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Ezra  Apr 2015
Ink
Ezra Apr 2015
Ink
Inkblots cloud the sky
Inkblots murk the clouds
Inkblots envelop words
With their drops of black destruction

An inkblot falls on a painting, a drawing, a writing, and it all drowns up.
Bailey B Dec 2009
Once I took one of those blot tests, the ones that that Rorschach guy invented.
Or maybe it's Rorscarch.
I don't know, but I call him Roar-shark.
Anyhow.
The ones with blots of black paint that you're supposed to find pictures in.
There was this one blot, and I saw the profile of a lady's face, with long windblown-looking hair.
I was supposed to find a butterfly.

I've always had a different take on things, a weird memory association.
Well, I guess I can't call it memory. As far as I can recall, I've never seen that Roar-shark blot lady in my life, or anyone like her. At least, anyone that I can remember. And I only remember the truly remarkable.

I had these really great microwave burritos that I would eat after school, before rehearsal so I could just pop them in and go.
They were warm and gooey and really realllly bad for me, but hey.
I'm in a hurry. I'm allowed to be fat.
They were soft and I could eat them in the car on the way to the theatre without spilling things on my rehearsal skirts.
But then my grandad got throat cancer.
I was house-sitting my Nana's house one day and opened the fridge to get myself a glass of milk while I fed her cats.
Those very same burritos were in their freezer.
The other day I shoved one of them in the microwave so I could grab it and go,
and I hopped in the car and took a bite
But I couldn't eat anymore.
I looked at it and my stomach turned and for some reason I could not eat that burrito.
My mind had decided that if I were to take another bite out of that food,
I would be eating cancer.
I told myself that I was being ridiculous and stupid and I was hungry, so eat it.
But I couldn't shake it.
So I threw it out the window.

My mind's ALWAYS doing stuff like that, playing tricks on me.
I can't touch the page numbers on the pages of a book. I think they're spiders.
Sometimes I think my oboe reed blades are actual blade blades
and I'm afraid to put them in my mouth.
Weirdness doesn't go away.

So now I've switched my before-rehearsal food.
Tortilla. And milk.
I don't know why this strikes me as appealing, but it does.
My mind equates tortillas and milk-- warm and cool-- with happiness,
just like it equates my face wash to orange and honeysuckle.
(Though it smells like neither.)
and Christmas angels to pillows.
Rugs remind me of Egyptians.
Theatre seats are associated with a certain animated clownfish.
Leaves are reminiscent of the Sistine CHapel.
Pleas don't tell Roar-shark.

Once my English teacher told my class to write everything important in ink,
which brings us back to that one guy,
in pen.
Since everything I write is important, I write everything in pen.
Of course, you can see everything I scratch out, too.
The unimportant of the always important.
I like to think I'm not afraid of mistakes.

But sometimes, when my iPod is on shuffle,
it decides to get inside my head and play that song
that reminds me of you--
back when I bit my lip,
back when you owed me a slow dance,
back when I actually LIKED the scent of apples and pine trees.
And my mind does this "freeze" thing that
makes me stop breathing for a second.
and I hit the next button really really fast and then
fly off to the kitchen to find a glass of milk
because nothing can go wrong when I've got happiness in my hands.
But it's no use.
The thought gets to me before I can stop it.
About
my
our
YOUR mistake.
And then I just get angry and the milk quivers in my glass and I have to set it down before I throw it at the wall or something drastic like that.
Because I am dramatic, maybe.
Because even though I have played it over in my head
because even though I try to think it's my fault
because even though I try to blame it on myself
I can't.
Because it's not.
Because I'm not afraid to make mistake.
But I'm afraid to remember you.
Because
Even if you were remarkable.
You aren't.
Roar-shark would have a field day.
Paula Lee  Jul 2014
InkBlots
Paula Lee Jul 2014
First thing this morning
I broke my pen,
Spilled my ink all over my pretty white paper,
left with nothing but inkblots,
maybe the Mental Health people can use them?
Ignore this one!
John Niederbuhl Oct 2017
Nature's own inkblots,
By time and wind shaped
Each with a story to tell,
Fantasy stirring, recollection as well,
Knowing us better than we know ourselves.  
Some have stooping shoulders,
Like old men after a funeral
Talking quietly on the lawn.
Some have boughs that slant down,
Like eyebrows
On teachers that frown--
Worried and skeptical.
Some stand at varied intervals
Along hilltops above a town
Watching like sentinels.
Some have branches that curve up,
Short, like fancy mustaches,
Or long branches, like eager arms outstretched
To greet a loved one.  
Some stand very close, boughs touching,
Like families saying grace;
On some, the branches intertwine,
Like lovers who embrace,
And on some, the lowest limbs
Fly upwards,
Like a skirt raised by the wind.  
Young ones crowd together,
Some taller than the rest,
Trunks thin,
Like kids choosing sides for baseball.
On some, the branches rise like smoke,
Billowing silently, curling,
Drifting to the sky
Like prayers from a little church
Where all the woman wear hats,
And every man wears a tie.  
Like inkblots spreading they capture the eye--
Each with a story to tell.
Silently standing,
By time and wind shaped
Knowing us better than we know ourselves.
I grew up among these trees--I know them and they know me
Rory Sep 2014
I started writing for you
All these sappy lines
All these bits of prose
They're for the one I love

