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Jim Kleinhenz  May 2010
Pangaea
Jim Kleinhenz May 2010
It’s evening. Isaac walks to the beach as if he’s lost.
He climbs through artificial dunes, through false ramparts
pushed hard against the ocean’s erosion—cliffs of sand.
So let’s call him Clement Cliff and let’s say that he’s
an actor and distant cousin of Montgomery Cliff—
that he’s a stage of sand, a progression of the beach.
Blind, he walks to the beach each evening now
because I make him walk. He hates the water’s soul.
He feels its fear. He goes because I make him go.
He does this now (we do this now), so I can walk;
walking, it seems, is very bio-mechanical.
So-bio, so-mechanical: the brain’s music.  

We call this beach Pangaea, for it looks to be
a map of early earth; it looks a plan for earth cut by
the tides before the continents were torn  
asunder. (My, how Biblical, my dear, ‘asunder’.)
It looks that way when I stand on the cliffs—
like lands formed in jest. I love the air up here.
I love it that these cliffs are not a place
for sacrifice or suicide. Jump and you will
take a tumble. Jack fell down and broke his crown
and Jill will land on the soft sand of Pangaea.
Pretending flight, they fall.  Don’t cry, honey. It’s just
a bruise. Give it a kiss. Isaac, he laughs.

It was right that he should die before me.
Every night we stand right here among the cliffs.
(Prominent among the bluffs.)
We watch and listen as the ocean sings.
The ocean is alive. Pangaea is where sun and sea
must meet. Pangaea, the sea, the soliloquy.  
We go down to the sea in ships.
A thousand must set sail every day.
(All launched by your face, my dear.)
Tonight we sit and listen.
The ocean makes its music.
I leave on a singing ship.
© Jim Kleinhenz
Sjr1000  Nov 2014
Pangaea
Sjr1000 Nov 2014
I began as a spot
of mud
flipping off a comets
rushing tail
frozen in ice
I survived the fall
a few moments of
organic molecules
landing on one
vast continent
integrated
into a minuscule
whole
I became alive
alive for this time
and
all time.

But

There were forces
moving inside of
me
call it what you will
continental drift
tectonic plates
powerful forces
which fragment me
over time.

I come together
I divide
but the cycles
don't stop there
like our love
as all these
parts and particles
slam back together
in a single mind.

Pangaea!  I once
called you home
it was the only place to be
I knew who
and what I
was
but I have become
divided and split
even my dreams are
fragments of scattered
lands.
My center can not
hold for long
as competing desires
beg to be known.

As eternity picks
me up and sends
me on my way
as I scatter back
to those solar
winds
disintegrate to
a spot of DNA
whisked off this
planet
and arrive on
the back of a
sailing comet
frozen for eons
long
to once again
through happenstance
fall
onto a foreign
planet -
home again to
my private
Pangaea
unity
begins the
cycle
all over
again.
Robert C Howard Nov 2015
Earth (Pangaea)

Pangaea heaved and shifted
beneath the fire-storm sky.
Colliding plates and spewing mountains
shook, roared and thundered
under the brutal chaos
of torrential cataclysms.

In time she yielded her ire
to millennia of pacific rains -
her severed crust
set adrift across the oceans
like gigantic earthen rafts.

Jungles sprang up and terrible lizards
came, grazed and left their bones.
Forests, grains and multifarious beasts
grew and perished in accord
with their past and future destinies.

So here we are - earthbound,
tossed from our mothers' wombs -
fated to live and breed
by the grace of miracles
far beyond our ken.

Beloved mother Gaia,
from whose dust we are raised,
nurture and sustain us
and sing us to our mortal sleep.

2. Air

Air - earth's miracle brew of
     oxygen, nitrogen and all the rest
          meted out in perfect harmony.

Air - silent and still on a moonlit night -
     driver of sheeted rain on window panes -
          and winds that shake the trembling aspens.

Air - author of land and ocean squalls -
     bringer of that ominous pallor
          that presages a tornado's furor

Air - invisible aerial highway
     for majestic eagles and turbo-jets -
         medium of rhetoric and symphonies.

