lend his hand to the harvest. Is he afraid?”

The old man bowed his head as he listened to the boys concern. He knew very well of the man the boy spoke about. There was a time, many years ago, when he would help with the harvest. Then, one year, he broke his leg after falling from a horse a few weeks before the harvest. The people had told him to rest, that they would manage the harvest without him. So he had sat and watched as everyone else did the work without him.

The next year, when harvest time came around again, the man thought to himself “Last year, the harvest went fine without my help, and this year, we have much less fruit to pick. Surely it would be a waste of my time to help.” And so instead of helping, he pretended he was sick and stayed at home.

Over the years, he spoke less and less to the men and women of the garden, until one day, he suddenly stopped leaving his house. He would say to himself “Why should I help with the work? Everyone manages fine without me. They plant the crops and tend to the trees, and still there is enough food left for everyone – including me – to eat. It would be a waste of my life to help when it is not necessary. No, I shall stay here and enjoy the comfort of my chair.”

The only time the people would see the man was once a year after the harvest when he came into the village to collect provisions from the stores. “Where have you been,” they would ask “We could have used your help with the harvest this year.” The man, not looking up as he filled his cart with bread and preserves muttered, “I have been ill,” and without another word, turned and headed back to his house on the hill.

As the old man recalled the events that had led to the man no longer sharing the work of the people, he felt a great sadness, for he knew the man had no illness or injury that should prevent him from working. No, his sickness was not one of the body, it was one of the mind. Thinking it would be better not to attempt to explain this to the child who had asked him the question, he smiled and said “He is a busy man. He does not have time to help.” The child, satisfied with the answer, ran after the carts laden with fruit, and no more was said of the matter.

Time passed, and each year the people would come together and harvest the fruit from the trees and the crops from the soil, and each year the man would stay shut away in his house on the hill. The people always had enough to eat, although recently, the harvests had been poor, and the food had been rationed to make sure there was enough to last for the month ahead.

One year, the harvest was exceptionally poor. The elders knew there would not be enough to last them all till the following year. Even the children looked concerned about the lack of colour in the branches of the trees. There was a lack of the usual festive joy that usually surrounded the harvest, and amongst the older and more experienced men and women, there was a very real worry and concern about the coming winter. What could they do?

As they turned back towards the village with their carts half filled, they were surprised to see a man standing in the centre of the path. No one knew who the man was or where he had come from. They knew not of any other people living in the garden, yet the man greeted them like old friends. “I see you have had a poor harvest this year” he said, “but you needn’t worry, for at my house I have enough chairs at my table for all of you, and enough food for you all to eat.”

The people felt relief. Although they had worked their hardest to provide enough food for everyone, the sun and the soil and the rain and the rivers couldn’t meet their expectations. Then, out of nowhere comes this man offering his hospitality. His timing could not have been better. It seemed they would not go hungry after all.

“I have only two horses”, said the man “The journey is short, but I must show you the way. I will send for you all one by one, and in time, all of you shall feast at my table.” With that, he turned and headed away into the distance. The people continued on their way, and went about life like normal, but inside each one of them was the knowledge that they would soon be dining with the man they had met that day.

Over the winter, one by one, the people rode away on the horses that the man had sent for them. Eventually, there was only one person left. It was the child who had spoken to the old man on the day of the harvest. As the last of the food ran out, the man arrived with the horses. He lifted the boy onto the saddle. “There is one more seat left at the table,” he said “We have been waiting for you to arrive before we commence our banquet. We had better make haste.” And with that they rode into distance. As the horse cantered through the trees and rivers, the boy turned around and saw the old man peering through the window of the house on the hill. ‘He must be too busy to come to the banquet.’ he thought to himself.

Winter became spring; spring became summer, which slowly gave way to the autumn. The trees of the garden were rich with colour and the smell of fruit. The branches broke under the weight of the fruit, which slowly rotted; the crops wilted in the fields. The sound of horses and laughter - by now just a distant echo lost in the depths of the rivers and the leaves of the trees – did not wake the man from his slumber.

— The End —