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JL Harlow Apr 2014
I don't think tunnels can go this deep:
The way the oceans part--
Starfish foam, bubbling for air.

I saw the moon bleeding,
So many hidden cries.
She shouted:
"No fair, no fair...No fair..."
And now the polished skeleton
Bones glisten in the sun.

Taken from the dusty closet,
One by one by one.
Alongside a black journal,
No embellishments,
No lock to conceal shame.

Pages of her history,
Like collected pages of
The suffrage, and at the
Very last page, her dream's name.

Italicized like lies fresh oyster pearls shine.
Glistening in the frost of the night,
The soothing heat of her mind's height.
Tunnels can touch Earth's spine.
"Earth's Spine" from J.L. Harlow's book of poetry "Dragonfly Island".
ConnectHook Apr 2017
Wussup, professional Latina?
Diversity been good 2 U?
Water warm enough 4 U?
Shaking down enuf rich gringos
to fund your Non-Profit?
(speak against capitalismo here)
Got time for la Revolución after your pedicure today?
(mention the border here)
still watching Oprah, Abuela?
heard from your third ex-husband recently?
Wussup consummate professional.
(turn on NPR here)
Got nail polish? Got car waxed? Got investments?
(take a networking business lunch here)
Have you streaked your hair enuf?
(mention indigenismo here)
I hope you are caring well for all the nietos
and still have time to be a tiburona
(insert italicized Spanish word here)
How are all your gente ?
(mention mujeres fuertes here)
Hey Latina - when did you move out of the barrio ?
(mention La Raza here)
Mujer Latina—wussup.
how is Gringolandia workin' out 4 U ?
(turn off Univision here)
'cause if the oppression gets too bad
you could always move back
to Venezuela
or Chihuahua
or San Juan,  or...
(mention Trump here)
...Miami?
You hypocrite you
I am an italicized remark,
your spicy punctuation;
I am your steamy satisfaction,
your permanent vacation.
A unique innuendo,
a read between the lines;
I am a story like no other
as I lick between your thighs.
from Cosmo,
The New Yorker;
A romantic gentleman lover.
A sweet wine you taste-test
and lick around my lips,
I am a kiss you can't resist-
a naked sweat, a seductive bliss.
I am the palm that stings the skin,
a ***** spank than burns within.
I am a moaning, seeping ******
that rumbles with percussion.
I am your emphasized description
although no adjective does justice.
Copyright Christopher Rossi, 2010
1100

The last Night that She lived
It was a Common Night
Except the Dying—this to Us
Made Nature different

We noticed smallest things—
Things overlooked before
By this great light upon our Minds
Italicized—as ’twere.

As We went out and in
Between Her final Room
And Rooms where Those to be alive
Tomorrow were, a Blame

That Others could exist
While She must finish quite
A Jealousy for Her arose
So nearly infinite—

We waited while She passed—
It was a narrow time—
Too jostled were Our Souls to speak
At length the notice came.

She mentioned, and forgot—
Then lightly as a Reed
Bent to the Water, struggled scarce—
Consented, and was dead—

And We—We placed the Hair—
And drew the Head *****—
And then an awful leisure was
Belief to regulate—
Michael Egan Mar 2012
I made a list of all our kisses, starting with just ‘kiss’
Which in the heat of passion was italicized like this:
kiss, then emphasized in variations Kiss! and KISS and KISS
Which even though ethereal somehow added to our bliss.
And later in IM we found that we could really KISS!
I mean in theory still, of course, for physically we missed
The real touch of real lips and autres choses on that list.
And there were funny graphics, I can’t reproduce them here,
But you know the ones we used a lot, they all meant kisses there
The hearton built with < and 3, which always made you smile
And the asterisks and emoticons we used once in a while
And let’s not forget those x’s which a net of crosses wove
*** and xxxx, our ******* book of love.
Soon added to our kisses came words like longingly,
And tenderly, and lingeringly and gentle morningly
Sometimes we gave it lots of tongue, but loving nibbles too
Whenever I’d le pout or tears your lashes would bedew.
These are the ones I can recall, probably there are more
I’m sure you’re itching to remind me from your memory’s vast store
And you can tell me all about them in some poetry well versed
But my love, before you write it, you’ll just have to kiss me first.
Robert Ronnow Aug 2015
How many poetry books = 1 Nissan Pathfinder exhaust
      system.
How many bluebirds? Money is how we thank people for
      what makes them special
How we express our love and gratitude.

