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Sheffield, England
Sylvie. You don't know me yet.
33/F/Philadelphi, Pennsylvania
Grew up in a small northern Pennsylvania town. Lost in the city now- missing the forest.
Poems
John Paul Subaldo Villanueva
Oct 2022
I went above the roof of my so-called humble home;
Don't think I'm feeling lonely just because I'm alone;
My older brother is present maybe he is fast asleep;
Even my friends and loved ones have dark secrets they hide and keep;
I don't mind I have done much worst than you can think of;
Honestly, it doesn't bother me, there are many crucial problems we need to solve;
If we keep our eyes closed then yes we can smile, laugh drowning ourselves in ecstasy with bliss;
That is fine with me if everyone can do it, but if we see what is truly happening around us and we have a beating heart, tears in our very eyes would not cease;
If I just want to do what I wanted I would love to be with the girl, the woman who saved me, maybe hopefully I honestly love;
But If horrible war and all the crazy things around the world are still going on, what's the sense of everything I'll do, please enlighten me those who hear me from above, all your blessings I'll grab;
If I'll inspire the younger generation will it work?
I have already made many unacceptable things I'm worst than a ****;
If I do good or bad in the standard of this world could it make everyone happy and smile?
I lived in the City of smiles, but can every people be truly happy in facing life's trials?
All the ugly, disgusting things I've done whatever they are I don't deny it;
Some of it makes me stupid, a good-for-nothing fool any word you're hungry to add, no good all bad,
and at times makes me lose hope and end the very life I have;
but no I'll embrace every experience I have and endure all the aftermath and still fight, I'll never quit;
Honestly, I'm tired of pleasing people, but deep inside I want to please that girl/woman who saved me;
And most of all the one who gave me my life the one who created me;
Other people call the Father I know God or whatever any other name for the source of all creation;
So if it's fine for you, whoever reading this let me call the one who created me, my Father the one I invoke if I need immense inspiration;
Forgive me if the words I use bother anyone of you;
Yes I know, I have trouble using them, if only you have a clue;
If I'll be true in everything I do and say;
Can every ear and heart handle it? If it's the answer to every problem will you follow each step of the way?
If I'll be a righteous pious zealous man with the grace of our Creator in just one snap overnight;
Would anybody follow me and do the same and leave all the wrongdoings which are unpleasing to every sensible rational being's sight?
Yes, I know every human being have their principles, ideologies whatever philosophy in living;
But in life and death situations you can truly see if what you are looking and standing for is worth dying;
Yes, it's easy to say words, sing songs, write poems, or whatever at this time and age;
But you can only know what is true if your very life is at risk and face your life's unpleasing page;
When I was younger I easily get into a rage and make a reckless decisions;
But now I can just act like I'm angry with good intentions;
Yes at times I get ****** when someone, anyone bothers me;
And at times I get so cold everything vanishes in my sight not a single soul worth for me to see;
At times I wish this world could be a paradise once more;
But at times when I get blinded I wish this world would tremble to its very core;
The things I say may appear so vicious and malicious;
Isn't we human beings capable of that, kindly answer that, and don't be pretentious;
In my experience it is true I could do the worst possible thing I can imagine;
I don't care if you list my name in every sin;
But no I still have hope and dreams for the future of our world and every living being staying in this place we are sharing;
Who the hell I am to make a change in this world, I know one thing in the vastness of creation I am nothing;
That is why I have nothing to gain or to lose;
I could just do nothing and be safe and wait for my story to end or simply die but now I'll be reckless and say things I bottled up, forgive me if that is what I choose;
I say these things because I see and feel what is happening here and around;
Violence is just around the corner great or small even in our very selves it can be found;
I don't say these things to put anyone down or destroy people's hope;
I just say what is true, but we need to face it and hold on to that redemptive rope;
Many of us want solutions to the problems we encounter may they be great or small;
But when the answers to the problems are facing us, some of us run and roll;
Sorry, I'll say a ***** word influenced by a well-known country;
**** it I'll spend all day writing until I'll run out of words even If I will sound crazy;
Honesty I'm not comfortable using this English language;
I love to speak in my mother tongue or just be silent but I need to do what is needed in our time and age;
Writing this, whatever you may call this would not give me anything;
but who knows it can stir something, make bells ring;
The first concern that comes to my mind is the
extreme weather and war;
Let me think about what will I talk about first
cause both things can leave bitter scars;
Many of us are always in a hurry to go somewhere;
We use and ride vehicles or any transportation that pollutes the air just to mention a few and say yes we still care;
Oh! I want to say the ***** word! but can we be true to ourselves and swear to vanish into existence or simply die?
If we including you and me human beings with our endless activities are the cause of extreme weather conditions please to ourselves don't we lie;
Can we give up the things that contribute to the devastation of our planet our home?
Or settle for a half-*** lukewarm solution and wait for the worst then we all tremble to our very bones;
Let me ask, those who have homes or shelter you frankly love to spend your time staying in every day;
What will you do if a pest or anything is destroying it I ask this nicely anyway;
Likewise our common home our planet called earth do we honestly take care?
Or just open our eyes every time there is a calamity happening anywhere;
Then close our eyes once more when it seems peaceful and calm;
Knowing we're slowly gradually contributing to our world's injury, I don't express this to everyone but maybe some;
I don't know maybe I have already done unimaginable damage to our planet;
If so I'll face any consequences but please let us do the things needed to be done before we all fall and regret;
I don't forget I'm just passing by spending some time in this world of ours;
If I ask forgiveness and do nothing to solve the problems, It's better to die or stay behind bars;
Let's not play dumb, we know we human beings are so intelligent;
Isn't human beings invented things that could destroy our world does that sound excellent?
Let us learn and go back to history what occur to that country Japan;
If that emerges once more, I don't know if we could still have some fun;
Wait I'm not done, why do we follow leaders or rulers who lead us to a pit;
I don't know if I have a leader who is like that the hell with him/her I'll quit;
Why don't those leaders fight their war and leave others be;
Imagine you're peaceful and someone bothers you or me;
They want peace and want to talk it out but they are ready to ****;
What on earth is wrong with our heads, we need to check it out is that the first thing we need to heal?
I have heard enough of myself writing in a foreign language;
With all due respect I'll use another for the next page;
Bato bato sa langit ang ma igo please wag tayo always galit;
Pasensyahi lang ko kung kis-a syado ko ka kulit kag bua-ngit kis-a gani ako yagit;
Ang panit ko medyo nang ***-om sang sulay sa adlaw;
Pero ako man kis-a maka yuhom kag ginagmay maka kadlaw;
May ti-on sang una nga ako daw isa ka patay nga ga balang-balang;
Mayu lang damu nag salbar sa akon, kag ako na banhaw kag daw alang-alang na mag talang;
Pero samtang ga ginhawa pa ako hindi ko ka hambal sang tapos;
Ka nugon sang mga tinaga kung indi mapasaburan kag mapabay-an lang nga gaka pan-os;
Sa tuod lang ka tawhay diri sa gina tiniran ko na panimalay;
Simpli lang ang kabuhi ga biya biyahi e-bike ga dul-ong sang pasahero nga ga sakay;
Sinsilyo ginagmay, biskan ang balay gani indi mani akon;
Salamat sa akon amay kag iloy daw ara lng sila gihapon;
Buenas lang ko sa mga grasya na akon na baton;
biskan wala na gani si nanay ga sulod gyapon iya pensyon;
Para sa SSS kung may sala man ko na himo ari lang ko sa balay kung ako inyo dakpon;
Kay kung mag sulod pa gihapon sa atm pwede ko pana ma gamit sa amon galastuson;
Wala ko kabalo kung inyu na gina hungod;
Bangud gatingala man ko ang grasya wala ga untat sulod;
Kay kung sa inyu layi dibala dapat wala na nga grasya ma sulod tani;
Pero kung sigihon ninyu pasulod ay ka tahum kanami;
Pero ka balo man ako damo na may ma batikos kag ma hisa;
Pasensyahi lang ako batunon ko na ang ihambalon ninyu tuod man gina paguwa sang akon dila;
Daw ka bug-at abi kung ang isa ka tawo may gina tago tago;
Amo ina nga tanan ko nga sala bahala kamo mag sintensya kay ako kadali lang mag ako;
Dumduman ko sang gamay pa ako na mana ko kay tatay nakon and iya hapo;
Medyo hubin pa ko kabalo na man ako kung ma patay ako kung diin ako ma kadto;
Sang gina ataki ako sang asthma daw ma bugto ang ginhawa kag daw ma ubos akon pwersa;
Gina hulat ko ang akon nanay nga ga langoy sa lamesa pero okay lang na siya intindihan ko na;
Natun-an ko sa kabuhi hindi man permi permi ara aton mga abyan biskan pamilya;
Amu ina sang amu to nga ti-on nag tawag ako sa kung sin-o man sa akon nag hurma nag tuga;
Kung lantawon ko gani liwat ang na tabo; akon man to sala nga ako gina hapo;
Sa bisyo ko na sigarilyo kag pahubog na inom;
Na ani ko lang mga bagay na akon gin tanom;
Amu ina mga kabataan indi manami kung inyu ma agyan ang akon na agyan;
Kay kadamo nga dalan ang akon na laktan;
May ara man kasanag kag mga matahum;
May tyempo man nga kala-in kag ka dulom;
Pero salamat sa nag patilaw sang kabuhi sa nag tuga sa akon;
Ako ari paman gasulat buhi pa man sa giyapon;
Pero balik ta sa isturya sang tyempo kag klima;
Kag kung anu anu pa ang gaka tabo isa pagid na ang mga giyera;
Sa tuod lang matyag ko ang kabuhi ko daw ako na hampangan na tripan;
Wala ko kabalo kung tungod sa mga gina sulat sulat ko, ahay ewan;
Sang una mag sulat ko kung ano ano daw wala man may ga sapak;
Pero subong ambot hindi lang ko sure daw hindi ko ka giyo kag ka palak;
Wala ko gani ka balo ngaa amu ini ang na agyan ko na direksyon;
Wala man ko ga riklamo biskan anu subong akon ma dangpan na sitwasyon;
pasalamat lang ko ka tilaw man ko mabuhi nga isa ka tawo;
Nga maka dumdum sang mga memorya kag maka paminsar sang mga bagay-bagay sa
sulod sang akon ulo;
Intindihan ko man ang iban mahambal sagi ka sulat wala mana pulos usik lang na tyempo;
Pasensyahi lang ko kay gamay lang akon kalipayan amu lang ini mahatag ko sa inyu;
Labay man lang akon na pamangkot kung ikaw abi gaan chansa kag ti-on;
Himo-on ka isa ka lider, presidente, prime minister; okon hari na may mansyon anu una mo na obrahon?
Sa mga bagay bagay kag gaka tabo sa aton subong nga panahon;
Kung kis-a gaka lipat kita biskan sa kahoy may pulos man na iya mga dahon;
Biskan ano kapa ka gamay kung kita tanan ga binuligay indi ayhan ina matawhay?
Kung ikaw abi isa ka lider okon amay nami-an kabala nga kita mag inaway-away?
Hindi ko ka intindi ngaa ang mga tawo ga pinatyanay;
Kung amu man lang ni ang bwas damlag sang mga kabataan mayu pa mag tulog na ga tulo ang laway;
Katawhay tani galing kung amu sina daw tinamad na man na daw buhi nga patay;
Dibala sang una kita tanan basi gina kugos man lang sang aton nanay okon tatay kag kung kis-a man mga tupad balay;
Ngaa dapat kung ga dako nata dapat gid bala mag dako man aton mga ulo haw?
Pyerdihon man ta gihapon sang baka kag karabaw may dala pa na sungay ka luoy man galing kis-a sa ila kung sila gina ihaw;
Sabagay ga mahal na man mga balaklon pati mga pagkaon;
Medyo maayo mana siguro ang sustansya sang utan para sa aton;
Kis-a maka hambal kita bay-e dira ang mga gaka tabo wala man ta gaka epiktohan;
Te kung ikaw gaan isa ka blessing para maintindihan mo, ibutang ka sa ma-dulom kag pwerti ka teribli na dalan sang kabuhi para ma inat imo nga paminsaron kag balatyagon kag imo ma intindihan;
Gina pangabay ko lang na imo ma sarangan ang mga leksyon sang kabuhi na tani aton tanan ma tun-an;
Buenas lang mga tawo nga permi lang sa masanag kag manami na dalan ang gina agyan, indi man siguro tanan;
Sa kadamo sang kala-inan nga na himo ko Amay nga nag tuga sa akon pasensyahi kag sintensyahi na lang ako;
Kung may butig kag indi matuod sa akon gina sulat subong maayo pa kilatan mo na lang ako;
Ako nga nag sulat sini isa ka tawo na indi perpekto sa mata sang mga tawo;
Ginoo Amay ko nga nag tuga sang akon ulo, mata, paminsaron, corazon kag ini mga kamot gabayi lang ako;
Sa kada tinaga nga ma sulat ko diri subong tani makabulig hilway sa akon kaugalingon kag balatyagon;
Kay mag abot ang ti-on na kina-hanglan ko ini balikan kag basahon may gabay na ako sa akon distinasyon;
Sa isturya na man sa akon kabuhi ang pahina parti sa gugma romantiko kag relasyon;
Sa edad ko subong na traynta-uno sa gugma
romantiko na aspeto daw bata-bata pa ako wala kabalo kung ano akon himo-on;
May ara ako na luyagan sa isa ka malayo na lugar;
Sa pwerte ka luyag ko sa iya kung kis-a wala ko kabalo kung ano obrahon ko daw indi ako mag andar;
Wala ko kabalo kung ako lang na luyag sa iya kag siya wala man ya sa akon;
Biskan gusto ko na buy-an ang luyag na akon gina dala gabalik man ako sa iya giyapon;
Ka ilinit na balatyagon nga daw ga kurog na corazon kag dughan;
Daw mahibi kung kis-a akon nga mga mata nga daw gal-um kag ga tubod na bagyo kag ulan;
Nga-a amu ini kung ma luyag-luyag ko haw kung maayo ang relasyon grabi ma hatag nga inspirasyon;
Kag kung buy-an ko na kag indi pag ibato ang sa sulod sang akon balatyagon daw delubyo ang dala kag distraksyon;
Paano ko ayhan mapa luyag sa akon ang na luyagan ko;
Tudlo-i ninyu man abi ako ga ayo ako sang sinsiro;
Okon buy-an ko na lang kag indi pag i-pilit sa iya ang kaugalingon ko;
Palihog please prangkaha na lang ako kung wala na ako pag-asa sa imo;
Ka balo man ako damo man mas responsabli nga maka palangga sa imo;
Hambali lang ko kung ano obrahon ko kay indi na ako mag sinabad sa imo;
Pero dako na salamat sa ti-on na gin bangon mo ako sa pag ka dasma nga gapa luya;
Biskan ano akon napanghimo na mga sala ara kaman giyapon naga uyat kag wala nag buya;
Pasensyahi lang akon mga tinaga kung ako daw wala sing huya;
Sa bagay kung sa mata sang mga tawo indi man ta bagay kay ikaw prinsesa ako ya kabalan na dukha;
Mabalik na man ako sulat sa ling-gwahi na hapos para sa imo ma intindihan;
Para ini sa babayi binibini sa malayo na lugar na akon na luyagan;
Not all letters at a post office are meant for everyone to read;
Not everyone in this world can make my heart and head gradually bleed;
For the woman who captured my frozen flaming heart;
From far away you are may you read this with your heart this annoying art;
If I bother you before let me do it once more;
I can't wield this feeling deep inside my core;
A woman whose 1st name starts and ends with A;
This part of this letter is for you, I'm expressing today;
Forgive me if I've been reckless and will be in my actions and words, I write and say;
The way I am now and before can you accept me I ask you in a sincere polite way;
I write this not because I'm angry or happy just trying to keep in touch;
You have made me your slave a prisoner you made me crazy in many good ways I can't say
too much;
I have nothing great to offer you to make you truly happy;
I know millions of others can love you more and you can be;
Honestly, it makes me jealous if you'll be in the arms of someone;
But I have no right to do that for in your life maybe I'm just no one;
If it is God's plan for you and me to be apart in heart be far away;
It's not God's fault or yours but mine cause many times both of you I have dismayed and maybe betrayed;
I have played the game called life and I have no cheat code to win it;
I have times I'm on the straight road and at times fall to a pit but still, I never quit;
Even a writer just can edit and at times unnecessary messages he can delete;
And a witty singer can sing passionately so bitter and at times so deliciously sweet;
You made my heart beat truly beat in a romantic sense;
And at times in your presence I feel intensely tense;
We live in a dense world full of amazing people;
But I wonder in love and madness for you I fall;
I understand and know what I need to do or my Father's/Creator's/God's call my duty to do;
But if I pour my life and my heart into you I don't ask you to do the same I don't want to control you;
Forgive me if I'm madly obsessively falling in love with you;
Correct me if I'm wrong honestly this feeling I have for you I have no clue;
All I know now about me and you without you I'm so blue;
I want to please you in every way at times I can no longer be at ease and be true;
Please tell me what I need to do to capture your heart;
Or just even give me a place there to be a part of, just even a tiny part;
If you can make me your friend honestly for me it's enough;
But if you ask my heart what it truly wants for me it will be rough;
I dream of a future for you and me to be a happy family;
But who I am in your life now I don't know I'm lost I can't see;
Just tell me sincerely if in your life I don't have a chance;
If even a small there is I could leap for joy and madly dance;
But I don't want to manipulate or control you I want you to be free;
To say and do what you want and need truly even if it's not me;
Don't worry I can take it gracefully if you reject me I'll move on;
But the blessings you gave me the hope I'll treasure it and never be gone;
Please don't think if my heart will fall into pieces I'll become a monster;
Don't worry about that God is watching me our Creator the one I call Father;
If I accept the good things in life is it not fair to accept also the little trials;
Sometimes it's also good to shed some tears and cry not every time just laugh and smiles;
I'll do everything within my capability to make this world a paradise;
But without the grace of our creator God, our common Father I'm just a foolish man not wise;
So don't worry to reject me I just want us to be free;
If only I own all the things in this world or a castle for you to be;
If that will make you truly happy how I wish I would be a king;
And make every people our family and we could share a meal a home have fun and you can sing;
I know it may sound crazy and impossible but who I am now I'm happy, a life of simplicity is simple;
One thing I remember my mother wrote a note on a book she gave me, it says always be humble;
I'm afraid to be as powerful and rich as the kings;
It's not a joke to have all that and the possibilities it brings;
One thing I know is that everything I have is temporary;
The things I have, my mind my body, talents, and everything within me;
Only by the test of time, we would know;
If we'll be blessed with old age we can still live and grow;
Forgive me if I did not sound so romantic;
At distant seas we are apart I'm not sure the whereabouts maybe the Pacific and Atlantic;
But deep inside my heart I only wish the best for everyone especially you;
If we're not meant to be for each other I'll accept it but please let us be true;
I write this part of the letter for the woman whose name starts and ends with A;
I wish the best for you and in my heart, you already have a place to stay;
I'll just end here for now but I'm not yet done;
I hope I can hear from you even if in your life maybe you want me gone;
I have nothing to offer you to truly genuinely make you happy;
But if you are already truly happy with your life I will be happy too it resonates with me;
Now, this part of the story is for everyone for a human being who has an open heart;
Can we welcome someone anyone maybe a stranger in a time so dark;
Can we replenish what is missing from someone unknown to us what they lack;
Or just ignore an unpleasant stranger in our hearts we put a block, chain it and lock;
If someone needs something to eat just to survive and be alive are we willing to give;
If a homeless hopeless stranger knocks on our door will we accept them where we live;
If someone or anyone truly essentially needs something a matter of life and death that degree of importance;
Will we give or share and sacrifice what we have even if it hurts or put a lock into our hearts and do nothing but glance;
If every open-hearted people in our world who don't want and need war will unite;
And strive extremely to heal not only our heads but also our planet and disobey those who commands us to do violent actions and senseless fight;
Will we give time or a chance a shot for that matter;
Or just go with the flow and do our day-to-day routine to obtain our bread and butter;
Is it possible for all of us just for a day or a week to have a leave like a worldwide collective vacation;
To stop and cease anything which is harming any living creature/being and let the planet breathe, maybe mother earth is already in a state of suffocation;
Or can we just sit somewhere and be still whatever you may call it prayer or meditation;
I don't know I'm just giving an idea but maybe anyone there somewhere has a better answer for an open-hearted being who is willing in listening and doing the solutions;
We can be open-hearted to listen and do what is truly needed;
I'm no genius I need everyone willing to share their solutions and answers, for now, we are alive but what can we do if we're already dead?
