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Alexander K Opicho
(Eldoret, Kenya;[email protected])

All black virtues and white vices to day
Point to the reality around the British Empire
Or the famous Great Britain
Or the British Commonwealth
If not the English commonwealth
That its next monarch must be an African
Truly an African without streaks of cosmetic Africanity
Deeply black in colour, ***** in race and African in blood,

The monarchy of England should not be confined
To the parochial and Provencal English blood
Falsely named the royal blood
What a misnomer? For science and religion
Has nothing in history like the royal blood
But only brutal probability of genetics
Ever and ever will befall humanity,

The royalty of blood is only a smokescreen for racism
Or inter European apartheid or apartheid in universality,
The empire of British Commonwealth, Gambia included
Is not about the royal blood of charlese, Elizabeth nor Victoria
It is all about world class cultural inclusivity
Of all the pillars of the English culture,

English commonwealth is of culture, language, attitude and geography
This has to be known devoid of racial biase
And this is the great English empire;
It is a billion African English speakers
Its five hundred million American English speakers
It is a million Australian English speakers
It is a hundred million Indian English speakers
These are the bricks that mould the English commonwealth
Not queen Elizabeth and her son the cuckold of Egyptian mangy dog,
It is the nation of Uganda which is hundred percent African,
No Caucasoids nor Asians but its mother tongue is the British English,
Uganda is crazy; its peasants speak English like Cambridge scholars,
It’s the Nigerian Afro -cinema that promotes spoken English
With the muscle only inherent in the stampede of cultural imperialism,

The royal family is not royal at all in the informed understanding
Or else which family is not royal, show one me please
And I will show you folly of the day
Who wants not to be royal, why not all of us,
Crudeness of culture is the pedestal of reserved royalty
Inclusivity is the contrasting mother of cultural strength
Thus, all English speakers are the royal family
Of the British Commonwealth,
They don’t need royal blood
They already have full amour of the royal culture
Of the English linguistic or mental civilisation,
Please Queen Elizabeth listen to me carefully
Listen with your wholesome body and soul to this song
The song of freedom echoing cultural modernity;
Give to us, we your children of the commonwealth our rights
Include us in our hard earned monarchy,
I also want to be the king of England
I want to fill that royal palace with my dark skin
I want to speak and write English poetry inside the palace
The royal palace of England whose
Whose Golden floor and pavement are  s
Reeking the blood of colonialism
The wood and gold in the palace
Was taken from Africa without any pay
During colonial robbery with violence,
Give me my historical rights to be the king of England
Then my four African wifes; Lumbasi Opicho, Namwaya Opicho, Nangila Opicho and Chelangat Opicho, the most beautiful of all from the heroic Kipsigis
Will be the four queens of England, queens of the English commonwealth
Lumbasi for Scotland, Namwaya for England, Nangila for Wales and Chelangat
For the begotten Ireland,
I have all the virtues in my blood to be the English king
If it’s military, shaka the Zulu is my uncle
If it is wisdom, Nelson mandella is my uncle
If it is intellect Kwame Nkrumah is my father
If it is culture Taban Lo Liyong and Okot p’Bitek are my brothers
Whereas Leopold Sedar Senghor is a son of my father from another mother,
If it is beauty Cleopatra the Egyptian whose beauty killed the Roman king is my mother
If it is science my witchcraft is superior in technology to silicon computing
If it is ***, ask your daughter in law princes Diana
Now what am I missing to become the next English monarch?
Sean M O'Kane  Sep 2018
Stand
Sean M O'Kane Sep 2018
"You had to be there, I guess".
What will they think of us in a century’s time?
The sheer knuckle-draggedness of it all
Neo-fascism as neo-fashion.
Guns, guns, guns.
The celebration of vacuousness as virtue.
It’s hard not to think of us all staring into the void right now.
But if we stay silent, we die.
Fight hate with hope.
Celebrate diversity with inclusivity.
Otherwise history will judge us, harshly.
It’s not that difficult, people.
#resistance #antifa #diversity #hopenothate
There comes a time when tyranny of numbers,
Evaporates into tyranny of idiosyncrasies,
Especially when the ethnic tyranny tyrannizes
Voice of reason the matrix of humane inclusivity,
When the malice in the enormity of clan numbers
Worships brutality of foolishness that purtains
In the  group of the over sized ethnicity
To cement the tyrannical tomfoolery.
Lawrence Hall Mar 2019
As culled from an arts magazine, 13 March 2019

Socialist Realism - The official doctrine in Soviet art and literature after 1932 that evolved from the traditional commitment to social and civic concerns into an all-pervasive general ideological mandate.

