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remember...
when you were young,
very young,
recently untethered from
proximal parental strings...

that liberated freshman
rushing into a .... cave
of independent studies
and uninhibited sexuality...

that mulligan phase
of impulse and irrationality
and...yes...experimentation...

of wide-eyed science interns  with
mother's cheeks, daddy's visa
and the best animal-testing lab
on the planet...

with live uncontrolled studies of sleep deprivation,
orgiastic tolerance, *** toxicity
and the effect of extreme jello-shooting
on graduation rates...

and, of course, the ultra-rad LUG/GUG philosophy,
the ultimate pregnancy-avoidance plan
guaranteed
or your STD back...

then you got a degree,
a real job,
and a surreal 5-figure
student loan balance...

or was it 6?

or maybe you just
dropped out
like
bill, steve or mark...

and started a revolution...

~ P
(7/21/2013)
Elaenor Aisling Sep 2021
The proximal end of my soul is no longer safe
Decay has dilapidated the space
The raveled fragments fester
Leaves wilting with vinegar burns
Where I have tried to **** the infestation
And found I was only killing myself.

I can remember when my mind was softer, but not safer,
Hiding in the hallway to the den
Watching the scene of the desperate father
pulling his dead son from burned rubble
My child mind imagining
Blooms of orange around my bedposts,
tendrils of cinder and smoke,
Placing my hand against the back of the door
To feel the phantom heat.

And now I hold the matches to my own bed
The quiet comforter can only stifle them for a moment
There is not enough weight to press
These dreams out of myself
Maybe I still crave heat because it is the pain that is also comfort
It is the fear and the foment, the ailment and the aid
It is my body asking for enough feeling
To know it is alive and safe
While my mind is screaming fire
in a crowded
theatre.
Leiak, omnipresent vague pneuma-dancing spirit, ductile pious water of epiphany and extraordinary example, lives on the water with his parasitic chin in the Vernarthian epigram; he is seen with his jocular back, breaking the lines of the swamps between muscles and silhouettes. Before the First station..., primitive of the three remaining nights before reaching the volcano of Patmos, its deluge begins. "

It bathes in the Davidian, Alexandrian, and Vernarthian rains. A little touched he is seen and insubordinate in the astragali that he has gained in his allegories, squeezing his chest, exactly for the good of a wonderful Hellenistic city statue of the Dyticá, where he imbibed Vernarth's putti, adhering to the hydric spheres that fell over the ceilings of the heavens that Eros himself and his crush, which struck the heart axis of Medea, totally extracted from Zefian's quiver, constricted in Borker's nanotechnological sub-mythology. From the comedy of Attica and in the superb speeches of endo-adverbial satire, he stigmatized verbal changes of creation, superimposing them on tops of excesses carried by heavy drops inside some amphorae brought from the eastern sunset, tracking happiness that arrived on the western shores, waiting letters of sigh and loneliness stretched out on the thalamus full of stretch marks. So Leiak expanded, where everyone made fun of him being a satyr by essence, but being unaware of it. Perhaps as a unitary gesture of shadows when going to dawn, before having the best light that they put in figures or pirouettes, without disgracing him as a satirical minority in the Epicurean doctrine, he is inquiring a happy life through the intelligent search of innate pleasures, the ataraxia and in apocalyptic friendships with Zefian, Borker, and Kaitelka.

Borker did not intend to heal himself of trifles at all; it will be a habit to venerate the revelations against polytheism, to then cling to an interiority that points to corroded execration from the root to the top of the fallen tree, with force blinded by the blindness of the Automaton, as far as it is concerned. By itself, of identical significance in the background; but with so-called change that he tends to totally eliminate the last trait of personification of the divine. From this dilemma, the values will be spikes in his hands, sheaves in both, and what he envisions of Hellenism will be the property of nano-technology, submitting under the lens of time dividers that have never been pieces of rest under the Duoverse-Universe., the lens will be your Iridium and the microbes that govern us will be the atomic force, to discover them. What atomistic world will there be between Borker and Leiak, if in this nanoworld; The nanometer is one-billionth of a meter ?, What will be enough to start being tiny in this great epic, which is called Vernarth intra-spaces and inter-Verthians of the universal macrocosm, which will now approach the microcosm of human consciousness, and the laboratory of Epicurean affabilities in Ataraxias decreasing the passionate intensity of the Hypothalamus, and the supra desires that can alter the mental-corporal balance, strengthening in misery that they reach said balance, and finally happiness, which is a meta-plane of Epicurean convergence that runs after the lost. Ataraxia is, therefore, tranquility, serenity, and imperturbability analogous to Vernarth's soul, reason and feelings in his dislocated world, and the hemispheres of himself that will be rationalized in their slightest longitudinal measure, in what fits and in the precarious!