I've become who I am because of my relationship with our creator God or our common Father;
But before I encounter our Creator I knew him through someone in some stories or letters;
I don't know for everyone but in my life experience it was the man called Jesus Christ;
Who let me have a glimpse of the source of all creation which is unexplainably nice;
I do some methods or ways trying hard to follow that man's footsteps and maybe accidentally;
I have tasted and touched the one called infinite;
If I'll put into words what I've experienced it will be indefinite;
Everything pleasingly beautiful that I have made I can't make any of it just by using my wit;
But for the wrong ways and decisions, I have chosen it was my own will I will not deny it or disown it;
I don't know and will not assume anything about anyone practicing being still;
But one thing I know is we are all created by the same unfathomable Being for me that is real;
In this lifetime of mine I have experienced indescribable things I need not say;
But I thank you our common Father the Creator of all for the chance to live even this very moment and all the nights and days;
By the way, I know people are confused and fight because of what they believe or their religion;
If a person has a sincere conviction on what they know or believe they will have a clear vision;
So if it's the end times we are living in now will it change the way we are because of fear;
And if it is not will we just do anything that pleases us even if we hurt and harm others who are dear;
I won't stop anyone to be fearless but please can we human beings be harmless;
I have no right to say this I know in my life I have hurt and harmed someone I'm that careless;
If only we could open our hearts and not give them a lock;
And fill which have empty and shower them with what they lack;
May it be physically, emotionally, spiritually, or psychologically on any aspect of a human being;
I know things seem so hard but if we have an open mind and heart dark skies and times will be brightly shining;
I know whomever we believe or know the one who Created us all will not abandon us;
For the gifts, we have like talents, knowledge, wisdom, and many more given by our Creator I still have faith in humanity and especially in our common Father God I trust;
I always remind myself in the vastness of creation I'm just a speck of dust;
Even that man of steel in a children's story has a weakness like steel eaten by rust;
So if it's a must to open and stretch our minds and hearts then put away those locks;
For the time is ticking for all of us we better spend it wisely and set our clocks;
Set aside or sacrifice anything that blocks us to reach a common goal;
Then if possible we all communicate, and cooperate for the common good of all;
I wish and dream we can all have an open mind and heart to lift one another;
This is a wish coming from an ordinary child-man who already lost his biological father and mother;
Will it be beautiful before we end our life's stories this world will be so much better;
And the next generation will no longer need to read this lengthy letter;
Don't think I'm feeling lonely just because I'm alone;
My older brother is present maybe he is fast asleep;
Even my friends and loved ones have dark secrets they hide and keep;
I don't mind I have done much worst than you can think of;
Honestly, it doesn't bother me, there are many crucial problems we need to solve;
If we keep our eyes closed then yes we can smile, laugh drowning ourselves in ecstasy with bliss;
That is fine with me if everyone can do it, but if we see what is truly happening around us and we have a beating heart, tears in our very eyes would not cease;
If I just want to do what I wanted I would love to be with the girl, the woman who saved me, maybe hopefully I honestly love;
But If horrible war and all the crazy things around the world are still going on, what's the sense of everything I'll do, please enlighten me those who hear me from above, all your blessings I'll grab;
If I'll inspire the younger generation will it work?
I have already made many unacceptable things I'm worst than a ****;
If I do good or bad in the standard of this world could it make everyone happy and smile?
I lived in the City of smiles, but can every people be truly happy in facing life's trials?
All the ugly, disgusting things I've done whatever they are I don't deny it;
Some of it makes me stupid, a good-for-nothing fool any word you're hungry to add, no good all bad,
and at times makes me lose hope and end the very life I have;
but no I'll embrace every experience I have and endure all the aftermath and still fight, I'll never quit;
Honestly, I'm tired of pleasing people, but deep inside I want to please that girl/woman who saved me;
And most of all the one who gave me my life the one who created me;
Other people call the Father I know God or whatever any other name for the source of all creation;
So if it's fine for you, whoever reading this let me call the one who created me, my Father the one I invoke if I need immense inspiration;
Forgive me if the words I use bother anyone of you;
Yes I know, I have trouble using them, if only you have a clue;
If I'll be true in everything I do and say;
Can every ear and heart handle it? If it's the answer to every problem will you follow each step of the way?
If I'll be a righteous pious zealous man with the grace of our Creator in just one snap overnight;
Would anybody follow me and do the same and leave all the wrongdoings which are unpleasing to every sensible rational being's sight?
Yes, I know every human being have their principles, ideologies whatever philosophy in living;
But in life and death situations you can truly see if what you are looking and standing for is worth dying;
Yes, it's easy to say words, sing songs, write poems, or whatever at this time and age;
But you can only know what is true if your very life is at risk and face your life's unpleasing page;
When I was younger I easily get into a rage and make a reckless decisions;
But now I can just act like I'm angry with good intentions;
Yes at times I get ****** when someone, anyone bothers me;
And at times I get so cold everything vanishes in my sight not a single soul worth for me to see;
At times I wish this world could be a paradise once more;
But at times when I get blinded I wish this world would tremble to its very core;
The things I say may appear so vicious and malicious;
Isn't we human beings capable of that, kindly answer that, and don't be pretentious;
In my experience it is true I could do the worst possible thing I can imagine;
I don't care if you list my name in every sin;
But no I still have hope and dreams for the future of our world and every living being staying in this place we are sharing;
Who the hell I am to make a change in this world, I know one thing in the vastness of creation I am nothing;
That is why I have nothing to gain or to lose;
I could just do nothing and be safe and wait for my story to end or simply die but now I'll be reckless and say things I bottled up, forgive me if that is what I choose;
I say these things because I see and feel what is happening here and around;
Violence is just around the corner great or small even in our very selves it can be found;
I don't say these things to put anyone down or destroy people's hope;
I just say what is true, but we need to face it and hold on to that redemptive rope;
Many of us want solutions to the problems we encounter may they be great or small;
But when the answers to the problems are facing us, some of us run and roll;
Sorry, I'll say a ***** word influenced by a well-known country;
**** it I'll spend all day writing until I'll run out of words even If I will sound crazy;
Honesty I'm not comfortable using this English language;
I love to speak in my mother tongue or just be silent but I need to do what is needed in our time and age;
Writing this, whatever you may call this would not give me anything;
but who knows it can stir something, make bells ring;
The first concern that comes to my mind is the
extreme weather and war;
Let me think about what will I talk about first
cause both things can leave bitter scars;
Many of us are always in a hurry to go somewhere;
We use and ride vehicles or any transportation that pollutes the air just to mention a few and say yes we still care;
Oh! I want to say the ***** word! but can we be true to ourselves and swear to vanish into existence or simply die?
If we including you and me human beings with our endless activities are the cause of extreme weather conditions please to ourselves don't we lie;
Can we give up the things that contribute to the devastation of our planet our home?
Or settle for a half-*** lukewarm solution and wait for the worst then we all tremble to our very bones;
Let me ask, those who have homes or shelter you frankly love to spend your time staying in every day;
What will you do if a pest or anything is destroying it I ask this nicely anyway;
Likewise our common home our planet called earth do we honestly take care?
Or just open our eyes every time there is a calamity happening anywhere;
Then close our eyes once more when it seems peaceful and calm;
Knowing we're slowly gradually contributing to our world's injury, I don't express this to everyone but maybe some;
I don't know maybe I have already done unimaginable damage to our planet;
If so I'll face any consequences but please let us do the things needed to be done before we all fall and regret;
I don't forget I'm just passing by spending some time in this world of ours;
If I ask forgiveness and do nothing to solve the problems, It's better to die or stay behind bars;
Let's not play dumb, we know we human beings are so intelligent;
Isn't human beings invented things that could destroy our world does that sound excellent?
Let us learn and go back to history what occur to that country Japan;
If that emerges once more, I don't know if we could still have some fun;
Wait I'm not done, why do we follow leaders or rulers who lead us to a pit;
I don't know if I have a leader who is like that the hell with him/her I'll quit;
Why don't those leaders fight their war and leave others be;
Imagine you're peaceful and someone bothers you or me;
They want peace and want to talk it out but they are ready to ****;
What on earth is wrong with our heads, we need to check it out is that the first thing we need to heal?
I have heard enough of myself writing in a foreign language;
With all due respect I'll use another for the next page;
Bato bato sa langit ang ma igo please wag tayo always galit;
Pasensyahi lang ko kung kis-a syado ko ka kulit kag bua-ngit kis-a gani ako yagit;
Ang panit ko medyo nang ***-om sang sulay sa adlaw;
Pero ako man kis-a maka yuhom kag ginagmay maka kadlaw;
May ti-on sang una nga ako daw isa ka patay nga ga balang-balang;
Mayu lang damu nag salbar sa akon, kag ako na banhaw kag daw alang-alang na mag talang;
Pero samtang ga ginhawa pa ako hindi ko ka hambal sang tapos;
Ka nugon sang mga tinaga kung indi mapasaburan kag mapabay-an lang nga gaka pan-os;
Sa tuod lang ka tawhay diri sa gina tiniran ko na panimalay;
Simpli lang ang kabuhi ga biya biyahi e-bike ga dul-ong sang pasahero nga ga sakay;
Sinsilyo ginagmay, biskan ang balay gani indi mani akon;
Salamat sa akon amay kag iloy daw ara lng sila gihapon;
Buenas lang ko sa mga grasya na akon na baton;
biskan wala na gani si nanay ga sulod gyapon iya pensyon;
Para sa SSS kung may sala man ko na himo ari lang ko sa balay kung ako inyo dakpon;
Kay kung mag sulod pa gihapon sa atm pwede ko pana ma gamit sa amon galastuson;
Wala ko kabalo kung inyu na gina hungod;
Bangud gatingala man ko ang grasya wala ga untat sulod;
Kay kung sa inyu layi dibala dapat wala na nga grasya ma sulod tani;
Pero kung sigihon ninyu pasulod ay ka tahum kanami;
Pero ka balo man ako damo na may ma batikos kag ma hisa;
Pasensyahi lang ako batunon ko na ang ihambalon ninyu tuod man gina paguwa sang akon dila;
Daw ka bug-at abi kung ang isa ka tawo may gina tago tago;
Amo ina nga tanan ko nga sala bahala kamo mag sintensya kay ako kadali lang mag ako;
Dumduman ko sang gamay pa ako na mana ko kay tatay nakon and iya hapo;
Medyo hubin pa ko kabalo na man ako kung ma patay ako kung diin ako ma kadto;
Sang gina ataki ako sang asthma daw ma bugto ang ginhawa kag daw ma ubos akon pwersa;
Gina hulat ko ang akon nanay nga ga langoy sa lamesa pero okay lang na siya intindihan ko na;
Natun-an ko sa kabuhi hindi man permi permi ara aton mga abyan biskan pamilya;
Amu ina sang amu to nga ti-on nag tawag ako sa kung sin-o man sa akon nag hurma nag tuga;
Kung lantawon ko gani liwat ang na tabo; akon man to sala nga ako gina hapo;
Sa bisyo ko na sigarilyo kag pahubog na inom;
Na ani ko lang mga bagay na akon gin tanom;
Amu ina mga kabataan indi manami kung inyu ma agyan ang akon na agyan;
Kay kadamo nga dalan ang akon na laktan;
May ara man kasanag kag mga matahum;
May tyempo man nga kala-in kag ka dulom;
Pero salamat sa nag patilaw sang kabuhi sa nag tuga sa akon;
Ako ari paman gasulat buhi pa man sa giyapon;
Pero balik ta sa isturya sang tyempo kag klima;
Kag kung anu anu pa ang gaka tabo isa pagid na ang mga giyera;
Sa tuod lang matyag ko ang kabuhi ko daw ako na hampangan na tripan;
Wala ko kabalo kung tungod sa mga gina sulat sulat ko, ahay ewan;
Sang una mag sulat ko kung ano ano daw wala man may ga sapak;
Pero subong ambot hindi lang ko sure daw hindi ko ka giyo kag ka palak;
Wala ko gani ka balo ngaa amu ini ang na agyan ko na direksyon;
Wala man ko ga riklamo biskan anu subong akon ma dangpan na sitwasyon;
pasalamat lang ko ka tilaw man ko mabuhi nga isa ka tawo;
Nga maka dumdum sang mga memorya kag maka paminsar sang mga bagay-bagay sa
sulod sang akon ulo;
Intindihan ko man ang iban mahambal sagi ka sulat wala mana pulos usik lang na tyempo;
Pasensyahi lang ko kay gamay lang akon kalipayan amu lang ini mahatag ko sa inyu;
Labay man lang akon na pamangkot kung ikaw abi gaan chansa kag ti-on;
Himo-on ka isa ka lider, presidente, prime minister; okon hari na may mansyon anu una mo na obrahon?
