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Americans, well, at least in the media believe that the way to change behaviors is to punish either criminally, civilly or socially anyone who doesn't fit the societal norm.

Think about that for a minute,

...when someone is emotionally conflicted to the point that their behavior is no longer considered within a range of acceptance and THEN society decides, or any group, movement, political ideology or party to shun or expel, to incarcerate, admonish and thereby torture an, "emotionally conflicted," soul what you have accomplished by society's response is to create permanent anger and hatred.

Permanent anger and hatred.

American society therefore can be said to relish hatred and permanent anger as a way of life for all of it's citizens since every single person whom is inflicted with pain upon suffering will be assured to continue inflicting whatever pain and suffering they can on everyone else the rest of their life. So your only solution is to remove these souls from society permanently.

Was that the intent?

Is that the goal?

Do we need law, rules and fantasy crimes for every single thing a person says or does?

Is the endgame to remove these from society or to reform them?


Imagine now,

America arrests or imprisons one million people per year for using drugs,

...there are forty million felons alive today.

Wow! Lot of bad guys off the streets huh? Let's put that another way shall we?

America ruins a million people a year.
America creates a million 'soon-to-be' violent felons every year.
"Felons," who were nonviolent before being tortured by society and tortured in prison...forty million angry people live around you right now.

Forty million people!

America must want the nation to fail for every year we destroy a million people just because we want to be able to say at least I am not as bad as that person and point your finger while knowing there is no reason, no civil crime, that warrants bankruptcy, imprisonment, violence, ****, abuse, belittling, shame and banishment just because you personally don't like video games.

...or you don't like gambling,
...or you don't enjoy ***.
...or you don't smoke marijuana,
...or you hate Hollywood liberalism.
...you can't stand alcoholics,
...or you're afraid of the mentally ill.
...or your jealous of the *** you perceive someone having,
...angry because you think you work harder than someone else,
...because you deserve a better life so why not destroy others right?

Hatred as a virtue.

I wonder what our economy would be like if the 'fifty-plus' MILLION alleged criminals had jobs instead of listing away producing the smallest amount of productivity possible because YOU THINK they deserve to have a worse life for acting in a manner you do not agree with PERSONALLY.

That is one out of every seven people in The United States.

Hatred perpetuated.

That is American culture and that is why Black Lives Matter.
Martin Narrod Feb 2015
Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road
Lou  Apr 2018
Jayne
Lou Apr 2018
Simplest of names,
So plain, But how I love to say it
A promise for warmth in igloo block prison eyes
And tone of Daria,
just whelmed enough to respond
A chance of sarcasm is air
Venom in plain daylight.

Plain tone.
Plain mood.
Plain old abuse.
And most would take it from her.
As she would and certainly has taken it from us.

Petit feminine fighter with no haymakers or KO records.
****** face, that rested war and peace between chin and brow.
Baroness of motherhood or is it the queen of hearts and depression?

Stars and music always forever
Anchor tattoos with a key to a heart, now a predator.
Forever enchanted by the la-de-dah and bleeding heart affairs
A savior in no motion or fashion but I dare not call you hypothetical

But a standard broad, beauty and-
So shameless I celebrate seeing you, awkward and so ****
Cleopatra, to be a bit dramatic-
Yes Cleo-mantra, I collectively disintegrate all charm and physical form
And you,  unfazed or unimpressed with either detail of romance

My friend, compromised by style and NO amusement.
There is much more to you than ****** faces and belittling arguments.
There is more to you then practicing soapbox rants in your kitchen.
There is more to you than a shallow mothers intoxications and material.
There is more to you than the new hair dye or the wigs you collect.

The things you store in the boxes cluttering your room with everything not in those boxes
The clothes on your floor, decorations from your teenaged 3rd or 4th personality.
The smell of perfume and coffee and more perfume all over,
stuck to papers, next to wine bottles, borrowed and never returned books, unfinished snacks,
used paper towels, lipstick stained mugs and glasses, your sons toy I stepped on 4 times,
pictures of gone lovers and notes, your license; now found again after the second time ordering a new one.
And…it's expired,
Then finally under the aftermath of years, doubt, clutter, your cell phone vibrating in the fray of sheets.

"found it."

Least we forget that, as we forgot we are both in this room together.
You are so much more than this mess I picked up for you countless times
And though I complain I will pick it up for you and not ask your permission
I won't scold you, I can only exhale failure and help.

Staring blankly into your screen discussing all genres of worldly horror and ways to divert.
Such plans and opinions but no federal funding!
We would pay homage to girl power and the early 90's and call her G.I. Jayne-
(Or not cause she doesn’t have that kind of sense of humor.)
But imagine a solider, a true solider of the meek.
That is theoretically, G.I. Jayne.
Has all of our best interest at hearts, our hero.
Songs of children are said to give her strength-
(She really doesn't like this kind of humor, I must move on.)

