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i will write simply
like a snow melt in the spring
water brings music
and our feet are washed clean
remind the stars that we named them
even if they take our souls
we will forge them again in the fireplace
and breathe life back into them
soon we can rest in the music
but first let us use them
just like we were meant to
now is the space
to give your heart its grace
so we feed the lakes
their icy beverage
and make the songs that melt the frost

i arrived like fire
when rain was your only hope
our souls washed in the burning sun
the conundrums of love
somebody escaped with our watermelons
sundrops upon the lake
feelings we can never shake
our ecstasy is awake
and we have outgrown our shallows
swallowed by the hand of fate
our lives we did partake in
yes we have reached further
into the thick of it
into the blackest night
i walked into my own dismay
and displayed upon the sky
was the light that caught your eye
like threads of shredded rope
as darkness could never
cope with the worst of it
i sold all of our hope
for you should never
have to ***** for emptiness
send me the wisdom
to unleash you from this prison
so please give me another kiss
and fill me with your stories
for now we will forever know
that dreams are only allegories
Mateuš Conrad Aug 2018
. so yeah, perhaps the aboriginals, the argument for the noble savage is there... point being, they have a narrative, more eloquent than the moneticised outside the frantic fanaticism of Harry Potter, a plagiarism of Merlin... etc. etc., with all the scientific superiority, a narrative in collectivism based upon plagiarism? does it really matter? the people who spurn on the superiority of western culture... let's just say, they love to gamble, but don't understand nature's gambling pattern of weeding out the weak... and... given their opinions? i wouldn't want to share a meal with them... contradictory *******... tell them about the Manchester attacks, and they'll cite Yemen! i find it rather uncomfortable sharing a public toilet with them... to begin with... but eating with them? what a strange anticipation of the most profound profanity!
            
                                 so yeah...
  nice critique...
"philosopher" *** sophist -
namely a rhetorician...

i love the giggles,
don't you love the giggles?

philosophy is something to engage
with, rather than explain...
more a tartar steak than
a medium-done slash of slaughterhouse
debris...

ahem... where's your western narrative?
where is the sociological focus?
the focus point?
the campfire?

  where, is, the, glue?

    can't see it...
western civilization is superior,
i grant you that,
but, where is the self-inflammatory
implosion?
  the self-reflecting critique?

look at your literature!
my good fellow!
  the pop-***** of vampire-clad-
neo-gothica?
you have to be kidding me...
too many facts, imbedded with
seeking counter-doubts (i.e. facts):
compensated with an antithesis
of a narrative principle...

a right, without a wrong...
a fact, without a narrative,
is pointless educational rubric -
no more finding an point
of answer, than regurgitating a bunch
of facts...
      i would be so certain as to joke
about the aboriginal culture...
when the western narration continuum
is plagued,
   by inconsistent narratives...
narratives that would never
want me to allow myself
a focus for congregating...

   no, sorry...
           you sit that **** alone in youir
little group-therapy sessions...
i'm about to do a Pontius Pilate
revision...
   i'm washing my hands away
from the gloat...
i can't stomach it...

      i don't want to stomach it...
i don't even adhere to an I.Q. discussion
as astounding racial differences...
i have already the point breaker:
and why so few black athletes compete
in the swimming events,
while so many are prescribed the
100m / 200m distance?

            what comes naturally...
800m / 1500m races?
white...
          the quasi-marathon running?
evidently Kenyan or Ethiopian...

i hate this, the vest iz v besht...
                       i regurgitate on this
factoid...
               with diarrhoea...

for all the science involved...
what is it, exactly, that constitutes,
the gluing fabric of community?

    i hate to say this,
but seldom facts are a differential aspect
    of exploratory conundrums...
Moby **** type of narratives?
the integral aspects...
      science has overtaken the expression
of life, sanitized it,
   securing an antithesis of
misery and mortality...
                    with: "facts"...
      
i might share the pH scale with someone...
but if i don't share the commonality of
a narrative?
  **** me, third party sources...
why should i share?
we share the same factoid,
why should we even bother consummating
this fact, over lunch?!

no bother!
there is no reason!
      live your life, let me live mine...
but don't you ******* even bother
dictating what i can, or can't do,
on the allowance of having invested
in a private property,
you, *******, english, ****!

  savvy?!

  the vest iz z best-chore...
   sure sure...
      love your literature, wonder
of the ******* world!
          YA ******* and your journalism?
makes Mecca pilgrims blush!
  wonderful!
                