Air – window to the cosmos
      and our fragile life–giving broth -
          unwitting conveyer of toxic alchemy.

Keep watch my sisters and brothers:
     the air we breathe is what we make it
          or rather what we let it be.

3. Water

Water like a capricious deity
     wanders through time and topography -
     cherished and cursed for
     what it gives and what it takes away.

Gentle rains and strident gales
     sculpt rivers and streams
     through forests and plains
     bound for union with the open sea.

Diurnal tides ebb and wane
     at the whim of the charismatic moon.
     Ice mountains advance and retreat;
     rock-strewns moraines left in their wake.

Turbulent currents
     soar over jagged cataracts,
     spraying pastel prisms
     across the misted valleys.

Beneath our all too fragile skins,
     secret sanguine rivers navigate
     our veins and arteries
     bathing organs, limbs and sensors
     with curative balm and sustenance.

Wellspring of all elements,
     fill our daily ladles
     and grant us the will and empathy
     to bequeath the same to our progeny.

4. Fire

Two hundred million years ago
our Paleolithic cousins
seized branches from a burning forest
and stepped into a bold new world.

By the glow of fire-lit caves,
and the scent of searing venison,
they gathered wits and tools
to craft shelters and weaponry.

Their children's children would design
forges and furnaces, factories
and build engines that run on fire.

But their anxious siblings in despair
snatched lightning from the sky
and twisted by fits of anger pride
made also muskets, missiles, bombs
and nuclear Armageddons.

Loki, god of nobler flames
open our blood-stained eyes
and show us the means
to stay our arson lust and
abide by the light of reason.

*Revised and integrated version, December, 2015
These four poems are aligned with a set of piano preludes of the same title completed 12-21-2016. Here is a link to the music https://clyp.it/user/1qruizko
Robert C Howard Jul 2015
Two billion years ago
the river we call Colorado
opened a **** in the Kaibab Plateau

sculpting sandstone, granite, and limestone spectra
on the rugged canyon walls -
reflecting the seering Arizona sun.

Millennial torrents scoured the surface.
Juniper and Aspen, torn from the expanding banks,
****** into the river's red-stained vortex.

All the while the restless Colorado,
obedient to gravity's law,
scoured its bed a mile below the rim.
The last dinosaur perished - choked by volcanic soot.

Pangaea rumbled, groaned and split
and an eye-blink ago our African parents
stood to take their first faltering steps.

Their progeny crossed the Bering bridge
roaming south to build stone shelters
tucked against these canyon walls.

Did the Havasupai huddle in fright
of the jagged firelight searing the skies -
pounding the air across the hollows?

And emerging at storm’s end
did they gaze at the rainbow mist
spread over the buttes and valleys?

After dusk, with fires withering to embers,
did they rest supine,
heads pillowed on their arms,
pondering the jewel case universe above?

*November, 2006
Included in Unity Tree, published by Create Space available from Amazon.com in both book and Kindle formats.

http://www.amazon.com/Unity-Tree-Robert-Charles-Howard/dp/1514894432/ref=sr_1_1?ie=UTF8&qid;=1447340098&sr;=8-1&keywords;=Unity+Tree
Erin Smith Jun 2015
You were my beautiful urgency
Your lips promised the world onto the fragmented map
left in me
A beautiful Pangaea sealed together
The world stopped for us- the naive mapmakers
While everything else spun into beautiful chaos
The madness of the tectonic mountains
stop for none
Not even the innocent promises forged across the continents
They laughed as their rifts
battered our beating hearts,
Until their was nothing left but a single pulse

Memories flood me, brutally constant, like the tides angered at the shore

When your laughter stretched across the ocean
But somehow only seemed to reach me
Pulse
When we picked out the life our children would have,
Like it was some neat and concise future picked from a catalog
Pulse
When our world went up in smoke, it had never been
clearer
Pulse
When our hearts started beating for someone else
Someone else besides for you and me
Pulse
When you walked away
Pulse
And I realized it was too late
Pulse
When I knew in that moment your brokenness would forever
Cut sharply at my heart, etching those four words left unsaid
Until I was as broken as your ghost
Pulse
When
Pulse
I
Pulse
Realized
Pulse
You
Pulse
Were
Pulse
My
Pulse
Everything
Pulse
And I was just your side thing.