Sa mga bagay bagay kag gaka tabo sa aton subong nga panahon;
Kung kis-a gaka lipat kita biskan sa kahoy may pulos man na iya mga dahon;
Biskan ano kapa ka gamay kung kita tanan ga binuligay indi ayhan ina matawhay?
Kung ikaw abi isa ka lider okon amay nami-an kabala nga kita mag inaway-away?
Hindi ko ka intindi ngaa ang mga tawo ga pinatyanay;
Kung amu man lang ni ang bwas damlag sang mga kabataan mayu pa mag tulog na ga tulo ang laway;
Katawhay tani galing kung amu sina daw tinamad na man na daw buhi nga patay;
Dibala sang una kita tanan basi gina kugos man lang sang aton nanay okon tatay kag kung kis-a man mga tupad balay;
Ngaa dapat kung ga dako nata dapat gid bala mag dako man aton mga ulo haw?
Pyerdihon man ta gihapon sang baka kag karabaw may dala pa na sungay ka luoy man galing kis-a sa ila kung sila gina ihaw;
Sabagay ga mahal na man mga balaklon pati mga pagkaon;
Medyo maayo mana siguro ang sustansya sang utan para sa aton;
Kis-a maka hambal kita bay-e dira ang mga gaka tabo wala man ta gaka epiktohan;
Te kung ikaw gaan isa ka blessing para maintindihan mo, ibutang ka sa ma-dulom kag pwerti ka teribli na dalan sang kabuhi para ma inat imo nga paminsaron kag balatyagon kag imo ma intindihan;
Gina pangabay ko lang na imo ma sarangan ang mga leksyon sang kabuhi na tani aton tanan ma tun-an;
Buenas lang mga tawo nga permi lang sa masanag kag manami na dalan ang gina agyan, indi man siguro tanan;
Sa kadamo sang kala-inan nga na himo ko Amay nga nag tuga sa akon pasensyahi kag sintensyahi na lang ako;
Kung may butig kag indi matuod sa akon gina sulat subong maayo pa kilatan mo na lang ako;
Ako nga nag sulat sini isa ka tawo na indi perpekto sa mata sang mga tawo;
Ginoo Amay ko nga nag tuga sang akon ulo, mata, paminsaron, corazon kag ini mga kamot gabayi lang ako;
Sa kada tinaga nga ma sulat ko diri subong tani makabulig hilway sa akon kaugalingon kag balatyagon;
Kay mag abot ang ti-on na kina-hanglan ko ini balikan kag basahon may gabay na ako sa akon distinasyon;
Sa isturya na man sa akon kabuhi ang pahina parti sa gugma romantiko kag relasyon;
Sa edad ko subong na traynta-uno sa gugma
romantiko na aspeto daw bata-bata pa ako wala kabalo kung ano akon himo-on;
May ara ako na luyagan sa isa ka malayo na lugar;
Sa pwerte ka luyag ko sa iya kung kis-a wala ko kabalo kung ano obrahon ko daw indi ako mag andar;
Wala ko kabalo kung ako lang na luyag sa iya kag siya wala man ya sa akon;
Biskan gusto ko na buy-an ang luyag na akon gina dala gabalik man ako sa iya giyapon;
Ka ilinit na balatyagon nga daw ga kurog na corazon kag dughan;
Daw mahibi kung kis-a akon nga mga mata nga daw gal-um kag ga tubod na bagyo kag ulan;
Nga-a amu ini kung ma luyag-luyag ko haw kung maayo ang relasyon grabi ma hatag nga inspirasyon;
Kag kung buy-an ko na kag indi pag ibato ang sa sulod sang akon balatyagon daw delubyo ang dala kag distraksyon;
Paano ko ayhan mapa luyag sa akon ang na luyagan ko;
Tudlo-i ninyu man abi ako ga ayo ako sang sinsiro;
Okon buy-an ko na lang kag indi pag i-pilit sa iya ang kaugalingon ko;
Palihog please prangkaha na lang ako kung wala na ako pag-asa sa imo;
Ka balo man ako damo man mas responsabli nga maka palangga sa imo;
Hambali lang ko kung ano obrahon ko kay indi na ako mag sinabad sa imo;
Pero dako na salamat sa ti-on na gin bangon mo ako sa pag ka dasma nga gapa luya;
Biskan ano akon napanghimo na mga sala ara kaman giyapon naga uyat kag wala nag buya;
Pasensyahi lang akon mga tinaga kung ako daw wala sing huya;
Sa bagay kung sa mata sang mga tawo indi man ta bagay kay ikaw prinsesa ako ya kabalan na dukha;
Mabalik na man ako sulat sa ling-gwahi na hapos para sa imo ma intindihan;
Para ini sa babayi binibini sa malayo na lugar na akon na luyagan;
Not all letters at a post office are meant for everyone to read;
Not everyone in this world can make my heart and head gradually bleed;
For the woman who captured my frozen flaming heart;
From far away you are may you read this with your heart this annoying art;
If I bother you before let me do it once more;
I can't wield this feeling deep inside my core;
A woman whose 1st name starts and ends with A;
This part of this letter is for you, I'm expressing today;
Forgive me if I've been reckless and will be in my actions and words, I write and say;
The way I am now and before can you accept me I ask you in a sincere polite way;
I write this not because I'm angry or happy just trying to keep in touch;
You have made me your slave a prisoner you made me crazy in many good ways I can't say
too much;
I have nothing great to offer you to make you truly happy;
I know millions of others can love you more and you can be;
Honestly, it makes me jealous if you'll be in the arms of someone;
But I have no right to do that for in your life maybe I'm just no one;
If it is God's plan for you and me to be apart in heart be far away;
It's not God's fault or yours but mine cause many times both of you I have dismayed and maybe betrayed;
I have played the game called life and I have no cheat code to win it;
I have times I'm on the straight road and at times fall to a pit but still, I never quit;
Even a writer just can edit and at times unnecessary messages he can delete;
And a witty singer can sing passionately so bitter and at times so deliciously sweet;
You made my heart beat truly beat in a romantic sense;
And at times in your presence I feel intensely tense;
We live in a dense world full of amazing people;
But I wonder in love and madness for you I fall;
I understand and know what I need to do or my Father's/Creator's/God's call my duty to do;
But if I pour my life and my heart into you I don't ask you to do the same I don't want to control you;
Forgive me if I'm madly obsessively falling in love with you;
Correct me if I'm wrong honestly this feeling I have for you I have no clue;
All I know now about me and you without you I'm so blue;
I want to please you in every way at times I can no longer be at ease and be true;
Please tell me what I need to do to capture your heart;
Or just even give me a place there to be a part of, just even a tiny part;
If you can make me your friend honestly for me it's enough;
But if you ask my heart what it truly wants for me it will be rough;
I dream of a future for you and me to be a happy family;
But who I am in your life now I don't know I'm lost I can't see;
Just tell me sincerely if in your life I don't have a chance;
If even a small there is I could leap for joy and madly dance;
But I don't want to manipulate or control you I want you to be free;
To say and do what you want and need truly even if it's not me;
Don't worry I can take it gracefully if you reject me I'll move on;
But the blessings you gave me the hope I'll treasure it and never be gone;
Please don't think if my heart will fall into pieces I'll become a monster;
Don't worry about that God is watching me our Creator the one I call Father;
If I accept the good things in life is it not fair to accept also the little trials;
Sometimes it's also good to shed some tears and cry not every time just laugh and smiles;
I'll do everything within my capability to make this world a paradise;
But without the grace of our creator God, our common Father I'm just a foolish man not wise;
So don't worry to reject me I just want us to be free;
If only I own all the things in this world or a castle for you to be;
If that will make you truly happy how I wish I would be a king;
And make every people our family and we could share a meal a home have fun and you can sing;
I know it may sound crazy and impossible but who I am now I'm happy, a life of simplicity is simple;
One thing I remember my mother wrote a note on a book she gave me, it says always be humble;
I'm afraid to be as powerful and rich as the kings;
It's not a joke to have all that and the possibilities it brings;
One thing I know is that everything I have is temporary;
The things I have, my mind my body, talents, and everything within me;
Only by the test of time, we would know;
If we'll be blessed with old age we can still live and grow;
Forgive me if I did not sound so romantic;
At distant seas we are apart I'm not sure the whereabouts maybe the Pacific and Atlantic;
But deep inside my heart I only wish the best for everyone especially you;
If we're not meant to be for each other I'll accept it but please let us be true;
I write this part of the letter for the woman whose name starts and ends with A;
I wish the best for you and in my heart, you already have a place to stay;
I'll just end here for now but I'm not yet done;
I hope I can hear from you even if in your life maybe you want me gone;
I have nothing to offer you to truly genuinely make you happy;
But if you are already truly happy with your life I will be happy too it resonates with me;
Now, this part of the story is for everyone for a human being who has an open heart;
Can we welcome someone anyone maybe a stranger in a time so dark;
Can we replenish what is missing from someone unknown to us what they lack;
Or just ignore an unpleasant stranger in our hearts we put a block, chain it and lock;
If someone needs something to eat just to survive and be alive are we willing to give;
If a homeless hopeless stranger knocks on our door will we accept them where we live;
If someone or anyone truly essentially needs something a matter of life and death that degree of importance;
Will we give or share and sacrifice what we have even if it hurts or put a lock into our hearts and do nothing but glance;
If every open-hearted people in our world who don't want and need war will unite;
And strive extremely to heal not only our heads but also our planet and disobey those who commands us to do violent actions and senseless fight;
Will we give time or a chance a shot for that matter;
Or just go with the flow and do our day-to-day routine to obtain our bread and butter;
Is it possible for all of us just for a day or a week to have a leave like a worldwide collective vacation;
To stop and cease anything which is harming any living creature/being and let the planet breathe, maybe mother earth is already in a state of suffocation;
Or can we just sit somewhere and be still whatever you may call it prayer or meditation;
I don't know I'm just giving an idea but maybe anyone there somewhere has a better answer for an open-hearted being who is willing in listening and doing the solutions;
We can be open-hearted to listen and do what is truly needed;
I'm no genius I need everyone willing to share their solutions and answers, for now, we are alive but what can we do if we're already dead?
I've become who I am because of my relationship with our creator God or our common Father;
But before I encounter our Creator I knew him through someone in some stories or letters;
I don't know for everyone but in my life experience it was the man called Jesus Christ;
Who let me have a glimpse of the source of all creation which is unexplainably nice;
I do some methods or ways trying hard to follow that man's footsteps and maybe accidentally;
I have tasted and touched the one called infinite;
If I'll put into words what I've experienced it will be indefinite;
Everything pleasingly beautiful that I have made I can't make any of it just by using my wit;
But for the wrong ways and decisions, I have chosen it was my own will I will not deny it or disown it;
I don't know and will not assume anything about anyone practicing being still;
But one thing I know is we are all created by the same unfathomable Being for me that is real;
In this lifetime of mine I have experienced indescribable things I need not say;
But I thank you our common Father the Creator of all for the chance to live even this very moment and all the nights and days;
By the way, I know people are confused and fight because of what they believe or their religion;
If a person has a sincere conviction on what they know or believe they will have a clear vision;
So if it's the end times we are living in now will it change the way we are because of fear;
And if it is not will we just do anything that pleases us even if we hurt and harm others who are dear;
I won't stop anyone to be fearless but please can we human beings be harmless;
I have no right to say this I know in my life I have hurt and harmed someone I'm that careless;
If only we could open our hearts and not give them a lock;
And fill which have empty and shower them with what they lack;
May it be physically, emotionally, spiritually, or psychologically on any aspect of a human being;
I know things seem so hard but if we have an open mind and heart dark skies and times will be brightly shining;
I know whomever we believe or know the one who Created us all will not abandon us;
For the gifts, we have like talents, knowledge, wisdom, and many more given by our Creator I still have faith in humanity and especially in our common Father God I trust;
I always remind myself in the vastness of creation I'm just a speck of dust;
Even that man of steel in a children's story has a weakness like steel eaten by rust;
So if it's a must to open and stretch our minds and hearts then put away those locks;
For the time is ticking for all of us we better spend it wisely and set our clocks;
Set aside or sacrifice anything that blocks us to reach a common goal;
Then if possible we all communicate, and cooperate for the common good of all;
I wish and dream we can all have an open mind and heart to lift one another;
This is a wish coming from an ordinary child-man who already lost his biological father and mother;
Will it be beautiful before we end our life's stories this world will be so much better;
And the next generation will no longer need to read this lengthy letter;
Michael R Burch
Oct 2020
Matsuo Basho Translations
There are my English translations of haiku by Matsuo Basho...
My Personal Favorites
The first soft snow:
leaves of the awed jonquil
bow low
—Matsuo Basho translation by Michael R. Burch
Come, investigate loneliness:
a solitary leaf
clings to the Kiri tree
—Matsuo Basho translation by Michael R. Burch
The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho translation by Michael R. Burch
Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho translation by Michael R. Burch
The sea darkening,
the voices of the wild geese:
my mysterious companions!
—Matsuo Basho translation by Michael R. Burch
The first chill rain:
poor monkey, you too could use
a woven cape of straw
—Matsuo Basho translation by Michael R. Burch
This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho translation by Michael R. Burch
I wish I could wash
this perishing earth
in its shimmering dew
—Matsuo Basho translation by Michael R. Burch
Dabbed with morning dew
and splashed with mud,
the melon looks wonderfully cool.
—Matsuo Basho translation by Michael R. Burch
Basho's Butterflies
The butterfly
perfuming its wings
fans the orchid
—Matsuo Basho translation by Michael R. Burch
Will we remain parted forever?
Here at your grave:
two flowerlike butterflies!
—Matsuo Basho translation by Michael R. Burch
Air ballet:
twin butterflies, twice white,
meet, match & mate.
—Matsuo Basho translation by Michael R. Burch
Ballet in the air! ―
two butterflies, twice white,
meet, mate, unite.
―Matsuo Basho translation by Michael R. Burch
A spring wind
stirs willow leaves
as a butterfly hovers unsteadily.
―Matsuo Basho translation by Michael R. Burch
As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Matsuo Basho translation by Michael R. Burch
aki o hete / cho mo nameru ya / kiku no tsuyu
Come, butterfly,
it's late
and we've a long way to go!
—Matsuo Basho translation by Michael R. Burch
Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
―Matsuo Basho translation by Michael R. Burch
Basho's Famous Frog Poem
An ancient pond,
the frog leaps:
the silver plop and gurgle of water
—Matsuo Basho translation by Michael R. Burch
An ancient pond sleeps...
untroubled by sound or movement...until...
suddenly a frog leaps!
—Matsuo Basho translation by Michael R. Burch
Explosion!
The frog returns
to its lily pad.
—Michael R. Burch original haiku
Basho's Heron
Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho translation by Michael R. Burch
Lightning―
the night heron's shriek
severs the darkness
― Matsuo Basho translation by Michael R. Burch
A flash of lightning―
the night heron's shriek
splits the void
― Matsuo Basho translation by Michael R. Burch
Basho's Flowers
Let us arrange
these lovely flowers in the bowl
since there's no rice
—Matsuo Basho translation by Michael R. Burch
Like a heavy fragrance
snowflakes settle:
lilies on rocks
—Matsuo Basho translation by Michael R. Burch
High-altitude rose petals
falling
falling
falling:
the melody of a waterfall.