...and for not particular reason...
vampires, werewolves,
zombies, the whole generic
exhausted stereotype -
   applause! applause!
applause!

              what?! health service?
i was lucky to have met up with my socialistic
accessible doctor,
   how many? 2 years to spare from
the last visit...
   zee vest iz z best!

            because why would i have considered
studying chemistry to an edinburgh university
level...
    and not began a post-scriptum of schooling,
beginning work in a supermarket?!

nice narrative, love the advertisement...
keep up the belittling tactic...
   glorifying your ***** wiped clean...
nay bother...
  as the Picts used t say...
                there is an actual masochistic
attache of internalized hate,
that even i can accommodate...

                     i hate gloating,
i hate boasting...
   and i hate the sort of people who
self-identify themselves as philosophers...
rather than sophists...
the sort of people:
who, simply, can't, keep, their, mouths,
shut!

don't criticise cultures,
when your own culture...
   is gearing up to problematic investments
of its own,
most notably, the teenage mental
health crisis...
          please...
                       this is not a time scant
for diminishing the already
queuing problems,
   by resorting to I.Q and race arguments...
the ******* can claim to be
philosophers, and entertain
the centre stage...
   i have a bench...
  in a park, talking to an old east london
geezer about rayleigh bikes...
and the scalpel attitude to
finding a prefix, negation,
                in the word disease...

western civilization has been gripped
with an Sunni Islam virus of
a superiority complex...
             they sure as **** know how
to point the good stuff...
   but slightly less...
                dream-detached when it comes
to the current,
    problems...
                  but hey!
the barbaric peoples are our closest
allies of worthy comparison...
   compare a ******* donkey
to a galloping horse!
  that'll fix it!

- but i thought that western culture was
all for the inbreds,
the down syndromes?
  the last birth mothers?!
   so?
        some cultures are somehow
more clingy to a peoticization of
the past...
    which... says much more...
for what currently grips the western
inconvenience in the pursuit of
a narrative, whether historical,
or fictional.
Julian Delia Sep 2018
PART II: A GLASS CEILING DRIPPING WITH BLOOD

Mohanad Younis, of Gaza City;
Where the sand is stained with blood
As the world feigns pity.
Broken families, unspoken tragedies –
The order of everyday life.
He was born amidst chaos and strife,
To a divorcing husband and wife.

If life were lived in peace,
This dissolution would’ve been a release.
Not much more, not much less –
A family’s lore, a decision to digress.
In war-ravaged land, however,
One needs every helping hand,
Especially a soul that was so clever.

Such a curious, voracious mind needed to understand;
A furious, rapacious search,
Unexplained conundrums to unravel and unwind.
Why do we exist?
Why do we fight and resist?
Is it worth living with all these scars on my wrists?
Does anybody outside Palestine care?
Will they keep on watching?
Or will they be unable to bear?

Of this and much more Mohanad must’ve thought,
As he sat at the Marna House Hotel,
Smoking cigarettes, freshly bought.
A student at al-Azhar, a mild-mannered pharmacist,
A prudent man who would have gotten far.
An admirer of Bassel al-Araj, another victim of oppression –
An inspirer, a brother who alleviated his depression.
Hunted down and killed by the IDF,
Another pacifist murdered for being an activist.

One figure of many who died;
One of those who did not want to hide.
Mohanad wasn’t a resistance fighter –
He felt that such persistence did not make their burdens lighter.
Instead, he wished to make his mind brighter,
And perhaps have family of his own.

He was in love, and wanted to get married,
But life was rough, and warranted a future far more harried.
The final twist of horror?
Having the intellect to apply for University,
And deserving the respect needed to obtain a reply,
Yet not being allowed to leave the city.
That is the news Mohanad had received,
Hopes and dreams suddenly deceived.
Denied a right to education
Because he was born on the wrong end of a cruel fabrication.
The glass ceiling, dripping with blood,
Swallowed his hopes whole like a flood.
Self-explanatory, at this point. Refer to Part I if you're confused...
Vitis Lio  Mar 2014
Disrespect
Vitis Lio Mar 2014
I sit there and know
That I could never
Engage myself in conversations
With these conundrums.

Those who are both human, and
Badly wrapped paper packages,
Filled with so much experience,
Brimming with knowledge which
Is rapidly fleeing through
The holes in the brown paper
Worn by time.

How can I speak to those
Who cannot hear my words in full
So that they must be talked to
Slowly, like
They are children
But that have been through so much
More than I
At the tender age of seventeen
Could even imagine.