Passionate laboratories were magnetized every time Leiak walked on its extension, and his hands went beyond his fingers, touching the Constellation of Aorion, to indicate that the longitudinal metric of man is measured beyond the fingers of the Duoverse, where it appears the Extra-Cosmos in the proximal of a nano-scale is a submultiple of the conferred means of the Saint John the Apostle pattern. The scientific notation will be the safeguard of the magisterial scientist exponentiated brain; 10.1 mm = 10-3., the kilometer or km, is the opposite equivalent in what submultiples of the meter are called a micrometer: 1 μm = 10-6 m. In this scale we find bacteria, which constitute the main group of microbes, hence the name of the submultiple between observation scales of the macro and micro world of this being of Holographic Lux called Leiak, having the composition between this nanoscale, and the opposite of 1 μm = 10-6 m. projected onto a bacterium, which in turn is ten times larger than a viral body. Sizing enough to balance the biosphere that will surround the Automaton Mandragoron.
Leiak's world is an outpatient virtual laboratory, as it is valid in colloquial language, adhering to measures that differ by the conception of transliteration or decimal mathematical positioning. The letters and lines have been interpreted by Leiak, they are Vernarthian Parapsychologies that oscillate gaps of mismatch of billionths of wasted knowledge, in displays of ghostly reigns and in no-man's-land. This nanoscale makes us nano-poetize themes of ultra interference of the Epicurian decree, of tranquility, serenity, and imperturbability, with the meagerness that we know of the enlightened after a thousand moons writing under the stars:
"Woman when you touched my life with the grace of your fingers, I could see how the kind nights closed my eyes, caressing the entire Universe." This is undoubtedly Epicurean Nano Poetry, but the Author is Tagore "

The exponential oscillates in the parameter of the outstanding Astronomer of the divine verb and poetic thinking, in the most intimate and dynamic Hindu techno-language. Quantum mechanics here is the debit of the iconic remnant reached, by parameters not achieved below the average intelligence, providing lost data far from collecting and storing. Tagore's logic is nano-poetry, which balances billionths that are not achieved by occupying the Corporal Dytiká (poetic sunset) and the synchronic soul, rather the material simultaneity of the fifth element of will, emotional and objective desire, condensing into matter already conferred consciousness, in gaps in fit at all times, but linking it to her divinity as intelligence never before out of date; V.G. The Mashiach is always linked to the vertebral and communicational axon of the plasma nano-particles by grasping its infinite numinosity, making this scale it's one billionth, and being within the Eras that will be the largest average of the macrocosm, in the quantum itself of the Christian Era and in other Quantum worlds.

Strictly speaking, the molecules are angels without a will, but the dispensers are the consciousness of Leiak, which transfers hybrid consciousness, for purposes of regulating and shaping the ravings of intelligence and atheistic consciousness, and for purposes of the great remnant always present and active in the emergency. Spirituality of the Mashiach-revolutionized. The by-product will be Zefian's Tetra Sagita with its ergonomic tip, opening up doubts and tracing the future of a rewritten bible in the same character and fidelity, but with the omnipresent Mashiach of a Scientific Eucharist.

Leiak walked through minefields, and in some, he saw universes come out that exploded in livid colors, among them Vernarth, who had been recovering from malaria, and who helped him create a culture composed of a great artifice of immutability, for those who are close to his Greek spirit. Overwhelming those who lack the will, clarifying where the great art galleries of the world will be, not because of their current works but because of those they will have to exhibit? From the rushing philosophical delta, germs of dominance were trickling, distinguishing properties that did not germinate under his feet. Bread and water of the hundredfold fruit of all the lesser forces that resist on the thirty and nine with fever, more than the narrow borders to be discovered, in democracies that will prosper in the hands of kind tyrants, and not in the unitary Ecumene. Vernarth did not denationalize from his grass crops, he was Hetairoi more than all the commanders of Alexander the Great because his native country never sank next to him, he only prospered in centuries where he had to rise again silenced and prostrate oblivion.