Pulse

What can be said about your beautiful urgency when your time has run out?
A eulogy for our love
Chatting cold conspiracies from across the coffee table.

Pangaea on the rocks - sweet, sober, civil silence.

When did the degradation become so severe?

Time ticks down and friendships fade to acquaintances.

Spine tingling tempo of the pitter-patter rain drop percussion.

Galloping triplets trickling down from the temples of thunder.

Hands of the clock clap in celebration of another hour killed.

Two o’ clock Coca-Cola to crown the king of carbonation *****.

Naming off artists to impress the drunken temptress.

Taunting the room filled with glimmer-eyed, lovestruck libidos.

All the kids are struggling to remember the horoscope they skimmed.

Brains drained to the point of puking in mouths, poisoning the passion.

With whiskey laced erections, this night chants a swansong.

Illegal lane changes and tiptoe key turning roustabouts.

The Hubble eye can’t detect the silent thoughts left hidden.

Dreams within dreams, lost in a cloud of exhaled acceptance.

Tonight, you fizzled, and tonight, you sleep alone.

These are the danger days. Timber!
When I read this, I always lead on that it was written drunk. Some silly fun that I hope you enjoy.
Six times life has trembled,
At the passing of apocalypse.

Each time,
Three causes were possible:

Heaven,

Hell,

And Earth.

From heaven, asteroids could fall,
And throw up curtains on the world,
Or passing waves of cosmic fire
Would strip away the clouds.

From hell, the waters of Styx
Might slip through terrestrial cracks,
Then rise as gas,
To heat the world as sheets of floating glass.

Between the two:
Animals themselves
Could mediate the flow
Of Earthly poisons.

Of the three apocalypses
Born on Earth,
Their horsemen are:
The progenitors of atmosphere:
Primordial Cyanophyta,
Then Archeopteris, first of the trees,
And inventor of the root,
And last:
Humanity ourselves,
The apes who play with fire.

Apocalypse number one was caused
When Cyanophyta -
Named for the blue-green colour
Possessed by these bacterial worms -
Learned to inhale the Sun.

They breathed in photons,
Filtered through a heavy atmosphere,
And exhaled an ocean of oxygen,
That filled the skies with ******.

Then the world was a canvas painted
With a single simple transformation:
The land – which then was only iron –
Was touched, naked
By the breath of blue snakes
And so the wide metallic continent of Ur,
Was racked from coast to coast
With rust.

The world’s iron skin absorbed oxygen like cream;
So that, when the global epithelium
Could take no more,
The new air rose,
And thinned the heights,
And all the gathered warmth of centuries
Escaped into the stars.

Then – an interlude of flame –
Comets fell on reddened ice,
And the planet’s molten core restored
The stratospheric glass,
And the world was hot once more.

Next, Archeopteris:
First of the trees,
As plant life rose to giants,
The primal soil of Gondwana
Was infiltrated
By the evolution of the root.

As vascular limbs drilled down to earth,
They plundered minerals,
From which these new goliaths
Grew fronds,
And then, upon the giants’ deaths,
Their carcasses were ill received
By little lives
Who could not hold their salt.

Then came the chaos of holy war:
Heaven rained and hell spilled up,
And so passed end times three and four,
Up to the kaleidoscope of teeth and claws
That was the age of dinosaurs.

Now the fifth apocalypse
Was Chicxulub:
A worldstorm in a meteor,
So named for baby birds
And the sound of Armageddon:
Xulub!
A knight in igneous armour,
Who killed the dragons of Pangaea.

Now, to the sixth.
As yet far less fatal than the rest,
But the first apocalypse
With eyes and ears,
Who sees the fire its engines breath,
And to its own destructiveness attests.