How can I speak to these enigmas
Who keep asking me the same questions
But which I cannot talk to
Without being
Disrespectful

Not only towards them
But towards my future
Aged self, who will one day
Be in their position
And who I cannot imagine
Will want to be treated
Like a five year old
At the age of eighty five.
Maybe years
Will make me the wiser.
Vijaya Balan Jul 2018
Things happen, moments are created, faces are remembered and feelings are tightly grasped within the dry skin of our cracked hands,
Cracked hearts too maybe?
Where do we go but forward,
Remembering absent friends, lost loves, broken dreams and a hope to bury it all in that dark backyard behind our weathered but sturdy home,
We will move on, forge new paths, break new barriers, repeat a thing or two,
but oh well,
We all have some familiar cycles in our life right?
We are resilience built on the foundation of faith and belief,
We are unwritten pages, with past chapters that can fill a library, a library that none might visit,
And we will still go ahead and do everything that we want to, regardless of what anyone else ever said,
We are beings with a field of uncertainty surrounded by determination at the most unexpected moments,
Love and let go, love and cherish, love and be broken, love and not expect anything in return, love and be loved back a 1000 times,
We are the sum of billions of atoms,
We are the moments we create and the things that happen,
We are the beliefs of more than thousands of faiths in this world,
We are the tragedies of past, the conundrums of the present and the triumphs of tomorrow,
We are able,
We are capable of all of them,
We are capable and able.
Inspired by a mixed heavy week in July 2018. Death of a good friend, my 2nd year wedding anniversary, and 2nd year death anniversary of my mum. Love and death.
Alfred Vassallo Apr 2013
Where goes the time when it flies?
Simplified by expression, and stained by clarity.
Smudge by lucidity
smeared by simplicity
tainted by intelligibility.
Tempus fugit as in time flies.
Sharply distressing with painful feelings
to the point of mental instability
morning or night
we become possessed with its mystic dealings.

Where goes the time when it runs?
Not a solitary explanation is found.
It happens and it won’t stop
until life terminates as well
without cause.
Derived of rationalisation
lacking understanding
short of justification
bursting with vindication
persistently and with conviction.

Where goes the time when it sails?
From the second that we’re born.
Where were we existing?
We cannot be so sure
Cannot recollect the past
Not for the first five of our years
Memory so blur, so shadowy
Hazy with distortions
obscure and confusing
Unit our mind starts slowly to recollect.

Where goes the time when it escapes?
The chronology of life so mysterious.
Nothing can solve its ambiguity
for time is a complex case
with an infinity of secrets.
What’s the obsession when we have so many setbacks
drawbacks and obstacles
obstructions and conundrums
to take care of before time perishes away
and leaves us stranded in oblivion.

Oh time, you magnificent of all mysteries,
the high and mighty of ambiguities.
Show us mercy and explain
we are not detectives of secrecies
your spell with us reflects on the whodunits.
Oh time of things past and yet to come
give us a clue as to what is to derive!
“Remember”
it softly replies “Make most of your lives”
“Once I fly away no one can have a replay”.
Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar
J B Moore Nov 2016
This crazy conundrum has been conspicuously contrived quite cordially. Of course, one could concede this cordially contrived conundrum could carelessly conflate the countless quandaries causing quintessential quantities to question the conspicuously questionable conspiracy. Conversely, carelessly questioning conspicuously contrived conspiracies as cordially quantitative quandaries could create considerably confusing claims countering the critically acclaimed crazy conundrum so callously clarified as to continue to count as cordial. Consequently, with careless acquiescence, I must confess that the conceptually contrived conspiracy, so inconspicuously inconsistent, conflated considerably contrary quandaries quite questionably and continues to confuse the crazy quite cordially. To conclude, the crazed conspicuous conundrum confuses the cordially questionable quantities of conceptually countless claims clearly clarified as conflated quandaries continuously contradicting a considerable count of conspiracies.