I stopped writing for you
My creativity waned
And my inspiration vanished
When you did
Alone with this desk,
And a notebook chock-fulled with paper;
Endless.. he chomp everything away.

Things truly aren’t easy,
The silence makes it harder.
Hey music, fill the air;
For not all truths,
But laughs of frauds may break out.

Just like the old days.
Just like the lady boss,
Just..maybe.

There should be dancing all around,
Where crowds should chip in
And take things in stern.
Errands were not decors –
Trespass! Like mini ciphers,
Digits, letters, they knock the drill out.

Only a couple more days left,
But in ignominy,
This generation may fall;
How pitiable..

With such marks and inkblots,
The source remains unrecognized.
They’re used to seize papers like that,
Although such are committing theft already.

Left were words,
Can’t spell it unerringly;
Yet the hearsays divulged its address,
So now, it’s time to slam this tome;
End the toil that has always been the crook!

Go outside,
For the sun’s rays are there!
Goodbye to this aged chair,
And to this notebook full of nicks,
With new freedom,
We shall embrace..
Everything.. “Ciao” to what’s new,
‘Coz this is the real world!
Oh college days!

(7/25/13 @xirlleelang)
Aseh Dec 2012
You are drinking yourself red-eyed and crumpled
on an unmade bed meanwhile I
am hating the world’s promiscuity and signing
autographs that serve no alternate purpose
subsequent to their ink-blotted conceptions and silently
my heart scratches and claws and penetrates
bone, muscle, and choked fat
to get to you

How will we know
when we’re no longer
young enough
to inconsequentially
rot our bodies
from the inside
out?

If I could
I would search for a space
impenetrable
by ants molecules and medium-sized atoms
that exists between
my pale finger tips and
your freckled
bare back moving
slowly up and down

If I could
I would be somewhere where nothing
is the tarnished byproduct of anything
where no one will remind anyone not to
clog their throats or minds or eyes
when they
shiver and choke on scarlet inkblots
and chug gasoline
and wipe away dirt stains
and drink each other’s shame
and form cuts on the soles of their feet
after rushing barefoot through beds of sharp stones
to reach other
Do you believe
that a poem
has not one meaning
                                                                ­                                                                 ­     but imports as numerous
                                                        ­                                                                 ­           as the eyes that experience
                                                      ­                                                                 ­                                     its existence
                                                       ­                                                                 ­               and try to piece together
                                                        ­                                                                 ­              how it exists in their life?
that the core of a poem
is some internal light
that the poet has basked in
which has manifested itself on the page?

                                                          ­                but that for each of us
                                                              ­    who is touched by its presence
                                                        ­                   it is an aurora borealis
                                                        ­                  which holds us rooted
                                                          ­                 panting in excitement
                                                      ­                       lost in admiration
                                             and appreciating that someone somewhere understands?


                                                ­                                                                 ­           that an encounter with a poem
                                                            ­                                                 is like trying to find shapes in the clouds
                                                          ­                                                                 ­       or constellations in the stars
                                                           ­                                                                 ­            or meanings in inkblots

that within its randomness
patterns emerge
and each one  may discover
exactly what one is looking for
                                                             ­                                                           that within this meeting of minds
                                                           ­                                                                 ­     there is an universal connect
                                                         ­                                                                 ­                        a personality test-
                                                           ­                                                                 ­                        that reveals both
                                                            ­                                                                 ­            the reader and the poet

so while reading any poem
it may be worthwhile to think
what did I learn about you?
and what did I learn about myself?