            -Yevgeny Yevtushenko, 20th Century Russian Poetry


collective exhibition space vibe community
interactive narrative brown neighborhood
defined commodified Indigenous
identity tone-deaf decolonial
narratives populist intertwined
exhibition curatorial vision
culture local artists arts district small galleries
DIY spaces speaking out against
gentrification displacing shelter
studio space elsewhere late stage capitalism
collective mantra underdog art savior
corporate entity partnering insensitive
ignorant collective brown people art
contemporary work that may not fit
into establishment art galleries
media advisory venture collaborate
creative community authentic
local statement of expression excitement
creative energy arts district project
many levels collaborate local
creative important creative
community what that collaboration
looks like ongoing local artists going
to be engaged in planning commissioned
project community buy-in consulted members of the creative community Indigenous artists curators museum
directors professors burgeoning landscape
cultural framework critique talk individuals
entities inclusivity open
dialogue opportunities project
conversations collaboration discuss
your projects share our work with you
common ground work together healthy sustainable
accountable decolonization
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.

Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
Danielle K Jul 2013
Last summer, you were sporting short shorts, a tank top, flip flops, and a smile so big it took up half your face. You used to frolic about the beach with your best friends, pushing each other around and teasing each other about the boys with tousled hair and dreamy eyes. You were happy then. Your hair wasn't an issue, nobody made remarks about the blackness of your skin, and you got along with everybody.

You heard so much about high school, and were more than excited to push past the doors to your supposed freedom. The first few days weren't too bad, until you realized that you had nobody to giggle and whisper with. All around you were beautiful girls with tan skin and blonde hair--so different from your brown skin and braids. And when you stood beside the girls with dazzling eyes and bright smiles, you couldn't help but feel inferior. When you became aware of their narrow waists and thin legs, you began pinching at your stomach and ******* in--trying to be just like them.

Just last year, you were the most outspoken girl in your whole class. Suddenly, your voice has gotten lost somewhere in your throat. Your anxieties fluctuate, and your stress increases. But you find
comfort in the contents of your fridge and sub-consciously begin eating and eating and eating until you feel satisfied. Here you are, undressed, standing before the mirror, staring at the number that has appeared on the scale in disgust. Nobody will ever love me, you think to yourself, as you point out all your flaws.

Your mother throws dresses your way, but you refuse to wear them. Some girls offer invitations to parties, but you decline. Why? Because you feel too unattractive for anyone. You feel undeserving of any love or inclusivity whatsoever. The old you is gone. Your confidence has evaporated and your self-esteem has disappeared.

It's strange how much someone can change over the course of one year.
D.K
Ethan Moon Feb 2016
My mind is a totalitarian regime.

I build up walls, paranoia, panopticon. (And to me, Denmark is a prison.)

Keep the voices, the evils of the world out.

An ideology, power, purpose,

Convinces me of the diseases, the deviants,

That risks an illusion to be shattered.

I am my own dictator, hail.

I control words—words are power—

I write my own narratives, make my own excuses,

Create heroines and gods to populate the prison walls. (He was a son of God—a phrase which, if it means anything, means just that—and he must be about his Father’s business, the service of a vast, ******, and meretricious beauty.)

I rewrite constellations, make them smaller,

Build babels, buying more time.  

I tell that amnesiac blackness: that it cannot hurt me; it can’t touch me.

Those labyrinthian libraries of sky charts and lovely flower dictionaries, rooms of polychromatic paintings, which I gathered with gayety as a child—I’m still a child—I haul into the fire,

Ignorant wretch.

We live a part of a global economy, where inclusivity and transparency criticize, perfect.