The chaos of an absence accuses a majority of sadness that greets the Celtic Gauls for the axon of the anointed cosmos of the divine autarkic world. But not in seditious wars devoid of bread and water that does not support them, nor by papyrus did nets that do not contain them either, in the spiral retransform the land of all, as a plural work done here, by the Mandragoron Áullos Kósmos, intends. The male rectors will trust their works in the widespread Greek language, called koine (common). A language that writes has its own feet to write new divisions, and ordinal paragraphs to fulfill in proskínesis or obeisances in those who have golden knees or not! They will continue to make separate book stores or libraries for Filososfia or science sub-themes that will tackle the top of Profitis Ilias. For all large cities and nations, it will only be Leiak's legacy, of having large spaces for dialogues where no one can resist his man-made preaching, holographic rain forest, and times that not even in billionths will make him melt spaces of ignorance, diverge from the juxtaposed principle of unpopulated urban schools do not deserve.

Says Leiak: “Every time it is more intense to turn the dislocated nature of man, my literary idylls are at the end of everything with his genre works. Life and it's agitated think idyllic of removing the talus, which is not swayed in my chest by the Metelmi..., but by my breath of death! "
Dyticá Leiak's twilight
refresh mesh Mar 2018
nobody likes the full name.
the class is known simply as "Cell."
stephen king is just as lazy with his titles.
that fool fears blood.

i was listening to rain washing out the gutters
when our teacher called on me,
asking me to explain in my own words:
"How is molecular transportation so highly organized?"
i posited that organelles are not organized.
they are only civilized:
self-governed by apoptosis and a blueprint of proximal culture,
their manuals inefficient, but honed for cooperation through trial and error.
"I'm predisposed to disagree," he said with a tangible glee.
knowing we all adore his berating honesty.
his question stuck with me.
perhaps because i was working
for the office of sustainability
becoming regularly incapacitated
by the shame and exhaustion of preaching.
leading an uprising through the power of teaching.
i decided the only organized transportation
is an axial conduit to the electorate's war,
always social and hierarchal
because that's what culture is for.
at 19 i was loaded up with a sticky elixir
to be protected from being called a *****.
i will never forget how I spotted lightly for three days
-stopped for one week-
and then for two straight months, it was a downpour.

we are only tearing apart the bitty ants
and there is still blood on our hands.

i believe blood looks best on our hands.
but we were taught to meticulously detach
and to prepare our matching bargains
beneath the atmosphere's volatile dance.
poison is in the body and the air
ready to be bottled and batched.
even when i find my friends
whole and happy in France,
my key stays clotted in the latch.
birth control, women's health, world war
matt nobrains Apr 2012
sauntry and sultry,
a fraudulent check written
in a moment of disclarity.
if you've got a bridge to sell
I'm buying.
I've got stakes on this land,
broken with till,
seeded with pain,
nourished with blood,
razed, salted, travesty, and sown again.
a faulty playpen snaps shut on a toddler,
a man trips over his Pekingese
and puts his hand in his brand new
20% off buy two get one blendtec
brand blender,
showering his mother in law
with shards of wrist bone
and strips of lacerated flesh.
this is my foot.
these are my fingers, broken,
distal, intermediate, and proximal
phalanges.
these are the carpal and metacarpals.
I am a Spartan of a shitshack.
I was trained in the wicked art of
long arduous bowel movements.
squeeze one out for the ones you love.
in some small musty room
in new York city
there is a cocknballs paying $200
to get ****** on
by a wombwalker
and thinking about his ******
Pekingese.
you know its true.
don't try to think too hard about it
or you might lose an eye.
Philipp K J Apr 2019
April is retirement time
Triple hot memory stream
Of months that March close behind
Febru and Janu very kind
Not far still to remember
The days of cool December
The long talks in your chamber
The sweet eves of November
Not to mention the embers
Of love that warm up members
May be rain or hay day noon
July finds an all wet June
But days come like August guests
And busy with just inquests

Time turns September Rians
forget-me not, you asters
Full of morning glory stares
You Octogenarians
All contain within a span
Of sweet memory expanse
You too collecting pension
After superannuation.

Its nice to see you colleagues
Always glad without fatigue
Chatting and pat the other
Cracking jokes on your attire
The young baby look you wear
And the nursery kid's fire.

Its all fare and just affair
One more phase to maneuver
In the course of your orbit
On face of earth to be fit
To gain and do maximal
Service  to its proximal

April too is time to thank
For the net balance in bank
And set your mind on the crank
And care for fitness and fun
To re-register and run
The vehicle with new paint
Not to shuttle and to taint
Nor to settle in confine
But to scuttle along nature
To look and learn and nurture
And listen to the pristine
Wisdom from the Lord divine.
Thanks to you all who retire
And wish you keep up the fire!
Kaitelka was in the Equinoctial Aftó, she bathed but always oriented herself as an Argonaut star bathing in the Aegean while waiting for the ******* of Áullos Kósmos. Between both Aulos and Citara, she modeled the auletic- citaristic, in glimpses of her Psychic Trisomy.  In effect of the existence of an extra chromosome in a diploid organism 158, for a number of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting her chromosomes of normality in the genetic proximal when entering the bay of Skalá that she was waiting for her native, where the art of navigation danced in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, mimetic was thrown towards the art of the unknown sea, collapsing and disoriented by its territorial similarity, and maritime per se of its Otolith that brandished it in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the auletic to infer Ballenid genera, which acted precisely between the island and the Bay of Patmos with the same name as Skalá.

Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that rotated on the backs of all the borer beetles, being Scarabaeidae that delimited towards a dialectic, and paraphrase of a qualitative satirical one, especially in the form of Vernarth's sub-mythological subgenre. To commend all the hypotheses of this whale, it sang with the native cephalization ultrasound, where it continued to harmonize media in its cranial cavity, and in the muzzles of its larger fins that transmitted waves of parapsychological regression towards Vernarth, parodying the transparent sendal ballads that it made. with his transit through the water, however, not having members that strengthen his controversial cetacean passerby by waters of a melodious literary language, such as a great inspirational propeller, and satires that host greenhouses in most of the jubilation, related to rudders that furrow his verbal poetry, easing restrictions, and possessing the genome that was deprived him in his gestation, of a maternal expropriation victimized with fears of an end, and Apocalypse hungover by the sea and freshwater. They piloted their heart valves, mere and Dantesque with Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirizing formula additions, and a piece of dull wood on its spur that was It bore like a whale, it was carrying its weight in a literary category where there is no way to test it. Without hindrance, she laughed alongside the breakers in the manner of a belligerent tendril in thick keel skins, dramatizing him and perhaps delaying the investiture of Vernarth's Himation Proskynesis, peering jocularly and foreshadowing his encounter with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single Down Whale destination, ******* with her dorsal to exhale genome rearrangements with Cinnabar, refining hormones and stereotyped whale chromosomes.

The concordance of the Satirical subgenre, and the polarized gender correspondence inanimate Kaitelka, usurping the intentionality of the sub-mythological drama, in two roads of Skalá that appeared to lose the standard of their ears, in tragic representation versus the comedian staging, harbinger of an interlude between two areas that struggled to have it directed towards three comedies that plunged into three tragedies, missioning the furrowed features of the ideals of survival, with preceded parables of the psychic-linguistic being, due to its canonical supernatural modality by blending itself with disciplined domains. Of a rhetorical poetics, rectified in religions that grant Orphic and messianic structuralism; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, comparison, or image.  Song and poetry, song and prayer, prayer and ritual forming an inseparable phrase of meaning in it, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; "Make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for those who feel vibrations under his belly in his orphic water, portraying semis or semiotic cathartics of their own trisomic roots, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he told her about the melting of Horcondising, seeing in them friendly glaciers that included her within the storytelling of provinces that sensitize the culture by rebirth on spherits and plasma hematocrits, for an apologist that admits inanimate corporality actor. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, commanding them ibid to the inter-dogmatism that it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Borker  Nótos. "Evil tears their veins heal their goods and relegate the forgetful in the tradition of existence alongside the demiurges, incontinent to their ills that enjoy making creation sleep, soothing it in innocuous myths that are often more than a truly supernatural!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of light that distorted his view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and the phenomena of the underwater stones were relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish, brushing against systematic hermeticisms of what was infinitesimal. All this dialectical journey towards inevitably alternating molecules of his genome, to re-establish himself in his hybrid status upon reaching Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale but in interrogation. …?  Based on Leiak's sexagesimal nanoscale extension, endowed with a fractional comparison that collects mythologies within them, for the uncertain truth. The only burden of etiological myth in Kaitelka is a consequence of her suffering, which is offered in psychic trisomy, for being **ized by three chromosomes, disorganizing her reality as a specimen that unfolds as a congenital disease.