-Vijayalakshmi Harish
18.09.2012

Copyright © Vijayalakshmi Harish
Nik Bland Jun 2013
Let's back pace, erase my face from your memory
I will leave and make you believe my new identity
Level-headedness was never in the job description
Pushing away this world like it's a bad addiction

I have a love unending
Transcending space and time
Living in the world I create deep within my rhyme
And I stand 'till I choose to sit
And I will sit for now
Wiping inkblots off my page as if sweat from my brow

Let's back pace, erase my face from your memory
I will leave and make you believe my new identity
Level-headedness was never in the job description
Pushing away this world like it's a bad addiction

She was and still is the girl
The girl who was unobtainable
Yet my body stays restrainable as I sit here scribbling
Tossing her hair over her shoulder
I stick to my seat as if atop me's a boulder
And I try to convince myself that I'm too busy

Let's back pace, erase my face from your memory
I will leave and make you believe my new identity
Level-headedness was never in the job description
Pushing away this world like it's a bad addiction

I am a boy who doesn't take chances
While the words dance in my brain
And I write of love and true romance and live them on the page
So my **** has finally decided to not partake in the occasion
And stay seated so I'm not defeated to prevent sorrow's invasion

Let's back pace, erase my face from your memory
I will leave and make you believe my new identity
Level-headedness was never in the job description
Pushing away this world like it's a bad addiction

My brain and heart battle for control
Of shifting feet and lover's soul
And what stands as inconceivable is why I'm so lost
A chance is a chance and that is all they are
And I need not travel very far
Not trying is still losing and standing and sitting both have their cost

Let's back pace, erase my face from your memory
I will leave and make you believe my new identity
Level-headedness was never in the job description
Pushing away this world like it's a bad addiction                                                                                        

Heaven's eyes lie through ruby curls
She meets my glance and smiles at me
While I stew with ink-stained fingers here in purgatory
Stand up, **** it! Just stand up! My heart and head reach a conclusion
Pages only go so far and the safety of sitting an illusion

Let's back pace, erase my face from your memory
I will leave and make you believe my new identity
Level-headedness was never in the job description
Pushing away this world like it's a bad addiction

I stand up and find, to my surprise,
My legs choosing to support
Dropping pen and picking up the ball that's in my court
And I walk up to the girl who plagues my dreams
As if her very being, to me, beckons and calls
Only to hear the world laughing at me as I slip, trip, and fall

And hell is all to real to the boy who occupied purgatory
With tear-filled eyes from looking to heaven
With ****** nose caused from leaving his seat
Seeing my chance flutter away as I run out of the room
Indented in the red haired girl's eyes as a simple buffoon

Let's back pace, erase my face from your memory
I will leave and make you believe my new identity
Coming back another day to claim my love once more
And being ever so careful to make sure my face meets yours, not the floor
There is a rising beneath
The shape of cresting wave peaks
Where light shines through and down
/
Into the rushes, cupped in the hands
Anemonae— between the bubbles and the air pockets
And pressurized space stained black and white and blue
/
This is the land of the deep, the deathly still
Where only the brave light of pyrosomes
Wan— cast upon the inkblots that pool in human hearts
/
Can fill with air the lungs that breathe
And float, and buoyed and bobbing,
Teach us to feel the warmth of sun again
/
So let it be known I combed the ocean floor
I paid in sleepless solo night sojourns
I sought the sacred in sands, tectonic rifts,
/
And elemental Pelagaic bits
Dark bits that, cupped in the hands—
Stronger now— squeezed— burst to stars
Prompt: The abyssal zone or abyssopelagic zone is a layer of the pelagic zone of the ocean. "Abyss" derives from the Greek word ἄβυσσος, meaning bottomless. At depths of 4,000 to 6,000 metres (13,000 to 20,000 ft), this zone remains in perpetual darkness.
ju  Apr 2021
wishes & inkblots
ju Apr 2021
ladybird, ladybird

pen-push through

sternum

cry when I catch &
lie when I pin

them

fluid fills,
spills, stains

the page

fold

fly away, fly away, fly away

home
Joyce  Dec 2013
A vermin stings
Joyce Dec 2013
I smell burning lights of neon and blue.
It's Christmas, they say. Inkblots have formed
their own sentences, helping me
write.
In the midst of this slow night,
I swear I am right.
And I pull Kafka from the shelf
because I want to hear him talk.
I am my own vermin, and we can be random
together.
I love you Kafka, I say.
I love you.
Kafka.
I love you.
Shall we dance despite your limbs?
Samba's playing, I am left staring at you
then back at him,
and right back at you, right where you stood
tiptoeing as you reach the topmost corner of the
cupboard.
You know I never hide any can of insecticide, Kafka,
because I get it, you'll wither.
But I love you, Kafka, I say.
I love you.
Kafka.
I'm a bit colorful with a drag of dirt.
I'm a bit Spanish when I shake my hips.
I turn French right before midnight.
I lose sight and might when the clock chimes
two in the afternoon -
I become just by looking at you.
Because I love you Kafka, I say.
I love you.
Kafka.
I.

— The End —