Weight and moods, up and down, with weather and outcome
      of meetings.
I am so sick of humanity, people. Wouldn't I prefer
      chickadees?
Then I get home, that is the comfortable tree hole I've been
      longing for.

Aaron pitches and plays piano. Zach likes lacrosse and math.
The mound was soft, sand, with a hole big enough for an urn
      or to hide a plover
But Aaron pitched carefully anyway, slow strikes and the
      opposing team scored.

What would God's work be? Meaningless question. Today's
      schedule:
Write fund raising letters, conserve small farms. Local food,
      local jobs. Don't transport food coast to coast. Save fuel,
      less CO2.
In my opinion the dislocations resulting from climate change
      and global warming will be within man's adaptive capacity.
      On the other hand.
Also, green industry will open a vast employment market, a
      job for every grackle, crow.

The good life, unsustainable, we're poisoning our children
      although my children are not so poisoned. They're bald.
      Unusually bald. Good looking bald. Future of man bald.
      Happy bald.
Bald eagle. Nesting, mating near Karen Sheldon's, a
      conservationist, philanthropist, on the river, whose
      husband recently died. During romantic dinner on a
      second honeymoon in Paris, so I've heard.
That's Jake's spirit come home as an eagle, Karen said. Isn't
      that great, I said, and the she-eagle he's nesting with!
--I'm gonna **** that *****.

Compare Captain Carpenter and In a Prominent Bar in
      Secaucus One Day. In each case the hero's (heroine's)
      body declining
Under life's duress. Anything located in Secaucus, NJ could
      not be considered prominent, could it?
In the end, clack clack takes all. Hard to end a poem better
      than that. Clack clack the crow's beak, upper and lower
      mandibles meeting. From hunger, or it just does. Crows
      clack clack to communicate.
Whitman's greatest poem is Out of the Cradle . . . also
      involving communicating birds, in what is initially an
      embarrassingly emotional display. All that italicized
      moaning and yearning. Get away.
Then, clack clack, he turns on you. Death lisping, straight into
      your eyes. Suddenly you realize you should have taken
      him seriously, been paying attention.

In the meantime, traffic, corn, new exhaust system, ask for
      money, save farms, poor people, sun on garden, whole
      wide world, wars, stars.
I gave up long ago on a quiet world. Now going deaf. Then it
      will be quiet, too quiet.
No more birding by ear. "No more *******." I mean really . . .
      I was moved as anyone by Hall's honest poem about Jane
      dying and I guess ******* can be music to someone's
      melody, stand for living, but not me.
No more birding would have had more meaning. I'd rather
      bird than ****. No more *******, no more worry, no more
      war.

Which is why I'm gonna **** that ***** is so funny, such a
      life-affirming comeback.
At first I worried Karen really believed the eagle is her
      husband. Maybe she does,
But that punch line makes her the kind of woman I want to
      know.
www.ronnowpoetry.com
shooshu  Dec 2015
empty 'inside'
shooshu Dec 2015
"italicized idleness
illuminated by the
tic toc of time;
fueled fluorescent in
the blue confusion of
flickering bulbs &
clinical corridors of
filler conversation."
I'm seeking to amass a Collection
of the World's spiritual, mythic and philosophical codices.
I want to collect them out of veneration
for those who came before who have tried to illuminate the Paths:

The following is my library of such books of yet.
Entries in bold are my recommendations;
entries italicized are strongly recommended.