―Matsuo Basho translation by Michael R. Burch
Revered figure!
I bow low
to the rabbit-eared Iris.
―Matsuo Basho translation by Michael R. Burch
Cold white azalea—
a lone nun
in her thatched straw hut.
―Matsuo Basho translation by Michael R. Burch
Glimpsed on this high mountain trail,
delighting my heart—
wild violets
―Matsuo Basho translation by Michael R. Burch
Disdaining grass,
the firefly nibbles nettles—
this is who I am.
—Takarai Kikaku translation by Michael R. Burch
A simple man,
content to breakfast with the morning glories—
this is who I am.
―Matsuo Basho translation by Michael R. Burch
This is Basho's response to the Takarai Kikaku haiku above
asagao ni / ware wa meshi kû / otoko kana
Ah me,
I waste my meager breakfast
morning glory gazing!
―Matsuo Basho translation by Michael R. Burch
Morning glories blossom,
reinforcing the old fence gate.
―Matsuo Basho translation by Michael R. Burch
The morning glories, alas,
also turned out
not to embrace me
―Matsuo Basho translation by Michael R. Burch
Morning glories bloom,
mending chinks
in the old fence
―Matsuo Basho translation by Michael R. Burch
Morning glories,
however poorly painted,
still engage us
—Matsuo Basho translation by Michael R. Burch
asagao wa / heta no kaku sae / aware nari
I too
have been accused
of morning glory gazing...
—original haiku by by Michael R. Burch
Curious flower,
watching us approach:
meet Death, our famished donkey.
—Matsuo Basho translation by Michael R. Burch
Basho's Poems about Spring, Summer, Autumn and Winter
Spring has come:
the nameless hill
lies shrouded in mist
—Matsuo Basho translation by Michael R. Burch
Spring!
A nameless hill
stands shrouded in mist.
—Matsuo Basho translation by Michael R. Burch
The legs of the cranes
have been shortened
by the summer rains.
—Matsuo Basho translation by Michael R. Burch
These brown summer grasses?
The only remains
of "invincible" warriors...
—Matsuo Basho translation by Michael R. Burch
An empty road
lonelier than abandonment:
this autumn evening
—Matsuo Basho translation by Michael R. Burch
Autumn darkness
descends
on this road I travel alone
—Matsuo Basho translation by Michael R. Burch
Taming the rage
of an unrelenting sun—
autumn breeze.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze
The sun sets,
relentlessly red,
yet autumn's in the wind.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze
As autumn draws near,
so too our hearts
in this small tea room.
—Matsuo Basho translation by Michael R. Burch
aki chikaki / kokoro no yoru ya / yo jo han
Late autumn:
my neighbor,
how does he continue?
—Matsuo Basho translation by Michael R. Burch
Winter in the air:
my neighbor,
how does he fare?
― Matsuo Basho translation by Michael R. Burch
Winter solitude:
a world awash in white,
the sound of the wind
—Matsuo Basho translation by Michael R. Burch
The year's first day...
thoughts come, and with them, loneliness;
dusk approaches.
—Matsuo Basho translation by Michael R. Burch
Basho's Temple Poems
Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
—Matsuo Basho translation by Michael R. Burch
The temple bells grow silent
but the blossoms provide their incense―
A perfect evening!
—Matsuo Basho translation by Michael R. Burch
See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
—Matsuo Basho translation by Michael R. Burch
Like a glorious shrine—
on these green, budding leaves,
the sun's intense radiance.
—Matsuo Basho translation by Michael R. Burch
ara toto / aoba wakaba no / hi no hikar
Basho's Birds
A raven settles
on a leafless branch:
autumn nightfall
―Matsuo Basho translation by Michael R. Burch
A crow has settled
on a naked branch—
autumn nightfall
—Matsuo Basho translation by Michael R. Burch
A solitary crow
clings to a leafless branch:
autumn twilight
―Matsuo Basho translation by Michael R. Burch
A solitary crow
clings to a leafless branch:
phantom autumn
―Matsuo Basho translation by Michael R. Burch
A crow roosts
on a leafless branch:
autumn nightmare
―Matsuo Basho translation by Michael R. Burch
NOTE: There has been a debate about the meaning of aki-no kure, which may mean one of the following: autumn evening, autumn dusk, the end of autumn. Or it seems possible that Basho may have intentionally invoked the ideas of both the end of an autumn day and the end of the season as well. In my translations I have tried to create an image of solitary crow clinging to a branch that seems like a harbinger of approaching winter and death. In the first translation I went with the least light possible: autumn twilight. In the second translation, I attempted something more ghostly. Phrases I considered include: spectral autumn, skeletal autumn, autumnal skeleton, phantom autumn, autumn nocturne, autumn nightfall, autumn nightmare, dismal autumn. In the third and fourth translations I focused on the color of the bird and its resemblance to night falling. While literalists will no doubt object, my goal is to create an image and a feeling that convey in English what I take Basho to have been trying to convey in Japanese. Readers will have to decide whether they prefer my translations to the many others that exist, but mine are trying to convey the eeriness of the scene in English.
Except for a woodpecker
tapping at a post,
the house is silent.
—Matsuo Basho translation by Michael R. Burch
Swallow flitting in the dusk,
please spare my small friends
buzzing among the flowers!
―Matsuo Basho translation by Michael R. Burch
Basho's Insects
A bee emerging
from deep within the peony's hairy recesses
flies off heavily, sated
—Matsuo Basho translation by Michael R. Burch
That dying cricket,
how he goes on about his life!
—Matsuo Basho translation by Michael R. Burch
The cicada's cry
contains no hint
of how soon it must die.
—Matsuo Basho translation by Michael R. Burch
Nothing in the cicada's cry
hints that it knows
how soon it must die.
—Basho translation by Michael R. Burch
The cicada's cry
contains no hint
of how soon it must die.
―Matsuo Basho translation by Michael R. Burch
Basho's Moon and Stars
Pausing between clouds
the moon rests
in the eyes of its beholders
—Matsuo Basho translation by Michael R. Burch
The moon: glorious its illumination!
Therefore, we give thanks.
Dark clouds cast their shadows on our necks.
―Matsuo Basho translation by Michael R. Burch
The surging sea crests around Sado...
and above her?
An ocean of stars.
—Matsuo Basho translation by Michael R. Burch
ara umi ya / Sado ni yokotau / Ama-no-gawa
Basho's Companions
Fire levitating ashes:
my companion's shadow
animates the wall...
—Matsuo Basho translation by Michael R. Burch
Among the graffiti
one illuminated name:
Yours.
—Matsuo Basho translation by Michael R. Burch
Scrawny tomcat!
Are you starving for fish and mice
or pining away for love?
—Matsuo Basho translation by Michael R. Burch
Basho's End of Life and Death Poems
Nothing happened!
Yesterday simply vanished
like the blowfish soup.
—Matsuo Basho translation by Michael R. Burch
ara nantomo na ya / kino wa sugite / fukuto-jiru
Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
—Matsuo Basho translation by Michael R. Burch
Sick of its autumn migration
my spirit drifts
over wilted fields...
―Matsuo Basho translation by Michael R. Burch
Sick of this autumn migration
in dreams I drift
over flowerless fields...
―Matsuo Basho translation by Michael R. Burch
NOTE: While literalists will no doubt object to "flowerless" in the translation above ― along with other word choices in my other translations ― this is my preferred version. I think Basho's meaning still comes through. But "wilted" is probably closer to what he meant. If only we could consult him, to ask whether he preferred strictly literal prose translations of his poems, or more poetic interpretations! My guess is that most poets would prefer for their poems to remain poetry in the second language. In my opinion the differences are minor and astute readers will grok both Basho's meaning and his emotion.
Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho translation by Michael R. Burch
New Haiku Translations, Added 10/6/2020
Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Stricken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
New Haiku Translations, Added 10/6/2020
Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Striken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
NEW BASHO TRANSLATIONS 06-19-2025
SPRING
Blame the rainy season
for my absence,
old friend Moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
For yet a little while,
the pale moon
floating among blossoms...
—Matsuo Basho, translation/interpretation by Michael R. Burch
Moon past full:
darkness
increasing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spring rains
so heavy
they overflow the waterfall.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I’ll catch up
about cascading waterfall blossoms
when I drink with Li Bai.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Fluttering rose petals
fall
into the river’s gurgling waters.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spring rains
overwhelming the falls,
overflowing...
—Matsuo Basho, translation/interpretation by Michael R. Burch
The rainy season downpour
sours even the ears
of ripening plums.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Flood!
Stars will soon sleep
atop a rock.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I’ll dare drenching
my paper robes
to nab a sprig of spring blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Where is that handsome man
no long with us:
the rain-hidden moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So much harsher
than other mouths,
the wind devours newborn blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So taken by their beauty,
I long to take
the maiden flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Trembling, feeble,
heavy with dew:
the maiden flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Other flowers bloom,
the camellias
remain indifferent.
—Matsuo Basho, translation/interpretation by Michael R. Burch
An orchid’s
lingering fragrance
veils the bedchamber.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The boy’s bangs
retain the scent
of youthful grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spring winds
tickle the flowers
till they burst out in laughter.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Falling to the ground,
returning to its roots,
the flower’s farewell.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So many things
recur in memory:
spring blossoms reopen.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Seeing them naked
almost makes me caress
the ******* flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
As temple bells fade
flowers strike their fragrance
into the silence.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The bat also emerges
into the birds’
world of flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
When planting,
please handle the infant cherry tree tenderly,
gently, like a baby.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How can one fret
during cherry blossom time?
—Matsuo Basho, translation/interpretation by Michael R. Burch
How I envy them,
growing high above our transient world,
the mountain cherries.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Curiosity:
a butterfly alights
on nectarless grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A solitary butterfly
hovers over
its own shadow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A solitary butterfly
flutters above
its own shadow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Since spring showers insist,
the eggplant seeds
commence sprouting.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Never belittle
the tiniest seeds:
the spunky pepper reddens.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Once green,
behold!
The red pepper.
—Matsuo Basho, translation/interpretation by Michael R. Burch
After spring rains
mugwort shoots up
in grassy lanes.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Higher than the larks,
resting amid the blue,
this mountain pass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The blossom-filled day
makes the tree’s sadness
seem all the darker.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Goodbye, old friend:
no longer beckoning
miscanthus plumes.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spying plum blossoms
the infatuated ox
bellows, “Yes!”
—Matsuo Basho, translation/interpretation by Michael R. Burch
The day-lily,
dripping water
into the grasses’ forgetfulness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Scooped up by my hands,
the springwater
shocks my teeth with its iciness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The cats’ noisy mating subsides;
now into our bedroom
creeps the quiet moonlight.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Here at Wakanoura
I’m finally in step
with fleeting and fleeing spring.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A bell-less village?
Who will ring in
the end of spring?
—Matsuo Basho, translation/interpretation by Michael R. Burch
The temple bell unheeded?
Unheard?
Still, spring is fleeting.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The sun’s about to set:
the spring’s last shimmering heat ray.
—Matsuo Basho, translation/interpretation by Michael R. Burch
SUMMER
Such coolness
when shouldered:
the summer’s first melon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A wicker basket
shields the coolness
of the first melon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Morning dew:
the muddy melon
exudes coolness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Early summer rain:
the green spikemoss,
how long to remain?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Timidly the willow
refrains from touching
deutzia blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
An oiled paper umbrella
attempts to push aside
unobliging willows.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The ancient river
ogles
the slender willow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So like life:
this small patch of shade
beneath a wicker hat.
Still alive
despite the slightness of my hat,
I cherish its shade.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This summer world
floats in the lake’s
silver waves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A weary horse
collapsing in barley:
traveler’s rest.
—Matsuo Basho, translation/interpretation by Michael R. Burch
On the distant plain
the deer’s voice
seems an inch tall.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How sad, the bellowing of bucks,
The bleatings of does,
at night.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Even woodpeckers
hold this old hut sacred,
still standing in the summer grove.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Toppling from the topmost bough,
emptiness aloft:
the cicada’s husk.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The hollyhock
leans sunward
in the summer rain.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Ah, the splendid resplendence
of sunlight
on tender evergreen leaves!
—Matsuo Basho, translation/interpretation by Michael R. Burch
The fragrance of oranges...
In whose farmyard
is the cuckoo calling?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Temple bells reverberate:
cicadas singing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Shouldering hay bales,
someone left enough straw
to mark our way.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Fireflies
turn our trees
into well-lit lodges.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A noontime firefly,
dim by daylight,
hides behind a pillar.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Firefly watching,
the tipsy boatman
rocks the boat.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Rising above fields of rice and barley,
the cry of the summer cuckoo.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Tedious life!
Plowing the rice field
back and forth...
—Matsuo Basho, translation/interpretation by Michael R. Burch
Lying in the summer grass,
discarded like a king’s robe,
the snakeskin.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The shrubby bush-clover?
How impudent
her appearance!
—Matsuo Basho, translation/interpretation by Michael R. Burch
Glistening dew
sways without spilling
from the bush-clover.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I bow low
to the venerable
rabbit-eared Iris.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Rabbit-eared Iris,
pausing to chit-chat,
one joy of my journey.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The rabbit-eared iris
inspires
another hokku.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Rabbit-eared Iris,
admiring your reflection?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Inside Uchiyama,
unknown to outsiders,
blossoms full-bloom.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Uchiyama was a temple little-known to the outside world. In fact, uchi means “inside.”
AUTUMN
First of autumn:
the sea and the rice fields
the same green hue.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The autumn wind
like a ventriloquist
projects its piercing voice.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Voices in the reeds?
Ventriloquism
of the autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
East and West
united by the autumn wind
into a single melancholy.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Seeing a friend off,
his hunched back
lonely in the autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Illuminating
sawn-off tree trunks:
the harvest moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
After pausing
for harvest moon viewing,
we must be on our way.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Our moon-viewing interrupted
on Asamutsu Bridge,
dark yields to dawn.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Consider lonesomeness
surpassing even Suma’s:
this deserted autumn beach.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The temple bell
drowned in the sea,
and where is the moon?
—Matsuo Basho, translation/interpretation by Michael R. Burch
My humble take on the world?
Withered leaves
at autumn’s end.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Withering flowers:
out of such sadness
seeds emerge.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Red on red on red,
the sun relentless,
yet autumn’s unimpressed.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This lusciously cool autumn day
we peel
aubergine melons.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Cling to your leaves,
peach trees!
Autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This whiteness,
whiter than mountain quartz:
autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Shocking the grave,
my grief-filled cry:
autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spider,
to whom do you cry?
Autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How to reach safe haven?
An insect adrift
on a leaf.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Reverential tears:
the falling leaves
bid their trees goodbye.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Plates and bowls
gleaming dimly in the darkness:
evening coolness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Twice the pity:
beneath the headless helmet,
a chirping cricket.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Secretly
by moonlight
weevils bore chestnuts.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Cranes on stilts
surveying the rice paddies:
autumn village.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Thankfulness:
someone else harvests rice
for me.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How touching
to survive the storm,
chrysanthemum.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Slender again,
somehow the chrysanthemum
will yet again bud.
—Matsuo Basho, translation/interpretation by Michael R. Burch
As autumn deepens
a butterfly sips
chrysanthemum dew.
—Matsuo Basho, translation/interpretation by Michael R. Burch
His loosened jacket collar
invites the cool breeze.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Butterfly wings:
how many times have they soared
over human roofs?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Mosquitos drone
with dusky voices
deep within the cattle shed.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Basho leaves shred in the gale;
the basin collects raindrips;
all night I listen, alone in my hut.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The dew drips, drop-by-drop...
I’d rinse this world clean,
if I could.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The fire’s banked ashes
extinguish
your tears’ hisses.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Turn to face me,
for I am also lonesome
this autumn evening.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Plucking white hairs
while beneath my pillow
a cricket creaks.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Everything that blossoms
dies in the end:
wilted pampas grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
As autumn departs,
shivering
I scrunch under too-small bedding.
—Matsuo Basho, translation/interpretation by Michael R. Burch
It seems, to dullard me,
that hell must be like this:
late autumn.
