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if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Nat Lipstadt Jan 2014
Dreams of a Child
Created: Jan 23, 2011 5:44 AM
Finished: Jan 30, 2011 4:23 AM
Posted here  Jan 2014
Warning:
a very, very long poem, but within , I promise,
there is a precise stanza about, for you.  
Take it as my gift.
Let me know which you took home to play.

~~~~~~~


Some poets care not
for the
discipline of rules,
laws of punctuation.

Why bother brother,
with putting poems
in antiquated jailhouses,
prisons of vertical bars,
or afford the reader,
the courtesy of horizontal lines?

Question and quotations marks
these day refuted,
as a Catcher In The Rye
conspiracy symbology of big lies,,
political interventionism,
to the creative, most natural
right to be crude.  

Inconvenient impositions,
symbolic flailings, of an
over regulated civilization
in the throes of declination

Punkuation is but a
societal annoyance to
today's creative geniuses,
periods, commas,
nothing more than
a pause to think -
who needs 'em?
when we want to stink
up the atmosphere with vitriols
of half truths and inhuman
but oh so gleeful,
concentrated disparagement
of any person worthy of
nationwide late night mocking merriment.

Such free spirits, vivid animations,
within me do not reign,
though upon occasion,
boy got permission slips  
for breaking bad by invention
of an occasional new word.

New words, white truffles
vocabulic incantations,
my own cupcake creations,
meant to burr, or purr,
their tasty meanings, always,
were readily apparent.

Sometimes we rhyme,
sometimes  we can't;
doth not a reading of a
poetic periodic table
of rants, chants
love poems, and paeans
to a shhhh! pretend,
overarching, poesy ego
require some minimalist format?

How I envy you,
kind observer,
possessor of literary powers
untoward and untold,
delicate touches of a fingertip
rule and rue
poetic invention.

You can zoom away or in
for a closer examination
of unscripted revelations,
incinerate them like an
yesterday's newspaper,
thus demonstrate contempt for
less-than-historic ruminations,
as time has done before.

Witness the crumbled ruins of Ozymandias,
king of kings,
and how the critic's machinations
with a dash of tabasco time,
his works, now museum pieces,
in the Tate Modern's room of
Laughable Human Aspirations.

Don't panic, sigh or groan,
kind observer,
infection inflictions,
content of discontentment,  
ancient whinings that the publisher
long ago listed as discontinued,
will not herein unfold.

What has all these mumbled asides
to do with the Dreams of a Child?

Apologies prolific I distribute
for this long winded profligate prologue;
and even for prior invasions
of your contemplative fantasias,
but my intention certain:
**** out the weak chaff eaters,
feigners of faux interest,
who stanzas ago deserted us,
this confessional lore.

These prior lines conceived
to mislead and deceive,
to refer and deter
send away, the hangers-on
who litter our lives,
with whimpered falsehoods.


So, we begin anew:

Today's lecture entitled
Dreams of a Child
were formatted on a silver disc;
this communication's originations,
seedlings of block
roman black letters
on background of cleansing white,
re things that jar me in the night.

Easy slights that waken
from a fitful, pitted rest,
mental paintings
natured in gem colors,
tourmaline auras,
and vibratto hues
of blue zircons.  .  

I have never lain upon the couch,
in the inner holy of holies,
where one whispers
to the Father Confessor
an original composition,
subject, title and inspiration
of said unique origination,
decidedly of one's own choosing,
roots of the essay's telling,
harvested in the root garden
of one's dreams,
where grow herbs,
spicy ones,
flavors of childhood.

The lush and wooded smells
of a forest of childhood scars,
and it's concomitant
putrefying, fruited rot,
awoke and brokered
a stilted, tremulous sleep.

Went to bed a a man
of modest success,
of modest scenes,
a bond trader, who trades
exactly that:
his word, his bond,
his blessing to his
deal constructions,
all of which, ended with an
irrevocable cri of "Done!"

Yet like you,
I am oft undone.

Dreams.

In truth, not dreams, but
spectral moments of
our lives relived,
a melange of ancient lyrics,
taunts of childhood abusers and
peer humilators
who could
teach the CIA
torture techniques
of WORD boarding, par excellent.

Angelic faces of human ****
that birthed in me a holy duality,
anger and a,
love of words,
my vaccination serum.

Granted a love of
human kindness
from teachers who cherished their
high and mighty tight
to publicly humiliate,
knowing full well
that human laws could not
attempt to have them
justly incarcerated.

Where, where were
the supervisors
who let me be spit upon
in the back seat of a
Fifty's station wagon,
by the brothers of
a sainted dead shepherd?