My friend truly distressed by the world she can't control from her tiny screen.
I place all comfort I can to her and understandably rejected like a stranger making rounds.
No trust comes from her nowadays, None for me at least. I can't speak for all.
I try to climb over the steep absurdity, alluding to her self-mutilation and task this is
but not going as far as just telling her this is ******* killing me.

I have no lesser or sophisticated words.
I'm dying every time we reach these altitudes.
Fingers and my tone raising at every disagreement .
How you can break me down to my atomic core and decimate miles of friendship.
My closest star in the sky, use to bring me morning tea, flowers and maternity
We now stand in quasar as our space and stardust find mass in thousands of millions of years in development
For me to be sent to the loony bin and you to prison like our heroes from Clinton to Lazaretto.
For my friend.
Bob B Oct 2016
Most of us know the tale of Cinderella,
But do you know the original German story?
It’s different from the version that I grew up with.
It’s called “Aschenputtel,” and it’s gory.
 
Cinderella’s stepmom and two stepsisters
Are nasty, ornery, bossy, ******, and mean.
They’re very good at belittling Cinderella;
And the sisters vie for the role of future queen.
 
Cinderella wants to attend a ball,
But her stepmom gives her some difficult tasks, and so
When some birds help the girl complete them,
The woman STILL refuses to let her go.
 
Here no fairy godmother comes to help.
Cinderella goes to the grave of her mother
Where she'd planted a branch that grew to a tree,
Which miraculously gives her a gown like no other.
 
When Cinderella goes to the King’s fancy ball,
She makes a tremendous impression on the prince.
Of course, no one’s able to recognize her,
And the competition makes the stepsisters wince.
 
For two nights in a row the same thing happens.
Cinderella must be in excellent shape,
For each night the prince attempts to pursue her,
Yet each night she makes a clean escape.
 
On the THIRD night he has a bright idea:
“Aha!” he says. “Someone, bring me some tar.
If I spread goop all over the steps of the palace,
That gorgeous sneak won’t manage to get very far.”
 
(Here you have to suspend even more belief.)
As Cinderella hurries to flee from her beaux,
She leaves behind one slipper in the tar.
(WHY more slippers aren’t stuck there, I do not know.)
 
On finding the slipper, the prince yells, “Piece of cake!
Now I’ll find the owner of this dainty shoe.”
When he arrives at the home of the nasty stepsisters,
The poor guy bites off more than he can chew.
 
The first sister chops off her obtrusive big toe
So that her foot can fit inside the slipper.
You see, the slipper’s not made of the kind of material
That stretches, and, of course, it has no zipper.
 
The prince starts to leave with his bride-to-be
But notices that her slipper is filled with blood.
“I don’t think that this is my future wife,”
He says and nips that nightmare in the bud.
 
In order to make her foot fit in the slipper,
The second stepsister cuts off part of her heel.
Imagine how much blood gushes forth from that.
Shaking his head, the prince says, “This is unreal.”
 
Finally, Cinderella takes her turn.
And what do you know? The slipper’s a perfect fit!
The prince—eager to exit that crazy scene—
Takes Cinderella and leaves lickety split.
 
(I hope the prince kept his wits about him.
You’d think he would, for he’s a thoughtful fella.
Certainly, he washed out all the blood
Before giving the slipper to Cinderella!)
 
Early on I told you about some birds
That helped Cinderella when she was down and out
By completing her tasks and delivering her gown and slippers.
They knew what the stepsisters were all about.
 
Well, the stepsisters come on the day of the wedding,
To mooch off Cinderella—as you can surmise.
As they amble along with the wedding couple,
The birds fly down and peck out both of their eyes.
 
Such is the fate of the mean and bossy stepsisters,
Who were deceitful and cruel, as you recall.
Call it karma, their just deserts, or comeuppance,
But let it be a lesson for us all.