—Matsuo Basho, translation/interpretation by Michael R. Burch
WINTER
The year’s first snowfall;
such happiness to be
at home in my hut.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Fire-making friend,
let me show you something grand:
a huge snowball!
—Matsuo Basho, translation/interpretation by Michael R. Burch
Written for Basho’s dear friend Sora, who visited Basho’s hut to feed the fire, cook, break ice and make tea.
Come, children,
let’s frolic in the snowstorm,
dodge the hail.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Farewell for now,
we’re off to find snow
until we tumble into it.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Let’s get up
until we fall into
the snow we seek.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Yesteryear’s snows,
have they fallen anew?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Winter drizzle;
irate, I await
snow adorning the pines.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Practicing bowing,
the bamboo
anticipates snow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Bowing low,
the upside-down world
of snow-laden bamboo.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Melancholic flowers
shrivel
in the frost.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Hailstones
stitching
the silken snow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Oars slapping waves,
the stomach a-shiver,
these nighttime tears.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Icefish
shoaling through seaweed
swim into my hands.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Sunrise:
one-inch sliver
of the whitefish’s iciness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Alive
but congealed into one:
the frozen sea cucumbers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Somehow alive
yet congealed into a single solid mass:
the frozen sea cucumbers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Water so cold,
rocks so hard,
where will the seagull sleep?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Plovers depart
as evening deepens
windward toward Hiei.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Crying in the darkness,
unable to locate its nest,
the homeless plover.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The plovers cry:
“Be watchful of the darkness
at Star Cape!”
—Matsuo Basho, translation/interpretation by Michael R. Burch
Mushroom-gathering,
rushing to beat
cold evening rains.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Ceremonious
hailstones
assail my hinoki hat.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Caught hatless
in a winter shower?
So it goes.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How many frosts
have tested
this pine’s mettle?
—Matsuo Basho, translation/interpretation by Michael R. Burch
A winter drizzle
obscures
the field’s freshcut stubble.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The drinkers’ faces
paler than the snow:
a flash of lightning.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The polished mirror
clear as snowflake petals.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The relentless wind
sharpens rocks and stones,
topples cedars.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Cold fear
desolate as a deserted
frost-crusted shack.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How marvelous,
the winter snow
will return as rain.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Children come running,
dodging jewels:
hailstones.
—Matsuo Basho, translation/interpretation by Michael R. Burch
At least the world has left,
unblemished and unbegrimed,
a single wooden bowl.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The bowl in question had been left by Rotsu in Osaka, and was returned undamaged seven years later. Rotsu was a Basho disciple.
The mud snail’s closed lid:
winter confinement.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Inside my hut,
watching my own breath:
winter confinement.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So weary of Kyoto,
of the withering wind
and winter life.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I will soon be included
among the fortunate ones:
beyond winter.
—Matsuo Basho, translation/interpretation by Michael R. Burch
VARIOUS
As clouds drift apart,
so we two separate:
wild geese departing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The old nest deserted,
how empty now
my next-door neighbor’s hut.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Yesterday?
Departed,
like the blowfish soup.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Exciting,
but with a sad conclusion:
cormorant fishing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The one who died:
her delicate kimono
hung out to dry.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Behind the veiling curtain,
the wife in her bedchamber:
plum blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
See her slim figure:
the ingenue moon
not yet ripened.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Clouds now and then
offer intermissions
from moon-viewing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Drinking
alone with the moon,
my shadow makes three.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The moon and the blossoms
lack only a man
drinking sake, alone.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Unbar the door,
allow moonlight
to enter Ukimido.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Ukimido was a temple Basho visited in 1691.
Drinking morning tea,
the monks
silent amid chrysanthemums.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Its fragrance whiter
than the peach blossoms’ whiteness:
the narcissus.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The narcissus
reflects the whiteness
of a paper screen.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Hibiscus flowers
garland
an otherwise naked child.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The overproud
pink begonia
thinks it’s a watermelon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Echo my lonesomeness,
mountain cuckoo.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The cuckoo’s lone voice
lingers
over the inlet.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Solitary hawk,
a heavenly vision
over Cape Irago.
—Matsuo Basho, translation/interpretation by Michael R. Burch
At Cape Irago
the incomparable cry
of the hawk.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Better than any dream,
the thrilling reality
of a hawk’s cry.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The hawk’s eye narrows
at the quail’s call.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Naptime!
But my drowsiness is nixed
by busybody warblers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Carolers:
the sparrows smile
at their warbling.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Giving thanks to the flowers
for brightening my visit:
farewell.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Melancholy nub!
The bamboo bud’s
sad end.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This lightning flash
the hand receives in darkness:
a candle.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Carrying a candle
into the dark outhouse:
the moonflowers’ whiteness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Seeing a moonflower,
I poke my sake-addled face
through a hole in the window.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Nighttime folly:
grabbing a thorn,
expecting a firefly.
—Matsuo Basho, translation/interpretation by Michael R. Burch
More nighttime weirdness:
a fox stalking
a melon?
—Matsuo Basho, translation/interpretation by Michael R. Burch
It’s better to become a beggar
than a critic.
—Matsuo Basho, translation/interpretation by Michael R. Burch
No rest:
the carpenter
hangs his own shelf.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Blowing away
the volcano’s molars:
the typhoon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
What decays
have you endured,
watchful tomb ferns?
—Matsuo Basho, translation/interpretation by Michael R. Burch
A disgusting smell
slimed on waterweeds:
pale chub entrails.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A country boy
shucking husks
gazes at the moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The poet’s heart?
Will we ever really understand
ume blossoms?
—Matsuo Basho, translation/interpretation by Michael R. Burch
For at least today
let all the poets be
melodious as winter rains.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I believe the haiku above was written during a gathering of poets.
What tree blossoms here?
I do not know
its mysterious aroma.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I will lodge here
until the tender goosefoot
matures into a walking stick.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I’d compare a flower
to a delicate child
but the field is barren.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Basho wrote the poem above for a friend, Rakugo, who had lost a child.
Even a poorly-painted
morning glory
pleases.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The morning glories
ignore our drinking,
drunk on themselves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Slender glistener!
Each dewdrop a burden
for the maiden flower.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The moon absent,
treetops cling
to the nighttime rain.
—Matsuo Basho, translation/interpretation by Michael R. Burch
May you tumble safely
onto sand or snow,
sake-addled horse rider.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I miss my mother and father
so much:
the kiji’s cry.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The kiji is a green pheasant but also a metaphor for the love of one’s family and kiji is also a homophone for “orphaned child.”
I pause from my journey
to observe the fleeting world
going about its housecleaning.
—Matsuo Basho, translation/interpretation by Michael R. Burch
No simile!
Nothing compares
to the crescent moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The overstaying moon
and I
linger in Sarawhina.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Her ascent easy
and yet still hesitant,
the cloud-veiled moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A cuckoo flying,
cawing, crying and cajoling:
busybody.
—Matsuo Basho, translation/interpretation by Michael R. Burch
What’s all the ado
about this busybody crow?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Art begins
with ancient rice-planting chants
drifting on the wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Today’s words
vanish tomorrow:
evaporating dew.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Basho may have proved himself wrong with the poem above, since so many of his poems are still being read, studied and translated.
Unregarded by the high-minded
the lowly chestnut
blossoms by the eaves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Clinging for dear life
to the bridge,
these winding vines.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This swinging bridge:
hard to imagine
horses crossing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Even in Kyoto,
a longing for Kyoto,
the cuckoo calling.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The cuckoo symbolizes nostalgia. Here Basho seems to be in Kyoto but longing for the Kyoto of his past.
Rock azaleas
dyed red
by the cuckoo’s tears.
—Matsuo Basho, translation/interpretation by Michael R. Burch
In Japan the cuckoo is said to shed tears of blood.
I would wipe away the tears
brimming in your eyes
with these tender leaves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Reincarnation?
The fawn’s first dawn
falls on Buddha’s birthday.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Forbidden to speak
of holy Yudono,
my sleeves wet with tears.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Let us learn
from the travails
of these ancient pilgrims.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The samurai’s
overlong discourse:
the tang of bitter daikon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Tender-horned snail,
point those tiny tips
toward distant mountains!
—Matsuo Basho, translation/interpretation by Michael R. Burch
A dragonfly
clings tentatively to the air,
hovering above waving grasses.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Tiny river crab
creeping up my leg?
Back to the water!
—Matsuo Basho, translation/interpretation by Michael R. Burch
The windblown butterfly
is unable to settle
in the waving grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Even the wild boar
is blown about
by buffeting winds.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The boat
comes to rest
on a beach of peach blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Lightning
does not enlighten,
of what value?
—Matsuo Basho, translation/interpretation by Michael R. Burch
A banked fire,
the shadow
of a guest.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Remember:
the thicket
guards plum blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Don’t chortle with glee:
through the leaves of the silk tree
stars wink at me.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The Kiyotaki’s unblemished waves
gently dispersing
still-green pine needles.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This is said to have been Basho’s last haiku. Kiyotaki means “clear” and is the name of a river.
Immaculate white chrysanthemums:
no matter how closely investigated,
without a blemish.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I suspect the two poems above are related because the first poem in one version had “without a blemish” or “nary a blemish.”
Faint
in a trace of water:
floating chrysanthemums.
—Matsuo Basho, translation/interpretation by Michael R. Burch
OTHER POETS
Observe:
see how the wild violets bloom
within the forbidden fences!
—Shida Yaba (1663-1740), loose translation/interpretation by Michael R. Burch
When no wind at all
ruffles the Kiri tree
leaves fall of their own free will.
—Nozawa Boncho (1640-1714), loose translation/interpretation by Michael R. Burch
Keywords/Tags: Basho, haiku, translation, Japan, Japanese, Oriental, Orient Occident, nature, season, seasons, waka, tanka, life and death, compassion, empathy, mrbhaiku, mrbbasho
There are my English translations of haiku by Matsuo Basho...
My Personal Favorites
The first soft snow:
leaves of the awed jonquil
bow low
—Matsuo Basho translation by Michael R. Burch
Come, investigate loneliness:
a solitary leaf
clings to the Kiri tree
—Matsuo Basho translation by Michael R. Burch
The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho translation by Michael R. Burch
Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho translation by Michael R. Burch
The sea darkening,
the voices of the wild geese:
my mysterious companions!
—Matsuo Basho translation by Michael R. Burch
The first chill rain:
poor monkey, you too could use
a woven cape of straw
—Matsuo Basho translation by Michael R. Burch
This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho translation by Michael R. Burch
I wish I could wash
this perishing earth
in its shimmering dew
—Matsuo Basho translation by Michael R. Burch
Dabbed with morning dew
and splashed with mud,
the melon looks wonderfully cool.
—Matsuo Basho translation by Michael R. Burch
Basho's Butterflies
The butterfly
perfuming its wings
fans the orchid
—Matsuo Basho translation by Michael R. Burch
Will we remain parted forever?
Here at your grave:
two flowerlike butterflies!
—Matsuo Basho translation by Michael R. Burch
Air ballet:
twin butterflies, twice white,
meet, match & mate.
—Matsuo Basho translation by Michael R. Burch
Ballet in the air! ―
two butterflies, twice white,
meet, mate, unite.
―Matsuo Basho translation by Michael R. Burch
A spring wind
stirs willow leaves
as a butterfly hovers unsteadily.
―Matsuo Basho translation by Michael R. Burch
As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Matsuo Basho translation by Michael R. Burch
aki o hete / cho mo nameru ya / kiku no tsuyu
Come, butterfly,
it's late
and we've a long way to go!
—Matsuo Basho translation by Michael R. Burch
Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
―Matsuo Basho translation by Michael R. Burch
Basho's Famous Frog Poem
An ancient pond,
the frog leaps:
the silver plop and gurgle of water
—Matsuo Basho translation by Michael R. Burch
An ancient pond sleeps...
untroubled by sound or movement...until...
suddenly a frog leaps!
—Matsuo Basho translation by Michael R. Burch
Explosion!
The frog returns
to its lily pad.
—Michael R. Burch original haiku
Basho's Heron
Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho translation by Michael R. Burch
Lightning―
the night heron's shriek
severs the darkness
― Matsuo Basho translation by Michael R. Burch
A flash of lightning―
the night heron's shriek
splits the void
― Matsuo Basho translation by Michael R. Burch
Basho's Flowers
Let us arrange
these lovely flowers in the bowl
since there's no rice
—Matsuo Basho translation by Michael R. Burch
Like a heavy fragrance
snowflakes settle:
lilies on rocks
—Matsuo Basho translation by Michael R. Burch
High-altitude rose petals
falling
falling
falling:
the melody of a waterfall.
―Matsuo Basho translation by Michael R. Burch
Revered figure!
I bow low
to the rabbit-eared Iris.
―Matsuo Basho translation by Michael R. Burch
Cold white azalea—
a lone nun
in her thatched straw hut.
―Matsuo Basho translation by Michael R. Burch
Glimpsed on this high mountain trail,
delighting my heart—
wild violets
―Matsuo Basho translation by Michael R. Burch
Disdaining grass,
the firefly nibbles nettles—
this is who I am.
—Takarai Kikaku translation by Michael R. Burch
A simple man,
content to breakfast with the morning glories—
this is who I am.
―Matsuo Basho translation by Michael R. Burch
This is Basho's response to the Takarai Kikaku haiku above
asagao ni / ware wa meshi kû / otoko kana
Ah me,
I waste my meager breakfast
morning glory gazing!
―Matsuo Basho translation by Michael R. Burch
Morning glories blossom,
reinforcing the old fence gate.
―Matsuo Basho translation by Michael R. Burch
The morning glories, alas,
also turned out
not to embrace me
―Matsuo Basho translation by Michael R. Burch
Morning glories bloom,
mending chinks
in the old fence
―Matsuo Basho translation by Michael R. Burch
Morning glories,
however poorly painted,
still engage us
—Matsuo Basho translation by Michael R. Burch
asagao wa / heta no kaku sae / aware nari
I too
have been accused
of morning glory gazing...
—original haiku by by Michael R. Burch
Curious flower,
watching us approach:
meet Death, our famished donkey.
—Matsuo Basho translation by Michael R. Burch
Basho's Poems about Spring, Summer, Autumn and Winter
Spring has come:
the nameless hill
lies shrouded in mist
—Matsuo Basho translation by Michael R. Burch
Spring!
A nameless hill
stands shrouded in mist.
—Matsuo Basho translation by Michael R. Burch
The legs of the cranes
have been shortened
by the summer rains.
—Matsuo Basho translation by Michael R. Burch
These brown summer grasses?
The only remains
of "invincible" warriors...
—Matsuo Basho translation by Michael R. Burch
An empty road
lonelier than abandonment:
this autumn evening
—Matsuo Basho translation by Michael R. Burch
Autumn darkness
descends
on this road I travel alone
—Matsuo Basho translation by Michael R. Burch
Taming the rage
of an unrelenting sun—
autumn breeze.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze
The sun sets,
relentlessly red,
yet autumn's in the wind.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze
As autumn draws near,
so too our hearts
in this small tea room.
—Matsuo Basho translation by Michael R. Burch
aki chikaki / kokoro no yoru ya / yo jo han
Late autumn:
my neighbor,
how does he continue?
—Matsuo Basho translation by Michael R. Burch
Winter in the air:
my neighbor,
how does he fare?
― Matsuo Basho translation by Michael R. Burch
Winter solitude:
a world awash in white,
the sound of the wind
—Matsuo Basho translation by Michael R. Burch
The year's first day...
thoughts come, and with them, loneliness;
dusk approaches.
—Matsuo Basho translation by Michael R. Burch
Basho's Temple Poems
Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
—Matsuo Basho translation by Michael R. Burch
The temple bells grow silent
but the blossoms provide their incense―
A perfect evening!
—Matsuo Basho translation by Michael R. Burch
See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
—Matsuo Basho translation by Michael R. Burch
Like a glorious shrine—
on these green, budding leaves,
the sun's intense radiance.