We began in the trees,
And once the planes were cleared of predators
By mighty Chicxulub,
We moved out onto the grass,
Stood up and freed our hands,
And learned to play with fire.

With it we loosed the energy
In roasted meat,
And poured the new-found resource
Into intellect,
Then wielding sapience,
We humans spread:
The first global superpredator,
We preyed on adults of apex species,
Tamed the world,
Then dreamt of gods
Who placed us at its helm.

We noticed then,
The manifold atomic dots
On the cosmic dice that cast us;
And stuttered in shock.

Our dreams of stewardship
Were dashed on revelations,
That we are the chaos
In the inherent synchrony of dust.

Refusing all potentials
That mirror the errors of our youth,
We let the title ‘sentinel’
Drift from loosened fingertips,
Any now by morbid self-assertion,
We mark ourselves:
The selfish sixth apocalypse.
Robert C Howard Dec 2016
Can we talk?

I'm new to town
and I'm certain that you and I
have not yet met.
Are you a stranger too?

It's rather soon to say
but I caught a beacon in your eyes
(or maybe hoped I did) -
wanting down those
Frosted walls of unfamiliarity.

Who knows what tales
we soon may say
of overlapping circles
of shared community -
of parallel victory and loss.

It's so soon to say,
but for now, accept this hand
as a token of mutual membership
in Pangaea's beneficent sanctuary.

Can we talk?

*© 2016 by Robert Charles Howard
dean May 2013
I’m praying for Pangaea so I can run to the ends of the earth for you. Mixed signals are cancerous so I swallow yours down to keep you safe. Sure, souls like fire in my bloodstream burn on the way out but they’re streaming for you into this chest cavity missing a heart, my own Judas, betrayed me for your eyes. Even saints can be lost causes, darling, but you’re neither. You’re a superhero, all technicolour capes and dollar-store disguises and you’d think I’m the damsel in distress but I’m your nemesis. Why else do you think I’m burning Earth to the ground, for my own perverse enjoyment? I’m pulling your hair, putting tacks on your seat because I’m too afraid to say I love you, which is a truth, which is a bomb to defuse before our bed becomes ground zero. I laugh at your jokes and offer myself up for slaughter but you’re not biting so I’m walking home in the snow, alone. I’m cold, I’m frozen. I’ve gone home to a Heaven of ice, heads in the freezer like a good luck charm, your words carved into my palms so I won’t forget. Back to the lab, back to the drawing board. Maybe I’ll close the warplans for tonight.
I know you belong to her but I’m jealous, baby, I’m so jealous. I’ll tell you to bow down, defer, sing a hallelujah to lull me to sleep before I remember how much it hurts to love you. And tomorrow when you’re gone I’ll plan death: hell, maybe the world’s. You might love me then. I’m not too hopeful.
A 70th Birthday Poem

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     to keep my brothers and I from fighting
         fighting to cause star-shaped pain,
two-dimensional and primary colored, like on Batman
         fighting to cause welts from
rising like tectonic plates heralding the end of Pangaea
         fighting to bring forth blood
     red blood
      red blood
       burgundy and green and iridescent blood
she said,
         “As long as you’re laughing when you hit them,
it doesn’t count,”
     and it became true
     as the forced, adrenaline-driven guffaws
           tumbled up and over one another
            like rocks shattering one another
              into pebbles exfoliating one another
                into sand
     white and soft and meandering
seaside to tomorrow and forever.
         Know what I mean?

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     to keep from clashing
in a fashionable/unfashionable dissonance,
it’s important to remember:
     “Just because two things are red,
doesn’t mean they’re the same,”
or blue or white or black
     that when held together like paint swatches
each holds a different value,
         and the painter tries to make the best choice
because a purple shirt can be pretty,
     but . . .
“Nobody wants to live in a purple house.”  
         Right?