- by Bob B
Blake Aug 2018
Here’s a little story
About a daughter
And her family

See the daughter has depression and anxiety
But the mother is oblivious
The mother is unaware of the depression
She genuinely believes that cutting and the fact that her daughter goes to therapy are linked to anxiety

And yet
Even though the mother seems to think that it’s only anxiety
Meaning that the anxiety is that extreme
She still wakes the daughter up
By screaming
She still questions the daughter
In front of a crowd
She still yells at the daughter, overwhelms her
And sends her into a panic attack

And yet all the people on the outside see is a mother worried about her daughter
And trying to help her
By taking her to therapy
But they don’t see the locked doors
They don’t see the screaming
The name calling
The belittling
They don’t see
That the mother
Is the reason that the daughter
Has to fight
So **** hard
To want to live

They don’t see that the daughter is only happy with her friends
They don’t see the scars on her arms, legs, and hips
They don’t see that the daughters only escape is when she’s not at home
They don’t see that the very therapist the mother takes her to
Is proud of the daughter
For staying alive
In such
Rough
Circumstances
Blood doesn’t mean family

But enough about the mother lets move on to the father.
The father that refused to pay child support for the first 3 years after the divorce
The father that had a second child, the daughter’s half brother, with another woman
The father that is engaged to a different woman now
The father that, when evacuated from his city due to a fire, took his fiancé to Jamaica instead of seeing his kids
The father that forgot his daughters birthday
The father that is “old school”
Which just means
Sexist
And homophobic
Blood doesn’t mean family

Next is the sister
The sister that supports me
The sister that laughs with me
The sister that understands how I feel
The sister that helps me when I need it
The sister that believes in me
That loves me
The sister creates fun and amazing stories and experiences with me
Just because she’s in the mood to have fun
The sister that raised me to be a good person
That taught me
And teaches me
How to get through life
Blood doesn’t mean family

Finally
The friends
The friend that gave me a reason to live
The friend that gave me a reason to laugh
The friend that showed me that it can get better and that they love and care for me and they don’t just “hope I get through this” but that they are going to be there and make sure that I get through this
The friend that marched with me with a rainbow
The friend that treated my relationships the same as straight ones
The friend that told me she’s open to the experience if I want to kiss her
The friends that I can flirt with and we laugh about it
The friends that I can flirt with and it becomes a little more than just friends
The friends who maybe I’m not as close with but who still show interest in my life and what I’m interested in and let me talk about activism because it makes me happy to empower people
The friend that made me believe in beautiful
The friend that stayed up with me when I had a nightmare about my molesting and help my hand until I fell back asleep
The friend that stated up all night on FaceTime singing songs together from our favourite band
The friend that boosts my ego when we go to the gym
The friend that cried when she found out I self harmed
The friends that worry about me and want me to get better
The friends that live far away
The friends that live close by
The friends that have shown me more love and happiness in the past year than I’ve known my whole life
The friend that was there even when I felt numb to the world and they just let me be but they made sure I know they’re here
The friends that ask questions when they don’t understand
The friends that are interested in what I do
The friends that offer me a place to stay should I need it
The friends who make sure I eat
The friends who worry when I don’t eat
The friends who sit at the back of the bus
The friends who get drunk
The friends who throw skittles at people
The friends who are in my class
The friends who are older than me
The friends who are younger than me
The friends who help me with homework
The friends who show me there are good people in the world
The friends
Who stick by me
And show me
That
Blood doesn’t mean family

We don’t choose the situation we are born into
But we do get to choose
Who our family is
So thank you
To my real family
For not only keeping me alive
But making me happy to be.
The blood of the covenant is thicker than the water of the womb
Kewayne Wadley  Aug 2018
Weekend
Kewayne Wadley Aug 2018
When does our weekend begin
Time flies in contemplation.
The day ends, quick to start.
Belittling how the nights are not the same.
Caught in thought.
The laughs that start soon as I see you.
Things that occupy time until the next time.
Again becoming a past time.
The season changes in a matter of days.
The weekend still so far.
The human heart a mystery.
Full of affection. Restrained throughout the week.
Fond with anticipation.
To see you, to feel you.
The embrace of like minds melting in the torch of where we dwell most.
The week becoming longer and longer.
When can my heart beat it's fullest.
Running away with every throb.
Taking you further and further away from where we have to come back.
When does our weekend begin.
Holiday included, extended weekend.
Seeing you smile.
The weekend is near
Haley Valentine Mar 2011
Your first position of power
Feeling you don't get the respect
You think you deserve
I almost pity you

Treating us like dogs
But with a guise of politeness
"Ma'ams" and "pleases" can't hide your contempt
Your patronizing tone washes it all away

Doctors bark at you, you say?
Patients don't respect you?
Poor you, you deserve the world
Right, try being us for a day

Your lying mouth never stops
Complaining, explaining
As if we're completely ignorant
As if we can fix your problems

Your favorite activity
The one at which I roll my eyes
Is telling us how much you hate
The profession YOU chose

Perhaps you're just upset
That all our young minds
Can change our paths
Nothing for us is set in stone

Condescending, you sneer
"I am your boss"
*****, you've been here
Less time than I have

What gives you the right
To judge these people?
Sure, they're self-entitled
Demanding and belittling

But have you looked in the mirror lately?

— The End —