—Matsuo Basho translation by Michael R. Burch
ara toto / aoba wakaba no / hi no hikar
Basho's Birds
A raven settles
on a leafless branch:
autumn nightfall
―Matsuo Basho translation by Michael R. Burch
A crow has settled
on a naked branch—
autumn nightfall
—Matsuo Basho translation by Michael R. Burch
A solitary crow
clings to a leafless branch:
autumn twilight
―Matsuo Basho translation by Michael R. Burch
A solitary crow
clings to a leafless branch:
phantom autumn
―Matsuo Basho translation by Michael R. Burch
A crow roosts
on a leafless branch:
autumn nightmare
―Matsuo Basho translation by Michael R. Burch
NOTE: There has been a debate about the meaning of aki-no kure, which may mean one of the following: autumn evening, autumn dusk, the end of autumn. Or it seems possible that Basho may have intentionally invoked the ideas of both the end of an autumn day and the end of the season as well. In my translations I have tried to create an image of solitary crow clinging to a branch that seems like a harbinger of approaching winter and death. In the first translation I went with the least light possible: autumn twilight. In the second translation, I attempted something more ghostly. Phrases I considered include: spectral autumn, skeletal autumn, autumnal skeleton, phantom autumn, autumn nocturne, autumn nightfall, autumn nightmare, dismal autumn. In the third and fourth translations I focused on the color of the bird and its resemblance to night falling. While literalists will no doubt object, my goal is to create an image and a feeling that convey in English what I take Basho to have been trying to convey in Japanese. Readers will have to decide whether they prefer my translations to the many others that exist, but mine are trying to convey the eeriness of the scene in English.
Except for a woodpecker
tapping at a post,
the house is silent.
—Matsuo Basho translation by Michael R. Burch
Swallow flitting in the dusk,
please spare my small friends
buzzing among the flowers!
―Matsuo Basho translation by Michael R. Burch
Basho's Insects
A bee emerging
from deep within the peony's hairy recesses
flies off heavily, sated
—Matsuo Basho translation by Michael R. Burch
That dying cricket,
how he goes on about his life!
—Matsuo Basho translation by Michael R. Burch
The cicada's cry
contains no hint
of how soon it must die.
—Matsuo Basho translation by Michael R. Burch
Nothing in the cicada's cry
hints that it knows
how soon it must die.
—Basho translation by Michael R. Burch
The cicada's cry
contains no hint
of how soon it must die.
―Matsuo Basho translation by Michael R. Burch
Basho's Moon and Stars
Pausing between clouds
the moon rests
in the eyes of its beholders
—Matsuo Basho translation by Michael R. Burch
The moon: glorious its illumination!
Therefore, we give thanks.
Dark clouds cast their shadows on our necks.
―Matsuo Basho translation by Michael R. Burch
The surging sea crests around Sado...
and above her?
An ocean of stars.
—Matsuo Basho translation by Michael R. Burch
ara umi ya / Sado ni yokotau / Ama-no-gawa
Basho's Companions
Fire levitating ashes:
my companion's shadow
animates the wall...
—Matsuo Basho translation by Michael R. Burch
Among the graffiti
one illuminated name:
Yours.
—Matsuo Basho translation by Michael R. Burch
Scrawny tomcat!
Are you starving for fish and mice
or pining away for love?
—Matsuo Basho translation by Michael R. Burch
Basho's End of Life and Death Poems
Nothing happened!
Yesterday simply vanished
like the blowfish soup.
—Matsuo Basho translation by Michael R. Burch
ara nantomo na ya / kino wa sugite / fukuto-jiru
Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
—Matsuo Basho translation by Michael R. Burch
Sick of its autumn migration
my spirit drifts
over wilted fields...
―Matsuo Basho translation by Michael R. Burch
Sick of this autumn migration
in dreams I drift
over flowerless fields...
―Matsuo Basho translation by Michael R. Burch
NOTE: While literalists will no doubt object to "flowerless" in the translation above ― along with other word choices in my other translations ― this is my preferred version. I think Basho's meaning still comes through. But "wilted" is probably closer to what he meant. If only we could consult him, to ask whether he preferred strictly literal prose translations of his poems, or more poetic interpretations! My guess is that most poets would prefer for their poems to remain poetry in the second language. In my opinion the differences are minor and astute readers will grok both Basho's meaning and his emotion.
Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho translation by Michael R. Burch
New Haiku Translations, Added 10/6/2020
Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Stricken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
New Haiku Translations, Added 10/6/2020
Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch
Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Striken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch
NEW BASHO TRANSLATIONS 06-19-2025
SPRING
Blame the rainy season
for my absence,
old friend Moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
For yet a little while,
the pale moon
floating among blossoms...
—Matsuo Basho, translation/interpretation by Michael R. Burch
Moon past full:
darkness
increasing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spring rains
so heavy
they overflow the waterfall.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I’ll catch up
about cascading waterfall blossoms
when I drink with Li Bai.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Fluttering rose petals
fall
into the river’s gurgling waters.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spring rains
overwhelming the falls,
overflowing...
—Matsuo Basho, translation/interpretation by Michael R. Burch
The rainy season downpour
sours even the ears
of ripening plums.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Flood!
Stars will soon sleep
atop a rock.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I’ll dare drenching
my paper robes
to nab a sprig of spring blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Where is that handsome man
no long with us:
the rain-hidden moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So much harsher
than other mouths,
the wind devours newborn blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So taken by their beauty,
I long to take
the maiden flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Trembling, feeble,
heavy with dew:
the maiden flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Other flowers bloom,
the camellias
remain indifferent.
—Matsuo Basho, translation/interpretation by Michael R. Burch
An orchid’s
lingering fragrance
veils the bedchamber.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The boy’s bangs
retain the scent
of youthful grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spring winds
tickle the flowers
till they burst out in laughter.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Falling to the ground,
returning to its roots,
the flower’s farewell.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So many things
recur in memory:
spring blossoms reopen.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Seeing them naked
almost makes me caress
the ******* flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
As temple bells fade
flowers strike their fragrance
into the silence.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The bat also emerges
into the birds’
world of flowers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
When planting,
please handle the infant cherry tree tenderly,
gently, like a baby.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How can one fret
during cherry blossom time?
—Matsuo Basho, translation/interpretation by Michael R. Burch
How I envy them,
growing high above our transient world,
the mountain cherries.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Curiosity:
a butterfly alights
on nectarless grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A solitary butterfly
hovers over
its own shadow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A solitary butterfly
flutters above
its own shadow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Since spring showers insist,
the eggplant seeds
commence sprouting.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Never belittle
the tiniest seeds:
the spunky pepper reddens.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Once green,
behold!
The red pepper.
—Matsuo Basho, translation/interpretation by Michael R. Burch
After spring rains
mugwort shoots up
in grassy lanes.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Higher than the larks,
resting amid the blue,
this mountain pass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The blossom-filled day
makes the tree’s sadness
seem all the darker.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Goodbye, old friend:
no longer beckoning
miscanthus plumes.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spying plum blossoms
the infatuated ox
bellows, “Yes!”
—Matsuo Basho, translation/interpretation by Michael R. Burch
The day-lily,
dripping water
into the grasses’ forgetfulness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Scooped up by my hands,
the springwater
shocks my teeth with its iciness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The cats’ noisy mating subsides;
now into our bedroom
creeps the quiet moonlight.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Here at Wakanoura
I’m finally in step
with fleeting and fleeing spring.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A bell-less village?
Who will ring in
the end of spring?
—Matsuo Basho, translation/interpretation by Michael R. Burch
The temple bell unheeded?
Unheard?
Still, spring is fleeting.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The sun’s about to set:
the spring’s last shimmering heat ray.
—Matsuo Basho, translation/interpretation by Michael R. Burch
SUMMER
Such coolness
when shouldered:
the summer’s first melon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A wicker basket
shields the coolness
of the first melon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Morning dew:
the muddy melon
exudes coolness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Early summer rain:
the green spikemoss,
how long to remain?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Timidly the willow
refrains from touching
deutzia blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
An oiled paper umbrella
attempts to push aside
unobliging willows.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The ancient river
ogles
the slender willow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So like life:
this small patch of shade
beneath a wicker hat.
Still alive
despite the slightness of my hat,
I cherish its shade.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This summer world
floats in the lake’s
silver waves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A weary horse
collapsing in barley:
traveler’s rest.
—Matsuo Basho, translation/interpretation by Michael R. Burch
On the distant plain
the deer’s voice
seems an inch tall.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How sad, the bellowing of bucks,
The bleatings of does,
at night.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Even woodpeckers
hold this old hut sacred,
still standing in the summer grove.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Toppling from the topmost bough,
emptiness aloft:
the cicada’s husk.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The hollyhock
leans sunward
in the summer rain.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Ah, the splendid resplendence
of sunlight
on tender evergreen leaves!
—Matsuo Basho, translation/interpretation by Michael R. Burch
The fragrance of oranges...
In whose farmyard
is the cuckoo calling?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Temple bells reverberate:
cicadas singing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Shouldering hay bales,
someone left enough straw
to mark our way.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Fireflies
turn our trees
into well-lit lodges.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A noontime firefly,
dim by daylight,
hides behind a pillar.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Firefly watching,
the tipsy boatman
rocks the boat.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Rising above fields of rice and barley,
the cry of the summer cuckoo.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Tedious life!
Plowing the rice field
back and forth...
—Matsuo Basho, translation/interpretation by Michael R. Burch
Lying in the summer grass,
discarded like a king’s robe,
the snakeskin.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The shrubby bush-clover?
How impudent
her appearance!
—Matsuo Basho, translation/interpretation by Michael R. Burch
Glistening dew
sways without spilling
from the bush-clover.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I bow low
to the venerable
rabbit-eared Iris.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Rabbit-eared Iris,
pausing to chit-chat,
one joy of my journey.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The rabbit-eared iris
inspires
another hokku.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Rabbit-eared Iris,
admiring your reflection?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Inside Uchiyama,
unknown to outsiders,
blossoms full-bloom.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Uchiyama was a temple little-known to the outside world. In fact, uchi means “inside.”
AUTUMN
First of autumn:
the sea and the rice fields
the same green hue.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The autumn wind
like a ventriloquist
projects its piercing voice.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Voices in the reeds?
Ventriloquism
of the autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
East and West
united by the autumn wind
into a single melancholy.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Seeing a friend off,
his hunched back
lonely in the autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Illuminating
sawn-off tree trunks:
the harvest moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
After pausing
for harvest moon viewing,
we must be on our way.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Our moon-viewing interrupted
on Asamutsu Bridge,
dark yields to dawn.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Consider lonesomeness
surpassing even Suma’s:
this deserted autumn beach.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The temple bell
drowned in the sea,
and where is the moon?
—Matsuo Basho, translation/interpretation by Michael R. Burch
My humble take on the world?
Withered leaves
at autumn’s end.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Withering flowers:
out of such sadness
seeds emerge.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Red on red on red,
the sun relentless,
yet autumn’s unimpressed.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This lusciously cool autumn day
we peel
aubergine melons.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Cling to your leaves,
peach trees!
Autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This whiteness,
whiter than mountain quartz:
autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Shocking the grave,
my grief-filled cry:
autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Spider,
to whom do you cry?
Autumn wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How to reach safe haven?
An insect adrift
on a leaf.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Reverential tears:
the falling leaves
bid their trees goodbye.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Plates and bowls
gleaming dimly in the darkness:
evening coolness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Twice the pity:
beneath the headless helmet,
a chirping cricket.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Secretly
by moonlight
weevils bore chestnuts.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Cranes on stilts
surveying the rice paddies:
autumn village.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Thankfulness:
someone else harvests rice
for me.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How touching
to survive the storm,
chrysanthemum.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Slender again,
somehow the chrysanthemum
will yet again bud.
—Matsuo Basho, translation/interpretation by Michael R. Burch
As autumn deepens
a butterfly sips
chrysanthemum dew.
—Matsuo Basho, translation/interpretation by Michael R. Burch
His loosened jacket collar
invites the cool breeze.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Butterfly wings:
how many times have they soared
over human roofs?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Mosquitos drone
with dusky voices
deep within the cattle shed.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Basho leaves shred in the gale;
the basin collects raindrips;
all night I listen, alone in my hut.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The dew drips, drop-by-drop...
I’d rinse this world clean,
if I could.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The fire’s banked ashes
extinguish
your tears’ hisses.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Turn to face me,
for I am also lonesome
this autumn evening.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Plucking white hairs
while beneath my pillow
a cricket creaks.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Everything that blossoms
dies in the end:
wilted pampas grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
As autumn departs,
shivering
I scrunch under too-small bedding.
—Matsuo Basho, translation/interpretation by Michael R. Burch
It seems, to dullard me,
that hell must be like this:
late autumn.
—Matsuo Basho, translation/interpretation by Michael R. Burch
WINTER
The year’s first snowfall;
such happiness to be
at home in my hut.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Fire-making friend,
let me show you something grand:
a huge snowball!
—Matsuo Basho, translation/interpretation by Michael R. Burch
Written for Basho’s dear friend Sora, who visited Basho’s hut to feed the fire, cook, break ice and make tea.
Come, children,
let’s frolic in the snowstorm,
dodge the hail.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Farewell for now,
we’re off to find snow
until we tumble into it.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Let’s get up
until we fall into
the snow we seek.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Yesteryear’s snows,
have they fallen anew?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Winter drizzle;
irate, I await
snow adorning the pines.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Practicing bowing,
the bamboo
anticipates snow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Bowing low,
the upside-down world
of snow-laden bamboo.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Melancholic flowers
shrivel
in the frost.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Hailstones
stitching
the silken snow.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Oars slapping waves,
the stomach a-shiver,
these nighttime tears.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Icefish
shoaling through seaweed
swim into my hands.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Sunrise:
one-inch sliver
of the whitefish’s iciness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Alive
but congealed into one:
the frozen sea cucumbers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Somehow alive
yet congealed into a single solid mass:
the frozen sea cucumbers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Water so cold,
rocks so hard,
where will the seagull sleep?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Plovers depart
as evening deepens
windward toward Hiei.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Crying in the darkness,
unable to locate its nest,
the homeless plover.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The plovers cry:
“Be watchful of the darkness
at Star Cape!”
—Matsuo Basho, translation/interpretation by Michael R. Burch
Mushroom-gathering,
rushing to beat
cold evening rains.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Ceremonious
hailstones
assail my hinoki hat.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Caught hatless
in a winter shower?
So it goes.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How many frosts
have tested
this pine’s mettle?
—Matsuo Basho, translation/interpretation by Michael R. Burch
A winter drizzle
obscures
the field’s freshcut stubble.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The drinkers’ faces
paler than the snow:
a flash of lightning.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The polished mirror
clear as snowflake petals.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The relentless wind
sharpens rocks and stones,
topples cedars.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Cold fear
desolate as a deserted
frost-crusted shack.
—Matsuo Basho, translation/interpretation by Michael R. Burch
How marvelous,
the winter snow
will return as rain.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Children come running,
dodging jewels:
hailstones.
—Matsuo Basho, translation/interpretation by Michael R. Burch
At least the world has left,
unblemished and unbegrimed,
a single wooden bowl.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The bowl in question had been left by Rotsu in Osaka, and was returned undamaged seven years later. Rotsu was a Basho disciple.
The mud snail’s closed lid:
winter confinement.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Inside my hut,
watching my own breath:
winter confinement.
—Matsuo Basho, translation/interpretation by Michael R. Burch
So weary of Kyoto,
of the withering wind
and winter life.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I will soon be included
among the fortunate ones:
beyond winter.
—Matsuo Basho, translation/interpretation by Michael R. Burch
VARIOUS
As clouds drift apart,
so we two separate:
wild geese departing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The old nest deserted,
how empty now
my next-door neighbor’s hut.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Yesterday?
Departed,
like the blowfish soup.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Exciting,
but with a sad conclusion:
cormorant fishing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The one who died:
her delicate kimono
hung out to dry.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Behind the veiling curtain,
the wife in her bedchamber:
plum blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
See her slim figure:
the ingenue moon
not yet ripened.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Clouds now and then
offer intermissions
from moon-viewing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Drinking
alone with the moon,
my shadow makes three.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The moon and the blossoms
lack only a man
drinking sake, alone.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Unbar the door,
allow moonlight
to enter Ukimido.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Ukimido was a temple Basho visited in 1691.