-Old Works:

Egyptian Book of the Dead
Tibetan Book of the Dead
The Bhagavad Gita
Euclid's Elements

Tao te Ching (I have 3 translations)
I Ching (2 translations and a workbook)
The Qur'an
The Bible

-Newer Works:

Plato and a Platypus walk into a Bar: Philosophy explained through Jokes
Quadrivium: Number, Geometry, Music, & Cosmology
The Pulse of Wisdom - College Eastern Philosophy Book
Food of the Gods by Terence McKenna
The Elements of Reason - College Logic Book
1001 Perls of Buddhist Wisdom
Net of Being by Alex Grey
Art Psalms by Alex Grey
The Portable Nietzsche
The Red Book of Jung
The Portable Jung

The Subtle Body - Encyclopedia of chakras, auras and other personal energy systems.
Who are you? - 101 Ways of Seeing Yourself
--

I seek to compile this Collection
not to have a nice looking bookshelf;
nor do I seek to find which one is right.

I seek to learn from each of these
the lessons that are intrinsic in our Lives;
they're all matters of perspectives.

I want to compile the aspects of each philosophy with which I resonate
and integrate them into my own,
forging a dynamic and holistic individual philosophy.

All of these books are Mystical masterpieces.
All of these books provide insights to the nature of our Holy Reality.
All of these books ultimately attempt to express the same ineffability.
All of these books are interpreted then translated and interpreted again.
The way I see it,
I may as well do it for myself; draw my own conclusions:
Think for myself.
If anyone seeks further information
such as publishers or Authors not mentioned, please let me know.
If anyone has suggestions for additions to my collection, please let me know. :)

Quadrivium is simply and unequivocally badass.
Johnnie Rae Dec 2015
I never knew how to
write poetry correctly.
It's not like it comes with an
instruction manual
that reads in italicized letters

"dig so deep into your head that if a brain aneurism were to spontaneously combust, you'd be the first to know about it"

No one told me that my emotions
would corkscrew like falling
meteorites every time I picked
up a pen.

No one told me that the thoughts
would sometimes dry up
and leave me searching like
a dog who buried a bone and
then developed a rare type
of amnesia.

No one told me that sometimes
it would be hard to get the words
onto the page without tears
falling like a liquid avalanche.

There was no instruction manual
or italicized letters. There was only me,
and a lot of lessons to learn.
Poetoftheway Jul 2015
~~~
"But I’ll know my song well
before I start singin’"


Bob Dylan
"A Hard Rain A-Gonna Fall"
~~~
thought this poem down years ago,
while hiking in a nature preserve,
never wrote it up,
never knew why

I'm a
top-of-lungs shower singer,
a hiking poet,
dripping italicized words from the
four corners of mine eyes

my voice,
*****,
my song,
a work in progress,
my brain, says,
challenge,
asking

how dare you sing words,
you know
that I know,
don't know your song well,
well enough,
to start singin'?

the flowers and the fauna,
sea grass, lagoon, deep forest cover, beach,
butterflies hiding in bamboo stalks,
the deer, the fox, the chipmunks

all start laughing at me

"look upon us,
a single preserve
is our shelter,
a thousand years in the making,
our song has hardly begun
we are a forever
work-in-progress,
just like you

so sing of us, sing of you,
learn the chords as you go along,
finger the word notes,
try out variations,
realize this unfixed change,
is all of us
preserving

that friend
is indeed,
your song

you know it
well enough,
that's why
you have
never stopped tryin' and never stopped
singin'

~~~

July 2012 ~ 2015
Mashomack Preserve|The Nature Conservancy,
Shelter Island, N.Y.












    