Kaitelka says: "Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and honeysuckle, which tell a story ****** under the tripod of Herophila.  Authoritarian truth that will bow before the pig to become, smelling here the tragic essence in truths that are hidden in symbolic denial"

Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that the self encourages to plunge into diluvian tears and moan in the scenarios of uncertainty, in the judgment of pouring out real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that lifted it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous polymorphology. With joys and hilarious meltdowns on the mountains, she approached everything when she reached the pleasant Skalá, escaping from the cosmogony that bound her ungraciously on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimicry gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on disturbed waters, a dipsomaniac leitmotif in early Christian justice. Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will remain Kaitelka Down, but Patmos will arrogate her Thracian gift from her Orphic origin to her, for purposes of radial preeminence in the Ballenids that hoist sacred sites. The adventure prescribes a univitelino twin, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into a rainy sphinx on the thick bronze roof when the coins are broken, towards a seduction stop that is enthroned in the gloom of the minotaur, in the numinous hands of a daffodil and on the face of the Epsilon. Or crawling in mitral of valvulopathy with the carriage messengers, with the swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually more than multiplied towards her, with the amazement of her animal consorts, which are dolphins, and Thracian pigeons, a priori of being covered by the Pythia of Delphi that is migrating in murky triumphs of the Achaemenides in Gaugamela.
Equinoctial Aftó by Kaitelka
Julian Nov 2016
Titanic barnstorms the Tennessee plain through jet powered airplane
As though the Lusitania New York City could hardly proffer a contradictory profane
Nevertheless the intricacies of gamboling and gambling garble too many dice
Listerine rinses a whitewashed flaw until it singes gravity sawed twice
Three pieces of would form a tripartite could, that can’t because beggars are mute and rude
That beggars whisper the hymns of an immemorial festivity churlish upon listless attitude
So we hearken the classics and drop the ink quill upon that pile of effluvium and molasses
We invent friction just to pass a fall’s worth of failed jack-*****
“No more” he exclaimed just as the leaky faucet marginally contained
“Know more reason and you will be fully redeemed”
So I cannot pinpoint the provenance of despair among discrete colonies with barter too unfair
With ***** dens conflagration’s dead blank stare
The pit of the useful and the heap of the useless sorted into neat piles on either side of the River Nile
And each pottery keepsake is a husk of a land long ago defiled
But the hunters that talismans comfort shadowed into a grave crypt
They marooned a contact with pedigree to become flimsy with vogue equipped
So they lament on an August morning, lugubrious in toil and minatory in warning
The darkest nights yet seen by sirs yet sheen rollicking in mourning
We skedaddle the limited spectrum of shallow rust becoming hard work’s dross
Draining the swamp of career politicians that prefer the aroma of cod over the swagger of skunks with high sunk costs
Filch me a new coast Bill the Butcher and secure my passage for bonanzas of wealth
A fool’s card is now the traipsed parliament of one world stealth
Among the aristocracy an impediment to change locks all race in internecine game
Racecar palindromes offered as sacrifice to winsome but momentary glares aglow with disdain
Neuter the profligate, neutralize the builder’s set, stain the chastity of the Marmoset
Suddenly the zero-sum game adds up to twenty
With every dime and dozen going to infinity beyond debt with prosperity aplenty
As the laggards play dominoes on quaint tables frittering at the surface
Foment the disregarded rage and wrangled page into a classic Ace of Base
But who really is Walter White?
Does he live in camouflaged tents next to trees daring an alien but mutual fright?
Is he the kind of Wizard that never had consanguinity with alarmist rite and expeditious lies that aleatory fate is somehow too proximal to become in lambent sight?
Questions answer themselves over time with droned litanies of every conceivable tome
Forgotten in an ash heap in Alexandria more so than Rome
Supersonic flight that hedges prizes qualified kites
Encyclopedias of knowledge won’t even decode ghastly ghoulish capes of an off-color might
Now we simper at the glowering ignorance of menial men
Swimming with sharks and synchronized with the obnoxious hen
They won’t learn nearly as much from the Sun as warmth as they would the Moon for guidance
They won’t plaster Paris with the vandalism as counseling for pilfered tridents
So maybe the Anglophones have a menagerie yet seen
Maybe the game was introduced so early the royalty knows explicitly of beatific beams.
All is lost can never be forgiven in the land before time
In the land before precise minutes, seconds and momentary fragrance of threadbare design
So horology is horrific, when the jaws of the aliens in time thresh galloping headless horsemen Revered in this part of town
The imperial switchboard was stocked to the brim
The counterbalance of a Washington winter was equally grim
Embittered by the bellicose autonomy of fledgling families with endless land but limited prosperity
The dragooned riposte resounded among church bells with alarmism in sincerity
But the attrition of winter and the conditions of every primordial printer
Staged the coup that led to the walloped whimper
As the world shrank and wealth enlarged
As the shark tank of time plowed through shares like an ice threshing barge
We found that history is the caretaker of fringe reason becoming indomitable arbitrage
And for ever space that exists from now to the beginning of time there has always been space that begins with a luxurious spa and thereafter credit charged.
habiba Feb 2019
I am that which must always overcome itself.
Every morning I will wake up and tear down what I've built.

— The End —