I can’t stand the critics, I cry, ******!,

Condemn them to death by a thousand cuts,

Slicing and dicing, I can hear their silent pleas,

They speak to me, You are loved, Let your family in, Please stop

Please please please stop please stop stop stop speak to please stop speak to me

Horrible hungry faces, they don’t cry as I peal skin from bone,

With shards I crush those voices, with glass, broken mirrors,

Me to speak stop please to speak stop stop stop please stop please please please  

Break down the walls,

why should you die before your time?
An open market is prone to crisis,

These newcomers, it only takes one to break your heart.

Things with merit are gems; scarcity creates value.

Enjoy the labour of love and life, it is a gift of God,

Dance under pixel skies, they **** pride, ****,

Open the floodgates, the dictatorship crumbles and crumples under the weight of these tired eyes

That see light rushing out from the cell window as visions and vicissitudes

A cry from the streets outside

The end is nigh, Night is coming!

One cannot sleep with starry skies in the eyes.

Stay awake, because the guards are coming,

Remember—you are to be tried for warcrimes, hail.

You and me, we can shuffle off this mortal coil, our self slaughter a mere trifle

In this ocean of failed realties, as man to cosmos.  (All I want is blackness. Blackness and silence.)

Cause this flesh to melt I beg,

Keep cutting, smaller pieces,

No, the sunrises, it’s ****** and orange,

Citrus, it burns in these wounds,

I feel pain, I feel, warm with this ambiance,

A jacket to prevent morning chill, breathing wisps,

I don’t want to leave, I don’t want to die,

I don’t I don’t now don’t don’t don’t no I don’t want to leave no leave me

Wait!—


(Feb 7 2016)
Kenji King Sep 2021
A love so deep, it rips apart your unhealed skull.
A mystery of illusions, inclusivity is dared to be dispelled.
May I hold you?
Or am I too far away.
Can I feel you?
Just a touch to make me beg of your despair.
Unwritten poetry, a querulent secrecy of written misery and longing.
I want to love, may I love?
Whom can be loved more than the love of thyself?
I fall to my aching pits.
I feel you...
But you are not here.
Written for JDM
E  Nov 2021
gender performativity
E Nov 2021
I engage in transness
but with no emphasis on transition
I am not one to the other
I am on a continuum that can't be defined
to male or female
if I opened up on what parts define me
you'd be in for a while
my transness is not fixed
my transness is evergrowing and bountiful
it doesn't stop at male or female
I've passed what it means to be trans
I've ran the marathon
and won at the finish line
transness has it's own path
not what cisgender people decide
I live in a revelation of social control
by what's under inclusivity
the performance of transitioning is over
I engage in transness
and I exist with no finish line
A shocking revelation, not so shocking revelation has dawned upon me and I realize I am not aligned with simply male or female. I deviated from the socialization of female and I am now deviating from male socialization and roles. I am deviating because the performance of gender doesn't do me much anymore except back pain and bruised ribs. The performance of male or female as a trans person is often unrelenting and empty. Performing has made me hyperaroused by those perceivimg me, anxious about failing my performance and getting sexually or physically assaulted, and has honestly not done me anything good in the past year and a half. All I get from that is being gendered "he" and even that isn't really affirming. I suppose it's better than She/her but it's all in the same if it's binary.
My existence cannot be boxed into either or.
I feel as though my experience with gender is always transforming and adapting to what's most comfortable.
Being a binary trans person felt comfortable because it was the only viable option from female. Now, performing/being perceived as male is not making me comfortable.
I don't want to die a man. I don't want to die a woman. This doesn't even take into consideration how I'll always be perceived as A or B. Gender is confusing. I identify as genderqueer, but also "not available."
Madeline Cirullo Mar 2014
The bird's company
is getting
lonelier
as the flock grows
All I hear around me
ever
a cacophony of
chirps
whistles
squawks
an endless song
of open inclusivity
I open my lion's maw
and release a sad bellow
the birds stop
and scream a unified friend
then it's back to the beginning
verse and verse again
and I'm all on my own
with a lonely view

— The End —