~~~

http://www.bobdylan.com/us/songs/hard-rains-gonna-fall#ixzz3gFdhKEW1
Nat Lipstadt Apr 2014
you will not like what
you will soon imbibe...

long has a single moot court team
infernal internal debated,
the if's and of's, among itself:

"To Read, Or Not To Read?"

in solitary confinement,
place one's self,
undisturbed but for stale bread,
but unpolluted water

letting only visions sprung internal
guide thy words and world,
from tongue to paper,
creating as pure as one can,
unperturbed by the
rocket's glare of another's poetry

risking all but certain knowing,
it is my fawlty fault alone,
no compare, all laid bare,
no infection of inflection,
no reflection of yours,
in mine mirrored image

my issued seed, entire genetic,
it's only inked environment what is
pre-seeded by blood and *****,
my eyes filter all sight by this light,
this lonely light alone

for the moment, when,
I bend my head to thy stream
to partake when inspiry is parched,
the knowledge that what you
write and wrought,
so much better
than my small portions,
I am condemned in perpetuity
not to the agony mot of defeat,
for I could not
cease to write,
any more than I could
cease to breathe,
or despair of all hope
for messianic better days

but, if to be burdened
by the too real title of
second best,
then my poems,
all sadness to be.

this I cannot have,
so let my pieces,
mediocre or even trash,
live peacefully unencumbered
by the site lines of the living
and the dead

thy finery exceeds my plain grasp,
when I read yours,
my self-pity self-suffocates,
and I ask,
nay, I beg of myself:

let my voice be still
but not stilled,
let my thoughts be boundless,
but not in thine clasped,
let my heart speak my truth,
even unto admitting my yellow courage,
let it not be disparaged by,
for my rank of commonality,
it's low caste author's curse


"for who would bear the Whips and Scorns of time"

I have read the best

once, I wrote
to laugh,
reminded and reminding,
they too feared,
the compare to those who
wrote before their own hour

now I know better,
my only solution,
let my additive, be uncomplicated
my images, uncompromised,
by that, my eyes have n'ere seen,
in languages unspoken, but yet believed,
that were given birth only
for a poet's needs

you may dispense
with my droppings,
as you please, but when
I read you and yours,
I am,
so dangerously pleasured,
my creativity,
my one true god and deity,
oft no longer speaks to me,
it's silence a death sentence
that no court, not in any land,
on earth or unheaven,
may e'er grant clemency,
that of course,
unkindest cut of all

"Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry"


"The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of"


You see, already cursed and contaminated,
All my sins italicized, except for my original one,
The imposition of mine own hand,
To dare to write and dream in line and meter, verse

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


*To be, or not to be, that is the question—
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes Calamity of so long life:
For who would bear the Whips and Scorns of time,
The Oppressor's wrong, the proud man's Contumely,
The pangs of despised Love, the Law’s delay,
The insolence of Office, and the Spurns
That patient merit of the unworthy takes,
When he himself might his Quietus make
With a bare Bodkin? Who would these Fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hue of Resolution
Is sicklied o'er, with the pale cast of Thought,
And enterprises of great pitch and moment,
With this regard their Currents turn awry,
And lose the name of Action. Soft you now,
The fair Ophelia. Nymph, in all thy Orisons
Be all my sins remembered.
11:13 this Saturday morning, composed to Pavarotti singing
Nessus Dorma!

as noon approaches, the day divided, I will here pause as long as my eyes, permission me to stop seeing...
Gary Brocks Aug 2018
A storm blew through early, left frost
etched, lit, glistening, on
a window's waking surface.

I sit framed by that translucence,
my daughter aligns, orders
mirroring matroyshka doll members.

I reflect on an essay*, how
poems are a symbol of  will,
concluding a pact, perhaps

achieved in diction, image metaphor,
adherence to structure, rhyme, form.
Might these devolve to decoration? Or,

trace the transmission of "will to
commitments," expressing “intent”,
"weakly lost or strongly spent?”

Frost etchings fissure, shift, glint, slide
on their emergent effluence,
configure in gusts of cognition.  

I sense a covenant in these lines.
my daughter adjusts her doll's placements,
the promise of one revealed in the other.

Copyright © 2004 Gary Brocks

——————————————
Attribution:
Stanzas 3, 4, and 5 are greatly influenced by my reading the Robert Frost essay titled *THE CONSTANT SYMBOL.
The short phrases in italicized quotes are direct quotes from that essay.
180828F

Frost,  Matryoshka, symbol, essay, configure, cognition, covenant, pact, commitments, intent

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