Drinking morning tea,
the monks
silent amid chrysanthemums.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Its fragrance whiter
than the peach blossoms’ whiteness:
the narcissus.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The narcissus
reflects the whiteness
of a paper screen.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Hibiscus flowers
garland
an otherwise naked child.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The overproud
pink begonia
thinks it’s a watermelon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Echo my lonesomeness,
mountain cuckoo.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The cuckoo’s lone voice
lingers
over the inlet.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Solitary hawk,
a heavenly vision
over Cape Irago.
—Matsuo Basho, translation/interpretation by Michael R. Burch
At Cape Irago
the incomparable cry
of the hawk.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Better than any dream,
the thrilling reality
of a hawk’s cry.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The hawk’s eye narrows
at the quail’s call.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Naptime!
But my drowsiness is nixed
by busybody warblers.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Carolers:
the sparrows smile
at their warbling.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Giving thanks to the flowers
for brightening my visit:
farewell.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Melancholy nub!
The bamboo bud’s
sad end.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This lightning flash
the hand receives in darkness:
a candle.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Carrying a candle
into the dark outhouse:
the moonflowers’ whiteness.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Seeing a moonflower,
I poke my sake-addled face
through a hole in the window.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Nighttime folly:
grabbing a thorn,
expecting a firefly.
—Matsuo Basho, translation/interpretation by Michael R. Burch
More nighttime weirdness:
a fox stalking
a melon?
—Matsuo Basho, translation/interpretation by Michael R. Burch
It’s better to become a beggar
than a critic.
—Matsuo Basho, translation/interpretation by Michael R. Burch
No rest:
the carpenter
hangs his own shelf.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Blowing away
the volcano’s molars:
the typhoon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
What decays
have you endured,
watchful tomb ferns?
—Matsuo Basho, translation/interpretation by Michael R. Burch
A disgusting smell
slimed on waterweeds:
pale chub entrails.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A country boy
shucking husks
gazes at the moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The poet’s heart?
Will we ever really understand
ume blossoms?
—Matsuo Basho, translation/interpretation by Michael R. Burch
For at least today
let all the poets be
melodious as winter rains.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I believe the haiku above was written during a gathering of poets.
What tree blossoms here?
I do not know
its mysterious aroma.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I will lodge here
until the tender goosefoot
matures into a walking stick.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I’d compare a flower
to a delicate child
but the field is barren.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Basho wrote the poem above for a friend, Rakugo, who had lost a child.
Even a poorly-painted
morning glory
pleases.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The morning glories
ignore our drinking,
drunk on themselves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Slender glistener!
Each dewdrop a burden
for the maiden flower.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The moon absent,
treetops cling
to the nighttime rain.
—Matsuo Basho, translation/interpretation by Michael R. Burch
May you tumble safely
onto sand or snow,
sake-addled horse rider.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I miss my mother and father
so much:
the kiji’s cry.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The kiji is a green pheasant but also a metaphor for the love of one’s family and kiji is also a homophone for “orphaned child.”
I pause from my journey
to observe the fleeting world
going about its housecleaning.
—Matsuo Basho, translation/interpretation by Michael R. Burch
No simile!
Nothing compares
to the crescent moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The overstaying moon
and I
linger in Sarawhina.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Her ascent easy
and yet still hesitant,
the cloud-veiled moon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
A cuckoo flying,
cawing, crying and cajoling:
busybody.
—Matsuo Basho, translation/interpretation by Michael R. Burch
What’s all the ado
about this busybody crow?
—Matsuo Basho, translation/interpretation by Michael R. Burch
Art begins
with ancient rice-planting chants
drifting on the wind.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Today’s words
vanish tomorrow:
evaporating dew.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Basho may have proved himself wrong with the poem above, since so many of his poems are still being read, studied and translated.
Unregarded by the high-minded
the lowly chestnut
blossoms by the eaves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Clinging for dear life
to the bridge,
these winding vines.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This swinging bridge:
hard to imagine
horses crossing.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Even in Kyoto,
a longing for Kyoto,
the cuckoo calling.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The cuckoo symbolizes nostalgia. Here Basho seems to be in Kyoto but longing for the Kyoto of his past.
Rock azaleas
dyed red
by the cuckoo’s tears.
—Matsuo Basho, translation/interpretation by Michael R. Burch
In Japan the cuckoo is said to shed tears of blood.
I would wipe away the tears
brimming in your eyes
with these tender leaves.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Reincarnation?
The fawn’s first dawn
falls on Buddha’s birthday.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Forbidden to speak
of holy Yudono,
my sleeves wet with tears.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Let us learn
from the travails
of these ancient pilgrims.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The samurai’s
overlong discourse:
the tang of bitter daikon.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Tender-horned snail,
point those tiny tips
toward distant mountains!
—Matsuo Basho, translation/interpretation by Michael R. Burch
A dragonfly
clings tentatively to the air,
hovering above waving grasses.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Tiny river crab
creeping up my leg?
Back to the water!
—Matsuo Basho, translation/interpretation by Michael R. Burch
The windblown butterfly
is unable to settle
in the waving grass.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Even the wild boar
is blown about
by buffeting winds.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The boat
comes to rest
on a beach of peach blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Lightning
does not enlighten,
of what value?
—Matsuo Basho, translation/interpretation by Michael R. Burch
A banked fire,
the shadow
of a guest.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Remember:
the thicket
guards plum blossoms.
—Matsuo Basho, translation/interpretation by Michael R. Burch
Don’t chortle with glee:
through the leaves of the silk tree
stars wink at me.
—Matsuo Basho, translation/interpretation by Michael R. Burch
The Kiyotaki’s unblemished waves
gently dispersing
still-green pine needles.
—Matsuo Basho, translation/interpretation by Michael R. Burch
This is said to have been Basho’s last haiku. Kiyotaki means “clear” and is the name of a river.
Immaculate white chrysanthemums:
no matter how closely investigated,
without a blemish.
—Matsuo Basho, translation/interpretation by Michael R. Burch
I suspect the two poems above are related because the first poem in one version had “without a blemish” or “nary a blemish.”
Faint
in a trace of water:
floating chrysanthemums.
—Matsuo Basho, translation/interpretation by Michael R. Burch
OTHER POETS
Observe:
see how the wild violets bloom
within the forbidden fences!
—Shida Yaba (1663-1740), loose translation/interpretation by Michael R. Burch
When no wind at all
ruffles the Kiri tree
leaves fall of their own free will.
—Nozawa Boncho (1640-1714), loose translation/interpretation by Michael R. Burch
Keywords/Tags: Basho, haiku, translation, Japan, Japanese, Oriental, Orient Occident, nature, season, seasons, waka, tanka, life and death, compassion, empathy, mrbhaiku, mrbbasho
Mateuš Conrad Aug 2018
tolerating Islam
Mateuš Conrad
Aug 2018
. 'as for those poets, only the perverse follow them. do you not see that they go too far in every direction and say things, which they cannot do?' (ash-shu'ara / the poets 26:224-226).
call them what you like,
the Huguenots,
for all i care...
you always side with
the "heretics"...
given that, "said" heretics
retain some cultural value
relativism of other cultures,
namely in the form of
depiction -
since why would, "the word"
be deemed holy,
****-naked,
rather than donning
a bikini of "iconoclasm"...
when words... are at
the meat-market of copyright -
what with © coca cola?
sunni islam would have
never allowed sufism...
but Farsi does...
and will continue...
since no Iranian will bow
before an Arab within the schematics
of history...
Sunni Islam, it's Wahhabi sentimentality...
so why persist in signing
the Adhan?
why not speak in a honing like
drone sentiment of plain speech?
i thought all music was banned?
the current Adhan is a form
of music... isn't it? BAN IT!
you never side with these Sunni
muslims, exploiting Bangladeshi labor,
you side with the heretics of Iran...
these *******, i can at least respect...
no fast cars, convenient ongoing
cultural insurrections -
Sufism...
Afghan women's poetry,
and all that much closer to Hindu mysticism...
yeah... "islamophobia":
but only against Sunni Islam...
but Shia Islam?
no problem...
i could stomach these peoples
like i could stomach the in-between
of the Turkish variant -
no ideology - simply, pure, power throttle...
i could make a great Janissary -
with a Turkish barber...
for a great trim of hair and beard...
i'd cast a shadow on some
obscure chocolatier of Brussels
who thinks himself a politician...
but there are certain aspect of Islam
i am willing to tolerate...
what happened to the son in law
of Muhammad, namely, Ali...
was raw ******* kicking...
promises, promises...
no promises...
Shia Islam, as an European,
i can tolerate, Turkish Islam, i can tolerate...
Turkey is incrementally shy
of being treated at the 2nd variant of Iran...
at least with Iran, we share a history
via the insurrection into the ancient
texts through Greece...
come to think of it...
whenever i listen to
matta's song echo babylon...
i start feeding myself goosebumps,
reminding myself
of Cyrus... Nebuchadnezzar...
and the dim-wit that was
Belshazzar...
always siding with the heretics...
if not on economic groundwork,
then at least motivating,
rather than monetizing an idea...
and the Shia muslims are...
one way or another...
unlike the gluttons of Dubai...
the barbie dolls of postage stamp
"proof" of progress,
in size, and worth...
Sunni Islam would have
never allowed poetics to remain
a viable form of expression -
the Persian tradition that is,
far beyond the western concern
for a comment section...
Shia Islam allows patronage
of the arts, notably poetry,
without concern for monetary
funding, it, at least, doesn't prohibit it...
given the pride of the Persians...
Sunnis and their continual quest
for finding water...
sure... poetry is pointless within
such restrictions of
existential concerns...
but... given the current, civilized
establishment?
sky-scrapers in *******
sand dunes?
the qu'ran should have
forbidden the architectural ambitions
equivalent to the tower of babel
being erected, in environments,
that could never sustain said projects...
and who originally spewed the term
islamophobia?
Sunni Islam...
i never liked this strand of belief...
i hate the Sunnis like
a Shia partisan...
p.s. it's called patriotism is America...
but nationalism in Europe...
you sure that's not a synonym?
Europeans can't be patriotic,
and Americans are never nationalistic?
...
well: how could i ever convert to islam,
i do enjoy the adhan from time to time,
"sorry", but i do...
i can't help it:
if i'm a sucker for pop songs,
i'm also a sucker for the adhan...
crusader songs, templar songs become
stuffy after a while...
and last time i checked:
there were the northern crusades
against the baltic people:
notably prussians, lithuanians...
with that cushion of: mediating the
escalation of war by the polacks...
coming from the east:
last time i checked the mongols
didn't reach leipzig...
buffer zone people...
and what of the ottoman onsalught
of vienna 1529: the ****** winged hussars
won the charge...
so, coming back to heidegger... aphorism 26
ponderings IX... how am i to not be
the historical animal?
perhaps in german, in germany
i might become a non-historical animal,
to begin: anew, but with a terrible
past to hide, to negate...
i could do that: if i were a german,
speaking german, in germany...
but i'm in england:
i might have some roots in
Silesia, but it's "hard" to not be a historical
animal, an "animal" with a sense of time,
i.e. a future a past a present...
esp. under the english conditions
of: the biological animal momentum narrative,
like a tsunami, like an earthquake...
ripples throughout...
i can't move forward with
the english championing darwinism every
single ******* step of the way...
why can't they hide darwin like the polacks
hid copernicus...
given the motto: copernicus -
who moved the earth, and stopped the sun...
why wouldn't i escape into history
if the current biological reality is:
(a) a yawn... the cruel nature of per se?
the courting of pigeons on a t.v. antenna...
pigeons get rejected all the time,
lesson learned, he bows and bows,
coos... expands his tail feathers upon
the bow then folds them... she flies away...
repeat...
(b) i can't escape being a historical
animal in the way that what the current
facts are being repeated have encountered
a whiff of Chernobyll...
history is inclided to answer reality...
biology? not so much... not from what i've
seen and heard...
truly a schizophrenics disney dream:
to walk among the newly insane feeling
like the only sane among them...
beau-ti-ful!
well... given the current criteria
of being bilingual as being synonymous
with being a schizophrenic...
magic!
now the crescendo...aphorism 24
ponderings X:
the word designates, the word signifies,
the word says, the word is (heidegger)...
i found that you can only write
"philosophy" with a neat, fixed vocab. regime,
clarity of boundaries...
quadratic events in vocab.:
i.e. the reflexive: yourself, himself, itself etc.
and the reflective: your, self....
his, self...
it, and the self...
ergo? atheistic scissors,
the two articles, indefinite and definite
a / the "self"...
i'm not playing "identity politics",
when i say that only two peoples ever managed
to sack Moscau... the mongols and the polacks
with the help of lithuanians,
"identity politics" only happens in
post-colonial society, akin to the english,
i'll speak the english,
but i will not be a cucked indian of
the former raj: i will eat the fish & chips,
i will eat the sunday roast,
i will eat the english breakfast with great
delight...
but i will not do what these former
colonial masters expect of me:
integrate at the expense of making my
mutterzunge into hubris!
stubborness contra pride...
hard to tell the difference...
and why do i like heidegger so much?
i'm not into the ad homine arguments...
my grandfather, was, a communist party member...
so?
i like heidegger... because he appreciates
poetics, i like that poets can share the same
values as philosophers,
thanks to heidegger: we have been requested
back into the republic...
if plato and islam didn't like us, hanging around,
some offshoot german thinker / promenade
enthusiast like used enough to,
i suppose: ban the theatre puppeteers...
i am not playing identity politics...
biological reality is not enough...
but archeological reality?
can you really advance to counter?
i was born near:
Krzemionki Opatowskie, a Neolithic and
early Bronze Age complex of flint mines
for the extraction of Upper Jurassic (Oxfordian)
banded flints...
personally? i don't believe in
the African genesis conundrum...
i believe "my" people originated from
the Indian sub-continent,
as, associated with the complex:
Indo-European categorization of language;
i'm still to see an African phonetic
encoding system, beside the hieroglyphics...
i, was, born, there! i'm not a displaced
post-colonial debacle between former master
and former slave...
i have: roots... i'm not ******* up to the fish & chips
brigade with a friday night's worth of curry...
i cook my own curry,
and by god: it is the food of the gods...
i'll give the blue indians that counter...
but sure as **** not the worth of mead
or whiskey...
if they only tolerated themselves,
sure, learn the english language,
but know this much:
english is the modern lingua franca...
it's the language of economics,
forget the natives, too ignorant to learn
either deutsche or française:
island-folk...
what else, what other attitude?
even the russians are like:
that land of the weirdos? the idiosyncratics?
yes, we know that land...
the only "thing" that shelters the english
are the h'americans, the south africans,
the australians etc.,
sure as **** the scots aren't sheltering them...
and, mind you?
if the i.r.a. really wanted to plant
a bomb?
a real bomb? they'd revert from speaking
any english to begin with... resorting
to revising their usage of gàidhlig:
ga-id-hlig... gaelic...
like the welsh, stubborn people, proud people,
retaining their Çymraeg...
celt: said kelt...
the glaswegian football team?
Çeltic... not: keltic...
borrowed from the greek: sigma (ς: cedilla to ****)...
wow! all the particulars in the english tongue!
guess it would take an ausländer to spot them!
U-21 european championships,
england versus romania:
a magnificent match...
the youngsters playing better football
than the oldies in their mid to late / early 30s...
i'm trying to tolerate Islam,
it's not in my nature...
hell... i enjoyed visiting a turkish barber
shop, i still have an unflinching opinion that,
the turks are the best barbers in the world...
but...
this quote, is going to **** you:
same aphorism / pondering (24 / X) -
*** fight videos - count dankula...
you know what i'd love to do to these little
snarky *****?
the french revolution isn't enough...
n'ah, them hanging, is not enough....
ever heard of the butchers' hook?
it's also callled close-up fishing...
imitation hang-man...
you insert a fishing hook...
and you let the sweeney todd ****** dangle...
on a hook, rather than a noose...
lords of salem come your way?
i'd rather the snarky teen hanging off
a fisherman's hook than dangle
like some lynched ******...
beside the suffocation,
i'd like them with a fisherman's hook entombed
in their hard palette...
i don't want them hanging...
what am i? a sadist?
i want them on the fisherman's hook!
when suffocating without a broken spine absorbed
by the neck isn't enough!
fisherman's hook gallows is a
masterpiece... of suffering...
most certain...
when cheap comedy is being towed...
making fun of bums, or homeless people...
the current society is so welcome
to bypass all the "adventures" of Loki...
but akin to the lords of Salem...
burn!? such a limitated imagination!
ah... right... digressing...
the reflexive / reflective quadratic...
language - only if speech has acquired
the highest univocity of the word does it
become strong (enough) for the hidden
play of its essential multivocity
(as withdrawn from all "logic"),
of which poets and thinkers alone
are capable, in their own respective modes
and their own directions of sovreignty.
we do live in a time of a lost sense
of dialectic, since we do not live in a time
of etertaining dialogue,
perfectly sensible opinions,
that's all we have...
if one of these snarky *******
came up to me...
they'd get a chance to experience a rubric
of 4, knuckles...
what's 189 centimeters in empirical?