I am still eight,
sitting on a stoop in the
modest side of town,
towel in hand, so handy,
to wipe the tears shed
for cause,
for the car-pool of suburban boys
who "forgot" to pick me up for
Sunday swim night.  

In high school,
in the back row,
I silently ******
the juice of a Sarte lemon and
essayed a term paper,
upon multiple mirrored
reflections of a man
called Camus.

As another self styled, only living
teenage expert
on "alien nations"
received with pride and trepidation,
a sentence of Ninety Eight,
on my term paper,
but the pedantic predators
deemed it an accident
for I, was  inscribed in their
Upper East Side
Coda of Prejudice,
as merely,
"just" a
man of USDA,
B grade quality intellect.  

Hand me downs
I did not get
as I was the
younger, sole brother,
but worn lint lines
of humiliation
when and where my pants
were "let down"
to accommodate growth spurts
were my growing marks of Cain.

Those growth lines
were economic reality signs,
and were rich fodder for
childhood monsters,
Scions of Income Superiority
who lived in ranch homes in
two car, color tv garage slums,
wearing band new Levis.

In the Sixties,
time of my unsilent spring
wore a cross of
teenage hood,
my hair,
worn long,
Jesus style

Worn with labor pride,
for it was
Made in the USA,
I was a most conventional
revolutionary.

In the parochial jail
of educated guesses,
where society's lesson plans
of all that was bad
were O so well taught,
I was apart, ahead,
of Our Crowd,
but not too, radically.  

But a spiteful
Principal of No Principle,
deemed my locks a
disruptive influence,
so to exorcise my rebel streak,
so to crucify his "Jesus Freak,"
so to exercise his diminutive spirit
a pompous uber man,
he had me shorn
like a sheep,
thrice
in just one day,

He loved his full employment
of his pharoic entitlement,
The Educator's Power of Abuse,

I was so denuded
of human strength,
the Italian barbers of the
East 86th Street subway station,
wept for me,
their cri du coeur,
Angels in Heaven did hear
and from God
did dare demand
an explanation!

He roared in manner celestial,
"Is he not my child too,
and if he be treated
in style *******,
it is purposed and willful."

Pornographic compilations of
slaps across a child's face,
I've got plenty
of and in My Space,
should you care to
add your own,
down under,
got plenty of room
for all comers    

In a Facebook world,
I pride, not pretend,
that having fewer "friends"  
is my honest and true
reflection of who I am, and,
life lessons learned -
quality, not quantity.  

Victims of discrimination
can be most discriminating
in matters of
human games, associations.  
****** or word,
lack of taking care
is not heart healthy.

Tried to forgive
the despotic progenitors,
of some of that which
is good within me
that, irony of ironies,
they can claim the title,
creator;

Tried to give them
what I had gotten -
from the happy malcontented  
evil spreaders,

That grace, grace is
the only methodology,
an inestimable but
valuable lost leader,
the only way
to survive on
this planet of
hardtack and
caste striation.  

Though still quick to anger
at the cutters and denigrators
I am quick still to
confess my own failings, and forgive those
of plain and honest folk.

Unfortunately, kind observer,
you had to share my brunt,
syllabic Iwo Jima battles
of a decaying verbal moonscape
to reach the denouement,
for now we have,
mostly arrived

Most likely you too
have long ago
deserted me like
so many others,
no matter,
this modulated breath
was born and released
from my heaving chest and
as I knew it,
know this:

My Absaloms
where ever you be,
presumably and hopefully in hell,
I give you thanks
and a mini bar drink
of absolution.
a tin medal of appreciation,
for the
Marked Improvement
you inadvertently nurtured
in this restless,
voyagered soul.

My ancient enemies
till now, be advised,
forgive and forget
was and has not  
fully formed
in my penitential template,

Unlike your natural capacity
for cruelty and mean
birthed unto you
in your third rate
genetic melange,
forgiveness is taught
in a Master Class
at a famous school of Ethical Drama,
that I did not attend

Though resident in
a better place,
my root garden,
the bitter herbs you planted
still grow but,
are welcome in sweet brotherhood,
until the selah days
of just one flavor.

Though the universe's expansion
is of a pace such that
time and space definitions
will stretch and warp
and need be
refined, replaced,
the governing principle here.
need not be rephrased.  

For goodness
from evil
doth come
and should your
evil spectres
once more try
for resurrection
in my benighted
dream world.
you will find the doors
locked and barred,
upon them a sign
not verbose,

**Done.
Whew.