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Backward-man loves his dog.
Ties him up before and after
His walks, likes to goad his pet
Too, speaking as the weather wails
And howls then dog looks down,
Sad on his master dumbfounded.
A chain is worn as it scrapes
The ground connecting dog
To his master.  They both love
The sound of it hissing as it strikes
The concrete pathways, sometimes
Man and dog feel free, not a part
Of each other, the chain may break,
And fear is for forks in the road,
The rusty pockmarked grip of his links
Have always been there on walks
Ahead and behind though it makes
Things confusing as if in a dance
And sometimes they wonder which way                                                      
They might end up after all—
And when the dark and golden
Rope, as always, is finally tied
To some old fruit tree, the man
Is happy his dog has both sun
And shade, but also has joy watching
Dog beg for ripe apples he cannot
Reach.  Some people might come
To think that dog thinks those apples
Are not for eating.  Everyone loves
Fruit, don't they?

Backward-man built his dog
A house as cold as a three-
Storied barn, out of things
He could not afford, things much
Too good for dog to not care
About, maybe man built dog's
House for himself, he cannot
Really impress his dog.
Backward-man likes to think
He knows what dog is saying.
Barks and whimpers have deep
Meanings, 'world is a good place,'
Dog says, but when pooch says,
'World is cruel,' crying, disobedient
Whines gets him a serious kick
Out of old anger from backward-
Man.  And man can be a hell-
Hound on his own, the way
He twists and unravels the things
He needs, like truth and food
And love— that goes without
Saying for backward-man hates
His woman, but loves his dog.
I remember when all our guns were sticks
I remember when pine cones were grenades
I remember when we always got back up
And war was just a game we played
 Jul 2016 Sam Temple
A
S
 Jul 2016 Sam Temple
A
S
I thought about you today
Your sister posted a picture online of a butterfly that had landed on her foot outside in her backyard, she said it was you visiting her and of course everyone gave her their condolences.
I often think of your family, like the son you left behind and the husband who has yet to find anyone else since you left.
But how could you find another lover after you found the last one hanging from a cable cord in your basement
If you knew how everyone's life would be now, would you take it back?
 Jul 2016 Sam Temple
Nat Lipstadt
<>

for the early morning teach

<>

she's young, beautiful and thinks her life is cursed,
in the past, subject of some of my poems, her health to nurse,
yet, as is normative, you fall into & out of a well of touch,
until you accidentally once again path cross,
she provides a precision mathematical status update

"i'm fairly certain things are like at least 38% worse."

it is 1:38AM for you,
the not unnoticed ironic minute and hour
when the night ether has prematurely worn off,
rising time close but not nearly close enough,
a dark dose of a sleeping nurse's aide seems inappropriate,
and TV reruns seem like an insult to your brain

instead you turn on some belle string musique,
a Grande Messe des Morts,
a chorus,
singing a high mass for the dead,
while opening all your various email luggage and baggage,
smiling as you read a poetess's message of
laughter behind tears

"i'm fairly certain things are like at least 38% worse."

and Mississippi ******,
your uncontrollable mixed drink of her emotional
Grenada grenade cocktail,
flavored with musique, paintings, and words and a nearby beloved's
gentling sleep sounds,
has you writing your own protest poem,
your very own,
oy vey, grande messe,
about lives that were supposed to be
pictures of perfect artistry
and for but a word or two,
instead, a painting of a life that got hung upside down,
and indeed,
leaving a grand mess and no one to help clean up


alternatively weeping, laughing as you are thinking,
smiling recall
Laurel and Hardy's summary definition
of living a life's of ill begotten, misventured adventures:

"Well, here's another nice mess you've gotten me into !"

but 38% worse?

not an even-steven rounded up 40%,

should I write you only 38% of a poem, teach?
or more accurately, more mathematically,
138% of what was writ before?

and you recall your older, prior words
about the love hate affair between
you poet,
and the beauty of written brevity
(her style)

and you give her this then,
this rambling, scrambled, attention paid notification,
word attentiveness, a summary of your readings
of her cheddar sharp and honey mustard sweet retorts of
pained poetry,

it is insufficiently but perfectly sufficient,
a summarizing phrase that opens
and yet
briefly encapsulates all that
you are feeling for her

"thinking of you"

or the 38% larger version thereof -


*"Well, here's another 38% more
nice poetic mess
you've gotten me into!"
2:44 AM,
of course
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