6ft2... oh!
see where imagination takes you?
and here i was: thinking i was without it!
butcher's hangman...
oh, not so easy...
fame by no association to fame...
just the tears of parents who raised their children
to be nothing more than rugrats...
annoying gnat like bothersomes;
and nothing quiet special to be associated
with weimar berlin...
just, these,
h'american mall onlookers
with pwetty-guy-for-a-white-fly-mentality,
as borrowed from californian
1990s punk;
re-used ****** losers.
mad-hatter's fraction: 10/6....
0.666...
well: to the given extent:
1.666666(7)....
1, 0, /6,
no number is divisible by 0,
every number, divisible by 1:
is the same number...
mad hatter's 10/6...
re-used ****** losers...
i like that phrase...
7 for every 6, 7 for every 6...
until the 0. fraction comes
a 1.: exponential serf of 0...
0 being the multiplier...
i really am growing a beard to less
don it, but rather to experience
a relief from patience...
war robots?
the first non n.p.c. game...
i like that, very much...
and when i did:
you know my first experience of
love at first sight?
the younger sister of my then girlfriend...
****** up ****...
love at first sight is a terrible phenomenon...
i was nearing 18, she was barely 13...
i was dating her older sister...
but it was love at first sight,
the trouble with: love at first sight:
it doesn't lie...
it tries to lie...
but it can't lie...
paedophilia? a bit... untouched bodies
though... bodies of people who were
never supposed to touch...
i once said to a fwend:
well wouldn't it be ****** up if i touched
her?
she's a muse, which doesn't translate
into vacating her as a busy body
worth of a touch, does it?
if only my old friend samuel said
otherwise:
sylvester "contra" tweety:
my first girlfriend...
but her sister?
i was nearing 18, she was about 13...
love at first sight...
untouched, cradled, unscathed...
and so she remained...
until she did what every girl would
have done...thank god she remained
a figment of my imagination...
rammstein: rosernrot...
i have seen love at first...
such a load of ******* that it had to be
the younger sister of a girl i was dating...
and the **** that i had to be 18 and see
was just beginning her teenage transition...
the world unfair i grant
the most justifications... as being
the (just - unnecessary adjective) arbiter...
love at first sight becomes a forbidden love...
love at first sight was always a forbidden
love...
and the sort of "love" that achieves
a perspctive of change that doesn't
translate into old age...
love at first sight is soon translated
into a love of affairs closely associated
with middle-age disenfranchised
state of affairs...
i.e. to love again...
how else to feel relief from
having lost both one's inhibitions
as well as one's ambitions?!
in the conundrum of the mortal
"question" of the continuum being
preserved?
call them what you like,
the Huguenots,
for all i care...
you always side with
the "heretics"...
given that, "said" heretics
retain some cultural value
relativism of other cultures,
namely in the form of
depiction -
since why would, "the word"
be deemed holy,
****-naked,
rather than donning
a bikini of "iconoclasm"...
when words... are at
the meat-market of copyright -
what with © coca cola?
sunni islam would have
never allowed sufism...
but Farsi does...
and will continue...
since no Iranian will bow
before an Arab within the schematics
of history...
Sunni Islam, it's Wahhabi sentimentality...
so why persist in signing
the Adhan?
why not speak in a honing like
drone sentiment of plain speech?
i thought all music was banned?
the current Adhan is a form
of music... isn't it? BAN IT!
you never side with these Sunni
muslims, exploiting Bangladeshi labor,
you side with the heretics of Iran...
these *******, i can at least respect...
no fast cars, convenient ongoing
cultural insurrections -
Sufism...
Afghan women's poetry,
and all that much closer to Hindu mysticism...
yeah... "islamophobia":
but only against Sunni Islam...
but Shia Islam?
no problem...
i could stomach these peoples
like i could stomach the in-between
of the Turkish variant -
no ideology - simply, pure, power throttle...
i could make a great Janissary -
with a Turkish barber...
for a great trim of hair and beard...
i'd cast a shadow on some
obscure chocolatier of Brussels
who thinks himself a politician...
but there are certain aspect of Islam
i am willing to tolerate...
what happened to the son in law
of Muhammad, namely, Ali...
was raw ******* kicking...
promises, promises...
no promises...
Shia Islam, as an European,
i can tolerate, Turkish Islam, i can tolerate...
Turkey is incrementally shy
of being treated at the 2nd variant of Iran...
at least with Iran, we share a history
via the insurrection into the ancient
texts through Greece...
come to think of it...
whenever i listen to
matta's song echo babylon...
i start feeding myself goosebumps,
reminding myself
of Cyrus... Nebuchadnezzar...
and the dim-wit that was
Belshazzar...
always siding with the heretics...
if not on economic groundwork,
then at least motivating,
rather than monetizing an idea...
and the Shia muslims are...
one way or another...
unlike the gluttons of Dubai...
the barbie dolls of postage stamp
"proof" of progress,
in size, and worth...
Sunni Islam would have
never allowed poetics to remain
a viable form of expression -
the Persian tradition that is,
far beyond the western concern
for a comment section...
Shia Islam allows patronage
of the arts, notably poetry,
without concern for monetary
funding, it, at least, doesn't prohibit it...
given the pride of the Persians...
Sunnis and their continual quest
for finding water...
sure... poetry is pointless within
such restrictions of
existential concerns...
but... given the current, civilized
establishment?
sky-scrapers in *******
sand dunes?
the qu'ran should have
forbidden the architectural ambitions
equivalent to the tower of babel
being erected, in environments,
that could never sustain said projects...
and who originally spewed the term
islamophobia?
Sunni Islam...
i never liked this strand of belief...
i hate the Sunnis like
a Shia partisan...
p.s. it's called patriotism is America...
but nationalism in Europe...
you sure that's not a synonym?
Europeans can't be patriotic,
and Americans are never nationalistic?
...
well: how could i ever convert to islam,
i do enjoy the adhan from time to time,
"sorry", but i do...
i can't help it:
if i'm a sucker for pop songs,
i'm also a sucker for the adhan...
crusader songs, templar songs become
stuffy after a while...
and last time i checked:
there were the northern crusades
against the baltic people:
notably prussians, lithuanians...
with that cushion of: mediating the
escalation of war by the polacks...
coming from the east:
last time i checked the mongols
didn't reach leipzig...
buffer zone people...
and what of the ottoman onsalught
of vienna 1529: the ****** winged hussars
won the charge...
so, coming back to heidegger... aphorism 26
ponderings IX... how am i to not be
the historical animal?
perhaps in german, in germany
i might become a non-historical animal,
to begin: anew, but with a terrible
past to hide, to negate...
i could do that: if i were a german,
speaking german, in germany...
but i'm in england:
i might have some roots in
Silesia, but it's "hard" to not be a historical
animal, an "animal" with a sense of time,
i.e. a future a past a present...
esp. under the english conditions
of: the biological animal momentum narrative,
like a tsunami, like an earthquake...
ripples throughout...
i can't move forward with
the english championing darwinism every
single ******* step of the way...
why can't they hide darwin like the polacks
hid copernicus...
given the motto: copernicus -
who moved the earth, and stopped the sun...
why wouldn't i escape into history
if the current biological reality is:
(a) a yawn... the cruel nature of per se?
the courting of pigeons on a t.v. antenna...
pigeons get rejected all the time,
lesson learned, he bows and bows,
coos... expands his tail feathers upon
the bow then folds them... she flies away...
repeat...
(b) i can't escape being a historical
animal in the way that what the current
facts are being repeated have encountered
a whiff of Chernobyll...
history is inclided to answer reality...
biology? not so much... not from what i've
seen and heard...
truly a schizophrenics disney dream:
to walk among the newly insane feeling
like the only sane among them...
beau-ti-ful!
well... given the current criteria
of being bilingual as being synonymous
with being a schizophrenic...
magic!
now the crescendo...aphorism 24
ponderings X:
the word designates, the word signifies,
the word says, the word is (heidegger)...
i found that you can only write
"philosophy" with a neat, fixed vocab. regime,
clarity of boundaries...
quadratic events in vocab.:
i.e. the reflexive: yourself, himself, itself etc.
and the reflective: your, self....
his, self...
it, and the self...
ergo? atheistic scissors,
the two articles, indefinite and definite
a / the "self"...
i'm not playing "identity politics",
when i say that only two peoples ever managed
to sack Moscau... the mongols and the polacks
with the help of lithuanians,
"identity politics" only happens in
post-colonial society, akin to the english,
i'll speak the english,
but i will not be a cucked indian of
the former raj: i will eat the fish & chips,
i will eat the sunday roast,
i will eat the english breakfast with great
delight...
but i will not do what these former
colonial masters expect of me:
integrate at the expense of making my
mutterzunge into hubris!
stubborness contra pride...
hard to tell the difference...
and why do i like heidegger so much?
i'm not into the ad homine arguments...
my grandfather, was, a communist party member...
so?
i like heidegger... because he appreciates
poetics, i like that poets can share the same
values as philosophers,
thanks to heidegger: we have been requested
back into the republic...
if plato and islam didn't like us, hanging around,
some offshoot german thinker / promenade
enthusiast like used enough to,
i suppose: ban the theatre puppeteers...
i am not playing identity politics...
biological reality is not enough...
but archeological reality?
can you really advance to counter?
i was born near:
Krzemionki Opatowskie, a Neolithic and
early Bronze Age complex of flint mines
for the extraction of Upper Jurassic (Oxfordian)
banded flints...
personally? i don't believe in
the African genesis conundrum...
i believe "my" people originated from
the Indian sub-continent,
as, associated with the complex:
Indo-European categorization of language;
i'm still to see an African phonetic
encoding system, beside the hieroglyphics...
i, was, born, there! i'm not a displaced
post-colonial debacle between former master
and former slave...
i have: roots... i'm not ******* up to the fish & chips
brigade with a friday night's worth of curry...
i cook my own curry,
and by god: it is the food of the gods...
i'll give the blue indians that counter...
but sure as **** not the worth of mead
or whiskey...
if they only tolerated themselves,
sure, learn the english language,
but know this much:
english is the modern lingua franca...
it's the language of economics,
forget the natives, too ignorant to learn
either deutsche or française:
island-folk...
what else, what other attitude?
even the russians are like:
that land of the weirdos? the idiosyncratics?
yes, we know that land...
the only "thing" that shelters the english
are the h'americans, the south africans,
the australians etc.,
sure as **** the scots aren't sheltering them...
and, mind you?
if the i.r.a. really wanted to plant
a bomb?
a real bomb? they'd revert from speaking
any english to begin with... resorting
to revising their usage of gàidhlig:
ga-id-hlig... gaelic...
like the welsh, stubborn people, proud people,
retaining their Çymraeg...
celt: said kelt...
the glaswegian football team?
Çeltic... not: keltic...
borrowed from the greek: sigma (ς: cedilla to ****)...
wow! all the particulars in the english tongue!
guess it would take an ausländer to spot them!
U-21 european championships,
england versus romania:
a magnificent match...
the youngsters playing better football
than the oldies in their mid to late / early 30s...
i'm trying to tolerate Islam,
it's not in my nature...
hell... i enjoyed visiting a turkish barber
shop, i still have an unflinching opinion that,
the turks are the best barbers in the world...
but...
this quote, is going to **** you:
same aphorism / pondering (24 / X) -
*** fight videos - count dankula...
you know what i'd love to do to these little
snarky *****?
the french revolution isn't enough...
n'ah, them hanging, is not enough....
ever heard of the butchers' hook?
it's also callled close-up fishing...
imitation hang-man...
you insert a fishing hook...
and you let the sweeney todd ****** dangle...
on a hook, rather than a noose...
lords of salem come your way?
i'd rather the snarky teen hanging off
a fisherman's hook than dangle
like some lynched ******...
beside the suffocation,
i'd like them with a fisherman's hook entombed
in their hard palette...
i don't want them hanging...
what am i? a sadist?
i want them on the fisherman's hook!
when suffocating without a broken spine absorbed
by the neck isn't enough!
fisherman's hook gallows is a
masterpiece... of suffering...
most certain...
when cheap comedy is being towed...
making fun of bums, or homeless people...
the current society is so welcome
to bypass all the "adventures" of Loki...
but akin to the lords of Salem...
burn!? such a limitated imagination!
ah... right... digressing...
the reflexive / reflective quadratic...
language - only if speech has acquired
the highest univocity of the word does it
become strong (enough) for the hidden
play of its essential multivocity
(as withdrawn from all "logic"),
of which poets and thinkers alone
are capable, in their own respective modes
and their own directions of sovreignty.
we do live in a time of a lost sense
of dialectic, since we do not live in a time
of etertaining dialogue,
perfectly sensible opinions,
that's all we have...
if one of these snarky *******
came up to me...
they'd get a chance to experience a rubric
of 4, knuckles...
what's 189 centimeters in empirical?
6ft2... oh!
see where imagination takes you?
and here i was: thinking i was without it!
butcher's hangman...
oh, not so easy...
fame by no association to fame...
just the tears of parents who raised their children
to be nothing more than rugrats...
annoying gnat like bothersomes;
and nothing quiet special to be associated
with weimar berlin...
just, these,
h'american mall onlookers
with pwetty-guy-for-a-white-fly-mentality,
as borrowed from californian
1990s punk;
re-used ****** losers.
mad-hatter's fraction: 10/6....
0.666...
well: to the given extent:
1.666666(7)....
1, 0, /6,
no number is divisible by 0,
every number, divisible by 1:
is the same number...
mad hatter's 10/6...
re-used ****** losers...
i like that phrase...
7 for every 6, 7 for every 6...
until the 0. fraction comes
a 1.: exponential serf of 0...
0 being the multiplier...
i really am growing a beard to less
don it, but rather to experience
a relief from patience...
war robots?
the first non n.p.c. game...
i like that, very much...
and when i did:
you know my first experience of
love at first sight?
the younger sister of my then girlfriend...
****** up ****...
love at first sight is a terrible phenomenon...
i was nearing 18, she was barely 13...
i was dating her older sister...
but it was love at first sight,
the trouble with: love at first sight:
it doesn't lie...
it tries to lie...
but it can't lie...
paedophilia? a bit... untouched bodies
though... bodies of people who were
never supposed to touch...
i once said to a fwend:
well wouldn't it be ****** up if i touched
her?
she's a muse, which doesn't translate
into vacating her as a busy body
worth of a touch, does it?
if only my old friend samuel said
otherwise:
sylvester "contra" tweety:
my first girlfriend...
but her sister?
i was nearing 18, she was about 13...
love at first sight...
untouched, cradled, unscathed...
and so she remained...
until she did what every girl would
have done...thank god she remained
a figment of my imagination...
rammstein: rosernrot...
i have seen love at first...
such a load of ******* that it had to be
the younger sister of a girl i was dating...
and the **** that i had to be 18 and see
was just beginning her teenage transition...
the world unfair i grant
the most justifications... as being
the (just - unnecessary adjective) arbiter...
love at first sight becomes a forbidden love...
love at first sight was always a forbidden
love...
and the sort of "love" that achieves
a perspctive of change that doesn't
translate into old age...
love at first sight is soon translated
into a love of affairs closely associated
with middle-age disenfranchised
state of affairs...
i.e. to love again...
how else to feel relief from
having lost both one's inhibitions
as well as one's ambitions?!
in the conundrum of the mortal
"question" of the continuum being
preserved?