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I do not mourn.
I take what comes—
feather, plastic,
skin.

I wrap them in salt —
and silence

The man did not ask
but he drifts now
with the others—

The fish, the feathers, the gods.
(This is one of three companion pieces exploring the same story from different perspectives. "Drifting" tells the narrative, "The Taker" speaks from the ocean's voice, and "Man" captures the man's perspective.)
What is it about loose eyelashes
That prompts wofty wishes;
Are they heaven’s kisses
In disguise?

We all want to lift our eyes
Above the cloak of disguise
Even if it may compromise
The facade, and authenticity’s surprise.

This world is concrete;
In Western buildings and streets,
In the here-and-now, we can flee
And dismiss lofty things as absolute.

But we are meaning-makers,
We are constant risk-takers.
We are pursuers for magic’s sake,
And may our quest we foolheartedly take.
What do you do when you see free eyelashes? Anything? Nothing? It is curious our daily practices.
When the yellow/green face
of this furnace valley is smudged
with summer's first rain runs

I dream about dad again:
7 years since that hospital bed
in Georgetown where he turned

to wax and I turned to water.
In the dream I was so small,
he took me to his old '80s office,

the tan portable in the field where
everything was cheap wood panels,
thin mouse-brown temp carpet.

He sat me down by his blackboard,
jotted with number theory,
& left to retrieve a book he needed.

I sat among the dry sun and dust
until I realized I was an adult now.
Eventually a man came to the door,

& said "why are you still here?
Your dad died years ago,
& we need the room."
slurs the woman in her cups
when I tell her I write poems
late in the lonely evening.

She waves at the air conditioner
that mulches silence to hum lull,
"it's all just chemicals, physics,

actions and reactions, man."
Hard to argue with logic birthed
betwixt brain and frothing marrow

of glassy pint, so I tell her sure, ok,
& move the subject back to her son
who snaps time-lapse photos of ice

abandoning the toes of hills.
Still, her self-certainty rankles:
when I leave I pause and gaze up

at the sprinkled smears wetted
flat across the matte night melt,
any of which might be pouring

purring stanzas from radio teeth,
long-wave nigh-black rhymes
if we had ear enough to listen.

I heave homeward on clock feet,
blackbirds gashing the fog hedge,
as raw verse gnaws my thought.
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