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     housecleaning should be done to a polka,
or not at all
         joyfully or begrudgingly
as best suits the cleaner
         and the polka,
     because . . .
“Doesn’t a little accordian make everything better?”
         Well, doesn’t it?

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     today is the 31st anniversary
         of her 39th birthday
     just as it will soon be
            the 15th anniversary
         of my 29th birthday

Of *course, it is.
Michael Siebert  Jan 2013
Mom
Michael Siebert Jan 2013
Mom
The sky is dead today,
but it looks a whole lot prettier
when you pump it full of formaldehyde
and slap some lipstick on it.
Its hair has fallen out,
but they make wigs for a reason.
Though Christ was once
the  world's most skilled coroner
the job has been left to the Children
of the city of God.
America is the last reservoir,
a stoic Indian
with a single tear
bleeding onto a deserted strip of highway.
We are the carbs we inhale.
We **** parasites,
choke down antibiotics
and anger our parents
for coming home fifteen minutes after curfew.

As mother earth lies
dying in a hospital bed,
(s)he listens to the sound of her
heart monitor,
looks at her dying flesh,
and says
"My God
how I've gotten old."
And us,
we,
the people,
all but cells
in this planet's ravaged body
reflect on what has changed.

Me?

The parking garage where
my friends and I
used to make believe
ain't gonna be around much longer.
The schools I visit
on weekends during the winter
feel shallow,
my victories easily won.
My nana lost the ability
to pick up the phone
and dial seven digits,
and the flutist
started drinking again.

I play the same seven songs
every Sunday,
and I try to believe that something
is out there,
and that there's a reason
for my eternal sense of boredom,
and yet I can't help but think I'm stuck.

My eyes are tired,
but her body is warm,
and the only time I find solace
is when I'm running my fingers across
her tattoo.
People change,
I changed,
hell,
Mother changed.
When I look at her high school photos,
I think,
"How did we go from Pangaea to
pieces?
We really let her go."

Yeah, it's our fault that Mom
isn't feeling well these days.
And we all feel real bad about that.
And we feel real bad about ourselves.

Up in the heavens,
the heart monitor spits out its last ding
and the line begins to flatten.
The sky ignites
and as this happens
we all come to the same realization.

Our victories are not hard-won.
We are not the sum of our parts.
All accomplishments are
only the result of circumstance.
We are nothing without our rifles.
We once had meaning,
but we gave it away
at lunch for a
Snack Pack.

All at once,
the continents collide.
The doctors in the sky
burst into Mom's room
and attempt to resuscitate her.
Earthquakes   shatter our spines,
volcanoes erupt,
the world burns in a flash.

For a moment, she awakes.
"I love you,"
she says.
"Always remember that."
Then all is silent.
The hospital
shuts off,
all lightbulbs burst
all patients dead.
No life supported.

God smiles.
I didn't proofread this prior to posting. Wrote it in one big burst. Feedback appreciated, as always.
Frisk Dec 2014
we imagined our bodies were continents but my
continent became an never ending earthquake,
trembling until it tears through the exoskeleton
of my body. the earthquake was panic attacks. i
learned to interact with them so i could see it coming.
i learned to appreciate the homes i destroyed, and
i helped you clean up the rubble after i obliterated you.
architect of sadness: you built an expansive house
that's always empty and chilly. you let the prettiest
flowers wilt and die. your bright colors coating your
exterior shows promise and sentiments, but even the
ones who walk through your doors notices the absence.
it's always too late to sever ties when you are given the
keys. your voice is like the dinner bell, ringing through
the west and east hallways and haunting these walls. we
were two different worlds clashed together like the big
bang, we were pangaea, a super continent exploding with
content and then continential drift split us open. somewhere
along the line, you became australia and myself the united
states, where swimming to you became an impossible
task. even at the end of it all, i asked for the keys to
enter inside the same house holding empty promises
and a foundation i knew was built from the hands of an
amateur architect. is that what love is? walking into the
scorch of hell's fire because you're willing to deal with
the permanent third degree burns and scars the fire will
leave on you? because that's how i know i love(d) you.

- kra

— The End —