11/2/16 11:59 p
Just a little fun with alliteration and nonsense
Seán Mac Falls Jun 2017
.
Red hair in my eyes,
Phones that do not ring,
Supper for one, old dishes,
Birds clearly calling to no one,
Moss on a roof, mute sun through
Glasses of wine, not fading voices,
Winds that saunter, sweeping —
Aloof, still pools in a wanton bower,
Fingers unclaimed in the witching
Hours, an abandoned bed watched
Over, slept upon, the sharp creeks
In a silent, boardered old house —
Where no one has simply moved,
The branches in the blanketed yard
Swaying like new dancers so free,
Grey bark that fell at foot of tree,
What will become of me?
Hal Loyd Denton Nov 2011
Calendar
This was the story that was told to me as I set in my cabin on the ocean just listening to the sea breeze take
Its pleasure making noise out of anything that was loose it was like a game the wind loved to play some
Time it could take the day or a whole night since fall was fast approaching I had made sure plenty of fire
Wood was available but I thought old wind why should you have all the fun why not give you a playful
Friend so some wood was selected with more green and had a potential to be aromatic so I sat there in
My grand chair by the bay window the wife tired had already gone to bed though it was quiet early the
Fire place was quiet lively the dance it played in the shadowed corners beyond my reading lamp and the
The popping snapping as the fire released the secrets it had gathered as it stood testy Gail force winds
And those pacific monsoon rains they had given the trees quiet volumes’ that it had recorded now it happily shared I couldn’t resist with it lying so close on the stand by the chair Granddads last visit had left his pipe and
Cherry tobacco behind the times we had watching the pipe smoke swirl up then it just does a slow hang in
The room and silently drifts as his sonorous voice would fill the air with stories to please any appetite I
Thought we should go to town and see him he was ninety five now a friend had launched a small
Campaign to get as many as possible to send him birthday cards she had done so for her mother and
Decided to extend it to another oldie but goody as she was fond of saying so I took up that old familiar
Tobacco pouch loaded the pipe well packed it like I watched him do so many times struck the match held
It over the tobacco did a couple of draws and she was well on the way fired and smoldering as that
Sweet cherry blend filled the room now here is where the tricky part comes in did the knock come to the
Door or did all of these gentle rhythms combined become too much and I slipped upon the sleep train
And continued even to grander locals well we don’t have time to resolve conundrums right now if real
Or dreamed a lady from down the beach was at the door she was new to the area after pleasantries she
got down to the reason for her visit while putting her house in order cleaning storing she came on this
Calendar it was very old she even hoped possibly an earlier owner had been a sailor and it possibly held
Some grand tales well it seems it had a few of its own the name was the first indication the title was
Memories always make me strong well she had been at a good while so a break was in order well what
Do you do with a calendar? She decided to look up those who had passed on to see and remember their
Special Day she decided to start with Terrance the husband she lost to cancer it might have taken the
Physical man but his spirit indomitable now he was just the true greatness that once was robed and held
Contained in physical restraints now unleashed at times she could know his presence but as she sat and
Placed the calendar in her lap and the date of his birth the most delightful vivid images let go a barrage
Of memories they truly came alive in the room was that him standing there who turned on the Cat he
Always reminded her of her dad Clarence and grandfather Jack his power his tenderness flooded her
Heart he pulled her from the chair this slow dancing wasn’t how they used to do it if they danced at all
But now to be held so close would she swoon no matter he would hold her as before everything in the
Room caught their reflection it was like ball room oh the romance poured in like flood laughter mixed
With tears the aloneness was thrown against the wall the years apart dissolved giddy was an under
Statement this continued for a timeless period and then he leaned forward and said love I must go but
Keep track on the calendar because on our anniversary I will be back we will dance and laugh the night
Away she returned to her chair and before sadness could replace the happiness she started to see
Names of friends and their loved ones special days as she passed her finger over the dates gold letters
Would form telling who’s birthday or anniversary she was filled with joy she knew they could experience
What she had to share she felt overwhelmed she knew I did a little writing from what her neighbor had
Told her possibly I could tell her how to proceed that is still being worked out but you could look at your
calendar for now there is more to this realm than you know be adventurous who knows who your dance
partner could be if your ever out on the west coast tell me your stories maybe I will put it in a book or excerpt it on facebook by for now God bless you richly.
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Seán Mac Falls Jan 2017
.
Red hair in my eyes,
Phones that do not ring,
Supper for one, old dishes,
Birds clearly calling to no one,
Moss on a roof, mute sun through
Glasses of wine, not fading voices,
Winds that saunter, sweeping —
Aloof, still pools in a wanton bower,
Fingers unclaimed in the witching
Hours, an abandoned bed watched
Over, slept upon, the sharp creeks
In a silent, boardered old house —
Where no one has simply moved,
The branches in the blanketed yard
Swaying like new dancers so free,
Grey bark that fell at foot of tree,
What will become of me?

— The End —